The Center for Cinema and Creation (CCC) in Chile and Cineka, The Place Where Stories Happen, in Mexico, through Grupo SURA, aims to contribute to the development and consolidation of the work undertaken by civil society groups and collectives in building collaborative spaces through audiovisual exhibition. They invite individuals representing collectives, groups, and independent organizations to participate in the First Collaborative Cinema Meeting, a call for projects focused on independent audiovisual exhibition to be developed and practiced in the Latin America and Caribbean region, seeking to build community around cinema.
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Collaborative Cinema Meeting
The International School of Film and Television (EICTV) offers a Master’s in Fiction Film for the 2025–2028 period, aimed at filmmakers interested in developing feature film projects in a creative and professional environment. The program combines technical and artistic training, including a creative lab called FICCLAB, where students develop their films with guidance from specialized filmmakers, creating scripts, production design, and exploring cinematic language.
Six students will be selected for the program, which includes in-person training in Cuba and online components. The program runs from February 2 to September 25, 2026, with a fee of 9,000 euros and a diploma issued by EICTV, recognized by the Cuban Ministry of Foreign Affairs.
Applicants must submit a motivation letter of up to three pages explaining their project and motivations, along with a portfolio of previous work. The application deadline is October 20, 2025, and the program seeks candidates aged 22 to 30 who wish to advance in feature film development in an international and creative setting.
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FICCLAB
The American Film Market (AFM) 2025 will take place from November 11 to 16 in Los Angeles, California. It is one of the most important independent film markets globally, where distribution, financing, and promotion deals worth billions of dollars are made.
The event gathers producers, distributors, buyers, and industry professionals to present projects, network, and participate in specialized conferences and panels. Key activities include the Pitch Conference, where filmmakers can present projects through a two-minute video, and support programs for film sales companies.
The call is open to film professionals interested in showcasing, financing, or selling cinematic projects. It provides an opportunity to expand networks, gain international visibility, and understand trends in the independent film market. Participation enables strategic connections with key global industry players and access to practical insights on film production, distribution, and marketing.
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American Film Market
Ópera Prima LAB
Apoyar a jóvenes talentos audiovisuales en el desarrollo de proyectos de su primer proyectos de largometrajes, con el fin de que puedan fortalecer sus películas desde la fase inicial y facilitarles un mayor acceso a financiamientos y mercados nacionales e internacionales.
CortosLAB
To support young audiovisual talents in the development of short film projects in genres other than drama, in order to strengthen their films from the initial phase—artistically, in production, and in marketing—and to promote the production of a diversity of cinematic genres.
CortosWIP
To support young audiovisual talents in the completion of short films, including editing processes and post-production of their works.
CortosDIS
To support young audiovisual talents in the distribution and commercialization of their completed short films and to achieve greater dissemination of their works at the national and international levels.
Ópera Prima LAB
To support young audiovisual talents in the development of their first feature film projects, with the aim of strengthening their films from the initial phase and facilitating greater access to financing and national and international markets.
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Chile Short - Market
This program is aimed at filmmakers who are seeking to achieve the final cut of their fiction or documentary work, defining the authorial vision and point of view, which will allow them to begin the post-production stage of the project. It is essential that the project includes the presence of the editor.
During the BioBioCine Meetings, the methodology is tailored to the specific needs of each project, with guidance from mentors with recognized international experience. The work will be conducted through daily individual sessions in a virtual editing room. Participants will also have the opportunity to present a 3-minute pitch to industry guests. Up to 4 projects will be selected.
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BIOBIOCINE - Corte Final Lab (ONLINE)
