The San Diego International Kids' Film Festival promotes the idea of entertainment with education. Supported by many across the world, the festival supports the entertainment and education industries by showcasing international films, and gives young, aspiring filmmakers a channel to communicate to an international community. The resulting collaboration produces a unique multicultural experience, engaging young viewers with positive media, as a diverse education.
50 Film Festivals worth the entry fee - MovieMaker Magazine
20 essential International Film Festivals - MovieMaker Magazine
10 most exciting European Film Festivals - The Guardian
Mallorca International Film Festival enters its 13th edition, with a clear mission statement; BRIDGING CULTURES – BRIDGING PEOPLE. This is reflected in the film's storytelling, the shooting locations, or the cast and crew. The idea is to screen films that are inclusive, diverse, and invite the audience to experience a variety of languages and cultures.
MIFF is recognized as one of the fastest-growing international film festivals in Europe, using independent film to shape a creative community, allowing filmmakers to feel inspired, network, and thrive in this idyllic Mediterranean island paradise.
THE hub for networking, MIFF brings together the brightest local and international minds in cinema in Mallorca’s buzzing and the culturally rich city of Palma. For seven days EMIFF’s program is curated to showcase a culturally diverse, inclusive and provocative mix of feature films, short films, documentaries, music videos, films for kids, experimental films, animation shorts, student films and a feature film and short film screenplay competition.
Some of our resent programs included award winning films such as:
Triangle of Sadness
Corsage
Un Amor
Perfect Days
The Promised Land
With competitive screenings unfolding at the most striking island locations, MIFF is an ideal place for filmmakers to rub shoulders with industry professionals at the festival’s Producers Club, Cinematography Focus, Pitch Forum, and numerous workshops. Speakers and mentors have included Oscar Winners Erik Messerschmidt, ASC, Melissa Leo, Director Ruben Östlund, DP ED Lachman, Actor Mads Mikkelsen, Director Isabel Coixet and many more.
MIFF is proud to be part of MovieMaker’s list “TOP 50 Film Festivals Worth The Entry fee” SEVEN years in a row, as well as appearing continuously on the 100 Best Reviewed Film Festival list on Freeway, ranking in the top 1.5% of more than 10,000 film festivals and creative markets around the world.
“Se podes olhar, vê, se podes ver, repara” - José Saramago.
O cinema é a arte de contar uma história através do olhar do cineasta, e ele o responsável por selecionar as histórias que serão contadas, e como elas serão contadas, além disso ele é responsável pela forma que elas serão vistas pelo público. É o olhar que diz o que é interessante ou não, é o olhar que diz quais histórias serão imortalizadas artisticamente pelo cinema. E este festival é para valorizar o olhar dos cineastas mundo afora, para celebrar e consagrar as suas originalidades, identidades e riquezas cinematográficas, as finalidades deste festival são de exibir e premiar tais características tão únicas além de compartilhar e socializar tais experiências e formas de se fazer cinema de forma gratuita para os espectadores.
A temática do festival é livre, pois acreditamos que o cinema é uma ferramenta muito rica e com um potencial fantástico para encantar e surpreender as pessoas, por tanto, limitar um festival que exalta o olhar cinematográfico seria o mesmo que limitar o potencial criativo desta incrível ferramenta humana que é o cinema.
O festival foi idealizado para ser on-line, para que assim possa atingir pessoas do mundo todo. Que ao agregar uma mostra internacional, tais cineastas possam presenciar o festival sem precisar se deslocar a outro país e ainda compartilhar a sua exibição com amigos, familiares e fãs.
Nós do Olhar Film Festival, sabemos o quanto é difícil agregar espectadores ao cinema independente e concorrer com plataformas de streamings, e com a grande indústria do cinema. Entretanto, também sabemos o imenso potencial e riqueza que o cinema independente possui e o quanto isso pode mudar e impactar a vida das pessoas. Por isso que o Olhar Film Festival é um festival aberto ao público e visa levar o cinema independente ao maior número de pessoas possíveis mundo afora.
FESTIVAL CURTA CINEMA
33a edição
Festival Internacional de Curtas do Rio de Janeiro
17 a 24 de abril de 2024
Rio de Janeiro – RJ - Brasil
Festival Curta Cinema - Rio de Janeiro International Short Film Festival - is exclusively dedicated to the promotion and exhibition of short-length audiovisual works. We are a competitive festival that exhibits films produced in digital format with a maximum length of 30 minutes. The programming of Festival Curta Cinema consists on: International and National Competition, Latin American and Rio Panorama, Youngsters Panorama and Special Programs. Rio de Janeiro International Short Film Festival – Curta Cinema - qualifies the winners of its National and International Grand Prix for an Oscar nomination according to the rules of the Academy of Motion Picture Arts and Sciences.
Deadline for entries for international films in the Festival Curta Cinema 33a edição - Rio de Janeiro International Short Film Festival: February 5th.
Address to which send correspondence and material:
Festival Curta Cinema 33a edição - Rio de Janeiro International Short Film Festival
Associação Franco Cultural
Att: Aílton Franco, Jr. – Festival Director
Avenida Beira Mar, 242/502 - Centro
Rio de Janeiro, RJ, Brazil – Zip Code 20021-060
Tel.: (55 21) 2553 8918
email: programa@curtacinema.com.br
website: www.curtacinema.com.br
The Santiago International Documentary Film Festival (FIDOCS) is the main broadcasting, diffusion, and competition event for documentary cinema in Chile and Latin America.
Focused on the promotion of dialogue and reflection, as well as in training audiences towards the appreciation of documentary film in a context of permanent transformation, FIDOCS seeks to explore the multiple paths available in documentary making as well as in the drifts proper to nonfiction works. In its program, FIDOCS incorporates the works of both experienced and emerging directors in order to address the question of “THE REAL”, and in doing so, it considers the various dimensions, disciplinary frontiers, and tensions that the question “what is real?”, as well as the documentary genre itself, has to offer us.
Throughout its history, FIDOCS has positioned itself as one of the most distinguished documentary film festivals in Latin America, standing as a privileged platform to screen contemporary cinema and to promote critical thinking. Year by year, under its selective curatorial approach, FIDOCS not only calls for important exponents of national and international audiovisual sectors to exhibit their work in Santiago, but also, in using this city as a film hub, it calls on such exponents to question, interpret, and re-write the status of contemporary documentary film practice today.
For the promotion, positioning, and exhibition of Chilean and International films, FIDOCS displays three main competitions. These sections include: INTERNATIONAL COMPETITION; CHILEAN COMPETITION, and EMERGENT SHORT COMPETITION FOR NATIONAL FILMS.
In addition, FIDOCS has the main industry activity, DOCS IN PROGRESS, for Latin-American works in progress where the jury (editors, directors, sound designers, producers, programmers), in addition to choosing a winner, feeds the filmmakers to carry out the post-production of their films and encourage their diffusion and transmission. This section is jointly run together with WIP section of CHILEDOC CONECTA.
The festival also has important training and extension activities in its FIDOCS SCHOOL, where students from film schools and communications from all over Chile so that its most outstanding students are in an intergenerational and interdisciplinary space with international and national festival guests; attending Master Classes, workshops, dialogues, among others.
In addition, in keeping with its interdisciplinary vocation, FIDOCS intends to accompany its screenings of other artistic interventions such as installations, exhibitions, performances, that from their own expressive means dialogue with the documentary concept. This is how FIDOCS EXPANDED section arises, where various artists, video-artists and filmmakers, all of them linked to the fields of sound or visuals, exhibit their work.
Finally, the chosen films will be screened after the completion of the festival, in different regions of Chile and abroad, at BEST OF FIDOCS section. The purpose is the cultural extension of the festival at a territorial level, putting emphasis on the circulation of the films at the regional level, being able to program replicas in the national territory as well as abroad.
*FIDOCS will be held with theatrical screenings.
Philly's #1 alternative film festival.
The Philadelphia Unnamed Film Festival (PUFF) selects 95% of its micro and short films. We have featured 30+ films in each of our 5 years, and work hard to showcase as many independent filmmakers as possible. More than just a "horror" film festival, each year PUFF includes an eclectic mix of features and shorts, including sci-fi, action, documentary, bizzare, drama and more.
PUFF was founded as an alternative festival to bring new and undiscovered films to cinema fans in Philadelphia. The festival has previously featured such notable films as Tragedy Girls, Witch in the Window, Happy Face, Antrum, and Karate Kill. We tout an excellent success rate for our selections, with 95% of our feature films from the first few years of the festival receiving independent distribution.
PUFF works to connect upstart filmmakers with distribution outlets by working with local independent film distributors, and to offer a place for filmmakers to gain exposure and network with as many industry professionals as possible. Filmmakers are welcomed to participate in our digital screening library to spread awareness about their projects.
All accepted films are screened at the 2223 Theater (2223.fish) on our theatrical sized screen. The theater is located in the trendy neighborhood of Fishtown, known for its popular restaurants, bars and art scene. (Venue may change due to current state and city COVID restrictions).
Festival Director Alex Gardner offers a long history of film festival and horror journalism experience, working with other film festivals in the past such as Another Hole in the Head, Buffalo Dreams and the Bay Area’s SiliCon.
PUFF's aim is to grow into a multimedia experience where people can enjoy our great city while experiencing the best in new cinema.
La muestra forma parte de las propuestas de difusión y fomento que apuntan a la difusión de la cultura audiovisual en la región norte de la República Argentina de Wayruro Comunicación Popular y de la Red Kalipa TV, y él cuenta con el apoyo del INCAA, de la Secretaría de Cultura de la Provincia de Jujuy, entre otros, y cuenta con el acompañamiento de la Red Focos, el Espacio Norte Audiovisual y CONTAR.
The 9th Ajayu International Animation Festival is a cultural event organized by Sapa Inti Studios and the Ajayu Cinematographic Association. For the ninth consecutive year, it stands as the only animation festival in Peru, carrying out hybrid film and educational activities from the highest point of the Peruvian highlands to the world.
This event, which also includes various cultural activities, has become a crucial event for the Animation industry in our country over the years, also promoting the cultural and tourist industry in the southern region of Peru. Additionally, through our in-person activities, we aim to boost tourism in our region by creating a tourist route with a cultural and historical focus.
This year's festival will take place from October 2 to October 5, 2024, renewing the commitment to showcase the artistic expression of animation.
Participants include artists from the animated audiovisual field and other disciplines, from the Puno region, Peru, and various countries around the world, who through their expression make each edition a contemporary Andean experience.
FESCILMAR - International Short Film Festival, opens its session with the host country of the SPAIN sample with projection in VENEZUELA, Dissemination and promotion of Venezuelan, Latin American and world cinematography in two countries simultaneously; And of all its cultural scope. It tries to show cinematographic works that entertain, but, above all, that exert an educational influence on children, young people and the general population.
Deadline for submission of papers: August 15, 2022
1) It will take place from August 26 to 28, 2022 and filmmakers of any nationality may participate.
Our festival will be face-to-face based on Fescilmar Venezuela, as the host country of the SPAIN show.
Screenings in Zaragoza Spain and Lechería - Venezuela.
2) International short films of fiction, documentary, video clips, web series, experimental, with a maximum duration of 45 minutes in any genre, can participate.
3) Jobs must have finished production after January 1, 2019.
4) Registration will be made only through the FESTHOME platform.
CLIT is a film festival that will debut in Portugal next October, turning audience members into treasure hunters in search of the venues where films will be screened. They get clues about the screening location through the festival's app.
The venue can be anywhere, except at a regular movie theatre, because CLIT is an acronym for Cinema em Locais Inusitados e Temporários (Cinema in Unusual and Temporary Venues).
We welcome submissions from all genres and lengths, privileging works on socially relevant issues (human rights, democracy, any of the 17 Sustainable Development Goals, etc.) that make audiences think on how they can contribute in a positive way to a better world. As our director says: "If you want to change the world, do it with pleasure".
CLIT will have a meeting point for artists and audience members called "Ponto G" (G Spot), where groups of people can gather to talk and enjoy the local gastronomy of Setúbal, our host city (check https://visitsetubal.com/en).
ABOUT THE ORGANIZER:
Festroia is a non-profit organization based in Setúbal, Portugal. It was created in 1987 to promote film activities, allowing its founders to continue the work developed in 1985 and 1986, when they organized the first two editions of Festroia - International Film Festival. Until 1994, the Association held this festival in Tróia, migrating it in 1995 to Setúbal, where it stayed until its 30th and last edition, in 2014.
Over the years, it welcomed artists like Pedro Almodóvar, Christopher Lee, Jane Russell, Robert Mitchum, Kirk Douglas, Lauren Bacall, Krzysztof Kieslowski, Christopher Walken, Agnieszka Holland, Dome Karukoski, Dennis Hopper, Christiane Torloni, Michael York, Mickey Rooney, Maria de Medeiros, Alberto Sordi, Joaquim de Almeida, Assumpta Serna, Ingvar Sigurðsson or Ben Gazzara.
Festroia aimed to promote cinema not known in Portugal, in a choice dictated by the cultural diversity and the aesthetic quality of the movies, presenting four competitive sections and several exhibitions. In 2007, it was the first international film festival worldwide to compensate its carbon footprint.
Note: The image uploaded to Festhome is not the festival's logo. That will only be revealed at the event's presentation.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
LUSCA Film Fest (former Puerto Rico Horror Film Fest.) is one of Latin America’s premier fantastic film festival. LUSCA is open to the public. Accredited national and international press, as well as TV and film buyers and distributors also participate.
In addition to showcasing the best genre films that indie moviemaking has to offer, this exotic fest also features a number of special events, including an exposition of Bizarre Artwork exhibition, Cosplay Contests, Cinema Arcade and Musical Events.
Regulations for Entry into the Competition Section of the 7th Jeonju International Short Film Festival
The Jeonju International Short Film Festival is an annual event hosted by Cinesup, a cultural content research institute in South Korea.
The 7th Jeonju International Short Film Festival will be run by members of an executive committee.
The Jeonju International Short Film Festival contributes to the diversity of film and culture by introducing to audiences exceptional short films produced in Korea and around the world.
The 7th Jeonju International Short Film Festival will be held in Jeonju from September 26st to September 30th, 2024.
The 2023 COMMFFEST will celebrate 18 years from September 14-22 2023 screening in movie theatres exhibition spaces, and ONLINE presented yearly by a group of dedicated volunteers. COMMFFEST a charitable corporation makes its home in one of Toronto’s most fast growing, economically diverse neighbourhood, Old Town Toronto, where many languages are spoken amongst an eclectic population.
Our screenplay competitions is spearheaded by 30 year filmmaker, writer, director and producer Vladimir Bondarenko who is an instructor at Toronto Film school,
COMMFFEST is a film festival that presents a broad range of local and international films representing current affairs and relevant issues that affect our society. COMMFFEST provides opportunities for emerging filmmakers, artists, musicians and global community stakeholders to express themselves freely and to connect with audiences on a more personal level. This unique blend of film, filmmakers and audiences creates a dynamic atmosphere to provoke thought and stimulate further understanding and exploration of ideas, attitudes, and emotions that can foster change – starting with the communities in which we live.
FILMS OF ANY GENRES ACCEPTED; independently produced films. Included in that mix are childrens issues, poverty, human rights LGBTQ, women's rights, third world struggles,
The last 18 years Commffest has built a valuable platform for introducing emerging and professional filmmakers to bring together communities, not for profit organizations with government officials in panel discussions to tackle pertinent issues often resulting in more funding and support for these groups.
Commffest is a cultural platform that strives to educate and create a hospitality environment where filmmakers and attendees can mix and mingle over food, drink and entertainment.
TESTIMONY , Eleanor Mc Grath’s
As an independent film-maker, you work often for a year or possibly years to direct, edit, produce a film and then comes the waiting game to be selected by a film festival.
COMMFFEST is more than a community film festival in Toronto; it is an art festival with a world perspective and I am most fortunate to have been part of the 2015 film festival programming with my documentary, "Forgotten". COMMFFEST's vision is to share stories that demonstrate the strength, struggles and beauty of humankind while providing a strong platform for independent film makers to showcase their perspective and vision of our world today and into the future. We need festivals like COMMFFEST who step away from the mainstream and champion works where the viewpoint is critical, enlightened or visionary in their approach to conflicts or issues that prevail throughout Toronto, Canada, North American and worldwide.
Behzad Sedghi Filmmaker
For me, COMMFFEST has been where my films have finally reached their maturity by connecting through the big screen with their audience. It is this connection that is essential for any artistic endeavour. As this may be the case with most other festivals, however, in my direct experience with COMMFFEST I clearly felt that each artist was given special attention, a chance to have a dialogue about their creation and ultimately was embraced in a celebration of their achievement. COMMFFEST founders and organizers are filled with the love of films and arts and clearly possess the vision and generosity to make this celebration happen every year. I look forward to being part of the next celebration either as an artist or a member of its community.
COMMFFEST mission statement:
To advance education by raising the cultural, artistic and aesthetic expression of the community and to advance the public’s appreciation of the arts through related artistic workshops and panel discussions, while promoting the works of filmmakers and artists alike.
The programming: The films are chosen by a jury of professionals from a globally solicited call for submissions. Once chosen, the programming is created to generate discussion around specific world events and themes, provoking dialogue and acceptance of others and their concerns.
More about COMMFFEST
COMMFFEST attracts educators, artists, politicians, business leaders, socially conscious organizations and trendsetters.
Local Educational engagement:
Over 6000 Children from local schools across the GTA that now include the COMMFFEST festival experience as part of their annual curriculum.
COMMFFEST’S unique diversity invites the world to one local community event over several days in Toronto
The city of San Giovanni A Piro, Il Varco and Aedon, are proud to announce the fourth edition of Mondi Lontani Film Festival, formerly known as Scario Short Film Festival.
Mondi Lontani Film Festival in its last screenings saw more than 600 people attending in the main square of the city plus an uncountable number of passerbys on the most populated street of the city during the summer nights.
Our goal is to bring works of art from distant worlds to the heart of Cilento, showing different cultures. We believe in artistic and cultural dissemination as an instrument of education and emancipation of people. We believe that showing distant worlds is the best way to bring everyone closer.
We’re developing a bigger fourth edition thanks to the collaboration with the institutions, planning to show a larger number of quality films in a three-days long event, with a new hybrid format both online and offline:
We are hosting four seasonal calls that will end with an online screening on our platform, selected by our artistic director. The winning films will qualify for the outdoor screening in the main square of San Giovanni a Piro in the summer of 2022 and will compete for the victory of the various prizes, including the cash prize.
Three days of cinema with the best shorts received through this call for entries that we'll select from all over the world, thanks to the collaboration with the staff from cultural associations Il Varco and Aedon. The artistic director is, director and filmmaker whose work has been featured in
- The competition is divided into 4 seasonal editions. At the end of each edition, the 5 selected short films and the 4 selected scripts will be announced and the films will be screened live on our website;
- We will pick two short films and one script among the selected works which will compete in the live event in Scario in the summer of 2022 for all the main prizes;
- The deadlines of the seasonal editions are as follows:
Autumn edition: 19 October 2021 - 11 December 2021
Winter edition: 19 December 2021 - 25 February 2022
Spring edition: 7 March, 2022 - April 28, 2022
Summer edition: 18 May 2022 - 30 July 2022
Live Edition: 26-28 Aug 2022
The city of San Giovanni a Piro is famous for the quality of its waters and its landscapes and for its position in the Gulf of Policastro. Many tourists from all over the world come here on vacation to enjoy the beautiful beaches carved in stone, only accessible through boat service. Clear and transparent water like in a tropical paradise.
Join us for an experience of sea, nature, cinema, art and culture.
See you in San Giovanni a Piro.
The AMERTA ART International Film Festival , which takes place in Turkey, and is now in its first year, aims to encourage greater global attention on documentary film and social movie and to promote quality films focusing on diverse civilizations and cultures from across the world. The festival considers itself a valuable resource for distributing and developing world content.
AMERTA ART encourages the submission of films from all countries. We look for films with a focus on our changing world that express unique perspective, that highlight innovation or perhaps capture a dying tradition. Culture is a broad topic, replete with multiple interpretations and we promote the examination and expression of all. Our aim each year is to produce a program that provides our audiences with meaningful and thought-provoking questions about the world we live in.
The Organizing Committee also engages in the market, connecting filmmakers with opportunities for distribution as well as produces an annual industry forum where projects in development are linked with possible funding or co-production. Please see our website for more details on project submission and lab participation.
Join the most popular IMDb qualifying Monthly Festival in Europe!
+850 five stars reviews, thousands of submissions from 150+ countries in the world. Now with monthly Italian press coverage!
Founded in Rome in 2018, in five years Rome Prisma Film Awards has grown into one of the most community driven festivals, hosting more than 150 directors from all over the world presenting films that are driven by an independent mentality, brave storytelling and innovation of forms.
$105.000 WORTH OF PRIZES IN SERVICES EVERY YEAR
In the monthly film festivals panorama, many events are unethical and non-transparent, providing minimal value and grabbing money from filmmakers without committing to promote and showcase their work the best they can. We are working on Rome Prisma Film Awards to change this system for the better, creating an always improving stage-by-stage monthly festival that revolves around live screenings in Rome and around the creation of a community of filmmakers from all over the world, with submission costs within reach of everyone. Your film can participate with other independent movies and with world-class talents in a fair competition where everybody starts on the same line.
WE LOOK FOR MEANING, WE LOOK FOR UNITY, WE LOOK FOR BALANCE
Hosted by Cinema Azzurro Scipioni, in its first year it saw Silvano Agosti as the president of the jury, a legendary italian director that has worked alongside the greatest italian professionals like Morricone, Storaro, Piovani and many others. Over the course of its second year it moved to Cinema dei Piccoli, one of the oldest movie theaters of Rome in the heart of Villa Borghese park since 1934. Since 2020 the artistic director Marcello Di Trocchio stepped in, creating a series of very popular online screenings on Twitch during the pandemic. In 2021, the festival came back live at Cinema Farnese, one of the oldest and most prestigious cinema in Rome, where it currentyl holds its screenings every four months.
Our winning films have gone all the way to A-tier festivals like the short film "August Sky" by Jasmin Tenucci, winner of the Special Mention at Cannes Film Festival 2021, "Censor of Dreams" by Leo Berne and Raphaël Rodriguez, shortlisted in the 2022 edition of the Academy Awards, Nate Milton’s "Eli" from the official selection of Sundance Film Festival, "Kiss the Ground", the Netflix documentary starring Woody Harrelson, Patricia Arquette and Jason Mraz, and many others.
WHAT ARE THE DIFFERENCES WITH OTHER MONTHLY FESTIVALS
▪ Our festival has a stage-to-stage competition that revolves around live screenings every two months.
▪ We have adopted an Ethics and Transpacency policy you will find at https://www.romeprismafilmawards.com/ethics/.
▪ We won't ask for multiple submissions in different categories. One submission is valid for all the 24 awards. We won't charge a hundred dollars for your submission.
▪ We will watch your movie with care and respect.
▪ All submissions get more than $40 in discounts in our partner festivals during the next months. So it is practically free!
▪ The most winning films, filmmakers and screenwriter stay in our Hall of Fame © forever.
HOW OUR STAGE-TO-STAGE COMPETITION WORKS
Our festival goes through different stages. For a complete and clear recap head on to: https://www.romeprismafilmawards.com/awards/
FILM REVIEWS
We have a long history of film reviews done by our film critic on our website that can help you promote your work. Filmmakers that have already asked for a review have expressed their heartfelt thanks for the quality of our service. You can find the reviews here: www.romeprismafilmawards.com/category/reviews
WE LOOK FOR MEANING, WE LOOK FOR UNITY, WE LOOK FOR BALANCE
www.romeprismafilmawards.com
The sole purpose of BEFF is to develop a film culture that inspires and brings together all types of film makers, irrespective of their film making genre. BEFF also aims to appreciate and promote creativity in all forms, be it a film or photography to the world and to a diversified audience.
The event is a glamorous red carpet event in Kolkata. The participants have excellent opportunities to exchange their ideas, ideologies and cultural innuendos. The winners have a chance to meet with the audience after screening.
Seoul International Food Film Festival (SIFFF) is an event to present outstanding and thought-provoking films about food and related issues every year since 2015.
While celebrating diversity of food and lifestyle from different cultures, SIFFF also aims to provide time for relaxing and healing to rediscover the taste of life, not to mention, to raise public awareness on healthy eating and sustainability.
SIFFF’s program includes an inspiring selection of documentaries, feature and short films related to food, from the newest buzzed-about ones to classics and cults.
With film screenings, a variety of events such as catered parties, cooking and tasting events, talk shows with film and culinary professionals will be held to provide delightful, multi-sensory film experience.
2015년 첫 발을 내디딘 서울국제음식영화제는 영화와 음식을 매개로 세계 곳곳의 다양한 삶의 모습과 문화를 이해하고 서로 소통하고자 하는 축제입니다.
인생의 맛과 여유를 환기하는 영화들을 통해 현대인의 바쁜 일상에서 잊힌 삶의 미각을 되찾는 맛있는 힐링을 지향하며, 건강한 먹거리와 지속가능한 식생활에 대한 활발한 논의의 장을 마련하고자 합니다.
각양각색의 음식과 그만큼이나 다양한 문화권의 삶을 담은 영화를 통해 먹는다는 것과 우리 삶의 관계를 돌아보고 함께 나눠 먹는 즐거움을 생각하는 맛있는 영화제를 관객과 함께 만들어 가고 싶습니다.
