Calling all independent filmmakers! Screamfest® Film Festival is back for its 25th annual 10-day event, showcasing the best in horror cinema from around the world. Held this October at the TCL Chinese 6 Theatres in Los Angeles, our festival is a must-attend event for horror fans and industry professionals alike.
Don't just take our word for it - some of the biggest horror publications have dubbed us the 'Sundance of Horror.' Our festival has also been featured in 2024 New York Times at Top 5 Halloween Festivals Worth Traveling For. Moviemaker Magazine's lists of 50 Film Festivals Worth the Entry Fee for 2023, 50 Best Genre Fests in the World 2021, 25 Film Festivals Worth the Entry Fee & 13 Film Festivals to Die For, and 30 Bloody Best Genre Fests in the World 2019.
As the largest and longest-running horror film festival in the United States, we have a proud history of discovering and showcasing groundbreaking films. Paranormal Activity, for example, was discovered and premiered at our festival in 2007.
Join us for a spine-tingling lineup of new genre films and premieres, including past hits such as Paranormal Activity: The Ghost Dimension, Dead Ant, Trick 'r' Treat, 30 Days of Night, The Human Centipede, and American Mary. And don't forget to check out our YouTube channel at https://bit.ly/2MYvdFt, where you can view past Screamfest® short films. Submit your work now for your chance to be a part of the legacy!
The eleventh La Serena International Film Festival (FECILS) is a competitive audiovisual event that will take place from October 22 to 25, 2025, in the Coquimbo region. It seeks to support the production and dissemination of regional, national, and Latin American audiovisual activities, thus contributing to decentralization by promoting the exchange and training of regional filmmakers and producers. Through these actions, FECILS seeks to establish itself as a cultural event that, in addition to generating film exhibition spaces in the Coquimbo region, focuses on generating new audiences. FECILS 2025 features an audiovisual outreach program that will reach various venues in the region's communes.
The "Tels Quels Festival" will be run by the non-profit-making association "Tels Quels" in Brussels on October 2024.
The Tels Quels Festival is an event aimed at the general public, designed to promote and spread the LGBT (lesbian, gay, bisexual and transgendered) Culture. In this framework, a LGBT Short Film Contest is being held.
Animacción is an international festival of animated short films, which showcases the artistic potential of a whole new generation of animators. Organised by the cultural association dedicated to animation ‘Ánimas Anónimas’, the festival returns this year for its 9th edition.
I would put this whole paragraph like this: The selected short films will be screened from 27/10 to 01/11 in different venues in the metropolitan area of A Coruña, and the winning films from both the general section and the children's and Galician sections will be chosen by voting by the audience attending the screenings.
The days of the screenings will be an opportunity to create a bridge between professionals from the world of animation and the public, as we will be programming talks and activities for all audiences related to this discipline.
In addition, the programme will include a series of talks and activities which, together with the screenings of the short films, will serve to create a bridge between professionals from the world of animation and the public.
Accepted films will be short, medium and feature length films produced in digital video; categories in documentary, fiction, experimental or animation; movies about mountain sports, adventure or expedition; films that contribute to knowledge and protection of the environment; films about mountain culture or outdoors lifestyle.
Molins Film Festival was established in 1973 in Molins de Rei (Barcelona). In November 2025 we will hold the 44rd edition.
Known as TerrorMolins, the Festival consists of a competitive Feature Films Official Sections, Short Films Official Section, Retrospectives, Documentaries, Live shows, Workshops, Networking/Pitching, projections for high-schools, projections for children... and one of the oldest horror movies marathon in the world, our 12 Hours Horror Movies Marathon (1973) ...
MHFF - Molins Horror Film Festival is one of the oldest festivals dedicated solely to horror in Spain and in Europe. The Festival is a member of the Méliès International Festivals Federation (MIFF).
The Santa Fe de Antioquia Film Festival Corporation decided, through the Festival, to turn the municipality of Santa Fe de Antioquia into a large movie theater and show open-air cinema, under the stars and framed in the colonial architecture of one of the Heritage towns of Colombia.
Over the years, the Santa Fe de Antioquia Film Festival has sought to bring cinema closer to the public through workshops, conferences, a central screening of films according to the theme, and training workshops. These activities are designed not only for the inhabitants of the municipality of Santa Fe de Antioquia, but also for inhabitants of Medellín and other inhabitants of western Antioquia and in general for university students, specialized journalists, filmmakers in training, film critics, producers, filmmakers and film lovers who for twenty-three years add up to an annual average of 15,000 festival attendees.
The Zaragoza Film Festival, founded in 1995 to create a cinematic activity in the city. At first his main title was the Young Filmmakers. Since 2007 its official name became the Zaragoza Film Festival.
Festival with various events, generalist and national character (although some of its events are international).
Starting in 2021, after celebrating the 25th edition of the Festival, we propose an evolution of the project.
Join One of the World’s Leading IMDb-Qualifying Film Festivals!
Welcome to the Bristol Independent Film Festival (BIFF)—one of the UK’s fastest-growing and most dynamic platforms for global cinema!
Since our launch in 2017, BIFF has received submissions from over 160 countries, making us a truly international festival. Our screenings take place at the Bristol Megascreen, a 300-seat cinema, over a 3-day period, providing filmmakers with a premier venue to showcase their work to a large and engaged audience. Our mission is to support and celebrate filmmakers through diverse awards and industry recognition.
Why Submit to BIFF?
- A Thriving Community: BIFF fosters a creative space for filmmakers to connect, collaborate, and celebrate their craft.
- Networking Opportunities: Our networking booklets introduce winners to industry professionals, complete with contact details to encourage future collaborations. Additionally, we host exclusive networking sessions where all attending winners and nominees can connect in person, fostering valuable relationships and future collaborations.
- Awards and Recognition: We honor excellence with trophies, winner’s packages, and cash prizes to help fuel your next project.
- Global Exposure: BIFF offers filmmakers the opportunity to showcase their work to a global audience. We actively connect winning projects with distribution and production opportunities to ensure your film gets the recognition it deserves.
Audience Choice Award
New this year, we are excited to introduce the Audience Choice Award, allowing our festival-goers to cast their votes for their favorite film of the festival! This special recognition provides even more exposure and the chance to connect with an engaged and passionate audience.
Why Bristol?
Recognized by UNESCO as a “City of Film,” Bristol stands alongside global cultural hubs like Sydney, Rome, and Galway. As one of the city’s largest film festival, BIFF is committed to nurturing a vibrant hub for filmmakers, offering them a stage to shine.
We can’t wait to experience your work and celebrate film at our 8th annual edition of BIFF!
CineFem, the First International Women's Film Festival of Uruguay, whose first edition was held in Salto (Uruguay) but that from then on was permanently developed in Punta del Este, is a space to reflect on the role of women in cinema and in our society. CineFem, the woman's view.
VII NATIONAL RURAL FILM FESTIVAL OF AYACUCHO
The Rural Film Festival was created in 2016 as an initiative presented by Lic. Emilio Quiroga to the Department of Culture of the Municipality of Ayacucho, with the goal of promoting audiovisual production in our city.
Every year, we launch an open call at the national and international level for short films of fiction and non-fiction that address the concept of "RURAL" through their form and/or content. Our intention is to explore the perspective of this concept and enrich ourselves with productions from other places in our country and the world.
The Festival offers training programs and support with theoretical and practical audiovisual production tools to those who join this initiative locally. This includes teachers and students from schools and educational institutions, community centers, organizations, or simply groups wishing to participate and residing in the city of Ayacucho.
These are some of the central concepts we have implemented over the years and will continue to develop in this space:
Short film production as a powerful educational tool that strengthens cognitive skills, creativity, problem-solving, and teamwork, while motivating students in an innovative way.
Basic audiovisual production training, workshops for teachers on how to guide students in creating short films. This includes teaching them the basics of planning, shooting, and editing videos. Many teachers have no previous experience in these areas, so the training helps them lead these projects.
Integrated evaluation of student-made short films across different subjects, so that teachers recognize the relevance of these projects beyond their specific area of expertise.
Collaborative projects where teachers from different disciplines (such as arts, history, literature, science, and technology) work together to create an interdisciplinary short film. This could include combining thematic areas to address a common issue from different perspectives.
Online educational resources or YouTube tutorials for teachers on how to apply film to various subjects. This may include how to shoot a scene, how to light it correctly, or how to work with sound, all at a level accessible to educators with no cinematic experience.
Access to simple editing software or online platforms (such as InShot or CapCut) that students can use at home or in the classroom to edit their projects. They can also use sound recording tools or simple effects to help with content creation.
Scriptwriting talks and courses or storyboard models that teachers can adapt to their subjects. This helps students follow a proper structure when writing their scripts, ensuring that their stories are more consistent, regardless of the area in which they are working.
We promote and encourage the cinema room in our city and other alternative screening spaces.
We foster cooperation between rural and urban schools.
We generate socio-educational projects in schools, institutes, and training centers.
We offer talks, courses, and training open to the community.
We produce audiovisual content and resources for the departments of the Municipality of Ayacucho.
We produce local short films that address fiction stories and rural documentaries, as well as other themes of interest to filmmakers.
This experience has become a phenomenon that grows each year, surpassing its initial expectations. We are motivated to make our identity known, promoting the value of Ayacuchense culture and that of our country. We emphasize human relationships and the bonds that arise from this encounter for mutual benefit.
We strengthen alliances between our community and people and groups who come to the city of Ayacucho from nearby towns, other provinces, and cities across our country, drawn by the social event and the values that the Rural Film Festival represents.
It is necessary, through our intervention, to guarantee access to a symbolic language, which is essential to navigate the world around us and construct the images and sounds of our time. This is a fundamental task for the development of society, the strengthening of democracy, equity, and access to work. We approach audiovisual media as an object to be thought about and constantly transformed.
The word AURA has two meanings: it’s the atmosphere and the wind blowing. The name of the film festival was inspired by both of these definitions. Our film festival is an atmosphere of creativity, celebration and art. A whiff of wind is the wind of change and the point of films, as well as the wind from the seas, near which the cities of film screenings are located (the Black Sea, the Baltic Sea and the Sea of Azov).
The screening sessions of the films of the film festival are held in three cities at once. In the south it is Sochi and Rostov-on-Don, and in the Northwest it is the cultural city of St. Petersburg. Film screenings take place in cultural and youth centers, both indoors and outdoors.
We screen both fiction films, documentaries and animated films, as well as social videos from around the world. In addition, there is a competition of posters and photo projects.
Viewers of different ages attend our film festival. After the screenings, there is a discussion with the creators and organizers of the festival.
On the last day of the film festival, an award ceremony will be held, where statuettes, diplomas and gifts from partners will be presented to the winners of the film festival.
AURA Film Festival is a review competition of films received evaluation by the Selection Committee.
The Festival’s aim is to support cinematographers and to contribute to the development and promotion of film industries.
The film festival focuses on a variety of themes and genres.
It is a strong advocate for social change, and encourages cultural diversity and understanding between nations.
We are also including and actively supporting not only the finest examples of classic moviemaking, but works that are experimental, breaking ground in new non-narrative forms and crossing over into the video arts. All films will be reviewed as they are submitted, and the best in each category will be chosen to screen at the festival. Semi-finalist films will not be screened but will receive our festival laurels.
The final decision on the inclusion of the film in the Festival competition program is made by the Selection Committee which reserves the right not to explain the reason for the refusal and not to give any comment.
The winners are chosen by the organizing committee of the film festival.
The winners receive valuable prizes from sponsors and partners, laurels and diplomas.
You can only send an application for entry through the platform festhome.com The final decision on the inclusion of the film in the Festival competition program is made by the Selection Committee which reserves the right not to explain the reason for the refusal and not to give any comment.
The winners are chosen by the organizing committee of the film festival.
Batumi International Art-House Film Festival (BIAFF) was established in 2006. The founder and organizer is “Batumi Art-house ARGANI". BIAFF is an annual event held in second half of September in Batumi (Georgia).
Festival is focusing on art-house cinema. BIAFF festival’s major sections include - International Competition (Feature, Doc and Short sections), Retrospectives, Meet the Jury, Master Collection etc. Beside film screenings, festival program includes various workshops, master classes and industry events.
A STEP TOWARD THE OSCARS
for FOX, NBC, CBS and Authority Magazine.
REVIEWS
"My favorite festival" Alex Proyas (I Robot, The Crow, Dark City)
"Other nominees included already famous people! It really was an honor to be nominated alongside such great nominees" Lisa Hurel.
“I truly cannot say enough good things about the Paris Art and Movie Awards. My experience with this event was easily the best and rewarding” - Ev Duran.
"One of the most organized and professionally run festivals I've been to! The official selections were of a high standard and the networking was incredible" - Jami Ramberan.
"One of the best festival experiences I've had. Magnifique!" Warren Paul Glover.
"The Fisherman's Diary" won twice at the PAMA in 2020, and is now selected to the 2021 , to represent its country.
"Game Changer" won an, his director Aviv Mano then worked on Disney’s COCO and TOY STORY 4 (2018).
"The Wishgranter" won an, an EMMY AWARD, and a (2016).
"Legacy of Lies" is distributed by Lionsgate (2020).
"Sgt Stubby", an unlikely hero, got a distribution deal at (2018).
"Curpigeon" got selected to, won the AMAZON VIDEO DIRECT Film Festival Stars (2016).
"Whisper" screened at FILMQUEST (2015).
"None of That" was STAFF PICK by (2015).
through the years included:
- John Lunn, 2 times Prime Time Emmy Award Winner, composer of "Downton Abbey"
- Monica Cruz, "Un Paso Adelante"
- Olivia Sandusky, journalist, NBC
- Mark Dacascos, actor, "John Wick III"
- Samuel Arnold, actor, "Emily in Paris"
- Patrick Fabian, actor, Emmy Award Nominee “Better Caul Saul"
- Claire Kopsky, Emmy Award-winning Journalist, CBS
- Jamie Campbell, producer, "Sex Education"
- Cindy Mollo, Eddie Award Winner, 4 time Emmy nominee, editor for "Ozark"
- Rena Owen, actress, "Star Wars Ep II" & "ep. III"
- Fola Evans-Akingbola, actress, "The Night Agent", "Siren", "Game of Thrones'
- Michelle Tesoro, SXSW winner, Eddie Award Winner, editor, "The Queen’s Gambit"
- Paz de la Huerta, actress, Boardwalk Empire
- Brent Huff, director & actor "The Rookie", 'The Rookie Feds", 'The West Wing"
- Max Markson -rep. A. Schwarzenegger, Mel Gibson, JCVD...
- Cole Sibus, actor "Stumptown', Olympic Gold Medal Athlete
- Mina Sundwall, actress, Netflix’s “Lost in Space”, DC’s “Legends of Tomorrow”
Our line up included through the years: Kirsten Dunst, Sam Rockwell, Vladimir Cosma, Kristanna Loken, Mark Dacascos, Caterina Murino, Andrew J. West, Hugo Becker, Jansen Panettiere, Leslie Bibb, Melanie et Alain Doutey, Macarena Gomez, French Prime Minister Edith Cresson, French Minister Frederic Lefebvre, Emma Bell...
We celebrate filmmakers and we focus on the humans making the movies : each director/attendee gets to talk about his movie.
You meet new audience, screen and show your latest work, connect with fellow professionals, share your passion with screenings and special events all over the city, including red carpets, movie premieres, parties, filmmaker’s networking, numerous Q&A's, international spotlights, industry talks and masterclasses, art performances and exhibitions, live music…
AN INDEPENDENT MOVIE FESTIVAL WITH
- Awards
- Photocall
- Artistic Recognition
- Networking
- award ceremony
La Plata International Independent Film Festival - FestiFreak is one of the most relevant and inviting cultural event in La Plata, capital of Buenos Aires, Argentina. We settled 20 years ago with the idea of showing and giving premiere to films and authors that don't usually get in theaters and others screens well as reviewing greatest masters of cinema's filmography. Our 20º edition will take place in October 2024.
Here, you can find the information of the last edition:
https://festifreak.com/
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO (NoFilter Kino) is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Poland (Warsaw), Germany (Berlin, Hamburg), Lithuania (Vilnius). For example, the 11th and 10th Nefiltravanae Kino took place in Warsaw, Berlin, Hamburg, Vilnius and Helsinki. The content of past years' film programs can be found on the website https://shortmovie.club/programmes/
The festival will be held in a hybrid format. We will have a part of live screenings and online screenings on a video platform https://film.nofilterkino.org/ . The video is cryptographically secured. In addition, we pay attention and promote films from our previous years that are released to the public on the Internet after their festival curcuit.
Nefiltravanae Kino involves theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.
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The concept of the NEFILTRAVANAE KINO (NoFilter Kino):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the NoFilter Kino tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
