The Central American Film Festival in Vienna, Austria, has firmly established itself as an annual tradition for the city.
Vienna has long been revered as one of the world's foremost cultural hubs, making it an ideal setting to showcase the increasingly diverse and compelling productions emerging from the Central American region.
This year's film festival returns in November, and we eagerly anticipate the continued patronage of our devoted audience as they join us to explore the latest offerings from Central American cinema.
Consistent with past editions, alongside the Feature Film, Short Film, Documentary, and Animation categories, the festival includes parallel non-competitive sections: "Pioneers of Central American Cinema," "Works in Progress," "Guest Film," "Bonus Films," and "Latin American View." The latter features a curated selection of audiovisual works depicting contemporary life in Latin America. Detailed descriptions of these sections are provided in the participation guidelines.
"Latin American View": A curated selection of audiovisual works from Latin America offering insights into life in the region.
FKM, Fantastic Film Festival of A Coruña, is a Festival especialiced in horror, fantasy and science fiction films. The competitive sections involves the best shortfilms and featured films produced in 2020 and 2021. Which objective is to contribute to development of the audiovisual industry and arts, fomented the genre perspectives, the distribution of independent productions and to foster the incorporation of new men and women filmmakers to the film culture.
Mitreo Film Festival Association in collaboration with
FILM COMMISSION REGIONE CAMPANIA
CAMPANI CINEMATOGRAPHIC FESTIVAL COORDINATION MUNICIPALITY OF SANTA MARIA CAPUA VETERE
Presents
MITREOFILMFESTIVAL 2019 INTERNATIONAL COMPETITION FOR SHORT FILMS “COURAGE"
BEST SHORT FILM PRIZE 2019
duration: 10 minutes
age limit author: 25 years
N.B. short films with languages other than Italian and English will not be taken into consideration if they do not have English or Italian subtitles/dialogues!
25 NOVEMBER - 1 DECEMBER 2019
(provisional dates)
"Whoever dreams can move mountains." (Fitzcarraldo, W. Herzog)
The cultural association Mitreo Film Festival, for the 19th edition of the festival of the same name, announces a selection call for international short films with a maximum duration of 10 minutes, made by filmmakers under 25 years of age, developed on the central theme of “Courage”.
Courage should be not only the main plat, but it must also connotate the language and feeling, the setting and the atmosphere by which the story unfolds, whatsoever kind of genre the author narrates his story (comedy drama etc). Moreover courage should also inspire the author in such a way to make him choose a courageous form of performance, in a few words we are also looking for courageous, and daring film makers, who are able to work in a different way and from an original perspective.
It’s basically important that the theme of courage is clearly expressed in the synopsis of the work
and in the author’s notes which each candidate must produce together with the application form, under penalty of exclusion.
PURPOSE
The Festival aims at promoting expressive and artistic short film’s form giving visibility to new authors, enhancing and promoting the products of the film industry and foster the exchange and comparison of experience among filmmakers.
PLACE & DATE
The festival will take place on November 11, 2023 at Calcinaia (Pisa – Italy).
SECTIONS
Smallmovie Festival is an International short film competition that provides 3 sections:
A) Short: Section open to short films of any kind and subject,
with a maximum duration of 20 minutes, opening credits and closing credits included.
B) Under 35: Section open to short films of any kind and subject, with a maximum duration of 20 minutes, opening credits and closing credits included, made by directors who, at the time of the expiry of this announcement, have not yet turned 35
C) Tuscany: Section reserved for short films directed by Tuscan directors with a maximum duration of 20 minutes, opening credits and closing credits included.
PHILOSOPHY
What drive us:
A contest dedicated to transcendental cinema, at its several meanings, including philosophic, psychological, scientific, anthropological, spiritual and poetic cinema.
Because transcendence in the man and the world, might be eventually ineffable and, on this, cinematographic art has certain advantages, and a huge responsibility.
FREE CINEMA
All cinematographic possibilities are welcome, with a major interest on rareties
WITHOUT TIME
Cinemística as an open space-time, with non restrictive features, enabling the authors to develop their own language: all formats, duration, nationality, year of production, etc. are accepted.
A REFUGE
An international refuge for films that intend, technically or with the plot, an approaching to the big mystery of world representation, in the art and in the man. Without dogmas, under any individual or collective perspective, from faith, but also from agnosticism, spiritual atheism and scientific thought.
A POETIC CINEMA OF CONTEMPLATION
Filmmakers' looks, in all their socio-cultural diversity, interested in any film as a result of personal discovering, researching or experimentation, inspiration and work, from revelation or introspection of the authors. Quotidian, ecstasy and disparity as structures to create depth on the film treatment.
ASCETICISM
Mysticism and asceticism in film production represent, probably, a more absolute estate compare to others, because a cinema with huge budget and more technical complexity could be done, but sometimes the most humble and simple film is, however, universal.
THE STILL
Impermanent cinematographies, from the still, from 'amateur' cinema (from French verb aimer), define directors not only by what they show and how they do it on screen, but by what they decide not to show.
PHENOMENOLOGY
What appears and disappears, topologies emergence, materials or conscious, and their invisibility or subsequent expiration. The sequential surroundings of emptiness, of matters and time. Shafts at the discourse, eloquent, everyone can understand it by himself. Absence and miracle: Mystic as a possible cohabit together.
CORDIALITY, COMMUNICATION & COLLOQIUMS
Great importance of the colloquiums and live interaction between spectators and filmmakers. maximum communication, respect, sympathy and closeness from the organization to the filmmakers, artists and directors who come to present their films.
You can find Us as NOVMA FILM FESTIVAL 2017.
It´s the way of calling: NOVMA (non violence & Enviroment Film Festival)
The first edition of the NOVMA FILM FESTIVAL took place on october 2012.
Film making processes has been changed a lot with the advent of new technologies, especially handheld digital devices like smartphone. This has opened doors for filmmakers by creating an environment where talent, creativity and hard work counts more than budget and industry connections. Believing that anybody with a thought-provoking concept or a touchy story can make a great film, the festival will showcase works of new generation and find talented students using a tool so simple and readily available that it’s often overlooked: mobile phone.
The first rule- all films must be shot with mobile phones, and for the Competition category Director must be a current student of any university in Under graduate or Graduate level and for the One Minute category Director must be a current student of grade 1 - 12. READ TERMS AND CONDITIONS BEFORE SUBMITTING YOUR FILM.
The phenomenon of Russian civilization, immeasurable by the "common yardstick", by the end of the first quarter of the 21st century regains its relevance - both in the world and in Russia.
The word "Russian" in the understanding of the organizers of the film festival does not define nationality, but civilizational and ideological belonging - to the multinational Russian world.
A Russian person differs from a "Western" person. A Russian person can commit acts illogical and "unprofitable" - from the point of view of representatives of Western civilization: to the detriment of himself, but in the name of justice. After all, for a Russian person - if in good conscience and fairness, then this is both logical and beneficial.
Now, when the whole world is faced with global challenges - technological, social, economic, spiritual and ideological - we are again trying to find a source of strength in those intangible values that have given and still give the Russian world an advantage over the centuries.
Experience of holding the Russian Film Festival in 2017-2020. discovered a real interest of filmmakers from the regions of Russia and from other countries in comprehending the inexhaustible theme of the "mysterious Russian soul". This is especially true for young representatives of auteur cinema in Russia, for whom the Russian Film Festival has become a meeting place both with colleagues and with grateful moviegoers.
The Russian Film Festival is becoming that public creative space where there is a lively process of forming a community of like-minded people who consciously reflect in their work the spiritual and moral values of Russian civilization.
X CortoGijón Festival
The Gijón Short Film Festival arises
in 2015 as a parallel section within the
Aula 18 National Short Film Contest
in the delivery After the disappearance of
emblematic festival three of the programmers
decide to maintain their essence by transferring
the festival to Gijón. It is in the second edition
that of 2016, where the festival moves to the
municipal centers of the city to develop a festival with an eye on short films and music. Since then
to the competitive sections (Official Section,
Asturias Section) And to the sample sections
(Panorama Asturias and Mirada FICX) have been
there have been concerts that have given luster to the
cultural spaces of the city and that have
served to put the climax to each projection.
Names like Marilia, Pablo Und
Destruktion, Marem Ladson, Tiger and Diamond,
David Feito… confirm the high level
musical that lives the festival and its local and regional look.
In 2020 Laboral City of Culture joins
with a new screen inside CortoGijón
thus amplifying collaborations between
all cultural entities in the region started in 2017 with the Mirada Ficx section in
collaboration with the Gijón Film Festival.
Main Program (International competition), which will regularly feature films from all over the world from among a director’s first and second feature films. The idea is to promote new filmmakers who are making a debut or are only just starting their careers.
This program’s goal is to identify and promote relatively unknown filmmakers’ new film stories, giving them a chance at the beginning of their film careers.
The idea for this film festival emanated from the dire need for a wider space to present debut films by many new filmmakers from the region and all over the world.
The International Film Festival KineNova Skopje, therefore, includes activities such as promotion, support, incentives, exchange of experiences, and film awards. It is a venue for new filmmakers to showcase new stories and offer a fresh perspective of humanity and the world we live in.
The festival and the city of Skopje have the honor to be the meeting point for new filmmakers and a springboard for their respective career paths.
Anatomy Crime - Horror International Film Festival (A.C.H.I.F.F.) is an annual international event dedicated for independent filmmakers. Established this year by “THE BASEMENT” a nonprofit and non-governable Cultural and Education Organization (B.C.E.O.).
Located in the city of Athens, we look forward to be hosting an amazing event with you and your friends. The A.C.H.I.F.F. is a multi-day event that takes place each Halloween (October 31st) at venues throughout Athens-Greece. The A.C.H.I.F.F. want to be a world recognized event, with industry, filmmakers, and press attention from around the globe. The festival is competitive, screening approximately 50-60 films each year.
The film industry today is largely monopoly-based and dependent on large scale budgets for productions to succeed. However, this festival aims at providing a voice for those who don't have a massive budget at their hands but nevertheless, an important story to tell.
According to one of the objectives of our non-profit organization to providing a platform for indie filmmakers, we are able to provide an affordable solution catered to advance the cause of independent filmmaking.
ATTENTION: EVEN ENGLISH FILM WITHOUT SAME-LANGUAGE SUBTITLES OR HARD SUBTITLES BE DISQUALIFIED. ALL FILMS MUST HAVE ENGLISH SUBTITLES IN OPEN FORMAT WITH EXTENSION .SRT OR .TXT
Original Version in Catalan
VOC Festival Òmnium de Curtmetratges és un projecte impulsat per Òmnium Cultural amb la finalitat d’estimular la producció de curtmetratges de qualitat en català, contribuir a la seva difusió i ampliar-ne el públic.
El VOC és un festival únic perquè arriba a més de 90 sales d’arreu dels Països Catalans simultàniament durant els mesos de febrer i març. És un punt de trobada entre creadors, públic i referents del sector, una oportunitat per compartir l’experiència del cinema en llengua catalana.
Experimental Forum is an international performance, film and video art festival showcasing experimental film and artists’ moving image from new directors and innovative video artists from around the globe, with the third edition taking place in Los Angeles in November 2018. Our aim is to provide a supportive platform for the exciting and challenging work that is outside the scope of mainstream film festivals and art galleries.
We welcome experimental cinema pieces (abstract, narrative or documentary), video art works, essay films, artists’ moving image and media art, as well as documentary and narrative films that seek to expand, redefine or reconfigure the means and ends of their respective fields. Experimental Forum exists to provide access to, and develop audiences for, artists’ moving image work and is committed to engaging local audiences with new and/or unheard voices in film.
We are particularly interested in works made by early stage filmmakers and artists whose work is underrepresented. We provide a collaborative platform for moving image works made for the gallery and for the cinema with the aim of building a community across disciplinary and institutional faultlines.
LA Underground Film Forum (LAUFF) is dedicated exclusively to independent, experimental, and auteur cinema. It focus on avant-garde, art-house, independent and no/low budget filmmaking.
Our program provides a venue for filmmakers to reinvent and explore new approaches, to foster new forms of media art and to build an audience for such work. We aim to present a wide range of work exploring the many definitions and interpretations of the concept of “underground”.
We’re looking for films made with passion, obsession and drive; films that go beyond expectations and genre; films, video and audio projects that strive to push the boundaries of accepted form and content. A strong sense of authorship is a must.
LAUFF accepts all forms and genres: from drama, documentary, experimental, cult, art-house, foreign language, comedy, horror, sci-fi, fantasy, animation, LGBT, indigenous, erotica to slow cinema and video art …
The Bull City International Film Festival is open internationally to all filmmakers and screenwriters who understand that film is much more than expensive equipment and sets with impractical budgets.
We are seeking films and scripts with character driven plots. Insightful stories relying on human expression more than special effects.
Films from all over the globe!
Shared in Durham, NC!
See you there!
International film festival of entertaining, fantastic and arthouse free genre films.
The Obscura Filmfest was founded by David Ghane in 2016 and has been run by him alone ever since. He is a passionate genre film fan since 1996, attends several film festivals per year since 2004, sometimes helps out there, acts as an extra in horror films and is an extreme film collector.
The Obscura Filmfest specialises in entertaining and fantastic B-movies, films that are rarely shown in cinemas. They show mostly big blockbusters or arthouse films that can be found at most other ordinary film festivals. Even comparable festivals are expanding their programmes to include more and more arthouse. Those who instead like entertaining, smaller and special independent films, but can also imagine bigger productions from far away countries, will find what they are looking for at the Obscura Filmfest: Films that are fun with rough edges, raw and uncompromising; from nasty little horror films to Asian battle epics, there is something for every fan, just no boredom.
It started with small, offbeat, trashy and depraved underground grindhouse films, meanwhile the Obscura also screens commercial, mid-sized films that are traded on the big film markets.
Highlights of the previous festival editions included the German premieres of the Argentinian fantasy sci fi cyberpunk action film "Daemonium", the Ukrainian thriller "Egregor", the Filipino zombie shocker "Day Zero", the Danish horror film "Finale", the ghost comedy "Deadtectives" and the two Backwoods films "What the Waters Left Behind" and its sequel "Scars" 5 years later.
The European premieres of the Indonesian comic superhero film "Valentine" and the Backwoods film "Drifter" were also screened.
Another highlight was the crazy Japanese splatterfest "Kodoku - Meatball Machine" which can look back on a long festival history including the biggest festivals of its kind, as well as the Universal/Blumhouse production "The Hunt".
With "Redbad" and "The Great Battle", two big battle epics were also screened at the Obscura.
The German premiere of the hard-hitting exploitation film "Trauma" in Hanover was even attended by visitors from the Ruhr area.
After its international premiere at the Obscura, the cowboy backwoods film "Lasso" was shown a few months later at the famous british Frightfest.
In 2022, the Obscura had its first two feature-length film world premieres with "All through the Hall" and "Hidden in the Woods II".
At each Obscura there were film guests who introduced their film in person and were available for a Q&A. They came from Ireland, UK, Belgium, Finland, Denmark, Spain, Greece, Hungary, USA, Argentina, Mexico and of course Germany.
More information incl. an archive on the new and old websites:
https://www.obscurafilmfest.com
https://dvdscot.wixsite.com/obscura
The International Short Film Festival of the all us other Social diversity aims to be a platform for young LL everyone disclose their works and share experiences and concerns in a conference devoted to the cinema and people.
The film would not exist without people, but there may be people without cinema? Of course that Yes, and homeless and without clothes and without food, full is the world of people who have nothing, not film. To all of them we dedicate our festival to serve the film les voice, even cry. A means to vindicate the justice, equality and rights denied by the world. An agile and current to denounce injustice and inequality, the horror.
This effort, on the premise that what has been the monopoly of a multi-billion dollar industry, is mutating into a mass system of creation and multicultural exchange. Access to technology and the Internet open field to new youth and community expressions, the filmmaking turns and we intend to respond to this transformation.
Love for cinema, passion for people and the conviction that the arts and culture and the exchange of experiences and opportunities it is possible to create a better world...
.. .a world of film.
The 16th National Guaíba Student Film Festival (Cinestudantil Guaíba) will take place November 6-14, 2017, in the city of Guaíba, Rio Grande do Sul State. The event aims to encourage audiovisual production as a pedagogical activity linked to the curriculum School.
