"One of the Best International Film Festivals and top 10 Short Film Festivals in the United States. The RIIFF provides the kind of intimate festival experience that will change your life. Don't miss it. "
Chris Gore, The Ultimate Film Festival Survival Guide
Now in its 25th year, the FLICKERS' RHODE ISLAND INTERNATIONAL FILM FESTIVAL celebrates the independent spirit in film and has become a haven for independent filmmakers from throughout the world. In 2021, the Festival presented 476 films representing works that were shot and produced in 103 countries. There were 100 World Premieres and US/North American Premieres. Reacting to COVID-19, the event became a hybrid event with an online portal, free and on-demand screenings, geoblocking where requested and screenings at regional Drive-ins and assorted outdoor screenings.
FLICKERS is a 501(c)(3) non-profit arts organization that supports and promotes the film arts in Rhode Island and throughout New England. Over the past two decades, its production, the Rhode Island International Film Festival, has screened 5,756 independent films and videos out of 74,758 entries, presented 1,405 World/North American premieres, featured over 1,167 entries that were locally produced, and hosted 4,193 filmmakers and crew. Since its inception, over 467,000 film lovers have enjoyed the Rhode Island International Film Festival and its programming, not including those in New England watching its weekly broadcast and cable programming series, doubleFEATURE.
HIGHLIGHTS:
In 2002, RIIFF was selected as a qualifying festival for Best Short Subject through the Academy of Motion Picture Arts and Sciences.
In December 2003, RIIFF was cited as "One of The Top 10 Short Film Festivals in the United States."
In 2006, RIIFF was cited as one of the Top 12 United States Film Festivals by TravelSmart Magazine.
In 2010, RIIFF launched the Flickers North Country Film Festival at The Balsams in Dixville Notch, NH as part of its outreach in cultural tourism.
In 2010, RIIFF became a host for the annual Oscar® Night America for the state of Rhode Island.
In 2011, RIIFF continued expanding its outreach across the state of Rhode island, hosting exhibitions, symposia, special events and outdoor screenings. RIIFF is also a member of the New England Film Festival Alliance, which it helped found with the Woods Hole Film Festival and the Martha's Vineyard International Film Festival. The focus has now become international in scope.
In 2012, RIIFF solidified new programming models such as the Rhode Island Film Forum, ScriptBiz, the Future Filmmaking Symposium, and the Discover RI: Walking Tour, all free to attending filmmakers who have been accepted into the Festival. Programs continue to expand yearly including Acting for Camera Classes, Symposia and morning industry conversations.
On April 25, 2013, the Festival was notified by the Bureau of International Information Programs at the U.S. Department of State that the Rhode Island International Film Festival would be featured as one of the nation’s top summer festivals for an upcoming social media campaign promoting international tourism to the United States.
Eurochannel: a multi national, cable channel based in Paris, Sao Paulo and Miami agreed to become an official partner with RIIFF. The channel provided TV spots ten times a day during the month of August 2013 and had the RIIFF logo displayed on Eurochannel’s partner page. With IPads and smart phone devices the target platforms, Eurochannel provided both international and domestic visibility in niche cinema markets. Eurochannel is now an annual sponsor of the Festival.
In 2013, RIIFF was selected as a qualifying festival for Best Documentary Short Subject through the Academy of Motion Picture Arts and Sciences.
In 2015, RIIFF became a BAFTA-qualifying Festival in the Short Film Division. RIIFF also partnered with Lexus Short Films and launched their 2015 Call For Entries.
In 2016, RIIFF celebrated its 20th Anniversary.
Flickers introduced the weekly series, "doubleFEATURE" on PBS. Running 58 min. the program featured interviews with members of the industry and short films that have screened at the Festival. The series is now heading into its Fifth Season with 35 fresh episodes produced each year.
In 2017, Flickers celebrated its 35th Anniversary.
In 2018, "The Silent Child" which had its World Premiere at the Festival won the Oscar® for Best Live Action Short.
In 2019, Nine (9) films from the 2018 Festival were nominated for Academy Awards® bringing the total nominations from the Festival to 66.
In 2020, Five (5) films from the 2019 Festival were nominated for Academy Awards® bringing the total nominations from the Festival to 76. To date, 13 films have won the Oscar®.
In 2020, the Festival presented a hybrid event while reacting to the impact of COVID-19. Along with using local Drive-In theatres, the Festival ran a virtual event online providing most screenings for free and a paywall for those requesting to be geoblocked. Webinars, Forums, filmmaker Q&A's plus meet-and-greets took place via Zoom on Facebook Live. The online event on all platforms registered more than 47,000 Views.
RIIFF is cited and recognized as the largest film Festival in New England and one of the Top Ten Regional Events.
RIIFF is a qualifying event for the Canadian Screen Awards.
L’Europe autour de l’Europe - European film Festival Paris will run from April the 8th to April the 21st 2025 in Paris and Île-de-France.
Its selection presents art-house and author films produced by the countries of Greater Europe (members of the Council of Europe) focusing on connections between classic European filmmakers and new talents of contemporary cinema. One of the festival's main objectives is strengthening the creative audiovisual industry network across Europe.
In addition to screenings and Q&A with filmmakers, the Festival presents public masterclasses and panel discussions with prestigious guests from Europe.
L'Europe autour de l'Europe is where the new European film meets the European value-keeping cinema.
We are the U.S. west coast premier destination festival for films such as fest favorites like Damsel starring Robert Pattinson and Mia Wasikowska, to world premiere new discoveries like Netflix favorite Abducted in Plain Sight and many more.
We are dedicated to discovering and supporting the next generation of filmmakers. There’s a reason MovieMaker magazine has named Mammoth Lakes Film Festival as one of the “Top 50 Film Festival’s Worth Your Entry Fee” for the last nine years in a row: We put our filmmakers first!
We focus on bringing top-level press and industry professionals to the festival to get maximum exposure for our filmmakers. Past attendees included Variety, Hollywood Reporter, The LA Times, A24, Greenwich Entertainment, MovieMaker Magazine, and more.
The 11th annual Mammoth Lakes Film Festival will screen features and shorts for five days in the spectacular setting of Mammoth Lakes—California’s premier mountain resort, high in the Eastern Sierra. It will take place on Wednesday through Sunday, May. 21-25, 2025.
MLFF captures the imagination of audiences and contributes to the vitality of film culture by providing emerging filmmakers with an opportunity to show their latest work in a vibrant and nurturing atmosphere. Visitors are drawn to the area to experience exciting new films by both new and established independent artists, and for the opportunity to mingle with them at fun and friendly daily events. The festival is also a forum for filmmakers to have their work seen by industry professionals who have the potential to provide mentorship and propel their careers.
We are committed to promoting film as an art form by focusing on personal, innovative, imaginative films by writers and directors with a unique style and point of view. We present these films in the beautiful natural setting of Mammoth Lakes—a perfect backdrop for an independent film festival and a premier tourist destination in its own right. Because we are a destination resort, just a 4 to 5-hour drive or a quick flight from Los Angeles, we have strong allies within the entertainment industry. Our jury members are acclaimed artists and professionals from the world of independent film. We give out multiple awards in the categories of Narrative Features, Documentary Features, and Short Films. In 2024 we awarded cash and prizes valued at more than $40,000.00. We also provide travel stipends, housing, and festival passes for our filmmakers. Our juries have included Andrew Lazar (Producer of AMERICAN SNIPER), Allison Amon (Producer of THE QUEEN OF VERSAILLES), Rachel Winter (Academy Award winning producer DALLAS BUYERS CLUB),and John Feidler (Producer of SERIAL MOM and PECKER). 2024 sponsors included Panavision, Light Iron, Town of Mammoth Lakes, among many others.
The Mammoth Lakes Film Festival, a DBA 501(c)3, is committed to showcasing the talent and imagination of emerging filmmakers and nurturing their efforts to follow their dreams.
WORLDFEST NOW ACCEPTS ONLINE FESTHOME SCREENERS! WE HAVE LG & SHARP 110" DIGITAL BIG SCREENS FOR JURIES! WE DO ALSO ACCEPT DVD, BLURAY OR USB FLASH/PEN/JUMP DRIVE FOR JUDGING AND FOR THEATER SCREENING! Region Zero! (If you win a Remi, you may be screened on big Cinemark Theatre screens to 600+ theater audience!! So we need a BluRay, DCP or Jump Drive for the DCP screening! Large juries view your entry on a big digital screen, not a little laptop! We will personally confirm your entry's arrival.
WorldFest is the only film festival in the world that gives your entry a grade, a score! Your score can earn you a Remi Award! We do not believe that there can just be three winners in a category, a Gold, Silver and Bronze - so we assign your entry a score from the jury! An A+ wins a Special Jury Award and is considered for the Grand Remi! An A score wins a Platinum Remi, an A- wins a Gold, a B+ wins a Silver and a B wins a Bronze Remi. No Awards are made below a B level score. With more than 4,750 category entries, only about 10-15% actually win a Remi Award, but we feel it is the best possible way to run a festival awards system!
55th WORLDFEST-HOUSTON SETS FEST DATES, CALLS FOR ENTRIES!
“FORGET SUNDANCE! …WorldFest is one of the best conceived festival productions on the planet!” ~ Craig Outhier, film critic, Phoenix press; Tempe Times.
The 55th Annual WorldFest-Houston International Film Festival continues its totally dedicated Independent Film screening format for the upcoming April 20-24, 2022 unspooling. WorldFest will screen just 60-80 feature film premieres and over 130 Shorts with a total and absolute emphasis on the American and International Independent feature film and a continuing annual spotlight on award-winning short films and documentary films. Entries Officially Open Aug. 15, 2021. The EarlyBird Entry Deadline is Nov. 15th 2021 – A Mail-By/Enter By/Ship-By Deadline! Entries do not have to arrive by this deadline. The Main Entry Deadline is December 15, 2021. The Late Entry Deadline is Jan 15th 2022!
WorldFest Artistic and Program Director, Kathleen Haney, stated, “We are fiercely dedicated to the Indie Feature and Short Film and look for a quality selection of individual films to maintain a smaller, yet effective program rather than an overly large and unwieldy slate of 150-300 films. Haney continued, “For the 2020 WorldFest we continue to use ‘A good story, well told’ as our time-tested approach to film selection”. WorldFest-Houston now accepts Online, Thumb-Drive & DVD/BR format entries.
This year WorldFest presents its 8th Annual Panorama Asia, the largest survey of new films from all of Asia & China in the whole, wide world! More than 200 directors and filmmakers will attend from Beijing, Shanghai, Korea, Taiwan, Mongolia, VietNam, Cambodia, the Philippines & Japan. China is now the largest box-office and production revenue country in the world, surpassing the USA. There is a special Panorama Asia theater and a dedicated section of the program book.
WorldFest Grand Remi Award Winner, Ridley Scott commented “WorldFest is in the business of validating excellence!” We are delighted to agree! The mission of WorldFest is to recognize and validate creative excellence in film & video production in every facet and category of filmmaking. Many filmmakers report that a Remi Award from WorldFest opens doors to advance their careers.
WorldFest will continue with its annual Short Film Showcase, a special review of 130+ new short and student films...from the festival that gave first top honors to Spielberg, Lucas, Francis Ford Coppola, Randal Kleiser, The Coen Brothers, Ridley Scott, Robert Rodriguez, Spike Lee, Gavin Hood, John Lee Hancock, John Frankenheimer, Michael Cimino, Leslie Linka Glatter, Oliver Stone, Ang Lee, Atom Egoyan and David Lynch, among many others! Few other festivals have such a “Discovery” track record. WorldFest has emerged as the oldest continuous film festival management in the world with the same executive director, serving with a special vision for 53 consecutive years. A few other festivals are older, but they have had as many as ten different directors. It is the oldest film festival in The South, and the 3rd oldest International Film/Video Festival in North America, after San Francisco & NYC.
The 55th Annual WorldFest-Houston International Film Festival highlights include a Red Carpet Opening Night Gala, the Remi Awards Banquet with top honors presented to more than 1,000 up-and-coming attending filmmakers from over 75 countries from round the globe, there are 9 Master Classes in Film & Video Production, a nightly Festival Club at the HQ Westin-Memorial City Hotel, Indie Panels, a VIP tour of NASA with a special police escort and an exciting Houston Yacht Club Sailing Regatta & Texas BBQ. All offer superb networking opportunities!
WorldFest began in August 1961, as Cinema Arts, an International Film Society. It began screening Independent, foreign & art films. It became an officially competitive International Film Festival seven years later, in April 1968, and has been in continuous operation since. It is one of the original three film festivals in North America, with San Francisco and New York as the first two events. Following WorldFest was Chicago, Cleveland, Dallas, and Seattle. Then Sundance and SXSW, Toronto and Tribeca. Now there are more than 3,500 USA film festivals of various types, levels and quality, most being simply non-competitive screening events! WorldFest is international, competitive and invites filmmakers worldwide.
The 55th Annual WorldFest offers International Competition in; Features, Shorts, TV production, TV commercials, unproduced Screenplays & Teleplays, Experimental, Student, Documentary, Business & Industry, New Media, and Music Videos. You may enter the Feature, Short, Student, Experimental, Student, Music Video, and New Media-Websites via FestHome. You must go to our main website (worldfest.org) to enter the TV Production (100 series), TV Commercials (400 series), Film & Video Production (200 Series) and the Screenplay Competition (700 Series). WorldFest is the largest film & video competition in the world, in sheer number of actual category entries, with more than 4,750 category entries received in 2020. There are almost 200 sub-categories for competition, allowing each film to compete in its own individual genre.
WorldFest-Houston is sponsored by Memorial City Mall, Cinemark Theatres, Boxer Properties, the State of Texas, the City of Houston, HBU Fitness Center, Kodak, NASA, Lopez Negrete Communications, the Houston Yacht Club, Maggiano's Ristorante, Avis/Budget, The HQ Hotels Westin & Zaza, The Houston Chronicle, Regent University Film School, the Houston Yacht Club, and the Houston Film Society
The 55th WorldFest-Houston – 9898 Bissonnet, Suite 650, Houston, Texas 77036, 713-965-9955, Fax is 713-965-9960 – Email is – info@worldfest.org – The website is https://worldfest.org
14th Dada Saheb Phalke Film Festival-24, Delhi NCR, India
Celebrating Excellence in Cinema
The Dada Saheb Phalke Film Festival is a not-to-profit, non-commercial & India’s only independent film festival, established in the year 2011 in Delhi NCR with a mission to celebrate the cinema & work of aspiring, young, independent & professional filmmakers. The festival is important for Indian film industry as it is organized on 30 April each year to mark the birth anniversary of Late.Shri. Dhundiraj Govind Phalke, who is regarded as the father of Indian Cinema & fondly remembered as Dada Saheb Phalke by the film fraternity across the India & globe. Its aim is to recognize the enlightening, entertaining & progressive new age cinema of youth & experienced filmmakers.
In past years festival gains reputation & regarded as among most prestigious festival in India. The festival grows over the years & attracts filmmakers from across the India & 90+ nations across the world. The festival has sections for feature films, short films, documentaries, animations, music videos & ad films. The festival awards the filmmakers in production, creative, music & performance categories.
14th Dada Saheb Phalke Film Festival-2024 aims to celebrate the excellence in cinema. Dada Saheb Phalke started the movement of cinema in India in real sense & he is the symbol of excellence. His contribution to Indian cinema is unparallel. Today Indian cinema is touching the sky in terms of both content & technology but it is worth mentioning that it was started by legendry Dada Saheb Phalke and we are just carrying it forward.
Founded by the Educationexpo TV, a leading entertainment research & branding company and managed by Miniboxoffice, Dada Saheb Phalke Film Festival-24 provides chance to filmmakers to showcase their creativity. While the festival is open to filmmakers of all age, we feel that just as it is imperative that we should support and encourage participation by filmmaking community members & professional, it is also important that we find and cultivate the future members of the entertainment industry.
13th Kolkata Shorts International Film Festival-24 is an amalgamation of unleash cinematic creativity & madness of cine-goers of beautiful city of Kolkata. The Kolkata city is the hub of Bengali Cinema, a culturally rich & destination of many budding filmmakers since past century. The festival objective is to give momentum to the short cinema & to foster the growth of new breed of filmmakers.
The humble journey of KSIFF has began in year 2012 to mark the 100 years celebration of Indian cinema & to salute the contribution of the Bengali film industry towards the development of cinema in India. The 2012 to 2023 editions of festival were huge success with participation from all over India & foreign nations and are the trendsetter festival in India & now in huge demand among young filmmakers.
The festival provide platform to aspiring and professional filmmakers for showcasing their talent with networking & marketing opportunities in film industry. The festival also hosts master classes & short film market. The festival objective is to create short films culture, promotion of upcoming filmmakers, developing sources of revenue generation for short films and to make short film making a commercial enterprise.
International Festival of Shortfilms of Errenteria, which in 2021 celebrates its XXVI edition. Our festival is characterized by a commitment to the Basque short film, a Basque defense and a promotion of the Spanish short film.
La Otra Banqueta accepts films of all nationalities about lesbian, gay, bisexual, intersex, transgender and any open understand sexuality in all its forms as an inherent part of the human person.
Miniboxoffice International Film Festival is now Noida International Film Festival. After having three successful editions of Miniboxoffice International Film Festival which caters mainly for short films only is now turned bigger with the addition of feature films section to it. In year 2014 the management of Miniboxoffice has renamed it on the name of India’s fastest developing city ‘NOIDA’. It’s a tribute to the city where Miniboxoffice starts in year 2010 and the city itself is the house of North India’s largest Film City.
11th Noida International Film Festival-24 objective is to feature great cinema of worldwide filmmakers in a big way & at the same time providing professional networking & introducing current trends of cinema to the participants. The festival goal is to empower independent filmmakers and committed to become premium movie going event which foster the growth of independent filmmakers.
The 2014 to 2023 editions of NIFF was huge success with participation of filmmakers from more than 90 countries. The NIFF-23 is expected to achieve many milestones towards the development of Independent Cinema. With this I welcome all filmmakers to come and join the movement which brings highest level of thoughts & culture of different nations in the form of enriching & entertaining cinema.
SANFICI is a space to generate meetings at different levels, with an overcoming and innovative will. First of all, it is a space for the relationship between spectators, filmmakers and theorists around cinema and all border and heterodox manifestations. Secondly, it is a special and temporary meeting point.
SANFICI wants to become, year after year, the place of convergence for world independent cinema. But it also wants to be the space where the past and the future dialogue. The place where the most diverse film traditions are embraced with their riskiest proposals.
Stop motion category is part of Catacumba Film Festival 2019. You can consult the regulations of FICCA't 2019 at www.catacumba.org.
By registering in this section, the short film will be automatically registered to participate in any section of the festival (if it meets the requirements of the rules of FICCA't 2019.
These can be consulted at www.catacumba.org). If this one is selected in the official section it will opt for all the prizes.
#NarrarelFuturo: XI Film & New Media Festival is a meeting point for exhibition, training and industry where local, national and regional industry professionals interested in filmmaking and audiovisual in its most recent and interesting narrative and technical trends within the digital environment meet; transmedia, web and interactive documentaries, virtual reality (VR/AR/XR), webseries, artificial intelligence, futurisms, narratives and crowdsourcing/funding, vertical video and other film and new media concepts are some of the Festival's thematic axes.
Similarly, during the event, development and creation scenarios are carried out such as the #NewMediaLab, Ibero-American laboratory for the development of new media projects and the #HackathonVR360, which this year reaches its eighth edition.
We also open the doors to the Colombian and international creative industry to create meeting and conversation points around ongoing projects: 10 tips to #NarrarElFuturo, speed networking sessions and the launch of the Hispanic American Projects Database and the new media industry manual are some of the activities in which attendees from the industry area will be able to participate in this new version.
During the 11th version -which takes place from September 10 to 15 in person at various venues in Bogota (Colombia)- attendees will enjoy more than 65 hours of film and digital content, 100 hours of training scenarios, 40 international and national guests and a broad and diverse spectrum of topics, processes and projects under construction and development.
FEMCINE was created to discover and support the work done by female filmmakers and to share films with gender-based subjects with a broader audience. FEMCINE invites female directors from Chile and the rest of the world to participate in one of its three competition categories: International Feature Length Competition, International Short Film Competition, and the Chilean Film School Short Film Competition.
The Festival is being organized by the management of City Montessori School in Lucknow, India.
The Festival aims at providing a common platform for the producers of Children films to project their views for proper development of children’s potential through meaningful educative films; and also for promoting friendship and co- operation among people of the world.
From CINESPACIO we want to focus this edition of the festival on those works that have focused on the migratory conditions and their relationship with audiovisual forms of production. In a world where borders are constantly built and imaginary lines are drawn to violate identities - as well as create them -, it is necessary for the audiovisual sector to think about his role in the modes of implementation and in the themes represented.
We propose to interpret the border as a space where transnational identities are born and get in conflict; a space where new networks and emotional communities are generated and are in perpetual movement; a space where they face the challenges of individual recognition and community belonging. If the border is what delimits who we are, crossing borders involves, then, the challenge of being someone else and knowing how to be someone else through rapprochement and touch, bearing in mind that the content at the borders, being touched by the external, will not be the same again.
