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MACAU INTERNATIONAL SHORT FILM FESTIVAL (“FESTIVAL”) is an annual worldwide audio-visual festival that aims to motivate overseas and Macau short film and music videos productions to compete in this FESTIVAL.
The Festival compromises two separate competitions:
- SHORTS International Short Film Competition
- VOLUME International Music Video Competition
“SHORTS” awards the best shorts-films in the three categories of Fiction, Documentary, and Animation. And “VOLUME” awards the best winning music video incorporating Macau original music. A list of Macau original songs is available on the Festival's WEBSITE for download purposely for VOLUME.
SHORTS is open for submission from 16 March to 16 June 2024, and VOLUME is open for submission from 16 March to 20 July 2024.
The Festival was previously known as "Sound & Image Challenge" and was first launched in 2010 focusing only on an audiovisual competition for local talent. This initiative was co-founded with professionals in film, music, sound and image fields, with two priorities: to promote the Creative Industries in the audiovisual sector and highlight the local talents in the production of sound and moving image design. Over the years, it expanded across 5 continents, grew and gained recognition, and finally became a short film festival in 2015.
The Festival will be held from 3 to 10 December 2024. A series of cultural programs will be scheduled in venues throughout Macau during the Festival week, such as public screenings of “SHORTS” official selection and “VOLUME” music videos official selection, Masterclasses of film production, development, International Film Festival curatorship and organising; audience voting for “Audience Choice”; as well as gala awards ceremony.
Since 2009 the Knoxville Horror Film Festival is committed in bringing the best (and worst) of genre cinema to Tennessee through our annual film festival and feature screenings throughout the year. The only horror festival in Tennessee, KHFF holds its 3 day fest near Halloween every year.
On top of accepting submissions of short films from around the world, we hold a film making competition called the Grindhouse Grind-Out in which we give teams 6 days and 66 minutes to make a 3 minute Grindhouse trailer.
We're currently planning our 6th annual fest, KHFF 666 and we're looking for the best short films the genre has to offer.
Presentism is a philosophy of time that states nothing in the past or future exists. The only reality is the present moment, which is redefined. A moment is no longer like the blade of a knife, gone the instant it is felt. Rather, it is an extended duration of conscious experience. Reality is also redefined. The world is no longer characterized as a set of historic and anticipated facts, as in “once and for all.” The presentist defines reality as a world that relies on constant survey. And when events happen in multiple places simultaneously, they are part of the same reality.
We seek short films and video works (no more than 10 minutes) from filmmakers and artists that explore these ideas. How do we experience the present? What events today constitute a sense of the present? What activities constitute a constant survey of facts and ideas? How is the concept of presentism expanded globally in the era of live data? How does the moving image define a duration of extended consciousness? In what ways might the human condition change if removed from the past and the future? All genres will be accepted including documentary, narrative, animation and experimental.
FOLLOWING REVIEW AND SELECTION, FILMMAKERS WILL BE NOTIFIED VIA EMAIL IF THEIR FILM HAS BEEN ACCEPTED.
ACCEPTED FILMS ARE DUE AT THE GALLERY NO LATER THAN AUGUST 1ST.
Film Front moves frontiers: open call for motion graphics exhibition
Film Front, international short film festival, due to be held from 25th to 28th October in the cultural centre of Novi Sad, has decided to include motion graphics exhibition in this year’s festival’s program. Artists can submit their animations, presentations, animated GIFs, animated elements and other pieces that belong to the category of motion graphics.
Even though motion graphics are rather a fine arts category, they are tightly connected to the moving images art. That is why Film Fronts wants to honour these artworks that more than often do not find their way to the film festivals, but whose aesthetic value overcomes their usually determined functional purpose.
ENTRETODOS 17 - Is a free entrance Festival dedicated to the exhibition and award of short films, with up to 25 minutes, of all genres and formats, that addresses issues related to Human Rights.
The Festival takes place in São Paulo. Produced by Prefeitura de São Paulo, Spcine and ESTATE Produções.
ENTRETODOS Festival team.
The Hollywood Brazilian Film Festival celebrates its 9th edition this year. HBRFEST quickly became the main festival dedicated to promoting independent Brazilian cinema in the United States. It is the only festival in the world capital of cinema that supports the exchange between the best in independent Brazilian production and Hollywood.
In 2017, the Hollywood Brazilian Film Festival will present three days, of the most brilliant Brazilian films of the year. Award-winning actors, writers and directors will be in attendance.
In addition to the film screenings, the Hollywood Brazilian Film Festival also promotes panels, workshops and debates.
In 2016, the Hollywood Brazilian Film Festival will present in 3 days, the most important Brazilian films of the year. Award-winning actors, writers and directors will be in attendance.
In addition to the film screenings, the Hollywood Brazilian Film Festival also promotes panels, workshops and debates.
This year's festival takes place at the Ricardo Montalban Theatre in Hollywood, California, and it will award productions in the following categories: Best Short Film. There will also be special recognition for Award Star Rise and Humanitarian Award.
The Hollywood Brazilian Film Festival is produced by Talize Sayegh, which also has been cooperated with major festivals like the Los Angeles Latino International Film Festival (Laliff) and the Rio Festival.
The deadline for applications is October 1st 2017.
Only Argentine citizens or foreigners residing in the Argentine Republic may participate in the competition who comply with the terms and conditions of these regulations.
From CINESPACIO we want to focus this edition of the festival on those works that have focused on the migratory conditions and their relationship with audiovisual forms of production. In a world where borders are constantly built and imaginary lines are drawn to violate identities - as well as create them -, it is necessary for the audiovisual sector to think about his role in the modes of implementation and in the themes represented.
We propose to interpret the border as a space where transnational identities are born and get in conflict; a space where new networks and emotional communities are generated and are in perpetual movement; a space where they face the challenges of individual recognition and community belonging. If the border is what delimits who we are, crossing borders involves, then, the challenge of being someone else and knowing how to be someone else through rapprochement and touch, bearing in mind that the content at the borders, being touched by the external, will not be the same again.
The International Film Festival of the Autonomous University of Baja California promotes the exchange of experiences in the field of audiovisual production, as well as knowledge building around the cinematographic phenomenon.
The Bogota International Documentary Film Festival (MIDBO), organized by Colombia’s Documentary Filmmakers Guild ALADOS, is a non-fiction cinema specialized event that throughout the last 24 years has been consolidated in Colombia and Latin America as a fundamental space of the exhibition, dialogue, and thinking around non-fiction audiovisual.
Regarding the 26 MIDBO, we would like to invite local and Ibero-American filmmakers and producers to submit their audiovisual works to our 2024 call for films and to participate in the varied formative and debate spaces that will take place virtually and on-site throughout the festival.
26 MIDBO
This year the 26th edition of MIDBO will take place from October 29 to November 4 in Bogotá, Colombia. During the year, MIDBO will screen several films in different regions around the country and maintain the MIDBO-ALADOS Tuesday slot in different allied theaters.
After 25 editions, MIDBO continues to work towards hosting an event that fosters belief and trust in reflection on documentary filmmaking and the diverse approaches to portraying reality. Our main interest lies in exploring the myriad ways of capturing the world. Committed to unraveling the complexities of a reality that surpasses us, we strive each year to create an ideal space for collective engagement with documentary filmmaking.
In 2024, we remain dedicated to fostering creativity and acknowledging the efforts of filmmakers. Hence, we will feature two competitive sections: one national and the other Ibero-American. In these sections, we will present awards for the Best National Documentary, encompassing both short and feature-length films, and the Best Ibero-American Documentary Feature Film, focusing on films over 60 minutes in length produced in Ibero-America. The jury for each competition will be announced one month prior to the event and will consist of three (3) artists, filmmakers, writers, critics, or cultural managers from Colombia and around the world.
HEMOGLOZINE is a cultural event strengthened at national and international level. A Film Festival that focuses on the genres with greater influence and followers in all over the world, horror, science fiction and fantasy genre.
In short, HEMOGLOZINE consists of:
-An international competition where present new works of horror and fantasy.
-A large number of parallel activities with the genre.
A Femme International Film Festival is a premier festival that focuses on platforming women filmmakers “by women, for everyone”. Our Festival was created in 2005, when it became apparent that there was a need to enhance women behind the camera as Directors, Producers, and Writers. We were the first in Los Angeles to host such an event and film festival empowering women. All those that followed are just duplicates of the movement we started over a decade ago.
Through our Partners and Sponsors we have provided one-one-one meetings with our filmmakers or helped secure financing. CBS Entertainment Diversity Department and Sony Entertainment met with a selected group of our filmmakers with the goal to offer potential employment and/or placement as a director or writer under their diversity department. It is through our direct efforts that these opportunities are being secured for our LA Femme Int. Film Festival Filmmakers.
As LA Femme moves into the next few years, it plans to expand its platform so that more women in the industry and from around the world can have the benefit of taking their film to the next level through increased distribution outlets, more key positions in the entertainment industry and more recognition as artistic creators emerging as leaders in the industry.
Our goal is to create more such opportunities through exemplary programming, networking, and panel events. A classic professional atmosphere will create a sense of ‘opportunity’ for participants. LA Femme International Film Festival is “By Women for Everyone.”
Objectives:
To continually showcase and celebrate commercially viable films Written, Directed, or Produced by women.
To opening a pathway for women entering the industry by encouraging mentor-ship and artistic sharing between those women established in the field and those just beginning.
To Platform new emerging talent and support established women in cross-over roles.
To assist in distributing the feature films that are platformed in our festival with domestic theatrical releases and home video distribution.
Mission:
La Femme International Film Festival will support and nurture the artistic entertainment productions of women for the benefit of distribution to an international and domestic audience.
Emphasis:
»Our emphasis is on providing a complete specialized festival based on showcasing and celebrating commercially successful films written, directed, or produced by women and creating a system of access for those new to the industry directly to established women industry professionals.
»To assist in distribution of these films
»To mentor other women into positions of power in the independent and big budget, studio entertainment community.
Summary:
LA Femme Film Festival is more than a festival it is an emergence of artistic, professional women who make a difference in the entertainment community by creating productions that speak to a world wide audience. We were the first festival of its kind in Beverly Hills to not only platform existing films and artists but also distribute and mentor such films and the woman artists who created them.
Thank you for considering our festival for your film!
We are looking for the best features, shorts, docs and animation we can find to present in San Francisco. For 26 years SF IndieFest has developed a great reputation for eclectic, adventurous programming, getting great press for our films and filling theaters with enthusiastic film fans. Dozens of festivals and distributors have requested and received industry accreditation to view SF IndieFest titles at our festivals over the years.
Top 50 Film Festivals Worth The Entry Fee
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“I’m certainly happy that IndieFest exists, because it is a celebration of films that don’t necessarily get distributed widely,” HITS director David Cross says, “I’m happy to be a part of it with my film, which is very much in the category of a low-budget, little indie movie. I’m glad there’s a place for it.” – SF Chronicle
“Sundance may have sold out, but SF IndieFest keeps it real” – Annie Lo, Flavorpill
“While the Bay Area is flush with festivals, this one remains an under-the-radar standout.” – Randy Myers, San Jose Mercury News
“The San Francisco Independent Film Festival, the Bay Area’s version of Slamdance, provides a showcase for edgy cinematic work — and a great excuse to do some serious partying.” – David Lewis, San Francisco Chronicle
"The movie business is in a perennial state of constant tension between ambition and collaboration, joyful inventiveness and jaw-dropping paydays. This roiling undercurrent, usually invisible to the public, gushes to the surface in the run-up to the Academy Awards ceremony. There is an antidote, however, to Hollywood’s annual backslapathon: SF IndieFest. The San Francisco Independent Film Festival is a beacon to anybody excited by the basic impulse of making movies. In its heart of hearts, IndieFest is a celebration of the minor miracle of finishing a film and getting it up on a screen in front of a live audience." - Michael Fox, KQED
“For many independent filmmakers, festivals such as SF Indiefest—aka the San Francisco Independent Film Festival–are the only way to bring their works before an audience. For filmgoers, SF Indiefest is the place to see original cinematic works created by directors who want to tell edgy stories which come from their hearts and souls. While some have bemoaned the death of cinema, the curators and filmmakers at SF Indiefest are keeping the craft of film alive.” – David Elijah Nahmod, SF SOUNDS
“SF IndieFest is the one festival of the year where you should throw a dart at the program and take a chance. Not because you’re guaranteed a masterpiece, but because it’s the best fest to see something that would never, ever breach your filter otherwise.” -Michael Fox, KQED
PRESS COVERAGE
Press Coverage for past year's festivals: https://sfindie.com/press-coverage
FILMMAKER COMMENTS ABOUT THE FESTIVAL
"Hey Jeff: Just want to shoot you a quick note of thanks on hosting us at IndieFest and giving us our World Premiere. We had a great time and really enjoyed our time at the fest and in SF; it's a great vibe and the diversity of features and shorts in the program made for a really exciting and energized atmosphere. "- Max Gardner, Go/Don't Go
"Festivals bring unexpected benefits. Festivals are essential for brand creation. Premiering at Tribeca was enough to convince people to at least listen to me, but surprisingly it was the San Francisco Indie Fest that was just as crucial for our theatrical release. Our press from this festival helped convince the Red Vic to book us in April (I thank the amazing S.F. publicist Karen Larsen for convincing me of this in advance). We also incorporated festivals into our broader theatrical release, and while we did not claim them as cities in our 17-city count, they helped give us something to crow about."
http://www.filmmakermagazine.com/fall2008/bomb_it.php
"I've got to tell you that Indiefest was one of the greatest experiences of my life. I tell all filmmakers - and festival organizer friends of mine - how you run your fest and how you run each film twice. Every single time people look at me with shocked disbelief. Truly, Bonnie and I loved being a part of the event.
Thanks again for including us. SF Indiefest really made me feel that making YEAR was worth the whole effort.
Best-MIKE CARROLL"
"We LOVED San Francisco, meeting other filmmakers, seeing their films, participating in your screenplay panel and of course our awesome sold-out screening. You have one of the most engaged, passionate cinephile audiences I’ve ever seen at a film fest — they were incredible." - Warren Sonoda, THINGS I DO FOR MONEY, IndieFest 2020
"You have a great and engaging festival and one that draws on extremely passionate indie film audiences you are rabid for amazing content for which you definitely provide in bunches! You support of us and our film is greatly appreciated and we hope we are privileged To be welcomed back again in the future!" - Avi F.
"Thanks for these amazing photos (kudos on composition, lighting, and hyping up the crowd - what a great gift to filmmakers!). A million thanks to you both for pulling off an amazing event. We love the ethos of SF IndieFest and we're so honored to have participated. Thanks for your dedication to uplifting local filmmakers and for putting our all-female team (and our unexpected and important story) in the spotlight. Looking forward to seeing and working with you both again in the future!!" - Leslie Tai, How To Have An American Baby
"Thank you for a wonderful experience. The festival was a blast, the people so kind, the films inspiring, and great vibes all around. I'll be back to catch more films in the coming days." - Kerry Muir, Madame
"Thank you so much for having us and all that you and SF IndieFest do to champion independent film." - Anna Moot-Levin, Matter of Mind
"Thank you all for such a fun festival! You all really did a wonderful job all around and we were honored and grateful to be a part of it!" - Liz McBee, Finding Lucinda
SF IndieFest is a founding member of the FILM FESTIVAL ALLIANCE
Promoting independent filmmakers of cinematic gems and unique voices to a worldwide audience.
IndieFEST, currently in its 7th year, discovers and honors the achievements of filmmakers who produce high quality films and new media. Attracting both powerhouse industry veterans as well as talented new filmmakers, the IndieFEST is an exceptional, truly international awards competition, not a traditional film festival. The goal of traditional film festivals is to bring entertainment to local audiences making the filmmaker of secondary importance. IndieFEST is about helping independent filmmakers gain the credibility and publicity they justly deserve. Our talented IndieFEST award winners have gone on to win Emmy, Telly and other awards.
Serving filmmakers is IndieFEST’s primary goal:
IndieFEST strives to give talented directors, producers, actors, creative teams and new media creators the positive exposure and credibility they deserve. The IndieFEST promotes award winners through press releases to over 40,000 filmmakers and industry contacts as well as five additional global media/distribution outlets. We are currently developing a filmmaker representative program to assist with the distribution of award winning films and a joint venture with The GRID, a worldwide network for mobile devices – both coming in 2015.
Where our filmmakers are from:
The IndieFEST Film Awards is truly international in scope and has received projects from filmmakers in over 64 countries, they include Australia, Bahrain, Bali, Brazil, Canada, Chile, China, Columbia, Cuba, Denmark, France, Germany, Iceland, India, Indonesia, Iran, Ireland, Israel, Italy, Japan, Kosovo, Malaysia, Malta, Martinique, New Zealand, Norway, Paraguay, Philippines, Poland, Romania, Russia, Singapore, Slovenia, Spain, South Korea, Sri Lanka, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom, the USA and more.
What kind of media:
The IndieFEST is an excellent venue for film, new and experimental media, television programs, animation, educational programs, remixes & mashups, movie trailers, music videos, webisodes, tube length works and more.