Blog: Festivais de cinema

There has been a recurring debate about short films for years at festivals, professional meetings, round tables, markets, etc. It would be summarized in this question: why does the short film not receive the same recognition as the feature film? The problem with this question (most commonly asked by distributors, but not exclusively by them at all) is that it does not clarify what recognition it is talking about or who would have to carry it out. That is, it does not clarify to whom the question is addressed, so it is impossible to answer.

If we talk about short films as cinematographic works, we must remember that some of the great masters in the history of cinema have delivered great works in short format (Godard, Malle, Varda, Marker, Garrel ...). As a work of art, short film is already recognized throughout the world. But is it as an industrial product?

Following the logic of capitalism, a short film can never produce the same profit as a feature film (in fact, it is unusual for a short film to generate a profit), whether its budget is very large or very small, so as an industrial product it will never have the same recognition as a feature film, naturally, and it would be rather healthy to understand that these two perspectives are complementary and do not exclude one another.