Glasgow Short Film Festival, the largest competitive short film festival in Scotland, brings together Scottish and international filmmakers, industry delegates and the local audience for an intense five days of competition screenings, unique special programmes, workshops and parties.
GSFF has earned an international reputation for quality curation. This is reflected in the increasing numbers of filmmakers, talent spotters and festival programmers who attend each year. GSFF has been invited to collaborate with festivals and exhibitors in Canada, China, Croatia, Denmark, France, Ireland, Italy, Kosovo, Poland, Russia, South Korea, Spain, Switzerland and across the UK.
We are a monthly film club and invite film-makers to talk about their films.
The audience are big movie watchers and enjoy discovering the talent of tomorrow.
We encourage all film-makers to get people to come to our screenings as this is the perfect place to watch indie short films and also independent, non-theatrically released feature films.
We also have a script reading committee who are happy to read short film scripts and write up a script report.
If the committee feel that the script is worthy of being passed on to a producer or director whom we have met through our film club, we will be happy to establish a connection.
Clapham Film Club is a monthly film club, where we get together to watch short films made by the talent of tomorrow.
The event is curated by Distributor Fabulosis Films Ltd.
Out of all of the films we have watched and received, we will nominate a winner and offer a $100 cash prize. Winner will be announced in December 2018.
We are looking for short films in the following themes:
-Horror
-Sci-Fi
-Kids / family themes
- Comedy
- Crime
- National shorts
- International shorts
- Christmas theme
Our entries are open all year long and we curate the short film club nights according to a theme. So if you film is about Christmas, we will make note of it and consider it for our next Christmas theme.
CineCulpable is the Vila-real Short Film International Festival. In 2020, we arrive at 23th edition.
This edition is open to all artists who submit their work in any of the official languages in
the Valencian Community: Spanish or Valencian.
EVERYTHING RAISED ON THIS PLATFORM IRA TO STRENGTHEN THE SCHOOL OF CINEMA IN C.O.V.I (Solano)
https://www.facebook.com/covicultura/
under fest ACTION
https://drive.google.com/open?id=0B6BXCHQIM_TRR3gtNHgtLVQ0LUk
IMPORTANT: MOVIES MUST CONTAIN SUBTITLES IN SPANISH UNLESS THE ORIGINAL LANGUAGE IS SPANISH. Printed in the video image or in perfect sync with the online player attached in the Festhome platform ( YOUTUBE , VIMEO, etc... )
Films that do not complete this regulation will need the subtitles ready to send to the Festival if the film is selected.
HOWEVER, THEIR IS AN ADDITIONAL OPTIONAL SERVICE FOR THE FESTIVAL TO CREATE AND/OR TRANSLATE SUBTITLES FOR YOU FILM. PLEASE READ RULES FOR ADDITIONAL INFO AND PRICES.
Films from the undergound, self-managed, decentralized and free distribution. Environmental and audiovisual tools used for pure joy, happiness, disinformation, emotional connection, television detoxification, collective cooperation, social creation of art, the multiplication of free cinema and more ...
The festival is a social tool viewable and controlled. It is an annual event, managed in a friendly network in cities across the continent, which displays unpublished, experimental or out of the system, linking non-conventional spaces, creating a common grid and a shared mission, fruit of a collective intelligence and the freedom of speech.
The festival is a social tool for visibility and coordination. It is an annual event, produced in a network, in several cities of the continent, which allows to display unpublished audiovisual productions, experimental or outside the industrial system and, in coordination, to contact non-traditional exhibition spaces generating a common grid and a fruit object / text of the collective Intelligence put into operation and manifestation.
This year the festival is not absent, we believe that it is more than ever necessary to maintain the premises for which the festival was created, understanding us as a counter-information tool, during these 14 years the dynamics of the festival has traveled unusual sites for what is understood as the official circuit of film festivals in conventional rooms for projections but in this way we have created walls, floors, cultural centers, neighborhoods, squares, streets, settlements, meeting spaces to see what is happening underneath the surface.
This edition has 2 OBJECTIVES
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It is 16 years to accompany the under scene, this space that changes year after year, which takes new form when it is possible to see what is being filmed accompanying the new languages of this time. This experimental scene began to leave experiences that we were channeling in the conurbano, in the occupation and the promotion, in if in sharing, that nourished something that today is a few steps and that is one of the great objectives that has this edition 2024 .
we are already away from the commercial circuits or day-to-day broadcasting and we are looking for the construction of the cinema school in the Covi neighborhood of Solano, where we hold the film festival and believe that the TRECE will be a great kick for this experience that we support and we have been part since its inception.
ITINERANT
The productions chosen, will be part of the retrospective that we will be projecting in a route that will unite different points of Argentina.
The film festival will become itinerant.
Here we see cinema, we talk about cinema, we make cinema. We experiment with the form and structure of the festival, always. We want to rotate the transparency of the impeccable narratives. We are self-management, we have great reasons to criticize from a clear political position our sociocultural context of audiovisual production. We seek to see that which is hidden beyond the superficial, without red carpets.
The XII International Film Festival of the Border is organized by the Associação Pró Santa Thereza e Urcamp, promoted by the Municipal Department of Culture of the City of Bagé.
It will be held in Bagé, on the Brazil/Uruguay border, from December 17th to 19th, 2021.
Democratization and access to audiovisual production, as well as training activities aimed at the economic and social development of the region, are the main focuses of the Fronteira International Film Festival. Its short and feature film program is free and participatory, with an official jury and popular jury awards. After a hiatus due to the pandemic, we returned with the necessary adaptations and restriction measures for the in-person enjoyment of the event.
FEMCINE was created to discover and support the work done by female filmmakers and to share films with gender-based subjects with a broader audience. FEMCINE invites female directors from Chile and the rest of the world to participate in one of its three competition categories: International Feature Length Competition, International Short Film Competition, and the Chilean Film School Short Film Competition.
Royal Films y el Departamento de Comunicación Social y Periodismo de la Universidad del Norte se unen para crear el concurso de cine más grande del país.
Reto 7 busca llevar los mejores cortometrajes colombianos, tanto de profesionales como de nuevos creadores, a la gran pantalla.
Los trabajos finalistas y ganadores podrán ser vistos en las salas de cine de Royal Films en toda Colombia. Además se entregaran estímulos económicos a los admitidos, finalistas y ganadores del concurso.
New York City's Winter Film Awards (WFA) is a volunteer-run and operated celebration of the diversity of local and international film-making. Our Mission is to recognize excellence in cinema and to promote learning and artistic expression for people at all stages of their artistic careers with a focus on nurturing emerging filmmakers and helping them gain recognition and contacts to break into this difficult industry. We pride ourselves on our diverse collection of Festival selections, allowing our audience to enjoy films they normally wouldn’t think to seek out.
Now in its ninth year, the rapidly growing Festival showcases the work of emerging filmmakers from around the world. For the 2019 Festival, 89 films from 32 countries were screened, including an eclectic mix of Animated films, Documentaries, Feature narratives, Horror films, Music Videos, Narrative shorts and Web series, including 34 first-time filmmakers. 50% of the films were created by women, 53% were created by or about people of color.
Works of all genres, forms, and lengths are considered. All selected films are screened at Cinema Village, NYC's top indie cinema in the heart of Greenwich Village. The Festival includes ten days of film screenings, educational panels, professional development workshops and industry networking after-parties, which will conclude with a glittering awards ceremony to be held on February 29, 2020.
Outstanding work will be awarded for each category, along with Best Director, Best Actor/Actress, Outstanding Woman Director, Best Student Film and the NY PERSPECTIVES Award for best depiction of the New York multi-cultural experience.
Winter Film Awards International Film Festival is an IMDB-qualifying festival.
Like many of the great film Festivals across the country and the world, WFA seeks to bring our audience compelling and unique content that inspires the viewers and honors the filmmakers. There are hundreds of film festivals in New York City; what makes us different is our intense focus on a bias-free submissions review, the variety of our films and helping new filmmakers reach what may be their first real audience.
WFA is a minority- and women-owned registered 501(c)3 non-profit organization. We work with all local NYC film schools, colleges, arts high schools and many cultural societies.
The 2019 Culver City Film Festival will be December 3rd - 8th and will be held at Cinemark 18 & XD at the Howard Hughes Promenade. Additional venues to be announced soon. All submissions are only $30.00 ($25.00 for Gold Members). Submissions are Open for shorts and feature narratives and documentaries, as well as music videos and even experimental films. Have your film screened in the heart of screen-land Culver City, CA and home of Sony Pictures and many film companies and distributors.
Submitting your film does not guarantee festival acceptance or screening. Acceptance into the festival does not guarantee award or prize. Submission fees are nonrefundable. Culver City Film Festival reserves the right to change our programming and event parties without notice.
The Erie International Film Festival Call For Entries is now open to the US and International filmmakers, and we shall accept all genres of film including Narrative Features, Narrative Shorts, Animation Features and Shorts, Experimental Features and Shorts, and all forms of Horror, Suspense and Thriller films of Short and Feature length, all lengths of Comedies and Documentaries, along with Feature and Short lengths of GLBT and Religious/Spirituals films, along with Music Videos for the 2018 festival.
Our festival is seeking the best films that the world has to offer while working to give new and veteran Independent Filmmakers the attention they deserve.
As a 501c(3) non-profit, the Erie International Film Festival will accept submissions of films regardless if those films are of world premiere status at the time of submission, or if the film has been screened publicly or otherwise distributed anywhere at the time of submission.
Film enlightens the world, opens our eyes, and shows us things we do not see every day, and makes us feel things we do not always feel. Across countries, languages and classes, a film has the ability to provide us with a release, an escape, forgetting the real world and the cares of everyday life while expanding the imagination and opening the door to new possibilities.
Our festival introduces independent filmmakers the world over to Erie Pennsylvania, as our City embraces the arts and culture that the worldwide filmmaking community delivers with new stories, and new points of view.
The Erie International Film Festival celebrates new trends in digital media and recognizes Transmedia Filmmakers who employ an innovative, interactive, web-based or multi-platform approach to story creation. Through open submissions, selections will be presented to the public via state-of-the-art-technology.
Our Festival’s mission is to help filmmakers reach the broadest possible audience while allowing the general public to experience the power of cinema in the digital age while showcasing the City of Erie as not only an excellent tourist destination but as a filmmaking alternative of the East Coast.
In addition to our live Film Festival event that will take place in December 2018, our festival will expand its reach beyond the great City of Erie Pennsylvania, offering to both filmmakers who may not be able to attend our festival, and to independent film lovers around the world, the opportunity to take part in our festival through a unique virtual theater platform with our online festival, December 6 – December 15, 2018.
Much like with the digital technology that has swept independent film festivals throughout the world since the early 2000s, for many reasons the virtual theater is quickly becoming the first, best choice for festivals, and the new home of Independent film screening worldwide.
The virtual theater is the future of film festivals, as more and more festivals are now screening films online, and even the big festivals such as the Sundance Film Festival and the Tribeca Film Festival are moving to online screenings.
Our virtual theater allows the filmmaker’s work to be showcased to the world with the highest levels of security and presentation quality. Unlike any online screening system in the world, ours never allows films to be copied, downloaded, or reproduced in any way, nor can the HTML code of any film be copied and pasted into any other site successfully. No film launched in our virtual theater can play or even appear on any other website.
It was with much time and expense that this state-of-the-art and revolutionary online screening platform was developed, always keeping both the Filmmaker’s peace of mind.
It will be carried out in person with online activities.
will be held in person in the cities of Lebu, capital of the Arauco Province, and in the cities of Cañete and Concepción in the Biobío Region, Chile., from April 5th to April 11th 2024. With international virtual sub venues for the exhibition of competitions in Santiago, at Centro Cultural Estación Mapocho, GAM, Museo Violeta Parra and Chileactores, in Concepción at Corcudec, Teatro BioBio and Corporación Artistas del Acero. Since 2018, CINELEBU is the only festival in Chile that qualifies short films for the Oscar® Awards in three categories: International Animation, Regional Fiction and International Fiction and since 2023 Cinelebu is a Qualifying festival for the Goya Awards.
Royal Films y el Departamento de Comunicación Social y Periodismo de la Universidad del Norte se unen para crear el concurso de cine más grande del país.
Reto 7 busca llevar los mejores cortometrajes colombianos, tanto de profesionales como de nuevos creadores, a la gran pantalla.
Los trabajos finalistas y ganadores podrán ser vistos en las salas de cine de Royal Films en toda Colombia. Además se entregaran estímulos económicos a los admitidos, finalistas y ganadores del concurso.
The Orlando Edge Film Festival is a creative and new experience set-up to highlight the best of classic and contemporary film-making of all genres in the Orlando area. Our festival supports the progression of ingenuity from growing and established filmmakers through their own artistic and cinematic expression. We support and celebrate the ideals of passion, talent, hard-work, and vision of these filmmakers and their works. Entering our third year, we have grown to amplify our approach to help recognize your film in the Orlando community. Through submitting to our fourth festival, you will have the opportunity to screen your film in front of the thriving, artistic, modern, and enriching community composed of Metro Orlando filmmakers and film lovers, as well as film students from the neighboring colleges of UCF and Valencia.
Critical Edge Film & Art Festival Network strides to bring together a growing cinematic and artistic community with quality local, independent, student, experimental, and international filmmakers through our annual festival events. We've either hosted festival or have festivals planned in Tallahassee, Orlando, Chicago, Milwaukee, Madison, Nashville, Fort Myers, and New Orleans!
Learn more @
Website: www.ceffnetwork.org
Instagram: @ceffnetwork
Twitter: @criticaledgeff
Facebook: facebook.com/ceffnetwork
Students & Educators only - Florida SouthWestern Edge
Like & share our page on Facebook and e-mail a screenshot to ceffnetworkofficial@gmail.com and receive a code for 10% off submission to the CEFF Network festival of your choosing!
WE ACCEPT & LOVE INTERNATIONAL FILMS!
CEFF Network Festival Competition Prizes:
- iPitch.tv Media Market Subscriptions ($117-$299 value each) - "iPITCH.TV gives Screenwriters, Filmmakers and Creators the ability to pitch and sell TV or Movie ideas directly to Entertainment Industry Buyers by submission of written and/or video pitches."
- InkTip Script Listings ($60 value each) - “InkTip is a market connecting scriptwriters and creative project visionaries with industry professionals and production companies, and has helped hundreds of films get produced!“
- Festival waivers and discounts ($25+ value each) - check the “Awards and Prizes” section. Some CEFF Festivals may offer submission waivers to some of our partner festivals (like the Fort Myers Film Festival or Sick ‘n’ Wrong Film Festival in Orlando)
- Screen-time and publicity during one of our LIVE film festival screenings.
- Winners and selections receive TWO sets of laurels per every ONE selected submission! One set of laurels is from CEFF Network, and the other is from the specific festival you submit to.
- Filmmakers behind selected films who are festival attendees will have the opportunity answer questions about their film and be photographed while our work is showcased.
- Selected films promotional materials will be shared across our CEFF Network social media pages prior to the festival.
- Photo/Art Categorical Submissions enter an ongoing competition for display on our website and various social media pages on our Photography page(film submissions are excluded from consideration without our prior emailed request).
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
MILLION EYES is part of the efforts by Project Vision to spread the eye donation movement across the globe. Project Vision is the response to the situation of 39 million people across the globe being blind. India is home to the world’s largest number of blind people with 15 million persons. (WHO 2010).
Its a global problem that affects about 40 million people across the world, with countries like India bearing the brunt of it with 15 million of them. Though 20% of them could get sight through a corneal transplant, eye donation has not become part of our culture. Most visually challenged people die waiting for an eye, without ever seeing themselves or the world. We have collaborated with Darsana cultural centre to conduct this film festival
IndieFlicks is the UK's monthly film festival, supporting the best up and coming filmmakers from around the world. IndieFlicks is continuously growing, hosting simultaneous screenings in Manchester, London and Sheffield. We also host a repeat screening the following week in Liverpool.
"They only pick the best films for their screenings so it's not only a great festival to enter, but a great film night to attend. I've enjoyed every film i've seen so far.”
Chris Cronin, Director.
How our monthly festival works…
Our Monthly Festival is a showcase of Short films from around the world, screening 50 minutes of short film in the first half, followed by our selected Feature Short in the second. We also host a Q&A with filmmakers able to attend and talks with local creatives.
At each event, two films will be selected to win either one of our awards:
The People’s Choice Award
The Directors Choice Award
Films included in the first half are nominated for our 'The People's Choice Award’; This is evidently voted for our audiences on the night and votes are calculated collectively from all of our venues.
In the second half of the night we host our 'Feature Short', one film no longer than 50 minutes. This is our headliner for the event. This film is awarded, ‘The Directors Choice Award’, one that our Judging panel felt deserves recognition.
"Not only is IndieFlicks a brilliant opportunity to network within the Manchester filmmaking community, it offers insight into short filmmaking approaches worldwide."
Martyn Ellis, Sound Engineer, Noise Four
Notifications:
Filmmakers will be notified throughout the year. If successful, your film will be screened on the first Wednesday of a selected month.
Un Court Tournable is a shorts films festival event that aims to be a place of discovery of new talents in the field of cinema.
Personalities will sponsor some of our events as a guest of honor, an opportunity to share experience with this artistic universe.
The festival have 4 editions by year.
The screening will take place:
CINEMA MAC MAHON
5 Avenue Mac-Mahon
75017 Paris
http://www.cinemamacmahon.com/
Métro: Charles de Gaulle Etoile (ligne 1, 2 et 6)
Parking: Indigo Wagram ou Mac Mahon
or
ECOLES CINEMA CLUB
23 rue des Ecoles
75005 Paris
https://pariscinemaclub.com/ecoles/
Métro: Maubert-Mutualité, Cardinal Lemoine (ligne 10)
