The Santa Fe de Antioquia Film Festival Corporation decided, through the Festival, to turn the municipality of Santa Fe de Antioquia into a large movie theater and show open-air cinema, under the stars and framed in the colonial architecture of one of the Heritage towns of Colombia.
Over the years, the Santa Fe de Antioquia Film Festival has sought to bring cinema closer to the public through workshops, conferences, a central screening of films according to the theme, and training workshops. These activities are designed not only for the inhabitants of the municipality of Santa Fe de Antioquia, but also for inhabitants of Medellín and other inhabitants of western Antioquia and in general for university students, specialized journalists, filmmakers in training, film critics, producers, filmmakers and film lovers who for twenty-three years add up to an annual average of 15,000 festival attendees.
The Zaragoza Film Festival, founded in 1995 to create a cinematic activity in the city. At first his main title was the Young Filmmakers. Since 2007 its official name became the Zaragoza Film Festival.
Festival with various events, generalist and national character (although some of its events are international).
Starting in 2021, after celebrating the 25th edition of the Festival, we propose an evolution of the project.
**Become a part of one of the most popular IMDb annual Festivals!**
Welcome to the Bristol Independent Film Festival. We are one of the UK’s fastest-growing independent film festivals!
Since we started in 2016 we have had submissions from over 120 countries. We pride ourselves on being an international film festival. We aspire to promote, recognize, and support independent filmmakers throughout the world by hosting a variety of awards to provide the best opportunities for filmmakers and help them receive their deserved recognition. We welcome submissions from a range of genres including short films, documentaries, features, animations, and screenplays.
Why BIFF?
•We aim to create a community of independent film-makers and an environment where we can celebrate independent films and our submitters’ creations.
•For each event, we provide networking booklets that include information about each winner and ways to contact them. We also provide trophies and winners packs.
•Each season we offer cash prizes to our favorite submissions to help fund their future projects.
•Finally, we aim to establish personal relationships with our submitters. We always enjoy finally meeting with our filmmakers/ scriptwriters and being able to celebrate their accomplishments in person.
Why Bristol?
Bristol was recently recognized by UNESCO as a “City of Film” alongside the likes of Sydney, Rome, and Galway. We pride ourselves on being the largest celebration of independent film in Bristol and we aim to create a hub for independent film-makers.
Judging Process?
Our submissions are judged by a jury of international industry professionals. They rate each submission on 10 different categories including cinematography, writing, pacing, and creativity. This helps them decide which submissions make it to the final stage where there will be jury group viewings to make sure we only pick the best quality submissions.
We look forward to viewing your creations and hope to meet you at our 7th annual celebration of independent film.
CineFem, the First International Women's Film Festival of Uruguay, whose first edition was held in Salto (Uruguay) but that from then on was permanently developed in Punta del Este, is a space to reflect on the role of women in cinema and in our society. CineFem, the woman's view.
VI NATIONAL RURAL FILM FESTIVAL OF AYACUCHO
The Rural Film Festival emerged in the city of Ayacucho in 2016 from an initiative presented by Mr. Emilio Quiroga to the Directorate of Culture to promote audiovisual production in our city.
Below, we list some of the central ideas, according to time and resources, that have been and will be developed within this space:
- General direction and coordination of the Rural Film Festival.
- Promotion and promotion of the movie theater and alternative projection spaces.
- Linkage and cooperation between rural and urban schools.
- Generation of socio-educational projects in schools, institutes and training centers.
- Provision of courses and training open to the community.
- Production of content and audiovisual resources for Municipal offices.
- Production of local short films that cover fiction and non-fiction stories, documentaries, on various topics.
Every year we launch an open call nationwide for fiction and non-fiction short films that cover Rural life from its form and/or content. Our intention is to get to know and enrich ourselves with productions from other places in our country.
The Festival provides training and support programs with theoretical and practical tools for audiovisual production to those who join this initiative. We refer to teachers and students from schools, institutions, neighborhood headquarters, organizations or groups who wish to participate.
This experience became a much larger phenomenon around the initially proposed Film Festival. We are motivated by the need to consolidate a space that seeks to generate identity, value culture, emphasis on human relationships and also commercial links that derive from this massive meeting that can be used to make goods, services and trades visible in pursuit of profit. mutual of the community.
Another important point is to strengthen the ties of our community with those people and groups that come to our city from both nearby towns and also from other cities and provinces of our country summoned by the social event that the Festival represents.
We will use the Festival as a construction tool committed to our social context and in accordance with sustainable production mechanisms considering current communication channels and technology. We will approach the audiovisual understood as an object to think about and in constant transformation.
It is necessary, from our intervention, to guarantee access to a symbolic language, essential to navigate the world around us and construct the images and sounds of our time, this being a necessary task for the development of society, the strengthening of democracy , equity and access to work.
The word AURA has two meanings: it’s the atmosphere and the wind blowing. The name of the film festival was inspired by both of these definitions. Our film festival is an atmosphere of creativity, celebration and art. A whiff of wind is the wind of change and the point of films, as well as the wind from the seas, near which the cities of film screenings are located (the Black Sea, the Baltic Sea and the Sea of Azov).
The screening sessions of the films of the film festival are held in three cities at once. In the south it is Sochi and Rostov-on-Don, and in the Northwest it is the cultural city of St. Petersburg. Film screenings take place in cultural and youth centers, both indoors and outdoors.
We screen both fiction films, documentaries and animated films, as well as social videos from around the world. In addition, there is a competition of posters and photo projects.
Viewers of different ages attend our film festival. After the screenings, there is a discussion with the creators and organizers of the festival.
On the last day of the film festival, an award ceremony will be held, where statuettes, diplomas and gifts from partners will be presented to the winners of the film festival.
AURA Film Festival is a review competition of films received evaluation by the Selection Committee.
The Festival’s aim is to support cinematographers and to contribute to the development and promotion of film industries.
The film festival focuses on a variety of themes and genres.
It is a strong advocate for social change, and encourages cultural diversity and understanding between nations.
We are also including and actively supporting not only the finest examples of classic moviemaking, but works that are experimental, breaking ground in new non-narrative forms and crossing over into the video arts. All films will be reviewed as they are submitted, and the best in each category will be chosen to screen at the festival. Semi-finalist films will not be screened but will receive our festival laurels.
The final decision on the inclusion of the film in the Festival competition program is made by the Selection Committee which reserves the right not to explain the reason for the refusal and not to give any comment.
The winners are chosen by the organizing committee of the film festival.
The winners receive valuable prizes from sponsors and partners, laurels and diplomas.
You can only send an application for entry through the platform festhome.com The final decision on the inclusion of the film in the Festival competition program is made by the Selection Committee which reserves the right not to explain the reason for the refusal and not to give any comment.
The winners are chosen by the organizing committee of the film festival.
Batumi International Art-House Film Festival (BIAFF) was established in 2006. The founder and organizer is “Batumi Art-house ARGANI". BIAFF is an annual event held in second half of September in Batumi (Georgia).
Festival is focusing on art-house cinema. BIAFF festival’s major sections include - International Competition (Feature, Doc and Short sections), Retrospectives, Meet the Jury, Master Collection etc. Beside film screenings, festival program includes various workshops, master classes and industry events.
A STEP TOWARD THE OSCARS
for FOX, NBC, CBS and Authority Magazine.
REVIEWS
"My favorite festival" Alex Proyas (I Robot, The Crow, Dark City)
"Other nominees included already famous people! It really was an honor to be nominated alongside such great nominees" Lisa Hurel.
“I truly cannot say enough good things about the Paris Art and Movie Awards. My experience with this event was easily the best and rewarding” - Ev Duran.
"One of the most organized and professionally run festivals I've been to! The official selections were of a high standard and the networking was incredible" - Jami Ramberan.
"One of the best festival experiences I've had. Magnifique!" Warren Paul Glover.
"The Fisherman's Diary" won twice at the PAMA in 2020, and is now selected to the 2021 , to represent its country.
"Game Changer" won an, his director Aviv Mano then worked on Disney’s COCO and TOY STORY 4 (2018).
"The Wishgranter" won an, an EMMY AWARD, and a (2016).
"Legacy of Lies" is distributed by Lionsgate (2020).
"Sgt Stubby", an unlikely hero, got a distribution deal at (2018).
"Curpigeon" got selected to, won the AMAZON VIDEO DIRECT Film Festival Stars (2016).
"Whisper" screened at FILMQUEST (2015).
"None of That" was STAFF PICK by (2015).
through the years included:
- John Lunn, 2 times Prime Time Emmy Award Winner, composer of "Downton Abbey"
- Monica Cruz, "Un Paso Adelante"
- Olivia Sandusky, journalist, NBC
- Mark Dacascos, actor, "John Wick III"
- Samuel Arnold, actor, "Emily in Paris"
- Patrick Fabian, actor, Emmy Award Nominee “Better Caul Saul"
- Claire Kopsky, Emmy Award-winning Journalist, CBS
- Jamie Campbell, producer, "Sex Education"
- Cindy Mollo, Eddie Award Winner, 4 time Emmy nominee, editor for "Ozark"
- Rena Owen, actress, "Star Wars Ep II" & "ep. III"
- Fola Evans-Akingbola, actress, "The Night Agent", "Siren", "Game of Thrones'
- Michelle Tesoro, SXSW winner, Eddie Award Winner, editor, "The Queen’s Gambit"
- Paz de la Huerta, actress, Boardwalk Empire
- Brent Huff, director & actor "The Rookie", 'The Rookie Feds", 'The West Wing"
- Max Markson -rep. A. Schwarzenegger, Mel Gibson, JCVD...
- Cole Sibus, actor "Stumptown', Olympic Gold Medal Athlete
- Mina Sundwall, actress, Netflix’s “Lost in Space”, DC’s “Legends of Tomorrow”
Our line up included through the years: Kirsten Dunst, Sam Rockwell, Vladimir Cosma, Kristanna Loken, Mark Dacascos, Caterina Murino, Andrew J. West, Hugo Becker, Jansen Panettiere, Leslie Bibb, Melanie et Alain Doutey, Macarena Gomez, French Prime Minister Edith Cresson, French Minister Frederic Lefebvre, Emma Bell...
We celebrate filmmakers and we focus on the humans making the movies : each director/attendee gets to talk about his movie.
You meet new audience, screen and show your latest work, connect with fellow professionals, share your passion with screenings and special events all over the city, including red carpets, movie premieres, parties, filmmaker’s networking, numerous Q&A's, international spotlights, industry talks and masterclasses, art performances and exhibitions, live music…
AN INDEPENDENT MOVIE FESTIVAL WITH
- Awards
- Photocall
- Artistic Recognition
- Networking
- award ceremony
La Plata International Independent Film Festival - FestiFreak is one of the most relevant and inviting cultural event in La Plata, capital of Buenos Aires, Argentina. We settled 20 years ago with the idea of showing and giving premiere to films and authors that don't usually get in theaters and others screens well as reviewing greatest masters of cinema's filmography. Our 20º edition will take place in October 2024.
Here, you can find the information of the last edition:
https://festifreak.com/
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
This is where we start, the dark side of movies, inspired by the legendary Pink Floyd’s album.
We start with the dark side, not visible to the naked eye, mysterious, obscure - a side with blurred boundaries and infinite nuances, where nothing is certain, precise, predetermined. Not visible rather than invisible, lying under the surface, or elsewhere, it’s something that can’t be simplified as it continuously alludes to deeper meanings. It’s the side of cinema that is never accommodating and always inquiring, making us question the meaning of what we see, listen, perceive.
If you look closely, you’ll see that there’s a dark side to everything. You find it in Brothers Grimm’s folk tales, in Fritz Lang’s fantastic and apocalyptic visions, in Stephen King’s archetypes of narrative fiction, in Stanley Kubrick’s unforgettable imagery, in Homer’s poems as in Peter Jackson’s Lord of the Rings epic. From the Holy Scriptures to Game of Thrones, the dark side is the driving force behind every art form and Ravenna Nightmare Film Fest is its cinematographic icon.
----------------------------------------------------
NOTICE SPECIAL FEE FOR MULTIPLE SUBMISSIONS
Considering the high request for participation from film schools and institutions, we established a special fee for multiple submissions from the same school/insitution: 10€/4 short films. Please contact us at info@ravennanightmare.it to take advantage of this discount.
In recent decades, and at one time to the emergence of new technologies that have ended up scanning most of the processes of the film, the documentary has known a notorious and systematic growth around the world. In our country, and for more than one decade, a production before linked almost exclusively to fiction has been swelling their ranks with new topics, new approaches, new geographies, new dilemmas.
It is in this context that FIDBA is proposed as the 1st. International Film Festival dedicated to this genre which films with the same fans - as long as we believe that the forms and the doings of the documentary film are different from those of the fiction - may meet and dialogue among them and with the public. If the documentary is a meeting point for the FIDBA, it is insofar as it proposes an interpellation to the little-known memoirs, disturbing present and (our) future in suspension. FIDBA will then be an approach not only among audiences, filmmakers and thinkers linked documentary but also in relation to the always stimulating possibilities that allow you to open this space to other border and heterodox expressions framed inside of what we would call "non-fiction" and that encourage us to dialogue with contemporary expressions that go beyond even the scope of the film.
FIDBA will pay special attention to those filmmakers for whom cinema is linked to a form of research and knowledge of the world that surrounds us as to the portrait of human beings whose conditions of life, in certain historical and social contexts, allow you to ask us about our. It is, therefore, authors who not only reflect reality but also ethical and moral relationship which involves filming the other.
FIDBA aims to become a point of support for filmmakers seeking to widen the perception of reality and to films which represent a step forward in the effort to understand it and anticipate it. So, it will make focus on films whose aesthetic originality put at risk not only an idea of the documentary but also a thought about the same film and its possibilities. Since this focus implies questioning the status of the real front of the camera or of the film in relation to reality, this is as inseparable from the mediations that arises.
The 23th Almería International Film Festival will be held in Almería (Spain), in order to promote the province of Almeria through the strengthening the historical links of the province with the audiovisual industry and culture, from Friday 15th November to Sunday 24st November 2024. The Festival is organized by Almería Provincial Council.
SECINDI Inclusive Film Festival and Diversity
The objective of SECINDI with this Short Film Competition, included in the Inclusive Film and Diversity Festival, is to encourage and reward the best national and international short films to give visibility to films whose theme is linked in some way with functional diversity and inclusion to make them accessible to all people.
The Shawna Shea Film Festival (SSFF) is a fringe independent international film festival. We love quirky and experimental films as much as we love straight narratives. All are welcome.
Established in 2012 the SSFF is a fundraiser for the Shawna E Shea Memorial Foundation Inc, a 501(c)(3), to honor Shawna's unique independent spirit by highlighting truly independent films that share the same quality.
The funds raised from the festival go towards scholarships and fellowships, including a Women in Film Fellowship.
Every year we have an opening night networking party and on the closing night we have an awards ceremony and party with food and a band. It is a party!
John Balan Fest - Atlantic Films and New Media is a new emerging space that aims to promote the cinema and independent audiovisual creation or at the same time that pays homage to the figure of John Balan, valuing the Marin Town identity and the Parish of Seixo, located in one of the most beautiful corners of Galicia.
Our main objective is to connect the New Galician Cinema to the neighborhood, as well as to seek a connection between local and country creators and creators with other international audiovisual communities. Paying special attention to those who have a strong cultural connection with Galicia in general, and in particular with our town.
Throughout the history of cinema, people from all over the world have turned to this art form to escape their reality and become part of a story external to themselves. Movies speak to all individuals, regardless of their qualities, flaws, similarities, or differences. Cinema has the power and task of telling stories that transcend and have a profound impact on viewers. It is a great responsibility, one that has been revolutionized more than once over the past century by visionary filmmakers who dared to go beyond and changed the film world forever, becoming pioneers and agents of change. In the same century, humanity has witnessed countless events that have caused a rupture in the social framework of what is known, and it is in these moments that influential individuals emerge, marking a before and after. The seventh art, cinema, has been responsible for capturing these stories on the big screen, ensuring that they reach more people. This is how inspiration is born, how transcendence is achieved, and how new Change Makers are discovered.
This is the 13th edition of the International University Film Festival LANTERNA 2023. The power and knowledge shared with thousands of students throughout this Festival will serve as the engine and inspiration that will accompany them for the rest of their lives. With our deepest pride, we invite you to FICU LANTERNA 2023, Change Makers.
The FENAVID International Film Festival is held annually in the city of Santa Cruz, Bolivia. Organized by the Audiovisual Foundation (FUNDAV), the Festival has become the most important film event in Bolivia and one of the most relevant in Latin America.
Since its first version, carried out in 2001, more than 10,000 audiovisual works from 30 countries have been presented at this meeting, which has transcended the borders of Bolivia and America.
In each version, FENAVID offers the public more than 150 screenings of feature films, short films, music videos and a series of audiovisual works that are exhibited free of charge for the public.
FENAVID always has first-rate guests. The event was attended by internationally renowned figures such as Celso Franco, protagonist of "7 boxes", Marisol Correa, Colombian actress, Alexandre Rodrigues and Leandro Firmino de Hora (protagonists of the acclaimed Brazilian film "Ciudad de Dios"), the Argentine producer Vanessa Ragone (winner of the Oscar for Best Foreign Film in 2010), Bolivian directors Marcos Loayza and Rodrigo Bellot and Argentine actress Aymará Rovera, to name a few.
Beyond glamor and film screenings, FENAVID is a macro meeting where producers, directors, actors, specialists and a whole multitude of people passionate about cinema converge.
During the days of its realization, the Festival has a series of parallel activities, such as children's film shows, video clip competition, workshops, talks, colloquia and debates.
One of the most anticipated events of FENAVID is the Santa Cruz 100X100 Film Production Meeting. It consists of bringing together 25 emerging film talents in Latin America. The chosen ones travel to Santa Cruz de la Sierra and, during the development of the festival, have the mission of producing a short film in 100 hours.
FICNOVA is an initiative that is celebrated around the 2nd of October every two years, thus commemorating the International Day of Nonviolence declared by the United Nations. The competition phase has been held every two years since the second edition in 2014, following the unanimous decision of all the organizing venues taken in May 2015. It is organized by the non-profit Humanist Association FICNOVA in collaboration with other humanist organizations, associations, entities and people who share the transforming sensitivity of active nonviolence, in different cities of different countries.
After its first six editions held in October 2013, 2014, 2016, 2018, 2020 and 2022 in different cities of Argentina, Bolivia, Brazil, Canada, Chile, Guatemala, Mauritania, Mexico, Peru and Spain, again participate in the preparation of the Seventh Edition of FICNOVA 2024 activists from different cities around the world.
The final list of venues may vary, either because new incorporations take place or because in some cities the minimum conditions for their celebration were not achieved in time, taking into account the difficulties of voluntary work in each country, self-financing and compliance with the permanent independence of any type of government agreement that could condition the objectives of the festival.
Depending on the logistics achieved in each place, three months before the start of the festival, we will publish the venues that meet the minimum general conditions for its celebration.
In no case can the non celebration in an initially proposed city be detrimental to the whole, nor to the authors of the works presented, since the festival is neither commercial nor remunerated. Each place is independent, and all efforts made at a point that could not be completed can be used for future editions of the festival.
We also wish to inform authors that the submission of works to competition is not made exclusively, allowing them the free disposal of the same and simultaneous submission to anyother contest they consider.
