The International Animal and Environmental Film Festival of Mexico City welcomes you for its 5th. Edition where we accept films from the 5 continents like every year.
Our task at the Festival is to promote values, causes and activist struggle through Art where we open different windows of opportunity to show the work of great Filmmakers in it. During the year we have different cultural events, Mobile Cinema, Government Spaces that open the doors for this Dissemination, as well as a Streaming platform that averages a month of time to be seen in greater opportunity, closing with our Honorary Closing.
The 3 themes for this year are:
-Animal
-Environmental
-Children's rights
Will be accepted:
-Animations
-Short films
-Feature films
-Documentaries
-Music video clips
Because it is a Festival with reasons of Animal and Environmental awareness and this year the cause of "Children's Rights", all projects will receive a participation laurel if they are not in the final sample, likewise the official selection will have its laurel of participation. Official selection and a diploma sent to your email, then the Winners will win the FICAA 2024 statuette with their recognition sent to the registered email.
The final Award is in the Month of December where guests from different Countries and States of the Country arrive to collect their statuette.
The Aguilar de Campoo Short Film Festival is consolidated as one of the most veteran and relevant film citations in our country in its genre. The Academy of Motion Picture Arts of Spain, includes it as one of the key festivals for the selection of short films that will compete in the Goya Awards. Throughout the last editions the festival has been making important decisions that commit it to the cinema of our country. In his thirteenth edition he published his manifesto where he exhibited his philosophy and commitment to film. He made the decision to pay for selection to the selected short films thus eliminating economic competition in order to encourage artistic creation and production. Its screening rooms are open to international cinema including all genres, fiction, documentary animation and experimental cinema. In 2016 the festival received recognition from the AIC (Short Film Industry Association). This certificate is an annual distinction to differentiate and reward festivals that perform an exemplary role in the dissemination, protection and professionalization of cinema and its industry, and especially of the short film. This is the first time this certification has been granted and is the result of more than a year of work tables and conversations with festivals, filmmakers and other professionals from across the country in order to develop a guide to good behaviors towards the short film and its creators. The basic objectives of this distinction are to educate new generations of filmmakers and protect model festivals, recognizing their dedication and rigor. We seek the encounter and exchange between professionals and the public as a form of cultural enrichment.
Welcome to the Tenth Trujillo Film Festival 2023
Registration from August 1 to September 10, 2023
https://www.facebook.com/Fecit.pe
Festival start: October 16, 2023
End of Festival: October 21, 2023
The Trujillo Film Festival is a non-profit event, the only one of its kind in the country, entirely dedicated to disseminating Peruvian cinematography.
The initiative has won three times the prize of the National Contest for Cultural Management for Cinema and Audiovisual, granted by the Ministry of Culture, thanks to its promoting role and decentralizing work of our cinema.
"Essential Horror Film Festival" by Raindance.org
"20 Coolest Film Festivals" by MovieMaker Magazine
"13 Horror Film Festivals to Die For" by MovieMaker Magazine
"Coolest Horror/Sci-Fi Film Festival" by MovieMaker Magazine
"Best Horror Film Festival" by Production Hub.com
Finalist - "Best Film Festival" by Orlando Weekly
"Love this Festival"! Robert Englund aka Freddy Krueger
The FREAK SHOW Horror Film Festival is the Largest and Longest Running Horror Genre Film Festival in the State of Florida. Located in an actual movie theater, not a convention hall!
FREAKO the Clown welcomes you to GET FREAKY with us! We are the home of the coveted "FREAKY AWARD".
Celebrate and Support the Art of Independent Horror! This international horror genre film festival is the brainchild of FEAR FILM Studios Owner Robert J. Massetti. As a veteran independent horror filmmaker, Robert wanted to make a film festival that celebrates the independent horror filmmaker by giving the artist a forum to show his or her work.
The festival is a showcase of some of the most talented, up and coming horror filmmakers in the world and tries hard to help filmmakers reach their goals with their films. This is a festival not to be missed for fun and exposure.
The Festival screens films at the Brand New EPIC THEATERS at Lee Vista! The theater features electric reclining seats, state of the art projection, Dolby Sound, reserve seating, as well as a beer and wine bar in the lobby! Located only minutes from Orlando International Airport with Hotels, Restaurants and Bars all within walking distance. Making FREAK SHOW Horror Film Festival one of the best festivals to attend in the world!
The mythical Kodama were believed to reside beneath the shifting emerald tides of an endless sea of trees in the ancient folklore of Japan, forest deities whose forms were often indistinguishable from the woods in which they made their homes. Yet Kodama also referred to the mournful cry of these spirits which resounded through the trees, an echo that carried nature’s tidings across the breadth of space and time.
The Kodama Film Festival was conceived as a means of emulating that same sense of earthly reverberation, by finding creative voices that would meaningfully reflect the wonder of the natural world onto contemporary society.
The brief for submissions is as broad as nature is vast; to present short or feature films that explore the physical and spiritual landscapes of the planet; to connect the rhymes and rhythms of the people with the land; and to generate a sense of communal reflection upon humanity’s often tumultuous relationship with its various habitats.
Any variation or experimentation on theme and genre is very much encouraged. You should feel free to work without constraints, approaching the given subject matter from whichever way you choose.
General topics that may be touched upon include: the relationship between architectural and natural space, portraits of rural life, tension between local and global communities, attitudes towards migration and diversity, the ecological transformation of the planet due to climate change, and the possibilities for sustainable development.
We similarly accept a variety of mediums and formats, including but not limited to: narrative films, documentaries, video-performances, screendance, music videos, audiovisual self-portraits, and visual poetry.
With the founding of Kodama, we aim to bring together a diverse community of both emerging and existing filmmakers who through a variety of styles and sensibilities will form a living artistic record of the natural world. We would very much like to use this opportunity to extend an invitation to visual artists and directors everywhere to take part in this ongoing experiment, which will offer a unique chance to showcase your distinctive vision of the world....
The In-Cena Cultural Institute will select short and feature audiovisual works for to be exhibited at Cine Pojichá - Film Festival of the Mucuri and Jequitinhonha Valleys, which will hold its fifth edition in November 2021.
The Festival, of cultural and pedagogical character, aims to: a) promote mobilization of the residents of the Mucuri and Jequitinhonha Valleys in the self-organization for production and access to independent films; b) develop a permanent film screening program; and c) encourage the creation of film clubs. The theme of this 5th edition is Benzeção. Carefully read the text available in ANNEX I to understand the proposal and concept of this edition of the festival.
The MALDITO Videopoetry Festival is organising this competition with the aim of making visible two disciplines that, both together and separately, are much more distant and forgotten than we would like them to be. If experience tells us that both disciplines are minority and marginal in large European capitals, let alone the desert in which they find themselves in provincial capitals, where the circuit for their dissemination is practically nil.
We, as lovers of poetry, image and the expressive possibilities of their symbiosis, propose a line of action, encouraging the approach of the general public to the Festival and trying to make it grow from the first edition.
Our wish is that MALDITO reaches as many people as possible, with a growing presence and repercussion in the media and social networks.
MALDITO seeks to vindicate videopoetry as an art that connects people, that transmits feelings and promotes original or different ways of seeing the world, to try to be a grain of sand that makes any kind of visual or poetic art stop being marginal and cursed.(* The Spanish word for damned is MALDITO).
We expand sections by adding International Poetic Film Showcase.
"So You Think You Can Act" is a competition exclusively targeted to recognize the talent of actors and actresses, stunt and fight performers, impersonators, standup comedians, and much more from around the world. Actors simply submit their reels or featured movie clips to the competition for consideration of their acting skills in many genres from drama to comedy. Or, for the multi-faceted actor, combination genre clips may also be submitted.
What makes So You Think You Can Act unique from other actor-oriented competitions? In order to insure that each submission is studied and rated on an individual basis, SYTYCA has instituted a system to insure that entries do not compete against each other, but instead are recognized for their own individual merits. For all intents and purposes, they compete against themselves: each entry is judged on individual merits and scored on an inherent value system. We want to insure that the judges focus is on you when it is your turn to be evaluated, not on all the other actors that are in cue: this insures that they will not have comparisons going on in their minds when they should be focusing entirely on YOU.
Your performance submission clips (s) will be posted screened on WRPN.tv for general audience judging. When that stage is over, they will be moved to a panel of independent judges.
Awards are given based on a combination of points from judges and audience plus special suggestions given by judges, so, the audience alone is not a definite winning point. You could win a top award without audience rating. Judges score entries on a performance scale and winning entries are recognized and awarded.
Since 1999, a group of filmmakers meet every year in the worldwide known picturesque bavarian town called Oberammergau, to watch and talk independent films and how to rule the world. Now you can join this group.
IndieNuts opens their gates for everyone and founded the IndieNuts Awards festival.
The IndieNuts Awards is an international independent film festival based in Germany, that features a live screening event and business panel discussions. This guarantees unique PR opportunities towards independent filmmakers worldwide.
Today, making an independent movie isn't that big of a challenge, as it was back in the old days, but getting it out into the world is the big challenge today. And thats where IndieNuts jumps in. We want to help you get your movie out into the crowd, so you get all the recognition and attention your film deserves.
You ask why and how we can do that? We are professionals in the film business since 1990 and as independent filmmakers since 1999. We have solutions for you and a lot of experience and are willing to share them with you.
As IndieNuts, we want to connect the audience with the filmmaker and the filmmaker with other filmmakers. We will promote all selected movies on our website -IndieNuts.com- and give you the chance to directly connected with your own crowd.
*Covid-19 UPDATE / 01. October 2020: Due to the rise in the number of Covid-19 cases in germany, our government has increased the containment measures and it is not possible for us as a festival to hold this 2020 as a open to public festival. We will run a jury vote as a solution for the 2020 festival. We´re very sorry and sad to not meet all those great peolpe, but we are looking forward to see you all in 2021. Now let´s face 2020 and STAY NUTS
ZINEBI- International Festival of Documentary adn Short Film of Bilbao
ZINEBI is the only Class A international festival in the documentary and short film category in Spain. It is accredited by the Hollywood Academy of Motion Picture Arts and Sciences as a qualifier for the Oscars, for the European Film Academy’s awards, for the British BAFTAs and for the Spanish Academy’s Goyas.
Created in 1959 by the Basque Institute of Hispanic Culture, attached to the Spanish Foreign Ministry, the International Ibero-American and Filipino International Documentary Film Contest (its original name) was devised to follow in the steps of San Sebastián, which had been set up six years earlier. It is the third oldest festival in the Spanish State, after San Sebastián and Valladolid, and the first amongst those in its field. Between 1972 and 1981, it became a platform to discuss Spanish short films and a space for the dissemination of productions from all over the world, and particularly Latin America. In 1974, it was recognised by the International Federation of Film Producers Associations (FIAPF) as a contest of the highest international competitive category. Between 1975 and 1980, it was the ideal forum to discuss the arrival of what would be known as Basque cinema.
In 1981, the festival passed to the hands of Bilbao City Council. Since the year 2000, it embarked on a new era under the ZINEBI brand, when it would consolidate its position as one of the most important international festivals in its speciality. It has strived to be a platform for Spanish and Basque producers and directors and has contributed, as one of its fundamental goals, to internationally promoting the quality and independent films made around the world: films whose creative ambition is not exhausted by merely repeating hackneyed stylistic characteristics. Thanks to these very free and exceptional works, ZINEBI continues to renew its commitment each year to formal experimentation, to the interdisciplinary and hybrid of the new audiovisual productions, to support for the up-and-coming producers, and to filmmakers’ aesthetic and ethical scrutiny of the increasingly more complex realities of our contemporary world.
Throughout its long history, the festival has welcomed to Bilbao some of the most prestigious professionals of independent filmmaking worldwide. The accolades of ZINEBI include the names of Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz and Luise Donschen. Thanks to its critical debate and specialisation, the festival has been a test bed for the new trends of contemporary cinema and a useful platform for the most daring filmmakers.
A similar headcount of the ranks of Spanish cinema reveals that the Bilbao Festival has been the launchpad of several generations of filmmakers: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra and Natalia Marín.
The festival’s guests, international jury members and winners of the Mikeldi of Honour, its top annual award, include Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros, and the Jean-Pierre and Luc Dardenne brothers.
The different ZINEBI directors down through the years have been: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico and Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), the Executive Committee made up byr José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) and Ernesto del Río (1999-2017). Vanesa Fernández Guerra has been the director since 2018.
The festival is currently sponsored and institutionally funded by Bilbao City Council – through the Arriaga Theatre – as the organiser, by the Basque Government’s Department of Culture, by the Spanish Ministry of Culture – through the Institute of Cinematography and Audiovisual Arts (ICAA)-, and by Bizkaia Provincial Council. ZINEBI is also supported by private and public entities including Basque Public Television (ETB), Azkuna Zentroa, Golem-Alhóndiga Cinemas, the Fine Arts Museum, Guggenheim Museum, the Sala BBK, the Campos Elíseos Theatre, the University of the Basque Country (UPV/EHU), the French Institute, the Goethe Institute, the SGAE Foundation-Basque Council and the FAS Film Club.
ZINEBI- Festival Internacional de Cine Documental y Cortometraje de Bilbao
ZINEBI es el único festival internacional de Clase A de España en la categoría de documental y cortometraje. Está acreditado por la Academia de Hollywood como calificador para los premios Oscar, para los premios EFA de la Academia del Cine Europeo, para los premios BAFTA de la Academia Británica y para los premios Goya de la Academia Española.
Creado en 1959 por el Instituto Vascongado de Cultura Hispánica, dependiente del Ministerio de Asuntos Exteriores, el Certamen Internacional de Cine Documental Iberoamericano y Filipino de Bilbao (su nombre inicial) fue concebido como hermano menor del Festival de San Sebastián, que había nacido seis años antes. Es, tras el de San Sebastián y el de Valladolid, el tercero más antiguo del Estado y el primero entre los de su especialidad. Entre 1972 y 1981 se convirtió en una plataforma de debate sobre el cortometraje español y en un espacio para la difusión de las cinematografías más variopintas, en especial la latinoamericana. En 1974 obtuvo el reconocimiento de la Federación Internacional de Asociaciones de Productores (FIAPF) como certamen de la máxima categoría internacional competitiva, y entre 1975 y 1980 fue el lugar de debate idóneo para el alumbramiento de lo que empezó a conocerse como cine vasco.
A partir de 1981 el festival fue asumido por el Ayuntamiento de Bilbao y desde el año 2000, bajo la marca de ZINEBI, emprendió una nueva época en la que ha consolidado su posición como uno de los festivales internacionales más importantes de su especialidad, desde la que intenta servir de plataforma a realizadores y directoras de Euskadi y el Estado y ha contribuido, como uno de sus objetivos fundamentales, a la promoción internacional del cine independiente y de calidad que se realiza en los cinco continentes: películas cuya ambición creativa no se agota en la repetición de rasgos estilísticos estereotipados, obras muy libres y singulares que permiten a ZINEBI renovar anualmente su apuesta por la experimentación formal, por la condición híbrida e interdisciplinar de las nuevas producciones audiovisuales, el apoyo a los realizadores emergentes, y la indagación ética y estética de los cineastas en las cada vez más complejas realidades de nuestro mundo contemporáneo.
A lo largo de la dilatada historia del festival, han pasado por Bilbao algunos de los más prestigiosos profesionales del cine independiente mundial. En el palmarés de ZINEBI destacan los nombres de Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz, Luise Donschen o Fern Silva. El festival, desde el debate crítico y la especialización, ha servido de banco de pruebas de las nuevas tendencias del cine contemporáneo y una plataforma útil para los cineastas más arriesgados.
Un recuento similar entre las filas del cine español, permite señalar que en el Festival de Bilbao han emergido realizadores de varias generaciones distintas: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra o Natalia Marín.
Entre sus invitados, jurados internacionales o galardonados con el Mikeldi de Honor, su máxima distinción anual, están Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros y los hermanos Jean-Pierre y Luc Dardenne.
Desde su fundación, ZINEBI ha tenido los directores siguientes: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico y Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), el Comité de Dirección formado por José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) y Ernesto del Río (1999-2017). Desde 2018 la directora es Vanesa Fernández Guerra.
Actualmente el Festival cuenta con el patrocinio y la financiación institucional del Ayuntamiento de Bilbao –a través del C.A.C. Teatro Arriaga- como organizador, del Departamento de Cultura del Gobierno Vasco, del Ministerio de Cultura –a través del Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)- y de la Diputación Foral de Bizkaia. Además, colaboran con ZINEBI entidades públicas y privadas como la Televisión Pública Vasca (ETB), Azkuna Zentroa, Cines Golem-Alhóndiga, el Museo de Bellas Artes, el Museo Guggenheim, la Sala BBK, el Teatro Campos Elíseos, la Universidad del País Vasco (UPV/EHU), el Instituto Francés, el Goethe Institut, la Fundación SGAE-Consejo de Euskadi y el Cineclub FAS, entre otros.
Welcome to Filmstrip International Film Festival. We’re an online and independent film festival with live screenings, that takes place in the heart of Moldavia region, in Iasi, Romania, one of the leading centers of Romanian social, cultural, academic and artistic life.
Known as The Cultural Capital of Romania, Iași is a symbol in Romanian history, and it is still referred to as The Moldavian Capital, being the main economic and business center of the Moldavian region of Romania.
Filmstrip International Film Festival is involved in promoting young filmmakers, maintaining a high standard, that of a festival eminently dedicated to spiritual and cultural values.
The best films of each category will be screened at a vibrating venue, "La Baza”, home of many cultural events in the city throughout the year.
The festival runs once a year, the whole process of selection and awarding takes place online, with live screenings being held at the end of each edition.
There will be a total of 10 films screened at our location - the AWARD WINNERS (Best Film, Silver, Bronze, Special Mention) and the CATEGORIES AWARD WINNERS (Animation, Documentary, etc).
Review of Short Films, Films and Documentaries on Sport.
The Pindaro Cultural Association organizes OVERTIME FESTIVAL, which will take place from 5 to 9 October 2022 in Macerata (Italy). The main objective of the festival is to propose sport, sports practice and sports ethics through all the arts, workers and means of communication.
In this context, the Pindaro Cultural Association, for the year 2022 OVERTIME FILM FESTIVAL, an international competition for short films, films and social documentaries, with the aim of promoting, disseminating and making young cinema visible. The event also aims to create an appointment in Italy where directors, video makers, industry professionals or simple cinema and sports enthusiasts can compare and combine different experiences.
26th International Film Festival of Kerala
10-17 December 2021
Thiruvananthapuram, Kerala, India
Organised by Kerala State Chalachitra Academy, Department of Cultural Affairs, Government of Kerala
La Fondazione “Pasquale Battista”, in collaborazione con l’associazione Alice in cammino e le arti, AL.i.c.e AreArtiEspressive, in partnership con Ibrida Festival – Festival delle arti
intermediali e Apulia Film Commission, con il patrocinio dell’Accademia del Cinema Ragazzi di Enziteto, dell’Assessorato all’Industria Turistica e Culturale della Regione Puglia, del Comune di Bari, sponsor unico Levigas, indice un Bando di concorso di
cortometraggi e film d’artista destinato a cittadinǝ residenti, domiciliatǝ o natǝ in Italia.
Il concorso è rivolto ai/alle videomaker e videoartistǝ emergenti, indipendenti, pertanto si divide in due Sezioni: una Sezione Cortometraggio, dedicata alle opere che utilizzano una narrazione di stampo prettamente cinematografico; una Sezione Film d’artista dedicata ad opere “ibride”, che si avvalgono del linguaggio video come strumento di espressività in senso libero e ampio, non prettamente lineare. In questa categoria possono rientrare opere audiovisive come documentari, fiction, ma anche animazioni 3D, grafiche, ecc.
"Content Creators Changing the World, One Project at a Time" is the theme of the 23rd Urban Mediamakers Film Festival, October 14-27, 2024. The festival is in-person and virtual with events throughout Gwinnett County, GA -- Duluth, Lawrenceville, Lilburn, Norcross, Snellville -- as well as Atlanta, and Georgia Gwinnett College (GGC). UMFF features a daily virtual space with guest speakers, sessions and content creators Q&A.
Recognizing media as a powerful tool of choice for entertaining, informing, and inspiring, this annual content creators' festival showcases international, urban independent media. We are open to all creators, and we emphasize work produced by or featuring individuals of color - African, African-American, Asian, Black, Hispanic, Latino Native American, and Pacific Islander.
The Urban Mediamakers Film Festival promotes, supports and showcases filmmakers, independent content creators and multimedia producers — animation, advertising, marketing campaigns, blog, commercials, film, music, new media, podcasts. print, television, scripts, streaming, web series and virtual reality.
Guided by past wisdom and reflecting the new and exciting generation of new technology, we are dedicated to thinking out of the traditional box as we pursue our dreams courageously.
UMFF brings an exciting and creative atmosphere that encompasses cultural diversity, with activists, content creators, artists, writers and TV/movie buffs together under one roof to meet, collaborate and strategize for world change!
Actors, artists, bloggers, content creators, filmmakers, graphic designers, mobile app developers, musicians, podcasters, producers, streamers and writers have an opportunity to gain exposure for their projects, compete for the best-of-the-best with prizes in each category, attend industry-related educational series, along with excellent collaboration and networking.
Movie buffs, content creators, independent film and mix-media supporters have the opportunity to see a diverse group of superb films and projects from creatives that are independent with a vision.
The festival includes:
-- virtual and in-person events.
-- script reading featuring a scene from the top three screenplays in competition.
-- independent film screenings in competition on our UrbanFlixToGo.com platform during the festival with an option to continue on UrbanFlixToGo.com.
-- showcase of bloggers, podcasters, and mobile app developers.
-- 8th Urban PitchFest 2024.
-- 8th AfroFuturism Fest 2024 - Black sci-fi, fantasy, horror and gaming along with international thrillers. AfroFuturism Fest includes vendors, panels, comic book swapping, AfroFuturism cosplay, costume contest for cash prizes, and more.
-- Videopalooza 2024 - Middle and high school competition and screening series.
-- producers/distributors seeking independent films.
-- awards presentation and closing event.
-- closing night film.
-- audience award.
-- filmmaker and writer collaboration breakout sessions (SpeedCollabs).
-- winning films will be showcased on our streaming service UrbanFlixToGo.com.
UMFF attendees have an opportunity to network with their peers and executives for collaborations on future projects, as well as interact with an audience that supports independent mediamaking.
YOUR project will make our festival phenomenal! Submit to UMFF 2024 today!
We are an Independent film festival with live screenings, that happens yearly in Ahmadabad. Welcome to Amdabad Film Festival. We are facilitating our forth Annual Festival in 2023. Our mission is intended to help make a stage for our producers to be seen, yet more significantly, get them the business presentation to help support their specialty for a long time to come. The AMFF is amazingly energized for its grandstand season and plans on getting extraordinary compared to other film festivals in the Amdabad. Each movie producer who submits is naturally qualified for our Production Budget prizes.
AMFF endeavors to give spaces to autonomous movie producers to make and show their accounts without business pressure, so as to find and celebrate unprecedented movies and create free filmmaking. Our Jury group is searching for potential movies and producers for scheduled meetings with officials from the film and media business. AMFF will have screening occasions at the Ahmadabad with post-screening Q&A with executives, makers and entertainers and the open door for them to coordinate with industry experts at our networking occasions and workshops.
**Classifications OF THE CONTEST **
Movies, Documentaries or Music Videos in any language are acceptable however it is mandatory with Start to End Sub Title in English.Running time includes end credits. Short Films with length up to 50 minutes. Documentary Films with length up to 45 minutes. Music Video and Others Categories with length up to 00 to 50 minutes.
Horrorant Film Festival ‘FRIGHT NIGHTS’ is an international horror film festival organised by a genre film distributor and held annually at the best equipped theatres in the heart of Athens and Thessaloniki, Greece.
Theme
Our theme is simple and it is just one word: INNOVATION
Motivation
We encourage filmmakers to come up with innovative concepts and tell unique stories that promote peace and prosperity in their countries.
Vision
Promote international solidarity and a myriad of opportunities for filmmakers, businesses and broadcasters through film.
Mission
Create a self sustainable film industry and a new world class breed of filmmakers.
Background History
The Ekurhuleni International Film Festival was formed as a result of Siyafunda Programme an initiative by Rhythm Cycle Trading Projects in partnership With Ekurhuleni’s Metropolitan Municipality: Department: SRAC: Performing Arts division .The purpose of the Programme is to empower the unemployed youth economically and provide them with vital filmmaking skills. Promote the local businesses in the film industry and promote Social cohesion and mainstream youth development. Promoting indigenous music and instruments and participation in the arts is one of the key roles of the Programme.
The Cinematography wing of the project initiated the Ekurhuleni International Film Festival through one of its partners Rhythm Cycle Projects a local Film & Television film production company. The purpose of the festival is to empower Emerging local and international filmmakers. This will provide filmmaking skills; create networking opportunities with local and international broadcasters. This will also promote the local businesses through the film industry and mainstream economic development across a myriad of sectors of the economy.
Introduce young aspirant filmmakers to wildlife filmmaking
Educate the people about the natural world and films
Create networking opportunities for local filmmakers, broadcasters and funders
Promote indigenous music
Enrichment of the arts
Promote culture and heritage
Boost tourism
Mainstream youth development
Attract broadcasters
Create jobs and economic opportunities
Aims & Objectives
1.To ensure that every government department has a progress report on video in preparation for the next financial year.
2.To educate people how our government operates and help them identify what, how they can contribute to boost our economy and get benefits.
3.To develop an advertising medium for SMMEs, Big companies, banks and Educational institutions to generate revenue for the project to empower participants while they are studying.
4.To create a local film industry that will alleviate poverty in rural areas by making films that will tell their stories and attract the international market.
5.To transfer filmmaking skills to the youth out of school and the unemployed.
6.Showcase South Africa’s storytelling talent and introduce a new generation of characters through film and TV productions .
7.To establish partnerships with other territories to implement Co-Production Treaties that RSA signed with other countries to grow our local film industry.
Programme
Registrations
Welcome and Official Opening
Exhibitions
Workshops
Seminars
Screenings
Adjudication
Networking Sessions
Fun walks
Wine tasting
Ekurhuleni International Film Awards
