The Paris Play Film Festival receive films from all over the world, and proceeds to a quality selection.
We bring online your trailer your poster and your plot, and we nominate movies. We do NOT stream your films online.
In the end we reveal the winners and send you laurels and an official diploma.
Once a year we get the best of the best of all sessions and these films screen in Paris.
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Our competition is international.
Our objective is to mix interactive talent competition with a human scale quality selection.
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Your experience will be :
- feeling the pulse of your movie while it's promotion and stream on the POFF Platform
- follow your movie selection with us while its online competition
- use the POFF website as a complementary connection and/or a mini-website
- use our network and work to promote your film, during and after the festival
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The competition process and promotion happens online with streaming, sharing, and online Press Relations.
Submissions to open soon.
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We have original categories like Trailer, Behind the Scenes, Showreel... We love this like you do, so yes, you can show your work and win something with it !
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Every movie selected will benefit from a page of its own, will all the multimedia elements you gave to us.
Every movie officially selected will be pushed on the front page one after the other.
Every winner will stay upfront the website for several month after winning.
Purpose of the Festival
FICAE - Diseases International Short Film and Art Festival opens the 4th edition of the Festival (4FICAE). It is open to all creators of audiovisual content that want to show their short films in all type of cinematographic genres whose main theme is directly related to some type of disease or health issues.
The purpose of this festival is to promote social awareness about diseases as a process of life in order to help destigmatize them. In addition, the festival seeks to promote artistic creation through audiovisual language to make it more visible and transmit knowledge about diseases, both those that involve changes to the health state, and those that are considered as social diseases and their consequences.
Dates and Venues
The Festival will take place in several venues in the city of Valencia during the last week of February and first week of March 2018.
The Festival will take place at different locations in the city of Valencia during the first week of March 2017.
FICAE is an initiative of Polytechnic University of Valencia (UPV) and of the association VINCLES.
Only for Latinamerican film-makers // Solo para cineastas latinoamericanos y se abrió un capitulo para España y lenguas extrangeras con subtitulos en español para el 7º festival 2023.
The Festival is being organized by the management of City Montessori School in Lucknow, India.
The Festival aims at providing a common platform for the producers of Children films to project their views for proper development of children’s potential through meaningful educative films; and also for promoting friendship and co- operation among people of the world.
History
JIFF 2025 will be a Greatest Edition in the World Cinema History
JIFF is the World's Biggest Competitive Film Festival (in fiction films).
The Jaipur International Film Festival, the world's fastest growing film festival, is held every year in January in Jaipur, India
Launched in January 2009, Jaipur International Film Festival -JIFF became expanding establishing name in organizing world film festival every year in Rajasthan.
The purpose of this film festival is to promote new movie makers, exchange of knowledge, information, ideas & culture between India & other nations in context of their social and cultural ethos. JIFF also promotes friendship and co-operation among people of the world through the medium of films & documentaries.
Though the film festivals have became a regular affair in most countries yet most of them cater only to selected audience as well as entertain the commercially successful film makers and related personalities. However, JIFF intends to organize a festival that connects the film fans & movie goers with the world, especially the serious filmmakers & their associates so as to bring about greater understanding of the art of film making.
The Sixteenth JIFF 2024 received 2971 films from 82+ countries and 329 films nominated for screening.
The Fifteenth JIFF 2023 received 2205 films from 63+ countries and 282 films nominated for screening.
The Fourteen JIFF 2022 received 2100 films from 52+ countries and 279 films nominated for screening. (COVID 19 - Hybrid Edition)The Fourteen JIFF 2022 received 2100 films from 52+ countries and 279 films nominated for screening. (COVID 19 - Hybrid Edition)
The Thirteen JIFF 2021 received 2121 films from 85+ countries and 266 films nominated for screening. (COVID 19 - Online Edition)
The Twelfth JIFF 2020 has received 2411 films from 100+ countries and 240 films nominated in competition for screening.
The Eleventh Aryan JIFF 2019 has received 2221 films from 103 countries and 232 films nominated for screening.
The Tenth JIFF 2018 has received 2019 films from 100+ countries and 136 films nominated for screening.
The Ninth JIFF 2017 has received 2004 films from 100+ countries.
The Eighth JIFF 2016 has received 2176 films from 100+ countries.
The Seventh JIFF 2015 has received 1807 films from 100+ countries.
The Sixth JIFF 2014 has received 1587 films from 90+ countries.
The Fifth JIFF 2013 has received 1397 films from 90 countries.
The Fourth JIFF 2012 has received 902 films from 70 countries.
18000 film lovers and film makers visited the festival.
The third JIFF 2011 was held with overwhelming response & it was a feather in crown.
The second JIFF 2010 was held with overwhelming response & it was a feather in crown.
The first JIFF 2009 was a first milestone towards success.
NEW CATEGORIES:
Sridevi JIFF Indian Panorama (All submitted films will be included automatically in this panorama from India only without any additional fee or you can submit directly in this panorama only, made/produced in all regional languages) new from JIFF 2019
Focus Country, Guest Country, Tribute, Retrospective and more - By Invitation Only
NEW CATEGORIES:
(You can submit according to your submission eligibility or write us for any support at myjiffindia@gmail.com)
JAIPUR CRITICS – For feature fiction films only, best film award from film critics. Total nominations: Around 5 films.
HONORARY ASIA - We welcome you in JIFF 2024 as senior and experienced film producer and director. This category is only for Asian continent for feature fiction films, who have produced/directed minimum 5 films in their respective career, we request you please submit your film/s produced/released/un released after 1st Jan. 2022 or film in post-production. It is non-competitive international nominations category, in this category will screen top two or three films out of all submissions.
WELCOME REGARD - For directors and producers 1st feature fiction film, in other words this submission should be first project/film as a director or producer. It is competitive international nominations category, in this category will screen top two or three films out of all submissions.
THESE ARE DIFFERENT SUBMISSION BETWEEN MAIN SUBMISSION IN THE FEATURE FILM (FICTION) CATEGORY.
OLD IS GOLD - screenings (by invitation only)
Classic World (Classical films from India and the world) – By Invitation Only
Films made by Crowdfunding (mention in the submission form)
Films made by/with Co-Production (mention in the submission form)
Web Series (up to 30 minute/s)
Mobile Film Making on Social Issues (film should be shoot by mobile camera, up to 30 minute/s)
Submit Song/Ad Film//Music/Album/Poster/Live performance
Top 10 Dialogue.
NEW CATEGORIES FROM JIFF 2025:
Films Nominated at Oscar 2025 (Short Fiction/Live Action) - Official entry to the Oscars
Films nominated at Oscar 2025 (Short Documentary) - Official entry to the Oscars
Films nominated at Oscar 2025 (Feature Fiction) - Official entry to the Oscars
Films nominated at Oscar 2025 (Feature Documentary) - Official entry to the Oscars
Films nominated at Oscar 2025 (Academy Awards, USA)
from different countries as official entry to the Oscars and official nominations through various ways, will be directly part of the competition in JIFF 2025. The awards will be separate for these categories and will be finalized by international jury members (World cinema leaders). Few top films will be screened in JIFF 2025 for global audience. Other rules will be the same as film submission in JIFF 2025.
We are pleased to annoucne that Asia Centum Filmfest will be held in Haeundae, Busan on November. Asia Centum Film Festival is an annual film festival and originally established by a group of independant filmmakers in Busan, who have known each other for 20-30 years. ACF attempts to discover short films that are inventive, incisive, bold, vital, otherwise provocative. Any film under 60 minutes is accepted.
Tokyo Sun Film festival attemtps to setting up in Tokyo to provide independent filmmakers with a platform that offers them interaction, networking and greater visibility.
Our screening takes place at the cinema chupki theatre in the tabata District, located in the north of Tokyo - a hip location in Tokyo for independent, counter-culture and progressive thinking.
The European Fantastic Film Festivals Federation (the Federation) is a tightly knit network of 22 film festivals from 14 countries, with a global attendance of over 450 000 visitors, making it a vital economic and cultural player on the fantastic film scene.
Filmmakers of the Year Film Festival (FYFF) is established to support independent filmmakers to get international recognition, exposure, and opportunity for their careers.
We are looking for great film-making and piquant films and documentaries. We are focusing in every aspect of film and documentaries production, and seeking for outstanding film and documentaries produced, created, and craft carefully with passion and talent. Every brilliant filmmaker deserves an award, and we invite you to join the Filmmakers of the Year Film Festival.
Film and documentaries (any length) can join different categories and will be presented in front of a panel of juries.
WHAT ARE THE ISSUES OF THE FESTIVAL? The participants' short films should cover one of the following issues:
Community Health. Health is understood as an issue that is not individual, and therefore, it is possible to collaborate, help or promote community health processes by placing the emphasis outside the health center, rather on the other resources and people that generate health in the community. community.
Demedicalizing the everyday. Actions aimed at reversing the process of medicalization of life, understood as one in which events of daily life are converted into health problems, and from that perspective are approached and treated by different health professionals.
From the prescription drug prescription to the social prescription. Deprescription can be seen as the process of disassembling prescription drugs through their analysis, trying to solve their paradoxes. And social prescription as the referral that is made to a person who goes to the consultation to non-health resources that exist in the community.
WHO CAN PARTICIPATE : Anyone over 18 years old.
HOW MANY SHORT FILMS CAN BE SUBMITTED?: Unlimited.
WHAT ARE THE CONDITIONS FOR THE SHORT FILMS?
The short film should last a maximum of 6 minutes, excluding the official start and end cover titles.
Short films with direct or indirect advertising from any sponsor, product or service will be rejected.
The first 3 seconds must contain the official competition cover title, and then the title cover, the title and director of the short film.
These are downloadable from www.polimedicado.org.
The last 3 seconds of the short film must contain closing cover titles, also downloadable from www.polimedicado.org.
Thank you for considering our festival for your film!
We are looking for the best features, shorts, docs and animation we can find to present in San Francisco. For 26 years SF IndieFest has developed a great reputation for eclectic, adventurous programming, getting great press for our films and filling theaters with enthusiastic film fans. Dozens of festivals and distributors have requested and received industry accreditation to view SF IndieFest titles at our festivals over the years.
Top 50 Film Festivals Worth The Entry Fee
25 Coolest Film Festivals in the World
“I’m certainly happy that IndieFest exists, because it is a celebration of films that don’t necessarily get distributed widely,” HITS director David Cross says, “I’m happy to be a part of it with my film, which is very much in the category of a low-budget, little indie movie. I’m glad there’s a place for it.” – SF Chronicle
“Sundance may have sold out, but SF IndieFest keeps it real” – Annie Lo, Flavorpill
“While the Bay Area is flush with festivals, this one remains an under-the-radar standout.” – Randy Myers, San Jose Mercury News
“The San Francisco Independent Film Festival, the Bay Area’s version of Slamdance, provides a showcase for edgy cinematic work — and a great excuse to do some serious partying.” – David Lewis, San Francisco Chronicle
"The movie business is in a perennial state of constant tension between ambition and collaboration, joyful inventiveness and jaw-dropping paydays. This roiling undercurrent, usually invisible to the public, gushes to the surface in the run-up to the Academy Awards ceremony. There is an antidote, however, to Hollywood’s annual backslapathon: SF IndieFest. The San Francisco Independent Film Festival is a beacon to anybody excited by the basic impulse of making movies. In its heart of hearts, IndieFest is a celebration of the minor miracle of finishing a film and getting it up on a screen in front of a live audience." - Michael Fox, KQED
“For many independent filmmakers, festivals such as SF Indiefest—aka the San Francisco Independent Film Festival–are the only way to bring their works before an audience. For filmgoers, SF Indiefest is the place to see original cinematic works created by directors who want to tell edgy stories which come from their hearts and souls. While some have bemoaned the death of cinema, the curators and filmmakers at SF Indiefest are keeping the craft of film alive.” – David Elijah Nahmod, SF SOUNDS
“SF IndieFest is the one festival of the year where you should throw a dart at the program and take a chance. Not because you’re guaranteed a masterpiece, but because it’s the best fest to see something that would never, ever breach your filter otherwise.” -Michael Fox, KQED
PRESS COVERAGE
Press Coverage for past year's festivals: https://sfindie.com/press-coverage
FILMMAKER COMMENTS ABOUT THE FESTIVAL
"Hey Jeff: Just want to shoot you a quick note of thanks on hosting us at IndieFest and giving us our World Premiere. We had a great time and really enjoyed our time at the fest and in SF; it's a great vibe and the diversity of features and shorts in the program made for a really exciting and energized atmosphere. "- Max Gardner, Go/Don't Go
"Festivals bring unexpected benefits. Festivals are essential for brand creation. Premiering at Tribeca was enough to convince people to at least listen to me, but surprisingly it was the San Francisco Indie Fest that was just as crucial for our theatrical release. Our press from this festival helped convince the Red Vic to book us in April (I thank the amazing S.F. publicist Karen Larsen for convincing me of this in advance). We also incorporated festivals into our broader theatrical release, and while we did not claim them as cities in our 17-city count, they helped give us something to crow about."
http://www.filmmakermagazine.com/fall2008/bomb_it.php
"I've got to tell you that Indiefest was one of the greatest experiences of my life. I tell all filmmakers - and festival organizer friends of mine - how you run your fest and how you run each film twice. Every single time people look at me with shocked disbelief. Truly, Bonnie and I loved being a part of the event.
Thanks again for including us. SF Indiefest really made me feel that making YEAR was worth the whole effort.
Best-MIKE CARROLL"
"We LOVED San Francisco, meeting other filmmakers, seeing their films, participating in your screenplay panel and of course our awesome sold-out screening. You have one of the most engaged, passionate cinephile audiences I’ve ever seen at a film fest — they were incredible." - Warren Sonoda, THINGS I DO FOR MONEY, IndieFest 2020
"You have a great and engaging festival and one that draws on extremely passionate indie film audiences you are rabid for amazing content for which you definitely provide in bunches! You support of us and our film is greatly appreciated and we hope we are privileged To be welcomed back again in the future!" - Avi F.
"Thanks for these amazing photos (kudos on composition, lighting, and hyping up the crowd - what a great gift to filmmakers!). A million thanks to you both for pulling off an amazing event. We love the ethos of SF IndieFest and we're so honored to have participated. Thanks for your dedication to uplifting local filmmakers and for putting our all-female team (and our unexpected and important story) in the spotlight. Looking forward to seeing and working with you both again in the future!!" - Leslie Tai, How To Have An American Baby
"Thank you for a wonderful experience. The festival was a blast, the people so kind, the films inspiring, and great vibes all around. I'll be back to catch more films in the coming days." - Kerry Muir, Madame
"Thank you so much for having us and all that you and SF IndieFest do to champion independent film." - Anna Moot-Levin, Matter of Mind
"Thank you all for such a fun festival! You all really did a wonderful job all around and we were honored and grateful to be a part of it!" - Liz McBee, Finding Lucinda
SF IndieFest is a founding member of the FILM FESTIVAL ALLIANCE
Mirror Mountain Film Festival brings the best in independent, alternative and underground cinema to Canada’s capital. We are a diverse and inclusive festival that welcomes all types of films and all types of people to share in the collective cinema experience. Our mission is to promote unique and original creative voices from the Ottawa-Gatineau region and from around the world. Mirror Mountain showcases innovative, groundbreaking and unconventional films in a wide variety of genres, including drama, documentary, animation, experimental, horror, sci-fi, fantasy, dance and music videos. In addition to film screenings, the festival features engaging, community-oriented activities such as live performances, hybrid media presentations, interactive exhibits, parties, panel discussions, Q&A sessions and more. Our events aim to connect filmmakers both with audiences and with one another, and to support artists through educational and professional development opportunities.
Why should I submit to Mirror Mountain?
1. Free festival pass for all filmmakers who submit
Everyone who submits a film to Mirror Mountain, regardless of whether or not it is selected, gets a free pass to attend the entire festival.
2. Free to submit for local filmmakers
Films of any length can be submitted for free if they were shot and/or edited within a 125 km radius of Ottawa. This area includes Gatineau, Maniwaki, Mont Tremblant, Montebello, Hawkesbury, Cornwall, Potsdam, Brockville, Smiths Falls, Perth, Renfrew, Arnprior and more.
3. Free submissions for alumni
If you directed a film that was officially selected in a previous edition of Mirror Mountain, you can submit again at no cost.
4. Your money back
If your film is officially selected to screen in the festival, we’ll reimburse your original submission fee.
5. We pay artist fees
If your film is officially selected to screen in the festival, you will also receive an artist fee to thank you for letting us screen your work.
6. Fewer restrictions
We have no premiere or date-of-completion requirements. Your film is still eligible even if it has screened in the Ottawa region before, has distribution, has been broadcast on television, or is available to view online.
7. Stay in the loop
After you submit your film, you’ll get a notification from the festival to confirm we’ve received your application. Later, you’ll receive a notification informing you of the results, regardless of whether or not your film was selected.
8. Awards for winning filmmakers
Awards are given out in several categories after the completion of the festival. Award winners receive a certificate and a selection of prizes donated by our sponsors.
9. Friendly and alternative atmosphere
As a community of filmmakers and artists, we strive to cultivate a vibrant, dynamic and welcoming atmosphere, where creators and audience members from diverse artistic and cultural backgrounds can come together to engage and grow through shared work and conversation.
The purpose of the Bogotá Music Video Festival is to celebrate the art of music video, the joy of music and the passion for filmmaking. We bring the music video art to different screens around Bogotá and top that with live music, exhibitions and academic and industry events. We want to showcase independent and fierce work to new audiences, focusing on the potential of awe brought by the communion between music and moving images.
The Canary Islands Fantastic Film Festival - Isla Calavera opens the call for entries for feature and short films, fiction and documentary in real image and animation.
3th COLLATERAL 102 festival will finally allow us to promote the spread of international cinema in the city of Turin.
Turin is an Italian town with a population of about 900.000 people. Along with Venice and Rome, Turin is considered a place in which cinema plays an important role. The number of cultural events in the city increases year by year and this contributes to its worldwide reputation as an artistic place par excellence.
COLLATERAL 102 festival comes from the support of different associations that love art with no boundaries or inhibitions. COLLATERAL 102 festival addresses to short and feature films, documentaries and animated films from all over the world.
Our goal is to make COLLATERAL 102 a meeting place for directors, producers, actors and actresses, distributors and the crew in general, those who see Turin not only as a fascinating town but also as a place of great opportunities for art circulation.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
