O Faro Concurso de Cinema Mediterrâneo e Mundial & Revista transcende a norma dos concursos de cinema, emergindo como um farol no domínio do cinema global. Herdando a rica herança cultural e marítima de Portugal, Faro simboliza um navegador, iluminando joias cinematográficas inéditas e pioneirando a jornada de narrativas ainda não contadas. Mais do que um concurso, Faro encarna uma filosofia que valoriza o sublime na realização de filmes - histórias que agitam a alma e ressoam universalmente. Mantendo pilares de Fortuna, Acreditação, Revisão e Opulência, Faro funde recompensas tangíveis com um compromisso com a crítica cinematográfica, celebrando filmes como a voz da consciência. No meio da cacofonia digital, Faro dedica-se a curar uma sinfonia de contos autênticos, oferecendo-lhes um palco para ressoar pelo mundo. Isto não é meramente uma competição por elogios, mas uma busca para iluminar o caminho para contadores de histórias através do horizonte cinematográfico.
Faro Concurso de Cinema Mediterrâneo e Mundial transcends the norm of film contests, emerging as a beacon in the realm of global cinema. From Portugal's culturally rich and nautical heritage, Faro symbolizes a navigator, illuminating unseen cinematic gems and pioneering the journey of untold narratives. More than a contest, Faro embodies a philosophy that prizes the sublime in filmmaking - stories that stir the soul and resonate universally. Upholding pillars of Fortune, Accreditation, Review, and Opulence, Faro merges tangible rewards with a commitment to cinematic critique, celebrating films as the voice of consciousness. Amidst the digital cacophony, Faro is dedicated to curating a symphony of authentic tales, offering them a stage to resonate worldwide. This is not merely a competition for accolades but a quest to light the way for storytellers across the cinematic horizon.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
Welcome to the Northstar Filmfare International Film Festival—an avant-garde cinematic journey that extends beyond traditional boundaries. Focused on empowering emerging filmmakers in the dynamic world of cinema, NFIFF emphasizes globally showcasing your work, securing press coverage, and fostering connections with influential figures in the industry.
At NFIFF, we warmly embrace filmmakers from around the world, anticipating films that embody courage, determination, and unique voices. Our commitment extends to supporting content creators and cultivating an environment where creativity thrives.
In the realm of NFIFF, the spotlight illuminates filmmaking every month. Winners receive an exclusive laurel and certificate, tangible recognition of their accomplishments. Submit your masterpiece today and explore new horizons in the world of filmmaking with NFIFF.
Main Program (International competition), which will regularly feature films from all over the world from among a director’s first and second feature films. The idea is to promote new filmmakers who are making a debut or are only just starting their careers.
This program’s goal is to identify and promote relatively unknown filmmakers’ new film stories, giving them a chance at the beginning of their film careers.
The idea for this film festival emanated from the dire need for a wider space to present debut films by many new filmmakers from the region and all over the world.
The International Film Festival KineNova Skopje, therefore, includes activities such as promotion, support, incentives, exchange of experiences, and film awards. It is a venue for new filmmakers to showcase new stories and offer a fresh perspective of humanity and the world we live in.
The festival and the city of Skopje have the honor to be the meeting point for new filmmakers and a springboard for their respective career paths.
The festival aims to promote cinematographic culture through short films.
The Friends of Ribadesella Cultural Association was born in 1986, with the vocation of disseminating culture among the citizens of Ribadesella and its council, its statutory objectives being very broad (giving conferences, organizing exhibitions, publishing books, protecting cultural and historical heritage , artistic, ethnographic, natural or scientific of the town; also activities of a sporting or social nature) currently having about a thousand members, who support our cultural trajectory.
Muestra de Cine de Lanzarote is a project organized by Asociación Tenique Cultural, a non-profit organization whose main goals are to promote, diffuse and debate independent films, analyze the local context and connect it to global level. The 14th edition of the project is scheduled to be held between November 21 and December 1, 2024.
The call for films will be opened between July 25 and September 24, 2023, and films may be submitted to the two competitive sections: the Official Section of Feature-length Films, endowed with a prize of 6.500 euros, and the Cruce de caminos: Filmmakers from the Canaries Section, endowed with a prize of 1.200 euros.
All details about the call can be found in the rules of participation.
Biencortos was born in Maracaibo | Venezuela in 2022, as an annual showcase for regional and national productions. In its third year, in 2024, the organization led by the Proyecto Gaveta collective decides to experience ambitious growth, expanding its horizons and transforming itself into an event of greater scope.
This leap marks the beginning of a new stage for Biencortos, which seeks to consolidate itself as a platform of reference for independent cinema nationally and internationally. The festival aims to be a meeting place for filmmakers and productions worldwide, promoting the creation and dissemination of short films as a form of artistic and cultural expression.
The festival also offers parallel activities, such as workshops, talks, and special events, which promote the exchange of experiences and knowledge among film professionals and the general public. It is also conceived as a space for the community, where film lovers can enjoy a quality program and participate in various activities that can develop the region, boosting the local film industry and attracting cultural tourism.
“Shorts = Cinema” sums up the essence of Biencortos—the short film as a form of artistic and cultural expression as valid as the feature film. The festival seeks to support the value of short films and position them as a powerful tool to tell stories, reflect realities, and generate opinion.
The One Shot Terrassa City of Film is a film festival that takes back the old Sequence Shot Contest organised in Terrassa between 2004 and 2012. It came last year again, and we're following the success. So this is the 11th Edition of the festival.
The particularity of this festival is that ONLY ACCEPTS ONE SHOT FILMS. What does it mean? As is well known, is about telling a story - at least 3 minutes long - in just a single shot, that is: no cutting or image editing.
In 2017, Terrassa was selected as a "Creative City of UNESCO in Film", a recognition that only 17 cities in the world have. This leads to recover a past that it is what brought us this present.
The festival will take place during the week from October 20th to 23rd 2024, also being part of the "3rd Cinema Week of Terrassa" where the whole city gets involved in film activities. The festival will be held at Cinema Catalunya, the main cinema in Terrassa and part of the "European Cinemas", and other venues of the city, where public screenings, Q&A and roundtables will complete the festival until its Closing Session and Award ceremony night.
To have some historical background, it all started in 1967 when Societat Cultural Joventut Terrassenca - known in Terrassa as "Coro vell" - organized the "Rotllo" film competition with this same idea. Now, Societat Coro Vell, with the support of the Terrassa Audio-visual Board and within the activities of the Terrassa City of Film UNESCO, as well as with the participation of those companies and people who collaborate on this event, wants to recover this current year the tenth edition of the "Concurs del Pla Seqüència", from now called "One Shot - Terrassa City of Film".
For any doubt or concern contact us at oneshot@oneshot.cat.
La Fundación Pública Andaluza Centro de Estudios Andaluces M.P. (Fundación CENTRA en adelante), entidad adscrita a la Consejería de la Presidencia, Interior, Diálogo Social y Simplificación Administrativa de la Junta de Andalucía, convoca de acuerdo con los principios de publicidad, concurrencia y objetividad la XVIII edición de los Premios IMAGENERA de Creación Documental sobre Andalucía, correspondientes a 2024.
IMAGENERA apuesta por promover el conocimiento y la investigación sobre Andalucía a través del lenguaje documental generando un patrimonio visual que preservar y difundir.
La 18 edición contempla las modalidades de Documental Audiovisual y Fotografía destinada a trabajos, sin acotación temática ni temporal, que presenten una imagen de Andalucía en su sentido más amplio y diverso:
• Trabajos visuales que logren representar o defender las oportunidades presentes y expectativas de futuro de la Comunidad Autónoma.
• Obras que exploren el pasado de Andalucía desde la perspectiva de nuestro tiempo.
• Aquellas que pongan en valor cualquier aspecto de la realidad andaluza que fomente nuestra Comunidad Autónoma como símbolo, imagen o icono de una comunidad moderna y versátil, dentro del contexto de España, Europa y el mundo.
• Se valorarán los trabajos que muestren con especial interés el rumbo de Andalucía en cohesión con sus valores sociales, económicos, tecnológicos, políticos o culturales.
Salut! We are MONTIFF • Montpellier Indie Film Festival, an international film festival with screening events in enchanting Montpellier, France, and a member of IBERIFF • Iberia Indie Film Festivals. IBERIFF celebrates independent artists and showcases new productions from across the globe in Montpellier (MONTIFF), Madrid (MADRIFF), Barcelona (BARCIFF), València (VALÈIFF), Seville (SEVIFF) and Lisbon (LISBIFF).
MONTIFF shares the mission of its associate festivals in supporting emerging talents, encouraging artistic exploration, fostering networking, promoting cultural exchange, engaging with the local community, and providing a platform to celebrate and showcase the work of independent filmmakers.
Fiction, animation, documentary, and experimental films of any genre or subject are welcome!
International Fantastic Film Festival of Castilla y León "Terroríficamente Cortos" born from enthusiasm and love for the cinema of palencian young and the need to boost the cultural and leisure in the city of Palencia on it involving institutional and business sector of the Spanish province.
CURRENT EDITION NOW OPEN FOR ENTRIES.
JOIN THE WORLD'S BIGGEST SUSTAINABILITY FILM FESTIVAL LED BY OSCAR-, BAFTA- & EMMY-WINNING CELEBRITIES. GET YOUR FILMS SCREENED ON EUROPE'S BIGGEST SCREEN - LONDON'S ICONIC PICCADILLY LIGHTS.
OUR FILMS HAVE BEEN AWARDED AND NOMINATED FOR THE BAFTAS, OSCARS AND EMMY AWARDS. THE FILMS HAVE REACHED OVER 8M IN 90+ COUNTRIES.
WIN PRIZES WORTH THOUSANDS. FILMS COMPLETED AFTER 1 JAN 2022 ARE ELIGIBLE TO PARTICIPATE.
FILMS WITH SUSTAINABILITY-THEMES, INLCUDING BUT NOT LIMITED TO:
CLIMATE ACTION
PEACE & JUSTICE
MIGRATION
INEQUALITY
INCLUSION & DIVERSITY
DISCRIMINATION
MARINE LIFE
LIFE ON LAND
BIODIVERSITY
GENDER EQUALITY
MENTAL HEALTH
POVERTY
HUNGER
HEALTH AND WELL-BEING
EDUCATION
CLEAN WATER AND SANITATION
AFFORDABLE AND CLEAN ENERGY
SUSTAINABLE INNOVATIONS
The festival and gala awards is organised by the Big Syn Institute, a part of the Centre for Big Synergy, which is a CSO of the United Nations. The festival educates and inspires millions to act on the United Nations Sustainable Development Goals (UN SDGs).
FIVE REASON TO SUBMIT YOUR FILMS.
1. Be part of history; inspire action, create change.
2. Get recognition from OSCARS-, BAFTA- and EMMY-winning Grand Jury.
3. Screenings across the world and the UK.
4. Red carpet gala awards in London; meet celebrities, industry, press & TV. (TBC)
5. Covered by major UK and international news and media including the BBC.
Please follow us on all SM to be informed of more details and special prizes.
IMPORTANT
If your film has an important message for the world, this festival is for you. All films should touch upon or cover major issues faced by the planet and the people; around social, economic or environmental sustainability.
Entry fees paid are not refundable under any circumstances, so please read rules before submitting your films.
The following types of films (premiered and unpremiered), completed after 1 Jan 2020 are welcome for the festival.
- Features
- Shorts
- Animations
- Documentaries
- CSR videos
- Charity films
- Advertisements
- Public Service announcements
Retama, Latin American Film Festival, was born in search of an intermediate and nodal space that reflects on the forms of representation of territories, social and ethnic groups from the cinematographic perspective, as well as as a place of vanguard of the most daring contemporary Latin American cinema. daring and innovative.
Being an exhibition showcase, as well as a training point from observation for local filmmakers in search of their own perspective.
Berlin Sci-Fi Filmfest was the first genre-specific Sci-Fi film festival in Germany. Berlin is a metropolis that welcomes a better future, even as it parties and celebrates the fall of the old order in post-apocalyptic converted industrial spaces. Berlin Sci-Fi Filmfest is looking for thought provoking science fiction that makes audiences think, feel, and reflect on our place in the universe and our future.
We are introducing a new competition this year: “Stories That Would Made Great Sci-Fi Films”. We will also be expanding our competitions to include Science Documentaries. Our goal is to promote cross-fertilization between science, science fiction literature, and science fiction filmmaking.
Towards that end, Berlin Sci-fi Filmfest is planning to be back this year at a new venue—Urania—located at the intersection of lively Schöneberg and upscale Charlottenburg, on Ku’damn, known as the Champs-Élysées of Berlin, two blocks from KaDeWe. Urania is a scientific society founded in 1888 to disseminate the latest advances in science to the public.
On November 29, 1974, the DINA arrested Carmen Bueno and Jorge Müller after the premiere of the film "A la sombra del sol". Ten years later, Chilean filmmakers organized to commemorate that day as Chilean Film Day, a date that was distorted with the arrival of democracy, since the large exhibition chains saw a business opportunity, relegating the true meaning of the date. From 2010 onwards, university attempts and the Museum of Memory began to retake the true meaning of the day of Chilean cinema, with almost the only venue being the Metropolitan region. 50 years after the civil-military coup d'état, the Municipality of Valparaíso decided to commemorate November 29 by showing the film "El Realismo Socialista" by Ruiz-Sarmiento, with photography by Jorge Müller.
This year 2024 marks 50 years since the disappearance of the filmmaker couple, the same year that the audiovisual table is created and in this sense, is that we seek to enhance from a regional processes of vindication of our historical memory, linking our audiovisual work to the community in our territories.
We are celebrating the tenth edition of the Ciutadà Compromés Film Festival, organized by ACICOM.
Faithful to the initial project, we want to bring Valencian audiovisual productions closer to the public, which is why we project on multiple screens counting on the synergies of social entities and organizations. We will have civic and social, institutional and commercial rooms.
We value, with their exhibition, Valencian audiovisual productions, those that bring us a committed look. Our environment, social, territorial, economic, human rights, relationships, etc. is treated in these works. Some audiovisuals with a restless look.
We are a festival away from the red carpet, and more identified with the people and organizations we care about and work to improve society.
It is a party that combines different languages, platforms and materials that revolve around audiovisual and cinematographic language. It calls for works from all backgrounds, emphasizing urban, rural and community-based community productions produced by Latin American peoples who are in search of their own image and propose different perspectives that do not find a space in the commercial distribution network.
The competition conditions the creator to submit to the taste of a jury, limiting in many cases the creative options of filmmakers whose works do not respond to the logic of the film industry; So we propose a non-competitive festival where the objective, rather than winning an award or recognition, is to share the experience of the realization itself, the search for the image and the reality that it reflects.
An open, plural, democratic party, which invites all sovereign achievements to join in dreaming and being part of the force that constitutes the different, critical, silenced looks. Inviting national and international allies to add as many voices to that search for their own image and audiovisual sovereignty.
Works made in neighborhoods and community cinema by more people making audiovisual and less stars of the film industry. Decentralized projection sites, to bring the audiovisual to where people are and (re) take the street for public and free cultural action, for love, not for business. A meeting, production, reflection and discussion space, on topics that concern us and that are embodied in the films that are screened and in the workshops that take place during the week, because we celebrate the audiovisual as a weapon of struggle for our free expression.
The "Festival Cortos para Tiempos largos" is a proposal for the training, creation and circulation of audiovisual content carried out by young Colombians since 2020 with a clear purpose, to connect people and stories. The festival is not looking for winners, it is conceived as a space for the dissemination and visibility of audiovisual products, carried out for academic and non-profit purposes, where all those who wish to be part of a great story can participate.
The Rani Durgavati International Film Festival is designed to celebrate Cinema.
RDIFF is committed to Showcase films from amazing filmmakers across the globe. The festival welcomes films from around the world.
RDIFF is a Jabalpur, India based international film festival with screenings and Q&A and a twice-yearly awards event. One event is totally dedicated to Short Films and other event is for Full Length Films.
Our First Edition SUCCESSFULLY launched on 5th October 2023 for Short Films.
in June 2024 our Full Length Films Edition was a success.
Now we are heading towards our 3rd edition.
There will be two events every year.
Our main focus is to celebrate Cinema of Independent Filmmakers. We have a separate section for Indie Makers with less entry fee.
Note for Independent Filmmakers
As there are many films which did not get a release and makers did not get a good platform to showcase their cinema. RDIFF will provide them an online platform where they can schedule it and show it to the world. RDIFF will promote those films in the market (for that RDIFF will connect with the independent filmmakers separately, for query email us with Subject: RDIFF Play)
All projects officially selected will receive the official laurel and the custom certificate of achievement according to their final status in the competition through email.
The competition is open for professionals as well as students with separate section for student filmmakers.
Since we our guided by valour of Braveheart Queen Rani Durgavati, we will have a special category for Women Independent Filmmakers.
RDIFF is a festival with difference.
