Pulp Vision, the cinema club of Neoma BS, is organizing the 13th edition of the short film festival "Tournez-Court".
This year, we are celebrating student creativity and the seventh art around the theme "The City". As a hub of encounters and opportunities, the city is, in our view, an endless source of inspiration with its own unique aesthetic.
All short films, whether in French or any other language (with French subtitles), are welcome. We aim to encourage a diversity of perspectives and cinematic experiences, highlighting different visions of the city from around the world.
Whether through fiction, documentary, animation, or experimental films, each work will have the opportunity to explore the richness and complexity of the urban environment. We therefore invite filmmakers and cinema enthusiasts to share their creativity and bring their own interpretation of "The City" to the big screen.
OFFICIAL SECTION, of a competitive nature. (Up to 70 works)
Iberoamerican Digital Cinema: Films made by Iberoamerican producers and / or directors based in Brazil for more than 02 years, completed between 2023 and 2025, may participate in the following categories:
a) Iberoamerican Short - lasting up to 15 min, in the genres: documentary, fiction and animation; up to 20 selected films;
b) Short Sergipano - lasting up to 15 min, in the genres: documentary, fiction and animation; produced by a Sergipe director, or based in Sergipe; up to 10 selected films;
c) Pocket video - lasting up to 4 min; produced on cell phones or digital cameras, in the genres: documentary, fiction and animation; up to 10 selected works;
d) Video clip - lasting up to 4 min; up to 10 selected works;
e) Trailer - lasting up to 4 min; up to 05 selected works;
Webseries - lasting up to 10 min; up to 05 selected works.
Feature film - + 70 min, in Digital Format, concluded between 2023 and 2025; up to 5 selected films.
Get ready for an unforgettable experience at the Chaos Film Festival, a celebration of creativity, storytelling, and cinema! Join us on October 11th and 12th, 2025, at the historic Center Theatre in Dover-Foxcroft, Maine, for two days of groundbreaking films, exciting events, and much more.
Submissions Open January 1st, 2025
We are thrilled to announce that submissions will open on January 1st, 2025. The festival is open to all filmmakers, but we are placing a special emphasis on films made in Maine by Maine filmmakers. Whether you’re an established filmmaker or just starting out, this is your chance to showcase your work and compete for awards and prizes in various categories.
Special Guests and Q&A Sessions
In addition to the incredible films, Chaos Film Festival will feature special guests, including filmmakers and industry professionals. These guests will participate in Q&A sessions following select screenings, offering a unique opportunity to dive deeper into the creative process and engage with the artists behind the films.
Something for Everyone
Whether you're a seasoned film lover, an aspiring filmmaker, or simply looking for something new and exciting, the Chaos Film Festival offers something for everyone. Mark your calendars, stay tuned for updates on the film lineup and ticket information, and get ready for a cinematic experience like no other!
The festival that didn’t exist... now it does!
This is the slogan that accompanied the first two editions of the Tropea Film Festival.
The guests who have already attended the TFF include:
Pupi Avati, Matteo Garrone, Matt Dillon, Madalina Ghenea, Marcello Fonte, Anselma Dell’Olio, Ascanio Celestini, Totò Cascio, Luca Lucini, Greta Ferro, Denise Tantucci, Ron Moss, and many others...
TFF is a unique international film competition featuring public screening events in the beautiful village of Tropea, located on the Calabrian Tyrrhenian coast.
It is one of the few festivals to present short films in a cinema setting!
TFF is an awards program for both short and feature films, dedicated to supporting filmmakers from around the world by recognizing excellence in cinema.
We believe that film festivals remain the perfect environment for the cultural and communal celebration of cinema, which is why our mission is to support the film industry by showcasing the best films from around the world and creating opportunities for networking between filmmakers and producers/distributors.
The 18th edition of the Razor Reel Flanders Film Fest, the only Flemish genre film festival, takes place in Fall 2025, in the city center of Bruges. During the Razor Reel Flanders Film Fest, we present a quality selection of the best national and international genre films (fantasy, thrillers, action, fantastic comedies, animated films,...) to our audience, in a unique, intimate and cosy atmosphere! We also welcome many guests and we host lectures and Q&A's that enrich the visitor’s knowledge.
This is our second year, and we have so much to be proud of from the first! We’re leveraging our experiences to enhance UnShushed! Film Festival 2025.
We’re excited to open submissions, review your films, and continue the celebration.
We are accepting the following submissions:
Feature-length films in the following genres: fantasy, horror, Southern Gothic, or Afrofuturism
Short films in the following genres: fantasy, horror, Southern Gothic, or Afrofuturism
Micro short films in the following genres: fantasy, horror, Southern Gothic, or Afrofuturism
This celebration comprise Screenings, Awards, Q&A, and Workshops, offering opportunities to network and enjoy great films.
Feel free to blend genres! And show us what you have.
We look forward to having our minds blown!
See you at the UnShushed! Film Festival 2025!
COCINE is a film show dedicated to exploring and celebrating the richness of gastronomy and food culture through audiovisual art. This event seeks to highlight the deep connection between food and culture, offering a window into the stories behind each dish, recipe and culinary tradition.
From innovation in the kitchen to the preservation of traditional food practices, COCINE is a space where filmmakers, chefs, farmers and food lovers can converge and share their passion for gastronomy. Here, we explore how planting clean and sustainable products can strengthen the traditional cuisines of towns and communities, and how gastronomic culture evolves and adapts in a constantly changing world.
COCINE is an event of the Corporación Gastronómica de Popayán in alliance with the Popayán Short Film Festival that takes place within the framework of the Popayán Gastronomic Congress.
i-Fest International Film Festival is an international cultural event dedicated to Cinema and New Technologies, to date it is indicated among the most important and representative events of the Italian panorama and an essential innovative creative, educational and experiential appointment for the territories in which it takes place, Calabria and Palermo (Sicily).
i-Fest, a registered brand, is an original innovative cultural project, incredibly rich in artistic proposals and relevant cultural and experiential activities, multidisciplinary and transversal in the involvement of a vast territory and specific target audiences.
The uniqueness of i-Fest was born in the planning phase, it is in fact the Festival of the "5 i":
International/Innovation/Instruction/Information/Inspiration constitute the 5 fundamental principles, they tell the concept of the event and define its objectives: to spread the European and international cinematographic culture in the multiple forms of expression and in the different genres and styles through an analytical path and a experimental; tell the multiplicity of the cinematographic universe with a specific focus on international cinema; present an innovative, dynamic, stimulating and always attentive event of the most modern digital languages; spread the professions of cinema through a rich didactic and educational activity; involve new talents from the national, European and international film scene; transmitting positive values to young people, proposing activities in healthy, stimulating, creative environments and making the new generations aware of important environmental and social issues through specific dedicated activities; propose a literacy path for the younger generations through multiple dedicated activities; ensure cultural pluralism through a differentiated cinematographic and audiovisual offer; support and increase the involvement and development of different target audiences; present the most modern audiovisual technologies through a proposal of innovative experiences (VR, digital exhibitions, multimedia experiences); develop feelings of pride and a sense of belonging through broad and transversal involvement, describing the territory in its positive aspects, enhancing its qualities and transmitting quality, beauty and hospitality to the numerous national and international guests.
i-Fest is a constantly evolving and growing hub which, with a great sense of responsibility towards its audience, great love for its territory and constant and passionate work, offers from 2020 an event which, also in relation to the reference territory and thanks to its rapid growth, it has reached truly important dimensions. The 2024 edition presented 6 international competitions, 6 out-of-competition reviews (over 160 screenings), 20 national and international guests and a rich educational activity (15 masterclasses/educational meetings/workshops).
In recent editions the guests who took part in i-Fest: the Oscar winner Cuba Gooding Jr., the double Oscar winner Paul Haggis, the great Polish director Lech Majewski, the Spanish director Inés Paris (winner of several Goya awards), the American Heather Parisi (Italian exclusive), Ezio Greggio, the great Italian actor Giancarlo Giannini (Italian exclusive) who received a star on the Hollywood Walk of Fame, the French director Éric Gravel Golden Lion at Venice and Cesar Award, the Romanian actress Madalina Ghenea, the myth of Italian cinema Sandra Milo, the directors Enrico Vanzina, Giorgio Verdelli, Alessandro Rossellini, the extraordinary Milena Vukotic, the oriental artists Tsai Ming liang, Kiki Sugino, Momi Yamashita, Franco Nero, Lino Banfi, Maria Grazia Cucinotta, Milcho Manchevski, Albert Serra, Matteo Garrone, Michele Placido, Nino Frassica, Cristian Mungiu, Raoul Bova and many others.
The FINECAA is an animation film festival dedicated to new experiences/ new technologies. It welcomes any animated short film - partially or entirely produced in animation - which will have participated in renewing the cinematographic genre, whether from a technological point of view, in its format, its storytelling, its narrative construction, the production methods or its relation to the public.
The Santander Film Festival (hereinafter the “FCS”) was born on September 18, 2017 as a film week focused on creativity, entrepreneurship and youth. It puts the focus on cinema, although it has also given space to other arts such as literature or music. The main venue where the festival takes place is el Centro Botín, and we have the main collaboration of the Botín Foundation, the Government of Cantabria and the City Council of Santander.
This year, the 9th edition of the Santander Film Festival will take place from September 12 to 18, 2025 in Santander, Cantabria.
Otras Miradas, was born with the commitment to be a screen that makes social reality visible.
Likewise, we support the different social groups, so that they show their audiovisual works and in this way their projects can be known by the general public.
In addition, we believe in cinema as an educational tool to raise awareness about current social realities, reflected in the works presented to Otras Miradas.
“A festival focused on socio-environmental issues. In 2023, Gamboa Zinemaldia was born. We have also been expanding horizons, reaching more territories, thanks to the push of local agents. Gamboa Zinemaldia is now present in the council of Ullibarri-Gamboa. This second edition signifies a continuous process of change in a world of constant changes. The evolution of the festival in terms of conscious environmental action can be seen above all in a fundamental issue such as mobility.
At Gamboa Zinemaldia, we are committed to the use of more sustainable public transport. Education is one of the key skills on the path to an ecologically, economically, and socially sustainable future, and therefore, it is one of the stars of the festival. This is especially noticeable in the Youth Section “Filmed in Ullibarri-Gamboa.” In the coming years, we hope for the maximum number of spectators to enjoy the screenings, and we seek to address issues of vital importance, creating a space for reflection and educational criticism, with audiovisual as a fundamental element in all its genres and formats.”
The Gamboa Zinemaldia festival is an invitation to feel, reflect, and act: cinema as an art for dialogue and social transformation. Since 2023, we have had the opportunity to enjoy this festival in Araba with two of its sections. The “Filmed in Ullibarri-Gamboa” section is aimed at the education of young people, covering an age range between 14 and 30 years old, etc.
Participation is done with prior registration and includes, in addition to the screening of the short films that compete each year, looking for additional activities such as workshops and other educational material in subsequent editions. The official section is directed at the entire citizenry, with special emphasis on the involvement of the inhabitants of the council, and showcases the award-winning short films selected at the festival.
FICC – International Cannabis Film Festival – Launches Its Call for Entries
The FICC was born out of the need to broaden cultural perspectives through a social and committed approach to the topic of cannabis, using audiovisual media as a powerful tool for social transformation—one that generates awareness, reflection, and behavioral change.
Since 2019, the International Cannabis Film Festival has brought the subject of cannabis to the forefront through cinema and culture, helping to break down prejudices surrounding its various uses, provide information, and contribute to the expansion of rights—without promoting consumption.
The "Golden Flower Award" Beijing International Children's Film Festival, supported by the Children's Science and Education Committee of China's largest Children's Culture and Arts Promotion Association, was held in 2018. Now it has become the largest children's film festival in China. Partners in the Asian market are invited to recommend excellent films to promote cultural exchanges, cooperation and distribution. This year, we will expand the number of screening and forum exchange activities of young filmmakers to other venues on the basis of past successes. Launch richer and more meaningful new projects, such as public services in mountain villages and campus screening.
The Beijing International Children's Film Festival is a non-profit film festival supported by the Red Cross Foundation of China. open to films from all over the world. More than 200 films were screened every year, with more than 5 million young people and children watching online. "Child friendly" offline screenings were held in Chinese cinemas, schools and art centers. At the same time, round tables, art exhibitions, drinking parties and other activities were held
Public services: The expenses of the film festival are used for organizing activities, and in cooperation with the Red Cross Society and other foundations, the festival donates film watching activities and cultural facilities for disabled children and left behind children.
the BRICS competition unit will be added, which will be supported by TV BRICS. BRICS countries will select 5 awards and hold special screening activities
For more information, please find on the official website: gfa-beijing.com
Open Call – International Experimental Film Festival 2025
The 3rd International Experimental Film Festival (IEFF) – 2025
organized by the Institute for Experimental Arts
“The future of film is female and experimental. We need to destroy and reconstruct cinema itself.” – Maya Deren
About the Festival The 3rd International Experimental Film Festival is an international encounter dedicated to experimental film art, announcing its call for submissions. The festival will take place in Greece, creating a dynamic space for screenings, installations, performances, conferences, film concerts, and workshops. The festival seeks to expand the possibilities of film beyond traditional formats and spaces, creating a zone of creative contagions between cinema and the visual arts, historical works and current production, analog and digital, filmmaking and critical thinking.
“I make films to prevent myself from disappearing. Each frame is an act of resistance against the prescribed narratives.” – Chantal Akerman
Our Vision of Experimental Cinema Experimental cinema is a free, radical, and purposeful cinema that responds to the aesthetic, political, or philosophical need to see and explore cinematic horizons, away from large industries and hegemonic formulas of creation. It is through experimental cinema that we find authentic ways to create audiovisual art.
“Experimental film is not just about breaking rules – it’s about proving those rules never really existed.” – Barbara Hammer
We celebrate a cinema that breaks the narrative, and most of all visual, bounds to which we’re used. A cinema that elaborates on film medium to its fullest, by including even the most extreme possibilities. A cinema that confronts, disrupts, and reimagines. As John Cage said it well: “an experimental action is one the outcome of which is not foreseen” – the cinema we’re looking for is a cinema of the unpredictable.
“The experimental is political. Every frame can be an act of rebellion.” – Agnès Varda
FESTIVAL MISSION
The 3rd IEFF continues to be the pioneering space in the exhibition of experimental content in cinema, which seeks to show excellence and innovation in the independent production of the film world. We celebrate aesthetic diversity, new narratives, and new media and formats; a program that reveals the complexity of social, cultural, and artistic phenomena. We understand experimental cinema as a divergent cinema that vanishes the boundaries with art, emphasizing the experimental modes of creation.
“In experimental cinema, we find the freedom to imagine different futures and to remember different pasts.” – Trinh T. Minh-ha
Special Focus for 2025
- Feminist Experimental Practices
- Gender and Technology
- Body Politics in Digital Age
- Queer Experimental Narratives
- Decolonial Experimental Cinema
- Eco-feminist Approaches to Film
- Cross-disciplinary Collaborations
- Digital/Analog Hybrid Works
- Experimental AR/VR Projects
ABOUT
The Institute The Institute for Experimental Arts was founded in 2008 in Athens, Greece as a non-profit platform of creative expression and research in the fields of theater, performance art, digital media, installation, poetry and art theory. The Institute is committed to existing as an open meeting point for poets-writers, directors, actors, theater engineers/technicians, performance artists, photographers, video artists and the writers who develop new analytical tools on contemporary art, media & communication.
CRITICAL DISCOURSE
The festival will always see the development of the cinematic language with critical thinking, regardless of the terms ‘cinema industry’ or independent cinema. For this reason, the 3rd IEFF will bring a critical discourse through curatorial programs, symposium, and public lectures to broaden the knowledge of the ever-changing cutting-edge cinema aesthetics.
“Cinema is not neutral. Experiment is our way to fight back.” – Sally Potter
SUBMISSION CATEGORIES
We accept all works that fit into the experimental film category and all its sub-genres including:
- Found footage
- Essay film
- Expanded cinema
- Experimental animation
- Abstract film
- Experimental documentary
- Video art
- Virtual reality
- Direct animation
- Any other experimental approaches
There are no genre, topic or length restrictions.
The 3rd IEFF features Avant-Garde and Experimental films of any length.
IMPORTANT REQUIREMENTS
+ All films with dialogue must have ENGLISH or GREEK subtitles
+ Submissions without subtitles will be considered incomplete
+ Films that have screened before are eligible
AWARDS
We believe in culture as a pluralistic and intangible value. The awards assigned by our diverse jury are purely symbolic. Selected films will be judged by an exceptional jury and seen by a vast audience of film lovers.
Golden Arrow Awards Categories
- Best Film
- Best Short Film
- Best Director
- Best Original Screenplay
- Best Music
- Best Performance
- Best Picture
Submission Deadlines and Fees Deadline:
August 15, 2025
Submission fee: 25 euro per video or media project
Program Announcement: October 2025
Contact Information For any questions: theinstitutecontact@gmail.com
RIGHTS
The International Experimental Film Festival reserves the right to use small portions and stills of accepted films for promotion of events.
We actively encourage submissions from women, non-binary, and gender non-conforming filmmakers, as well as creators from underrepresented communities. Our commitment to diversity extends to our jury selection and programming decisions.
“The revolution will be filmed experimentally.” – Su Friedrich
The 3rd International Experimental Film Festival is a project of the Institute for Experimental Arts, celebrating the radical potential of cinema to transform our understanding of art, society, and ourselves.
In 2003, the non-profit created the International Strange and Unusual Fantasy Short Film Festival, Court Métrange.
The event offers a creative harbor for authors wherein to expose and endorse their ideas. With an irrefutable penchant for a different form of filmmaking, these motion picture partisans fascinate countless audiences, the latter of whom paradoxically struggle to reap the same attention.
The purpose of the Court Métrange Festival is, ultimately, threefold, boasting: a place to screen, a place to scream, letting its "cult" shorts thrive, and a place whose limitless resources endeavor to not only emphasize the credentials of those having fought to make Fantasy film what it is today, but also attribute to them what is rightfully theirs. Court Métrange has become crucial not only in putting back on the radar screen the artistic and cultural value in a certain category of works, but also in breaking down barriers between film genres.
Sole member specializing in short films of the renowned European Fantastic Film Festival and CNC Category 1 Festival, Court Métrange is, in a way, a rite of passage for some authors in the quest for validation of their work with their sights set on becoming the directors of tomorrow. As a result, it is unrivaled, and plays an influential role on the short film scene in Europe.
Artistically agile, film communicates in a number of languages. The Fantastic is one of them. Court Métrange has chosen to hand over the mic and screen to those who share the same speak. For Fantasy filmmakers, this moment with their audiences is invaluable. Theaters teeming with fans and backing from a significant part of the profession have, in turn, legitimized the festival in its entirety. The enthusiasm and support from the teaching community and the active involvement of its student population in the educational and cultural initiatives organized by the festival come full circle with the idea that Fantastic films are a formidable breeding ground for culture and reflection.
Alongside its screenings, the Festival also strives to open up channels for exchange between film and other creative disciplines in order to broaden and boost the manner in which the "Fantastic image" materializes. Every year, conferences, exhibits, music, encounters, and debates round out the Court Métrange agenda.
