We are pleased to annoucne that Asia Centum Filmfest will be held in Haeundae, Busan on November. Asia Centum Film Festival is an annual film festival and originally established by a group of independant filmmakers in Busan, who have known each other for 20-30 years. ACF attempts to discover short films that are inventive, incisive, bold, vital, otherwise provocative. Any film under 60 minutes is accepted.
The Festival Drone Buenos Aires is a contest that exhibits films made with aerial cinematography technique, in front of industry professionals, the drones community and the public in general
COSMOPOLIS FILM AWARDS, 1st edition, is a free film contest promoted by Detour Arthouse Cinema in Rome, aimed at artists residing in the territory of Italy, aged less than 35 years during the entire 2017 calendar year.
2nd generation artists, - filmmaker, screenwriters, authors, actors, etc. - are welcomed to attend and submit their audiovisual works.
Thematic lines & Topics: the discovery of the Other, new global cultures, relations between identities and communities of values, clash of cultures, daily life in urban/suburban contexts, etc.
Films will be selected on the basis of their aesthetique and language skills.
Winning films for each category will be screened to a public audience in the presence of the authors and members of the Selection Committee. Other screening events will be held at Public Libraries in the Municipality of Rome.
Sacalacalaca® is a point of gathering, diffusion and exhibition for independent audiovisual artists around the world interested in the making or that specialize in horror and science fiction genres. Direct, produce, and enroll an original horror/sci-fi short-film to win professional filmmaking equipment, scholarships, and other prizes. All the projects will be exhibited in the second Interdimensional Horror & Sci-Fi Festival Sacalacalaca within different dates and locations the next november in the streets of México City.
We love horror and we're very excited to watch your films!
The Bloody Horror International Film Festival (BHIFF) is an international festival seeking the best in indie horror (both amateur and professional).
The festival is set up in two yearly sessions. Selected films will be recognized and awarded in various categories.
BHIFF has made a point to keep our entry fees low as to give everyone the chance to enter! We offer a high number of award categories, along with an option to have your film reviewed by our judges.
BHIFF is headquartered in Canada, but its panel of judges is set in different parts of the world and comes with a variety of horror film expertise.
ANNOUNCEMENT!! BHIFF is very happy to share some exciting news with you!
We have partnered up with the nice folks over at B-Movie TV! B-Movie TV is a Live TV Channel that is available via Roku Box. B-Movies 24/7!
Every film that wins BHIFF's Baddest B-Movie award will be exclusively screened LIVE on B-Movie TV's channel! How cool is that?!
More news! Featured judge Andrew J.D. Robinson is a multimedia horror artist behind nonprofit international filmmaking contests the 15 Second Horror Film Challenge and The Horror Movie Awards. The Horror Movie Awards is currently seeking short films and/or features to consider towards their indie horror nomination categories!
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
The "Segni nuovi" Film Culture Club, in collaboration with the "Alcamo Doc" Film Culture Club, organizes the fifteenth edition of" Cortiamo ", international short film competition.
SECTIONS
The "Cortiamo 2020" festival is divided into the following special sections:
- Animation
- Shorts and Rights - "ernestodilorenzo" Publishing House Award
- Cortissimi (maximum duration 3 minutes)
- Documentaries - "Alcamo Doc" Award
- Under 25 - ACEC Award
- Gender equality
- Schools - "Aldo Filippi" Award
- Videoclip
It is good to clarify that the participants in the "Video clip" section must expressly declare that they are authorized to participate in the competition by the copyright holders of the song.
Each short film will be able to participate in more than one section and all the short films submitted will automatically participate in the selection for the "best film" and "New signs" prize.
Only those selected for the "best film" will also compete for the "public prize".
The main objective of the Festival is to open dialogues around contingency issues through cinema as a platform for mediation and engagement, in the Province of Colchagua, also assuming the role of exhibitor of national and Latin American cinema and independent works from different parts of the world.
Our motivation for this 2021 version lies in the social transformations focused on human rights and the conservation of the ecosystem, as well as the dissemination and enhancement of heritage, in order to consolidate the Colchagua International Film Festival as a space for intellectual, political and cultural turmoil.
BUSHMAN FILM FESTIVAL (BFF) is the first African short film festival with Smartphones in Côte d'Ivoire.
BUSHMAN FILM FESTIVAL is the whole ECOWAS, its youth, its local realities and the discovery of new talents of the 7th West African art
BUSHMAN FILM FESTIVAL is the organic continuity of the African esthetic renaissance initiated by the site BUSHMAN CAFE, meeting place in Abidjan.
BUSHMAN FILM FESTIVAL it is free screenings of films of sessions young audience, of ciné-concerts, by the programming of cinema sessions for other festivals during 4 days.
ANIMACINE - Agreste Animation Festival is part of an artistic and play concept popularized by the name ANIMACINE, which through the audio-visual spectrum popularizes the exhibition, the dialogue and the production of cartoons, mainly in the north / northeast of the country. All forms and content of animation will be well accepted, preserving the formation and learning, being also a stimulus to the Brazilian cinematographic culture, facing as space for the formation of new spectators and directors.
The purpose of ANIMACINE is to disclose the audiovisual production of character animation
Cultural and aims to contribute to the development of a universal language, without losing the regional spirit of the place that surrounds it. It also seeks to encourage the formation of audiences and the emergence of new filmmakers.
Berlin Revolution Film Festival is an annual event where we promote and celebrate films not tied to big production companies, institutions or TV stations.
We look for unconventional and underground films made with a personal voice and style. Simply put – we're looking for the next generation Art House!
We first and foremost seek bravery, a lust to experiment and express using the medium of Film, regardless if the film maker is an amateur starting out or an established professional.
Experimental, Fiction, Documentary, Animation and all sorts of genres – anything goes as long as the banner of Independence is held high. Attention in the selection process will be given to artistic originality and creativity.
Participating at the festival should be a valuable experience, and something film makers look forward to return to. To encourage and support this we provide accommodation to all selected film makers in Berlin for the Festival. And we have a category for previous participants where they have a carte blanche to screen their new films.
We also invite and pay for accommodation for film organizations attending the festival such as film critics, festivals, film clubs, producers etc that have focus on True Independent Cinema. All to make it a both friendly, relaxed and valuable experience for everyone attending.
So far we have screened hundreds of films from more than 50 different countries such as Brazil, Iran, USA, Russia, Sweden, Lebanon, Tunisia and of course Germany to name a few. We've also been blessed to have film makers visiting the festival from many of these countries.
We work to establish a platform that isn't than just a "one and done" event, but rather the opposite where the first experience with screenings, meetings, networking and fun is just the first of many to come. We work to make it a festival film makers return to - to show their new works but also to meet up with others they met the first time around, to see what they have done and to discover new films, meet new people to network and have fun with.
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Feedback, Review & Festival Consideration
It's frustrating to be declined and not get to know why. However, it can also be frustrating submitting to a festival and be forced to pay a higher fee because it includes feedback you're not interested in.
We work diligently, with care and dedication when putting the program together and when it comes to feedback for the submissions we do the same thing. This is why we divide our categories so that feedback is separate from the submissions and is an in-depth review rather than a small note.
Feedback is given by our head programmer Andrija Jovanovic and is an extensive analysis and review of the film and it's different components. Film language, dramaturgical storyline, pacing, technical aspects of grading, compositing and editing, acting etc. It's direct, honest and constructive.
If you wish to submit a film and also get feedback, please choose the matching category.
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We have no hard rules, but the following tend not to be a good fit for us:
- Films that seek to educate and teach the viewers
- TV-format films and headshot interview based documentaries
- Music videos and films solely driven by soundtrack
We spend months carefully watching and programming our festival selection. Presenting the best possible program we can is what our festival is built upon. Submitting to the festival is to pay to have the film considered and is not a guarantee to have it selected. We receive hundreds of submissions each edition and only around 5% are selected. Please make sure that you wish to submit before doing so.
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The Berlin Sci-fi Fimfest will be showcasing the best of its 2018 Science Fiction film entries from around the world in the heart of one of Europe's oldest and most widely now cities - Berlin. We will celebrate the Science Fiction genre and its filmmakers who seek out new life and new civilizations, boldly going where no man has gone before.
The festival screenings will be on 16-17 November 2018 at Berlin's Babylon cinema in Berlin-Mitte.
Cineciok is the festival of Cinema and Chocolate. Cineciok takes place in Modica the city of Chocolate. Festival is all the year. At modica we work the chocolate with ancient methods.
So every year we make the Chocolate Festival and cinema is an integral part of this festival. We reward the most beautiful films with chocolate as their theme or that chocolate is minimally present. If there is only one word "chocolate" in your film, you can participate!!!
We love Chocolate!!
We have three dead line.
CineCulpable is the Vila-real Short Film International Festival. In 2020, we arrive at 23th edition.
This edition is open to all artists who submit their work in any of the official languages in
the Valencian Community: Spanish or Valencian.
Cityflix International Film Festival Toronto (CIFF) is dedicated towards promoting and championing the work of screenwriters, filmmakers, and every artist who use the language of film to tell a story.
Cityflix International Film Festival discovers outstanding, emerging filmmakers serving as a gateway for established and rising talent to further or launch their filmmaking career. Through Workshops, Conferences and master classes by Industry Professional, the festival provides development and outreach opportunities to writers and filmmakers.
Cityflix International Festival Toronto will be held from November
29 - December 01, 2019 in Toronto, Canada.
CIFF strives to serve the interests and needs of independent filmmakers. CIFF understands how important it is to hear and see the educated, entertaining and diverse stories of filmmakers from around the globe. We provide a platform so these voices can be heard and shared with audiences that want to be inspired
screening festival for features, shorts, docs, new media, local and International filmmakers.
CIFF is designed to showcase innovative works by emerging filmmakers from around the world, With red-carpet screenings, and special after-party that seamlessly integrates Hollywood pros with up-and-coming talents, CIFF offers an unforgettable festival experience that helps kick start the careers of emerging filmmakers. Each screening at CIFF is followed by a Q&A that directly connects directors with inquisitive and impassioned film lovers, resulting in countless opportunities for dynamic discussion. The festival dedicates time and attention to each of the films selected The festival is dedicated to giving each filmmaker the spotlight they deserve with press attention to match.
All filmmakers selected for the festival are guaranteed coverage from media outlets, invites emerging filmmaking talents from around the world to network with respected industry professionals, showcased filmmakers, and their audiences in Toronto.
CIFF is passionately committed to providing Audiences, Filmmakers, and Screenwriters around the globe with an excellent and unique cinematic experience.
This short films contest up in order to motivate people to convey their ideas through cinema.
The theme that identifies it is based on the idea of "slowness" or "slow life", what we understand as a bunch of actions (respect for the Environment and people, responsible consumption, defense of culture, decrease, life and leisure alternative, cooperation, food sovereignty, social economy ...) that make individuals improve their quality of life, control their time and be critical of the current economic and social system.
The theme must focus, from the values of solidarity, tolerance, culture of peace, nature and commitment to gender equality, on ways of life, traditions, trades, crafts, sustainable economy, respect for the environment and living beings, that is, all aspects of the diversity of human culture, with a specific section dealing with issues of the peoples of Siberia and Central Asia.
The Santiago International Documentary Film Festival (FIDOCS) is the main broadcasting, diffusion, and competition event for documentary cinema in Chile and Latin America.
Focused on the promotion of dialogue and reflection, as well as in training audiences towards the appreciation of documentary film in a context of permanent transformation, FIDOCS seeks to explore the multiple paths available in documentary making as well as in the drifts proper to nonfiction works. In its program, FIDOCS incorporates the works of both experienced and emerging directors in order to address the question of “THE REAL”, and in doing so, it considers the various dimensions, disciplinary frontiers, and tensions that the question “what is real?”, as well as the documentary genre itself, has to offer us.
Throughout its history, FIDOCS has positioned itself as one of the most distinguished documentary film festivals in Latin America, standing as a privileged platform to screen contemporary cinema and to promote critical thinking. Year by year, under its selective curatorial approach, FIDOCS not only calls for important exponents of national and international audiovisual sectors to exhibit their work in Santiago, but also, in using this city as a film hub, it calls on such exponents to question, interpret, and re-write the status of contemporary documentary film practice today.
For the promotion, positioning, and exhibition of Chilean and International films, FIDOCS displays three main competitions. These sections include: INTERNATIONAL COMPETITION; CHILEAN COMPETITION, and EMERGENT SHORT COMPETITION FOR NATIONAL FILMS.
In addition, FIDOCS has the main industry activity, DOCS IN PROGRESS, for Latin-American works in progress where the jury (editors, directors, sound designers, producers, programmers), in addition to choosing a winner, feeds the filmmakers to carry out the post-production of their films and encourage their diffusion and transmission. This section is jointly run together with WIP section of CHILEDOC CONECTA.
The festival also has important training and extension activities in its FIDOCS SCHOOL, where students from film schools and communications from all over Chile so that its most outstanding students are in an intergenerational and interdisciplinary space with international and national festival guests; attending Master Classes, workshops, dialogues, among others.
In addition, in keeping with its interdisciplinary vocation, FIDOCS intends to accompany its screenings of other artistic interventions such as installations, exhibitions, performances, that from their own expressive means dialogue with the documentary concept. This is how FIDOCS EXPANDED section arises, where various artists, video-artists and filmmakers, all of them linked to the fields of sound or visuals, exhibit their work.
Finally, the chosen films will be screened after the completion of the festival, in different regions of Chile and abroad, at BEST OF FIDOCS section. The purpose is the cultural extension of the festival at a territorial level, putting emphasis on the circulation of the films at the regional level, being able to program replicas in the national territory as well as abroad.
*FIDOCS will be held with theatrical screenings.
