Every artist bears his own responsibility for the state of reduced and diminished power of art in the modern world. We need to find new models of creation and a new peace-making and myth-making language and code of the new art of a non-violent culture of peace.
With his film, the artist can convey emotional impulses so that the viewer's soul, under the influence of the film, feels peace, harmony, happiness or restlessness, disorder and unhappiness of the artist as his own emotions.
Therefore, the film has the role of a psychagogue, i.e. the guide of the soul, that is, the great power for freeing or enslaving the soul of the viewer. That's why the artist should and must be aware of his artistic actions and work, i.e. responsible for the feelings they evoke in viewers.
Can the language of film and video art, to begin with, bring closer and connect cultures and peoples (their ideas and symbols) that are in conflict and conflict so that they can better recognize and recognize each other's right to different meaning of styles of living, creating and existing ? Can film and video art, artists and their works build a bridge between opposing fundamentalist and radical political, economic, philosophical and religious ideologies and dogmas and thus reduce extreme hatreds and radical conflicts?
Film and video art for a new non-violent culture of peace is such an art that has the power to overcome tensions between religions, languages, peoples and cultures. It is an art that, with its stylistic and montage matrices of forms and symbols that communicate or convey ideas and emotions, restores faith in the common genetic pool of all humanity that no longer wants to deal with itself alone, i.e. to support unnatural programs and agendas that lead to new divisions, conflicts and "voluntary", read violent, domination of one over another, elimination of "different", read disobedient, war of all against all and self-destruction.
Every responsible film and video artist should try to design and realize in his works of art a beneficial intersection and permeation of the opposing forces of reality and utopia, limitations and freedom, subjective and objective, material and spiritual. It is necessary to create a new ascetic film and video art of a non-violent culture of peace that can become the common heritage of people today, if we want to preserve and guarantee the sustainable development of the diversity of the differences of the specifics of humanity tomorrow.
>> IFFA | INDEPENDENT FILM FESTIVAL OF ATHENS, a yearly event taking place in March.
1 - 10 | 3 | 2024
Penco-Lirquén Film Festival understands film as a social phenomenon in constant transformation, which addresses interests and problems of society to link the public with the audiovisual pieces, thus opening instances of reflection and dialogue around the creative work between spectator and filmmaker.
This is why the event, in its fourth edition, aims to turn the town of Penco into a meeting and training point for filmmakers and the community in general, through the exhibition, dissemination and recognition of short films made in university contexts by students of audiovisual careers, as well as professionals in the area, from all over Latin America, including Chile and the Biobío region.
Vision and objectives of the festival:
A) Raise awareness: The festival aims to raise awareness about various issues related to social justice, such as inequality, discrimination, human rights, sustainability, among others. Through the films and activities, it seeks to inform and educate the public on these important issues.
B) Promote dialogue and reflection: The festival seeks to create a space for constructive dialogue and critical reflection. Through panel discussions, talks with filmmakers and chat rooms, the exchange of ideas is encouraged and attendees are invited to reflect on the themes presented in the films.
C) Inspire and motivate to action: The festival aims to inspire attendees to take concrete action in pursuit of social justice. Through the stories presented in the films, the aim is to generate empathy, motivation and mobilization towards positive social change.
D) Promote diversity and inclusion: The festival seeks to highlight and celebrate diversity in all its forms, including cultural, ethnic, gender and sexual orientation diversity. It seeks to promote inclusion and equality, providing a platform for diverse voices to be heard and represented.
E) Support Committed Filmmakers: The festival seeks to support filmmakers who address social justice issues in their work, giving them a platform to showcase their films and broaden their reach. It seeks to promote film production committed to social transformation.
F) Generate impact in the local community: The festival seeks to generate a positive impact in the local community, involving local organizations, community leaders and spectators in the activities and in discussions about social justice. It seeks to create greater awareness and sensitivity in the community about these problems.
The Maipú International Film Festival - FICMAI, shall be held from October 2 to 8, 2023, in the city of Maipú, Province of Buenos Aires, Argentina.
FICMAI aims to disseminate high-quality and top-notch technical content, accessible to all kinds of audiences, with a diverse and entertaining programme that allows cultural enrichment, encounter, reflection, and amusement. An annual meeting place for the city and a space for the exhibition of local productions.
Ànima Jove, Festival Internacional de Curtmetratges d'Animació d'Altafulla is an animation film festival, whose main objective is to create a space to disseminate the art of animation in the territory of Tarragona.
SANFICI is a space to generate meetings at different levels, with an overcoming and innovative will. First of all, it is a space for the relationship between spectators, filmmakers and theorists around cinema and all border and heterodox manifestations. Secondly, it is a special and temporary meeting point.
SANFICI wants to become, year after year, the place of convergence for world independent cinema. But it also wants to be the space where the past and the future dialogue. The place where the most diverse film traditions are embraced with their riskiest proposals.
On the border of Europe and Asia, in the 300-year-old city called the "Russian Manchester" in the middle of the Ural Mountains —
we organize an International Short Film Festival with a quarterly Official Selection and Live Screenings every summer, autumn, winter and spring.
NOW OPEN: Submissions for the Ural Shorts Winter 2025
Our mission is to seek out and unearth fresh talent in the art of filmmaking from across the globe. We aim to showcase and endorse top-tier independent short films, regardless of their origin, production year or budget. Our ultimate goal is to encourage and inspire auteurs everywhere.
Ural Shorts consists of four Seasons and Annual Award Event. Every Season the selection committee watches privately the submitted short films and chooses the Official Selections. All selected films enter the competition for the Season Awards.
Within 10 days after the Official Selection list is published the jury announces the Season Winners. The winning films enter the Screening Program in cinemas and on television for all to see.
All Season winners enter the competition for the Annual Awards in 18 nominations corresponding to the Main and Technical and Performances categories. And receive an invitation to the Annual Award Event.
The Ural Shorts Annual Event takes place in August in the 300-year-old city of Nizhny Tagil, on the border of Europe and Asia, which is called the "Russian Manchester" in the middle of the Ural Mountains. Annual Award Event consists of a cultural and educational program, the annual awards ceremony, screenings, TV interviews, workshops, and other activities.
III Zamora film festival falls in love.
Comedy short films and feature films may be entered.
Short films:
-Comedy fiction or animation
-Special section Zamora falls in love: held in Zamora
Feature films:
-comedy fiction
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
The CINALFAMA FILM OBSERVATORY, held in a historic neighborhood, emerges as a transformative cultural initiative that strengthens the community network. By showing independent films, the project not only widens access to alternative and innovative narratives but also stimulates cultural engagement among residents, fostering a sense of identity and belonging.
This regular event, which takes place at Museu do Fado Auditorium, becomes a meeting point where generations cross paths, sharing experiences and reflections that transcend mere film viewing. In addition, by being located in a neighborhood with a rich historical heritage, the observatory revitalizes the urban space, attracting visitors and enhancing the appreciation of the local heritage, generating a very positive cultural dynamic
The Cinalfama Film Observatory is a regular cinema competition in January, April, and October.
The winning films of each of the three editions (Jan, Apr, Oct), will be showcased in our annual outdoor cinema event, Cinalfama Lisbon International Film Festival, in July 2025.
GOSH! A DAMN GOOD FILM FESTIVAL
Independent & International Film Festival in Paris, GOSH! is dedicated to international short films screenings. The festival aims to bring to Paris films loved all around the world or brand new talents!
GOSH! loves all genres of independent cinema: short films, documentaries, animations, any language and any genre accepted. All equal for good cinema.
IMDB certified and screening to our usual audience, each edition GOSH! tries to provide a unique experience to the audience.
- IMDB certified awards
- Media partner "Cinéma des Potes" reporting the event
- International jury, lead by wellknown artists such as Pierre-Emmanuel Barré, Vikash Dhorasoo or Laura Satana
- Text interview for winners, on our website
- original certificate for award winners
- Individual feedback for all the movies in competition
- French subtitles by GOSH! (if English SRT file available)
- A damn cool festival!
PROCESS
OFFICIAL SELECTION
Each film is seen and rated by a committee of three persons, including Gosh Film Festival organizers: Magali Souart and Fabio Soares.
All the movies are seen by the committee, there is no “pass by” accepted.
Members of the committee can’t be involved in any way, in movies taking part of the official selection.
JURY
The jury is composed by professionals from TV & Cinema, the list and CV of GOSH! Jury are available on our website.
The jury takes in Paris and decide about the awards, except the audience award, given by the audience.
GOSH! Film Festival organizers do not take part to the jury and respect their final decisions.
MEDIA
GOSH! Film Festival screening is covered by our media partner "Cinéma des Potes", and several media with special accreditations.
Noun. metamorph (plural metamorphs) (biology) an organism that has undergone metamorphosis.
Welcome to the Meta Morph Award 2025, a celebration of the beautiful merging of AI technology and traditional filmmaking. Just as a caterpillar transforms into a butterfly, the film industry is evolving, and we are here to showcase this metamorphosis. Together with our esteemed collaborator, Morphic Studios, we aim to honour the spirit that drives the creation of AI-driven cinematic masterpieces.
We will bring filmmakers, animators, AI technologists, and content creators together to celebrate their collective achievements and inspire future collaborations.
JUDGES
- John Rhys-Davies - A renowned actor known for his roles in iconic films such as "The Lord of the Rings" trilogy and "Indiana Jones". John brings his extensive acting experience and deep understanding of storytelling to our judging panel.
- Barry H. Waldman - An accomplished producer with a prolific career in film production. Barry has worked on major blockbusters like "Pirates of the Caribbean" and "Transformers", and his keen eye for production quality and innovation will be invaluable.
- David Nutter - An Emmy-winning director celebrated for his work on acclaimed television series such as "Game of Thrones" and "The X-Files". David’s directorial expertise and visionary approach will greatly enrich our evaluation process.
- Laura Gregory - Founder of Great Guns, a global creative content company. Laura's pioneering work in advertising and content creation has set new standards in the industry. Her insight into creative excellence and cutting-edge production will be critical in judging entries.
- Cassandra Brooksbank - A dynamic director known for her compelling storytelling and innovative direction. Cassandra’s experience in directing both films and commercials brings a fresh and creative perspective to our panel.
FRAME Film Festival es un festival de cortometrajes itinerante, sin una única ubicación, que se celebrará en la provincia de Tarragona.
El FRAME Film Festival consta de dos fases.
• FASE CLASIFICATORIA
• FASE FINAL
El objetivo principal es difundir y promover la cinematografía en general y el cortometraje en particular, apoyando a las directoras y los directores de cortometrajes y creando un espacio donde puedan dar a conocer sus trabajos.
Pero sobre todo trabajamos para que las y los cineastas se sientan acogidos y vivan la experiencia de visitarnos cómo si estuvieran en familia. LA GRAN FAMILIA DEL CORTOMETRAJE!
Otro motivo es ampliar la oferta de acontecimientos culturales para hacer llegar el cortometraje a a poblaciones que no tengan la oportunidad de disfrutar de nuestro cine en formato CORTO.
En el FRAME Film Festival queremos darle al público que sigue y disfruta los cortometrajes, la oportunidad de decidir sobre la selección de las películas que pasarán a la FASE FINAL para recibir los premios TALENTO FRAME.
8th Pilar de la Horadada International Film Festival - CORTOPILAR | PILAR AWARDS 2024
La muestra forma parte de las propuestas de difusión y fomento que apuntan a la difusión de la cultura audiovisual en la región norte de la República Argentina de Wayruro Comunicación Popular y de la Red Kalipa TV, y él cuenta con el apoyo del INCAA, de la Secretaría de Cultura de la Provincia de Jujuy, entre otros, y cuenta con el acompañamiento de la Red Focos, el Espacio Norte Audiovisual y CONTAR.
