The Two Week International Residency is a program by Etxe Betea in Bilbao, aimed at international women filmmakers looking to develop a feature film project. The residency provides a creative, professional, and feminist environment, including accommodation, workspace, and personalized mentorship for two weeks.
The program has a history of international exchanges with Greece and Pakistan, fostering collaboration among filmmakers from diverse cultural backgrounds. In its pilot edition, Greek and Basque filmmakers participated in cross-residencies, maintaining this international focus.
The call is open to women filmmakers of any age and experience level who do not reside in Spain. Projects can be fiction, documentary, experimental, animation, or hybrid, with no restrictions on the stage of development. Only one participant will be selected per edition.
The residency is offered in February or May, with exceptional flexibility in justified cases. Participation requires full commitment to the two-week program and signing an attendance agreement.
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A Shelter of One’s Own – Etxe Betea
The call is exclusively for Chilean women filmmakers. Projects in post-production stage can participate, including short films, mid-length, and feature films. Projects must be produced in Chile and be in editing, color correction, sound post-production or similar stages. Submission requires synopsis, teaser or work-in-progress footage, motivation letter, and post-production plan. Selected projects receive technical post-production services such as color correction, DCP mastering, and sound post-production. The call closes in August 2025 and the festival takes place in November 2025.
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FECILS Female directors - WIP
DOK Industry is the professional platform of DOK Leipzig, designed to support documentary projects in development with international potential. Each year it gathers producers, directors, financiers and distributors in a space dedicated to networking and coproduction.
The call is open to creative, author-driven and innovative documentaries that are in development or early postproduction. International projects are welcome, except for the Preview Germany program, which is reserved for projects based in Germany.
There are several entry points: the Co-Pro Market, focused on international coproduction; Short n’ Sweet, for short documentaries; Archive Market, dedicated to archive-based projects; and Neuland, highlighting XR, VR and AR storytelling. Producers may also attend without a project to strengthen professional connections.
English is the working language, and the main goal is to link artistically ambitious projects with the European and international audiovisual industry.
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DOK Industry
Izaña Lab is designed by a team that faces the challenge of filmmaking daily, who understands that a film is the result of continuous trial and error processes. The entire process is, in reality, a laboratory, where the experiment is tested, analyzed and repeated. Each film is a prototype, and although we dream of replicating success stories, reality shows us that the way to position a product as unique as a cinematographic creation in the market requires inventing new formulas that fit each case.
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Izaña - LAB
NATPE Budapest 2026 is an international audiovisual content market focused on the television and streaming industry, where producers, distributors, buyers, and executives meet to negotiate deals, co-productions, and content acquisitions. It is not a festival or a competitive project call, but a B2B industry event centered on content distribution and business development.
The 2026 edition will take place from April 27 to April 29, 2026, in Budapest, Hungary. This date shift reflects a broader restructuring of the global media market calendar, aiming to avoid oversaturation in June and take advantage of the gap left by other international markets.
The event is fully international, bringing together participants from Europe, Latin America, the United States, and other regions. There is no formal submission process for projects; instead, participation is based on registration and accreditation for buyers, sellers, exhibitors, and press representatives.
NATPE Budapest does not select content by genre or format, as its focus is commercial rather than curatorial. However, it covers a wide range of audiovisual content, including fiction, non-fiction, documentaries, entertainment formats, TV and streaming series, feature films for broadcast, and digital content such as FAST channels.
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NATPE Budapest