Sicilymovie – Agrigento Film Festival is a festival of feature films, short film, documentaries, videoclip, spot and animation shorts, created and organized by the Southmovie Association, which was created with the aim of bringing outdoor cinema for everyone to the heart of Sicily: the evocative Valley of the Temples of Agrigento, a city named Italian Capital of Culture 2025. The themes addressed in the works of directors from all over the world are multiple and educational.
The ninth edition of Sicilymovie is aimed at the best productions and distributions of short films and documentaries in the world who will compete for the Golden Demetra, the representative statuette of the Festival which recalls ancient Greece, cultural symbol of ancient Akragas, the city of Agrigento.
The project is supported and sponsored by the Valle dei Templi Archaeological and Landscape Park of Agrigento, the Municipality of Agrigento, the Sicily Film Commission and the Tourism Department of the Sicily Region. The Valle dei Templi Archaeological and Landscape Park is about 1300 hectares wide and here belong the remains of the ancient city of Akragas and the surrounding area up to the sea. The Valley of the Temples was declared a "World Heritage Site" by Unesco in 1997. Today the Valley of the Temples has more than one million visitors a year.
PLACE, DATE AND DEADLINE
Sicilymovie - Agrigento Film Festival will take place from 18 to 21 July 2024 at the Valley of the Temples of Agrigento
The deadline for the call will be 2024, May 31 at 23:59
After the good acceptance obtained in the XII previous editions of the festival of short films 4' SHORT ... and to continue with the idea and intention and opportunity to accommodate the different areas of artistic expression, Alcorac 1,968 Cultural Association invites all those who wish to participate in " THE XII INTERNATIONAL SHORT FILM FESTIVAL SHORT 4' ... "
Launched in 1980, our festival, the first of its category in South Korea, has grown and evolved from the Korean Short Film Festival, to become the Busan Asian Short Film Festival in 2000 and eventually the Busan International Short Film Festival in 2010 (www.bisff.org).
Taking place late April at the Busan Cinema Center, BISFF delivers a dozen awards in three competitive sections (International Competition, Korean Competition and Operation Kino) while also presenting several curated, non-competitive sections including: Guest Country, Korean Shorts, Asian Shorts, Prism, 3D Cinema, etc.
BISFF is a member of the Short Film Conference (http://shortfilmconference.com/) and of the NETPAC (Network for the Promotion of Asia Pacific Cinema https://netpacasia.org). In 2018, it became South Korea’s first Oscar®-qualifying festival.
Calling out to all Horror Film Developers, Students, and anyone who wants to be a part of the Horror Genre. The Second Annual CineXposé Independent Horror Film Festival presented byDead Talk Media, LLC , a revolutionary virtual film festival created with the purpose of exposing gifted autonomous filmmakers, is scheduled to take place from January 13-15 and 20-22, 2023. However, our film submissions process is officially open so we encourage all Indie Horror Filmmakers to submit their media projects as soon as possible.
The CineXposé Horror Film Festival will differ from other such events in that there are no fees or costs to filmmakers who submit their projects. Furthermore, our “by invitation only” film festival will not only be viewed by industry professionals, but also by our social media followers (over half a million). With our tradition of letting our audience choose the winners, the power of social media will be employed in choosing our CineXposé winners.
The shared memory center for democracy and peace (CMCDP) is a national human rights association with international extensions whose fields of action are:
- Issues related to memory and shared memory as knowledge and expertise;
- Promoting a culture of peace, coexistence and democracy;
- The fight against all forms of extremism;
- Defending human rights and contributing to the dissemination of their culture;
- Questions of identity and linguistic and cultural diversity.
- The consolidation and development of the values of solidarity and constructive dialogue between peoples and nations;
- Support for all generations of human rights.
It organizes an annual film festival in Nador, called the Festival International de Cinéma et Mémoire Commune (FICMEC), dedicated to the theme of memory.
In 2025, the theme of the 14th edition of the festival will be “The Memory of Peace”.
While some define peace as non-war, others go so far as to oppose it to all forms of violence. Although the preachers and emissaries of peace are constantly calling for :
- reconciliation between belligerents and warmongers to put an end to hostilities or ward off aggression and tip the balance in favor of collective intelligence;
- overcoming the stigma of the past through far-sighted dialogue and harmonious international relations;
- the promotion of a universal culture of pacifism through, among other things, the inclusion of the values of tolerance and fraternity in educational curricula;
- unanimous ratification of UN resolutions;
the resurgence of political, economic, religious and doctrinaire disputes has overtaken the voice of reason, compromising good-faith initiatives and plunging the international community into moral disarray.
The loss of life and devastation caused by any armed confrontation can be counted or at least estimated in post-war periods. Quantifiable, they provide information on the seriousness of the human and material damage caused or suffered. But who can accurately determine the impact of psychological trauma, accurately diagnose the wounds of the soul, and meticulously assess the after-effects of violence?
Memory wounds are difficult to suture in the short or medium term. To purge resentment, bend vindictiveness and soothe tormented consciences, taking the long and steep road to reconciliation seems the ideal solution for turning the bloody pages of the past. Memories, stories of resilience, forgiveness and solidarity, as well as shared painful experiences, are the best way to get rid of animosity and make way for amnesty.
The “Memory of Peace”, a concept that focuses on the elements of the past that call for appeasement and the building of a common future, has as its main foundations reconciliation and mutual understanding, learning from the mistakes of the past, anchoring the culture of non-violence in people's minds, and above all transmitting this memory to future generations through education, testimony and the arts, particularly cinema, which is a powerful vector of emotion and empathy.
In the light of the above, films will be selected that deal with one of the following themes:
- Reconciliation after war or genocide.
- Mutual understanding to overcome hatred and suffering and rebuild human and social bonds.
- Forgiveness and resilience
- Peace movements
- Emblematic figures of peace
- Learning from past mistakes
- spreading the values of justice and tolerance
- Anchoring the culture of non-violence in individual and collective memories
- Community initiatives that model peace and social cohesion
- Peace education through pedagogical approaches
As this list is not exhaustive, the festival management welcomes films dealing with other peace-related issues.
Moscow International Film Festival (MIFF) is one of the oldest world film forums (the second after the Venice Film Festival). The Moscow International Film Festival has been leading its history since 1935. Then the chairman of the jury was Sergey Eisenstein, and the film Chapaev opened the first festival. However, in subsequent years the festival was not held regularly. Therefore, the Moscow International Film Festival has officially counted down since 1959, when it was renewed and turned into a regular event - it was carried out over odd years, alternating with the Karlovy Vary Film Festival. In 1999 MIFF became an annual event.
Hungry Minds Film Festival è un evento unico nel suo genere che celebra la relazione tra cinema, cultura, cibo e sostenibilità. Questo evento unisce mondi affascinanti, offrendo al pubblico l'opportunità di esplorare il connubio tra la settima arte e la passione per il cibo in tutte le sue forme, con un focus particolare sulla sostenibilità e la condivisione.
Il Festival si propone di presentare una selezione accurata di film e cortometraggi, nei quali il cibo è il fil rouge; dai documentari che esplorano le sfide ambientali legate all'industria alimentare ai film che raccontano storie appassionanti incentrate sulla cucina locale e sostenibile, l’Hungry Minds Film Festival offre una visione diversificata e coinvolgente del rapporto tra cibo e sostenibilità.
Ogni film selezionato avrà un legame diretto o indiretto con il mondo gastronomico, offrendo al pubblico un'esperienza cinematografica che stimola la mente e soddisfa il palato. Gli spettatori saranno immersi in storie che esplorano il modo in cui il cibo potrà diventare motore per il cambiamento, generando riflessioni su consapevolezza ambientale e partecipazione attiva nella creazione di un futuro più sostenibile.
Attraverso proiezioni di film, dibattiti interattivi, degustazioni e incontri con registi, chef e esperti del settore, l’Hungry Minds Film Festival ambisce a creare un'atmosfera vivace e stimolante.
Internationally, the Festival will award the Best Film, among the first three feature films of a director who has not yet made the fourth, with the Pre-Columbian Circle in its Gold, Silver and Bronze categories. As well as the Pre-Columbian Gold Circle for Best Director, Best Social Documentary, Art and the Environment.
At local level, the Pre-Columbian Gold Circle will be awarded for Best Colombian Film short and feature films.
Non-competitive categories: International Short Films, Animation, Sacred Films, Films for Children and Blinds.
The FIC AUTOR (Author's International Film Festival) is interested in unique and artistic films that exceed the limits of traditional storytelling. We look for Feature and Short Films that reflect the director's personal creative vision, and a style that is distinct enough to shine through the collective process.
WE ONLY CARE ABOUT WHAT YOU SHOW IN YOUR FILM, how CREATIVE you are and how you tell the story, that's it. We don't care if your film has recognized stars or unknown names, if it was shot with an Arri or a DSLR, if it has been accepted to a thousand festivals or none. We don’t base our decisions regarding your gender, sexual orientation, color of your skin, or ethnicity like other festivals. We are against the politics and bureaucracy that flood the film industry. 100% of the films accepted come from the submissions, we don't invite films. We want to be recognized as an objective festival with a tough competition and the most creative global cinema in our theaters!
We're partners with RAINDANCE Film School MX, so if you're one of our selected filmmakers, you will also screen your film there and have the chance to teach a masterclass in one of the most important film schools in the world and who knows, maybe be spotted by Elliot himself!
The FIC AUTOR will take place in November in Guadalajara, Jalisco, México and Tequila Jalisco. We will present the very best films from around the world, ranging from the most unexpected-creative low budget films from unknown filmmakers, to films made by experienced/well known directors. Mano a mano, this competition is tough! FIC AUTOR will strive to be one of the most important cultural events in the city. We aspire to become an international spotlight for new directors!
In the 7th edition we presented the first Honorary Ring to our 1st guest of honor, the Academy Award nominee actress Yalitza Aparicio ("Rome" dir. Alfonso Cuarón) We will continue inviting interesting talents from different fields.
-The 13 winning Authors will receive the WINNER LAUREL, plus FIC AUTOR trophy or rings.
-WINNERS will be announced one month before the award ceremony, so all the nominated filmmakers can decide beforehand whether they want to travel to the festival.
-The Cineforo is one of the biggest cinema theaters in the city with 440 seats, and is the most prestigious.
CATEGORIES:
Feature Films Categories:
-Fictional Feature Films.
-Documentary Feature Films.
-Experimental Feature Films.
-First-Time Filmmaker.
-Low Budget Feature Films Under 50K USD.
-Mexican Feature Films. (For Mexican directors only)
Medium Length Category:
-Medium Length Films. (Any kind)
Short Films Categories:
-Fictional Short Films.
-Documentary Short Films.
-Experimental Short Films.
-Animated Short Films.
-Mexican Short Films. (For Mexican directors only)
-Cineminuto 1 minute Short Films.
Medina del Campo Film Week (SECIME) is one of the most consolidated events on the national film scene, standing out as a benchmark in the promotion and dissemination of short films, and being a key exhibitor festival for the Academy of Arts Awards. and the Cinematographic Sciences of Spain. Its main objectives are to support both new talents and established filmmakers, promote the creation and production of short films and contribute to the growth of the audiovisual industry.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
FICSEM Festival, in the Mediterranean area.
For major reasons, and having been immersed in a situation in which we have all been affected, we have decided to adapt to the current situation, and give a new focus to our festival. Maintaining the enthusiasm and passion we feel for the artistic world.
Our festival is aimed at the dissemination and promotion of film authors related to topics of social and/or ecological value.
Because we believe in the power of art as a transformative medium, our contribution from this festival is to give visibility to projects that address environmental and social changes in which we are immersed. We are an international festival because we understand the world beyond barriers, and because we are moved by the need to get to know other cultures and share the best of ours, as it contributes to any improvement in any corner of the world.
The Mediterranean is the climate that surrounds us, and we feel identified with it. In terms of warmth, closeness and transparency. We are a festival that is starting strong, with a large number of committed artists who share our cause, and the desire to share.
And that is why we are not afraid to break the most classic festival patterns. So much so, that in the award for best actor and/or actress, the recognition of the award falls on their social and/or ecological work... And not only on their skills.
Despite having firm ideological foundations. We open ourselves to other artistic areas and initiatives.
El Grito is the first and only fantasy and horror film festival in Venezuela.
We are a space that promotes reflection, meeting and training through fantasy and horror films, serving as a platform for their dissemination and promotion as genres that go beyond entertainment, highlighting its poetic value and its own tools to move from different narratives, techniques and themes. Under the initiative of the El Grito Casa Audiovisual (www.elgritoproduce.com), this meeting was born in December 2019 in the city of San Cristobal, Tachira State.
We look for works that transcend narrative, aesthetic and technical languages within the genre, using history as the main element in his audiovisual proposal, demonstrating as an author, a search for new ways of showing situations, conflicts and twists of the screw hand in hand with references from different disciplines that feed its concept.
EL GRITO seeks to raise its voice until it becomes a thunderous noise that shakes our city and summons for years all kinds of nightmares and monsters that can strengthen our worn out humanity sensibility.
More information in elgritoproduce.com
The SPICY INDIE INTERNATIONAL FILM FESTIVAL (SPICY IIFF) is an annual event and is organised by Spicy Daisy Productions based in Europe|Greece.
The main concern of SPICY IIFF is the promotion of the art of Cinema through the presentation of an eclectic mix of exceptional independent short films from International filmmakers
The aim of the festival is also to promote, recognize and support the production of short films and to develop a spirit of friendship and cooperation among filmmakers.
"Spicy Indie International Film Festival" is a true filmmakers festival by a team of filmmakers dedicated to the language of cinema and arts and aims to bring a range of independent short films of all genres, who successfully use creative cinematic language forms, from all corners of the world to Greece.
The African Film Festival focuses on films made by Africans and those in the African Diaspora. Additionally, we showcase films shot in Kisumu, Kenya – an exciting birth of local stories being told through the medium of film.
Our first festival was opened by the RT. Honourable Prime Minister of Uganda, Dr. Ruhakana Rugunda, and the Governor of Kisumu Kenya, his Excellence Professor Peter Nyong'o (also father of Oscar-winning actress, Lupita Nyong'o). We also welcomed the Ugandan High Commissioner to Canada, Kisumu's Minister of Arts, Culture and Tourism, and filmmakers from Uganda, Kenya, Tanzania, the UK, Canada, and the US. Since then, we have continued to welcome filmmakers and film lovers from around the world!
In 2019, we were excited to open the festival with Bed of Thorns, Uganda's first movie made with an all-female crew, and to welcome Artist in Residence Giggs Kgonamotse Kgole, one of the Mail and Guardian’s Top 200 young South Africans, whose work “God Ke Mama” was the catalogue cover of the 10th Anniversary Young Masters Art Prize in London.
During COVID, we were forced to present scaled down versions of the festival, but we returned in full force in December, 2022 for our 5th edition of the festival, during which we held two open forums, multi-day workshops on production design and sales/distribution, three days of screenings and a gala awards event, and welcomed the Kenyan Film Commission, Kenyan Film Classification Board and the Kisumu Minister of Arts, Culture and Sport. In 2023 we welcomed Kenyan actor Charles Ouda, who came to present an award and speak with the kids who came to watch our world premiere of episodes 3 and 4 of Twende, in which he starred. Our guest of honour was her excellency, Kisumu First Lady Dorthy Nyong'o, who also happens to be the mother of Academy Award-winning actress Lupita Nyong'o.
All festival programmers are Africans. Given our focus on filmmakers, each submission is watched by at least two people. If they disagree, a third programmer will review the film. Then, the top scoring films are considered by the programming team as a whole. Our goal is to be as fair as possible, giving every submission a reasonable opportunity to be selected. With that said, in 2023, each film was watched by at least 5 programmers.
We organize this festival in order to create a new reason to produce and introduce films and any other work of art that concentrate on the world’s problems and riches, and to pioneer the creation of a free platform and reward these works. We live in an era where too much information, and input that cannot be considered as information flow at a disconcertingly rapid pace in every plausible channel. We organize this festival so that we could all seek what is more local and smaller, and more importantly the one that is true and genuine together.
The ecological problems are increasing and becoming more and more varied; however, we also witness hope-inspiring developments. We organize this festival in order to create a platform that nurtures this hope. We hope that through our festival, the residents of Bozcaada, farmers, producers, scientists, artists, and all our guests will be informed about the current technological developments, environmental disasters and innovations, the most recent documentary techniques and also about each other’s existence. We hope that our festival will contribute to nurture solidarity.
9th “Jaipur Film World” on -
4-5 January 2024
Submit Your Films
· Feature Film
· Short Fiction Film
· Documentary Film
· Animation Film
· Music Video
· Ad Film
Details on Website- www.jaipurfilmworld.com
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KAARYAT
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(M)+91-9983301777
(E)- jaipurfilmworld@gmail.com
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