The International Alternative Media Film Festival (FICMA) promotes and disseminates the creation of films and audiovisual projects with new digital narratives and disruptive technologies, created with a variety of devices such as smartphones, DSLR cameras , GoPro cameras, Blackmagic Pocket cameras, drones, and others. It utilizes technologies such as virtual reality, digital animation, and artificial intelligence, among others, and features exhibition media such as projection, VR headsets , and streaming platforms .
This year, with our tenth edition, we will celebrate the different forms and techniques of cinematic expression we have brought to the public over these past 10 years, as well as incorporating new projects that drive the future of audiovisuals.
FICMA will take place from November 12 to 22, 2025, in Mexico City.
REGISTRATION AND PARTICIPATION OF A FILM OR PROJECT REQUIRES FULL ACCEPTANCE OF THE TERMS, CONDITIONS AND RULES OF THE FESTIVAL WITHOUT ANY EXCEPTION.
ZINEBI- International Festival of Documentary adn Short Film of Bilbao
ZINEBI is the only Class A international festival in the documentary and short film category in Spain. It is accredited by the Hollywood Academy of Motion Picture Arts and Sciences as a qualifier for the Oscars, for the European Film Academy’s awards, for the British BAFTAs and for the Spanish Academy’s Goyas.
Created in 1959 by the Basque Institute of Hispanic Culture, attached to the Spanish Foreign Ministry, the International Ibero-American and Filipino International Documentary Film Contest (its original name) was devised to follow in the steps of San Sebastián, which had been set up six years earlier. It is the third oldest festival in the Spanish State, after San Sebastián and Valladolid, and the first amongst those in its field. Between 1972 and 1981, it became a platform to discuss Spanish short films and a space for the dissemination of productions from all over the world, and particularly Latin America. In 1974, it was recognised by the International Federation of Film Producers Associations (FIAPF) as a contest of the highest international competitive category. Between 1975 and 1980, it was the ideal forum to discuss the arrival of what would be known as Basque cinema.
In 1981, the festival passed to the hands of Bilbao City Council. Since the year 2000, it embarked on a new era under the ZINEBI brand, when it would consolidate its position as one of the most important international festivals in its speciality. It has strived to be a platform for Spanish and Basque producers and directors and has contributed, as one of its fundamental goals, to internationally promoting the quality and independent films made around the world: films whose creative ambition is not exhausted by merely repeating hackneyed stylistic characteristics. Thanks to these very free and exceptional works, ZINEBI continues to renew its commitment each year to formal experimentation, to the interdisciplinary and hybrid of the new audiovisual productions, to support for the up-and-coming producers, and to filmmakers’ aesthetic and ethical scrutiny of the increasingly more complex realities of our contemporary world.
Throughout its long history, the festival has welcomed to Bilbao some of the most prestigious professionals of independent filmmaking worldwide. The accolades of ZINEBI include the names of Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz and Luise Donschen. Thanks to its critical debate and specialisation, the festival has been a test bed for the new trends of contemporary cinema and a useful platform for the most daring filmmakers.
A similar headcount of the ranks of Spanish cinema reveals that the Bilbao Festival has been the launchpad of several generations of filmmakers: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra and Natalia Marín.
The festival’s guests, international jury members and winners of the Mikeldi of Honour, its top annual award, include Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros, and the Jean-Pierre and Luc Dardenne brothers.
The different ZINEBI directors down through the years have been: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico and Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), the Executive Committee made up byr José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) and Ernesto del Río (1999-2017). Vanesa Fernández Guerra has been the director since 2018.
The festival is currently sponsored and institutionally funded by Bilbao City Council – through the Arriaga Theatre – as the organiser, by the Basque Government’s Department of Culture, by the Spanish Ministry of Culture – through the Institute of Cinematography and Audiovisual Arts (ICAA)-, and by Bizkaia Provincial Council. ZINEBI is also supported by private and public entities including Basque Public Television (ETB), Azkuna Zentroa, Golem-Alhóndiga Cinemas, the Fine Arts Museum, Guggenheim Museum, the Sala BBK, the Campos Elíseos Theatre, the University of the Basque Country (UPV/EHU), the French Institute, the Goethe Institute, the SGAE Foundation-Basque Council and the FAS Film Club.
ZINEBI- Festival Internacional de Cine Documental y Cortometraje de Bilbao
ZINEBI es el único festival internacional de Clase A de España en la categoría de documental y cortometraje. Está acreditado por la Academia de Hollywood como calificador para los premios Oscar, para los premios EFA de la Academia del Cine Europeo, para los premios BAFTA de la Academia Británica y para los premios Goya de la Academia Española.
Creado en 1959 por el Instituto Vascongado de Cultura Hispánica, dependiente del Ministerio de Asuntos Exteriores, el Certamen Internacional de Cine Documental Iberoamericano y Filipino de Bilbao (su nombre inicial) fue concebido como hermano menor del Festival de San Sebastián, que había nacido seis años antes. Es, tras el de San Sebastián y el de Valladolid, el tercero más antiguo del Estado y el primero entre los de su especialidad. Entre 1972 y 1981 se convirtió en una plataforma de debate sobre el cortometraje español y en un espacio para la difusión de las cinematografías más variopintas, en especial la latinoamericana. En 1974 obtuvo el reconocimiento de la Federación Internacional de Asociaciones de Productores (FIAPF) como certamen de la máxima categoría internacional competitiva, y entre 1975 y 1980 fue el lugar de debate idóneo para el alumbramiento de lo que empezó a conocerse como cine vasco.
A partir de 1981 el festival fue asumido por el Ayuntamiento de Bilbao y desde el año 2000, bajo la marca de ZINEBI, emprendió una nueva época en la que ha consolidado su posición como uno de los festivales internacionales más importantes de su especialidad, desde la que intenta servir de plataforma a realizadores y directoras de Euskadi y el Estado y ha contribuido, como uno de sus objetivos fundamentales, a la promoción internacional del cine independiente y de calidad que se realiza en los cinco continentes: películas cuya ambición creativa no se agota en la repetición de rasgos estilísticos estereotipados, obras muy libres y singulares que permiten a ZINEBI renovar anualmente su apuesta por la experimentación formal, por la condición híbrida e interdisciplinar de las nuevas producciones audiovisuales, el apoyo a los realizadores emergentes, y la indagación ética y estética de los cineastas en las cada vez más complejas realidades de nuestro mundo contemporáneo.
A lo largo de la dilatada historia del festival, han pasado por Bilbao algunos de los más prestigiosos profesionales del cine independiente mundial. En el palmarés de ZINEBI destacan los nombres de Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz, Luise Donschen o Fern Silva. El festival, desde el debate crítico y la especialización, ha servido de banco de pruebas de las nuevas tendencias del cine contemporáneo y una plataforma útil para los cineastas más arriesgados.
Un recuento similar entre las filas del cine español, permite señalar que en el Festival de Bilbao han emergido realizadores de varias generaciones distintas: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra o Natalia Marín.
Entre sus invitados, jurados internacionales o galardonados con el Mikeldi de Honor, su máxima distinción anual, están Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros y los hermanos Jean-Pierre y Luc Dardenne.
Desde su fundación, ZINEBI ha tenido los directores siguientes: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico y Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), el Comité de Dirección formado por José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) y Ernesto del Río (1999-2017). Desde 2018 la directora es Vanesa Fernández Guerra.
Actualmente el Festival cuenta con el patrocinio y la financiación institucional del Ayuntamiento de Bilbao –a través del C.A.C. Teatro Arriaga- como organizador, del Departamento de Cultura del Gobierno Vasco, del Ministerio de Cultura –a través del Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)- y de la Diputación Foral de Bizkaia. Además, colaboran con ZINEBI entidades públicas y privadas como la Televisión Pública Vasca (ETB), Azkuna Zentroa, Cines Golem-Alhóndiga, el Museo de Bellas Artes, el Museo Guggenheim, la Sala BBK, el Teatro Campos Elíseos, la Universidad del País Vasco (UPV/EHU), el Instituto Francés, el Goethe Institut, la Fundación SGAE-Consejo de Euskadi y el Cineclub FAS, entre otros.
ZINEBI
INTERNATIONAL FESTIVAL OF DOCUMENTARY AND SHORT FILM OF BILBAO
It got started in the year 1.959 and organized by the Cultural Department of Bilbao City Hall, ZINEBI will celebrate its 66th edition from the 8th up to the 15th of November, 2024.
It is the only international Class A festival in Spain in the documentary and short film category recognised by FIAPF since 1974, recognised by the Hollywood Academy as a qualifier for the Oscars among the short films from the official palmares and qualifier as well by the Spanish Academy for the BAFTA Awards and the GOYA Awards.
ZINEBI is a festival which holds all the most current forms and formats, innovative and suggestive and that is making a steady bet for the emerging authors. The line-up of the international schedule (documentary, animation and fiction) and its section ZIFF-ZINEBI FIRST FILM, dedicated to first works, are their really distinguishing mark. Honour Mikeldis are also remarkable, which recognise the prestigious career of distinguising international directors and the strict selections of its sections BEAUTIFUL DOCS, dedicated to the most relevant contemporary features and BERTOKO BEGIRADAK, a section dedicated to the Basque documentary feature films from a recent production. Besides, every year it´s celebrated the profesional encounter entitled ZINEBI INDUSTRY- NETWORKING, dedicated to promote the audiovisual Basque industry.
Espanto Film Fest International Horror, Horror, Suspense and Science Fiction Film Festival Volume 7 will take place from October 29 to November 5, 2025 in person and virtually by streaming through our Planiferio platform, taking place in several States of the Mexican Republic.
Having a program focused on the best of independent horror cinema in international feature films, we are the ones who give the highest percentage of screen to Mexican feature films and short films, in addition to the script sections for short films, feature films, international short films, Ibero-American section, LGBTIQ+ and experimental and/or university short films with a duration of no more than 25 minutes, in addition to Espantito shorts made by children, and the new category of video games, all production must be from 2024 to date all with horror, horror, suspense, science fiction, fantasy and all its subgenres.
Penco-Lirquén Film Festival understands film as a social phenomenon in constant transformation, which addresses interests and problems of society to link the public with the audiovisual pieces, thus opening instances of reflection and dialogue around the creative work between spectator and filmmaker.
This is why the event, in its fourth edition, aims to turn the town of Penco into a meeting and training point for filmmakers and the community in general, through the exhibition, dissemination and recognition of short films made in university contexts by students of audiovisual careers, as well as professionals in the area, from all over Latin America, including Chile and the Biobío region.
RURÉFILOS, International Film and Rural World Festival is a multidisciplinary meeting point in which, through audiovisual language, a space is provided for debate and creative reflection on the past, present and future of the rural world.
X edition of the Zinetxiki Zinemaldia - International Film Festival for Children and Youth, organised by the cultural association Begira Elkartea, will take place in Bilbao and other Basque cities and towns from 13 to 28 December 2025.
Zinetxiki Zinemaldia aims at offering worldwide quality audiovisual contents to a family audience. Through the projection of selected works in several competitive categories, the festival seeks to promote the audiovisual education and the creation of new audiences.
MACAU INTERNATIONAL SHORT FILM FESTIVAL (“FESTIVAL”) is an annual worldwide audio-visual festival that aims to motivate overseas and Macau short film and music videos productions to compete in this FESTIVAL.
The Festival was previously known as "Sound & Image Challenge" and was first launched in 2010 focusing only on an audiovisual competition for local talent. This initiative was co-founded with professionals in film, music, sound and image fields, with two priorities: to promote the Creative Industries in the audiovisual sector and highlight the local talents in the production of sound and moving image design. Over the years, it expanded across 5 continents, grew and gained recognition, and finally became a short film festival in 2015.
The Festival will be held from 1 to 9 December 2025. A series of cultural programs will be scheduled in venues throughout Macau during the Festival week, such as public screenings of “SHORTS & VOLUME” official selection, Masterclasses of film production, development, International Film Festival curatorship and organising; audience voting for “Audience Award”; as well as gala awards ceremony.
Cortomontagna prize is exclusively dedicated to short films.
The prize’s main theme is Mountain life, told and documented through a video that expresses the author's point of view and interpretation.
Possible takes on the main theme can range from the narration of sporting activities (skiing, climbing, hiking - for example), to naturalistic-environmental themes, to facts and life stories of communities or mountain territories.
The award has two categories:
- Short Films from the World, reserved for short films with an international character, concerning facts, situations, people and places beyond the borders of Italy.
- Short Films from Italy, reserved for short films concerning facts, situations, people and places within the borders of Italy.
At the time of entry, contestants will choose their preferred option on the entry form.
Everyone can take part in this competition.
AtEMpOrAl is a festival with an itinerant spirit that takes place annually in various provinces of the country and was born with the purpose of converting Peru as a meeting point for Latin American non-fiction cinema, seeking to generate spaces for training, visibility and reduction of the gender gap in the cinematographic field that is focused on portraying social, political and historical themes told by new aesthetic and narrative forms that commemorate resistance in the region.
In this third edition, AtEMpOrAl will be held online and in person. Having the city of Trujillo as its headquarters and the main theme being centralism in Latin American cities and its migratory effect on the new views and stories of people who inhabit said space.
Trujillo, a city located on the northern coast of Peru, is witness to major migratory and re-evolutionary events with great political significance for Latin America. Starting from this, the festival aims in this 4th edition to dialogue about memory and oblivion. Two antagonistic axes that invite us to think about the cinematography of our continent.
An important milestone for the International Humorous Short Film Festival State aKorti, between laughter and the other, we arrived at the 18th Edition
The show, as always, is open to film makers and directors of all nationalities. Participation is free.
The Aguilar de Campoo Short Film Festival is consolidated as one of the most veteran and relevant film citations in our country in its genre. The Academy of Motion Picture Arts of Spain, includes it as one of the key festivals for the selection of short films that will compete in the Goya Awards. Throughout the last editions the festival has been making important decisions that commit it to the cinema of our country. In his thirteenth edition he published his manifesto where he exhibited his philosophy and commitment to film. He made the decision to pay for selection to the selected short films thus eliminating economic competition in order to encourage artistic creation and production. Its screening rooms are open to international cinema including all genres, fiction, documentary animation and experimental cinema. In 2016 the festival received recognition from the AIC (Short Film Industry Association). This certificate is an annual distinction to differentiate and reward festivals that perform an exemplary role in the dissemination, protection and professionalization of cinema and its industry, and especially of the short film. This is the first time this certification has been granted and is the result of more than a year of work tables and conversations with festivals, filmmakers and other professionals from across the country in order to develop a guide to good behaviors towards the short film and its creators. The basic objectives of this distinction are to educate new generations of filmmakers and protect model festivals, recognizing their dedication and rigor. We seek the encounter and exchange between professionals and the public as a form of cultural enrichment.
Introduction
The 23rd MonFilmFest, organized by Immagina a.c. APS, returns from July 3 to 12, 2025, to Mombello Monferrato (TO) and in an anywhere format, telling stories through cinema and giving space to new voices and talents. This edition celebrates the theme «This land is my land», paying homage to Monferrato and the planet in their complexity and beauty.
Mission
Discover and promote new talents and cinematic stories through a creative game that becomes a production method. MonFilmFest tells the world starting from Monferrato, with an approach embracing its physical, anthropic, and cultural characteristics, focusing on current themes such as sustainability and inclusivity.
Festival Sections – Cinema Games
1. Seven Days for a Film
This is the heart of MonFilmFest: a challenge to create a short film in just seven days, from writing to screening. This section is divided into two formats:
ON SITE
Invited authors will move to Mombello Monferrato, where they will shoot their film entirely in the local area.
Details:
• Hospitality is guaranteed for up to 5 people (including meals and lodging).
• The crew must be self-transported and equipped with their own gear for filming and editing.
OFF SITE
Invited authors will produce their film anywhere they are, adhering to the same timeline as the ON SITE format.
Details:
• There are no territorial restrictions, but specific rules outlined in the regulations sent to invitees apply.
2. Showcase
A section dedicated to the research and screening of films made after January 1, 2023. There are no restrictions on genre, length, or style. The platform FESTHOME will host the films, making them available to an international audience.
3. Chat si gira!
An innovative game that brings together screenwriters and Artificial Intelligence developers. Authors will write an original screenplay in Italian, using AI as a creative tool to develop synopses, concepts, treatments, and short film scripts, all within seven days.
The main objective of the Short Film Festival is the dissemination of ecosystems and biological heritage through cinematographic and audiovisual works selected through quality criteria.
We excited to announce the second edition of the Fantasy Film Festival in Paris! An opportunity for regional and international filmmakers to let their imaginations shine.
The Fantasy Film Festival team wants to meet, inspire and support the next pioneers of Science Fiction and Fantasy.
The Fantasy Film Festival is the first of its genre in Paris.
The FFF Lab exists to provide huge opportunities for filmmakers, producers and festival goers discussions, feedback on your work, workshops, and future support for your project.
The Fantasy Film Festival accepts Shorts, Features, Animations, Scripts, Works in Development, Web Series, music videos and VR.
Our focus will be to provide live, interactive entertainment throughout the entire festival. We want people to feel like there are things to do and see at every turn.
Aside from all of the above, you will be able to forge connections with your attending peers interested and working in Sci-Fi and Fantasy. It will be a day packed with insight, all developed so you may take your work, and ultimately your career, further!
FFF is in partnership with a Night of Misfit Film Festival (USA), LIFF - The Lebanese Independent Film Festival (Lebanon), CIFF - The Canadian Film Festival (Canada).
The XVI Film Festival: Childhood and Adolescence -2025, is a festival with spaces for circulation and audiovisual training for children, adolescents and young people, with exhibitions, recreational activities, workshops, panels and discussions, whose fundamental objective is to promote Bogotá, as a pioneering city in Latin America in terms of a visible, protagonist and full of rights childhood and adolescence through audiovisual construction.
Participation is free of charge for the exhibition and circulation of audiovisual content. The Contest will be held from September 2 to 6, 2025. Children and adolescents will have access to an audiovisual program made up of national and international animated and fiction short films, television series and the category of the "FESTICINE AWARD" that is awarded to audiovisuals made by children in Colombia. They will be accompanied by recreational activities to reflect on the thematic axis: "CITIZEN CULTURE AND THE ENVIRONMENT".
We conceive IBZCF as a window into contemporary cinema, its new trends and creators who contribute new narrative paths to create vibrant, necessary, and modern films.
The 10th edition of IBZCF will take place in 10 venues across the island's five municipalities and online on the Filmin platform. Ibizacinefest renews its commitment to Ibiza and its culture through a program of national and international titles never before seen on the island, exclusive premieres in the Balearic Islands and Spain, activities aimed at professionals, short film sections to discover and promote local and Balearic talent, and our educational program with special screenings to create new audiences.
Reflection will also be given space through open discussions on the relationship between cinema and various current sociocultural issues.
Short films are once again the focus of IBZCF, once again as a qualifier for the 2026 Goya Awards, the Forqué Awards, and the Fugaz Awards, collaborating once again with the European Film Academy on the Shortfilms on Tour program.
We are holding our Slow-Cinema Workshop-Residency with simultaneous filming of 15 short films alongside the in-person Festival, with which we will flood our Island with more than 120 contemporary cinema titles.
Xavi Herrero
Director and programmer IBZCF2-European Film Academy Member
The Festival de Cine Comprometido de Guadalajara (FESCIGU) celebrates its 23rd edition this year at its (exile) headquarters in Azuqueca de Henares (Guadalajara, Spain). Over the years, we have strived to bring our audiences the best in the world of short films, with social, activist, or simply humanistic content. All genres are welcome, as long as they do not condone violence. FESCIGU is a pre-selection festival for the Goya Awards. This year, the central theme is PEACE, so short films that address this topic will be especially welcome.
BONITO CINESUR 2025
Bonito South American Film Festival - 2025 | Brazil
Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Guyana, French Guiana, Paraguay, Peru, Suriname, Uruguay, Venezuela
Competitive screenings of South American new feature and short films made between 2024 and 2025;
Parallel exhibition of South American children's animation film;
Competitive environmental-themed film exhibition;
Competitive exhibition of Mato Grosso do Sul film, with films made between 2024 and 2025;
Awards, debates, rounds of discussions aimed at international agreements;
Exchange with the most important festival directors in South America;
Workshops for children and the general community, workshops for film and audiovisual professionals and academics.
LOCATIONS
CMU - Multiple Use Center
ECOTOURISM, CULTURE and CINEMA
In Brazil’s heart, the city of Bonito is part of the Serra da Bodoquena National Park and one of the most important ecotourism spots in the country.
Mato Grosso do Sul borders Bolivia and Paraguay, from where the state received strong cultural influences and the composition of the ethnic identity of its people.
Bonito has around twenty thousand inhabitants and in this charming city there are rivers with crystal clear water, waterfalls, caves and the most beautiful landscapes of Brazil’s midwest. The cultural hub of Mato Grosso do Sul, Bonito hosts literary and Jazz festivals, besides one winter festival.
Bonito CineSur 2025 - South American Film Festival. Space for the gathering and integration of South American cinema and audiovisual productions, presenting its most recent films and bringing together professionals from all countries of the continent.
In 2024, its second edition enriched the cultural calendar of the city, the country and the continent with the screening of 42 films from 10 South American countries in 120 hours of free programming.
Bonito CineSur has been widely covered in the local and national press and in 2024 it grew in size and relevance with the participation of 40 public and private institutions, reaching 5.000 people directly, fostering the local creative economy by hiring 200 professional production services, technical equipment, as well as hotels, restaurants and transportation.
In 2025, the Bonito CineSur - South American Film Festival will occupy central spaces in the city of Bonito, and will continue to consolidate the convergence of culture - environment - tourism, intercommunicating cinematographically in South America, highlighting environmental issues and promoting the tourist destination of Bonito and our beloved Brazil internationally.
Bonito CineSur 2025 - South American Film Festival
NILSON RODRIGUES - Director
Producer of the movies “O outro lado do paraíso" (2015) and “O pastor e o guerrilheiro” (2022). Nilson was the director of Festival de Brasília do Cinema Brasileiro (1995, 1997, 1998 and 2011), and also of the “Festival Internacional de Cinema de Brasília” - Brazilian International Film Festival (from 2012 to 2017), of Bonito CineSur (2023 and 2024).
ANDREA FREIRE - Coordinator
Coordinator of the Bonito Winter Festival (from 2000 to 2006, 2015 and 2016); coordinator of Festival América do Sul (2004, 2005, 2015 and 2016); coordinator of the Screening Exhibit “Vídeo Índio Brasil” (2009), of the audiovisual production course “Mídias Contemporâneas Narrativas Populares” (2010); director, researcher and writer of the audiovisual series “EVOÉ – Drama Stories in Campo Grande” (2021). Coordinator of Bonito CineSur (2023 and 2024).
GUSTAVO DE ARRUDA CASTELO (Cegonha) - Coordinator
Cultural producer, coordinator of Temporadas Populares (1999 to 2002); General Director of the Mato Grosso do Sul Culture Foundation (2020 to 2022); Coordinator of Bonito CineSur (2023 and 2024).
THERESA HILCAR _ Coordinator
Journalist, columnist, press officer and TV producer. She has been working in the Mato Grosso do Sul press for 35 years and has worked for the most important media outlets. She has published five books and two anthologies. She is a member of the South Mato Grosso Academy of Letters.
JOSÉ GERALDO COUTO – Curator
Born in Jaú, in São Paulo state, in 1957. He is a journalist, translator and film critic. José Geraldo has worked for more than twenty years at the Folha de S. Paulo newspaper. He is currently working at the Moreira Salles Institute. José has translated literary works by Henry James, Norman Mailer, Truman Capote, Martin Scorsese and Nelson Mandela, among others.
CECILIA DIEZ - Curator
University professor, general producer of the Mar del Plata International Film Festival (2021-23) and Ventana Sur (2022-23).
RODRIGO FONSECA - Curator
Curator, critic and researcher of Brazilian cinema, known for his work in curating exhibitions and film festivals, as well as his work as a journalist and teacher.
LUCIANA DRUZINA – Curator of the Anima Sur children's and youth exhibition.
Director of the company Druzina Content, where for over fifteen years she has been producing series, animated films, fiction and games, which are shown in more than fifty countries on the most diverse platforms and channels. . Curator of the parallel children's programming of Bonito CineSur (2023 and 2024).
ELIS REGINA – Curator of the environmental cinema exhibition
Journalist, Elis has already worked as a curator in many events, such as: “Comitiva dos Chefs Festival Movie Exhibit” (2019); Making Of exhibit – “O Cinema Está Aqui – Festcine América do Sul” (2014); “A Imagem do índio exhibit – Vídeo Índio Brasil” (2014 and 2015); “Comida em Movimento Festival – Cinema e Gastronomia” (2023), and the Bonito CineSur South American Environmental Film Festival (2023 and 2024).
MARCOS PIERRY - Curator of the South Mato Grosso Cinema Showcase
Journalist, critic, audiovisual curator, screenwriter, short filmmaker and film professor. He holds a master's degree from USP and a doctorate from UFMG. He is a member of the Brazilian Association of Film Critics (Abraccine). Curator of the Bonito CineSur showcase of cinema from Mato Grosso do Sul (2024).
BONITO CINESUR – South American Film Festival
Production - Associação Amigos do Cinema e da Cultura – AACIC
Private non-profit entity, founded in 2007, which has been developing cultural, educational and training projects for over fifteen years. Among the activities carried out, the “Cinesurdo" projects, The School in Cinema, Contemporary Dialogues, Popular Cinema Circuit and Cinema in Schools stand out, and the Youth Festival.
The association’s experience and technical capacity for developing and carrying out activities in the field of cinema, as well as in training, education and culture in general, has already been attested by the Education, Health and Culture Commission of the City Council of Brasília and by the Brasília University of Brasília.
CONTACT
AACIC Executive Secretary
Dulcinéia Miranda
aacicbonitosur@gmail.com
+55 (61) 98119-5417
Moscow Indie Film Festival is easily one of the most filmmaker friendly independent film festivals screenings in a major entertainment city anywhere in the world. We know how painstakingly difficult it is to make a movie.
Moscow Indie Film Festival is about helping independent filmmakers gain the credibility and promotion they justly deserve. We are here to show your talent to the world.
The festival aims to bring to Moscow several films from all around the world, but very few times (sometimes never) screened in our great city.
