The WomanInFan – Sitges FanLab call, held in Spain, is an international initiative aimed at supporting women filmmakers working in the fantasy genre. As part of the Sitges Film Festival, it focuses on the development of feature-length projects in early stages, offering a lab-based program with training, mentorship, and professional guidance.
The program targets fantasy genre projects —including horror, science fiction, fantasy, animation, and experimental works— and is designed to foster new voices in the audiovisual industry. It functions primarily as a lab or residency rather than a market or completed works platform, emphasizing creative and strategic development.
The call is open to international applicants. The submission period runs from March 9, 2026, to June 30, 2026 (final deadline). The lab activities will take place from October 13 to 15, 2026, within the broader festival dates, which run from October 8 to 18, 2026.
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WomanInFan Residency - SITGES
The FanPitch call takes place in Spain as part of the Sitges Festival and is open to international applicants. The submission period runs from March 9 to June 30, 2026, which is the final deadline to apply. The event itself will be held on October 12 and 13, 2026.
This is an industry-focused initiative centered on pitch sessions, aimed at projects in development within the audiovisual market. The call specializes in horror, science fiction, and fantasy genres, and also accepts documentaries as long as they fall within these thematic categories.
FanPitch accepts feature films, series, and documentary projects in development, requiring materials such as a video pitch for evaluation. It serves as a platform to connect creators with industry partners, fostering visibility and supporting the advancement of early-stage projects.
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FanPitch - SITGES
The Bolivia Lab Collaborative Network invites you to participate in the International Coproduction Pitch Rally – Online, an event within the XVI Bolivia Lab 2024. Get ready to immerse yourself in a space dedicated to promoting collaboration between filmmakers and producers from around the world, with the objective of connecting projects in intermediate development with potential co-producing partners in fiction and documentary.
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Bolivia Lab - Rally de Pitch
“Break On Time” is an international screenplay competition organized by ISII Group, based in Las Palmas de Gran Canaria, Spain. It is open to screenwriters of legal age with professional experience in the audiovisual industry. The contest accepts fiction, animation, documentary, and series projects—individual scripts must not exceed 59 minutes, while series can include up to 10 episodes of 60 minutes.
Entrants must submit three versions of their script (first draft, second draft, and final version) combined into a single PDF file. The submission window for the 2025 edition ran from May 19 to August 1. The awards ceremony is held in November in Madrid, where winners are announced.
The jury features acclaimed film and TV professionals such as Marta Etura, Karla Sofía Gascón, and Ernesto Alterio. Several prizes are awarded, including five special mentions. The competition aims to spotlight innovative screenplays with cinematic vision and strong production potential.
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Break On Time
The 2026 Screenplay Revision Lab by Cine Qua Non Lab is a film development workshop focused on rewriting and strengthening fiction feature film screenplays. The call is open to filmmakers from all countries, making it an international program.
The application deadline is June 12, 2026, at 8:00 p.m. (Mexico City time). Selected participants will take part in an in-person residency held in Tzintzuntzan, Michoacán, Mexico, from November 11 to November 25, 2026, in an immersive collaborative environment.
In addition, the program includes an online follow-up module scheduled for February 2027, designed to support the continued development of the selected projects.
The lab is exclusively aimed at fiction feature films in development or rewriting stages, operating as a creative laboratory focused on deepening narrative structure, character development, and the cinematic potential of the screenplay.
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Script Review Workshop (Spanish) - Cine Qua Non Lab
