Cinema Show Lo + Prohibido, the exhibition where censored, banned, extreme, cursed, unusual, annoying, singular, morbid, violent and politically incorrect cinema comes together.
Here anything it´s possible.
Our first and only rule: PROHIBITED PROHIBIT
There are four themes
1) works of a social nature or focused on the theme of the female condition
2) work on the theme of comedy in all its facets
3) "No Language" jobs
4) works on the environmental theme with shorts or documentaries
Black Oaks Pictures and Materiali Sonori Cinema present the third edition of Sentiero Film Factory, a Festival based in Florence - Tuscany for short films and short screenplays.
Sentiero Film Factory is open to Italian and foreign directors, filmmakers, producers, authors, writers and film school students.
The Festival also offers a market and networking events designed for professionals of the film industry, such as panels, workshops and forums.
Saraqusta Film Festival is a film and tv series festival about the historical genre in its broadest sense. It was created with the aim of exhibiting and promoting feature films, documentaries and series using the past and the historical context as a common thread.
Submissions are open to Spanish and International works, real-image or animated that deal with the historical genre or whose theme, context or set design are historical or refer to a period of the past.
The Sogamoso Independent Film Festival - FECISO has established itself as a vital space for the exhibition and promotion of Colombian cinema in Boyacá, highlighting the diversity and richness of the country's audiovisual narratives. It has also stood out for being a regional window for the circulation of international cinema in Colombia. In 2025, the Festival will hold its ninth edition from November 1 to 7 in the municipalities of Sogamoso, Nobsa and Tibasosa, province of Sugamuxi, Boyacá.
FECISO begins the search for short and feature films that reflect the social, cultural and political realities of Colombia and the world. The curatorial line is focused on highlighting works that address issues such as the environment, violence, armed conflict and the cultural diversity of the territories.
Wallachia International Film Festival is a highly professional, industry connected film festival, an exclusive independent grassroots film festival taking place in an exquisite location in Downtown Bucharest, only hundreds of meters away from Dracula’s former court in the grand Old Town!
We won multiple cinema prizes including important awards at major film festivals, like Cannes, Locarno, Montreal, London, Milan, Miami and Atlanta. Also, our advertising work received accolades at Clio, Effie, In-Awe, Lion Awards, ANDY Awards and Ad’Or, while working for companies like Coca-Cola, UNICEF, McDonalds, Renault, Yahoo! and Nestlé-Purina.
But there’s nothing we love more than indulging ourselves with cinematic candies from all over the world, under the autumn night sky of Wallachia. We will be arguing for a long time about which ones we feel are the best, and about the most promising unproduced screenplays.
Welcome to Wallachia, the Legendary Land of Voivode Vlad III Dracula, universally known as Vlad the Impaler. Born in 1431, Vlad was an authoritarian Principe, he revolutionized the affairs of Wallachia and refused to pay tribute to the sultan Mehmed II, resulting in a bloody war with the Ottomans. Multiple works containing stories about Vlad's cruelty were published soon after his assassination in 1475. In 1897, Bram Stoker downgrades Prince Vlad to Count Dracula, a blood-sucking vampire inspired by Wallachian ancient folklore. Loosely based on the book, Dracula (1931) casts immortal Bela Lugosi as the doomed romantic Count.
Just think cinétopia! Feel hundreds of years of mythic Wallachian history under the night sky! It’s a 100% natural film affair!
We watch all movies, we read all screenplays and we select exclusively based on artistic merits.
It is a party that combines different languages, platforms and materials that revolve around audiovisual and cinematographic language. It calls for works from all backgrounds, emphasizing urban, rural and community-based community productions produced by Latin American peoples who are in search of their own image and propose different perspectives that do not find a space in the commercial distribution network.
The competition conditions the creator to submit to the taste of a jury, limiting in many cases the creative options of filmmakers whose works do not respond to the logic of the film industry; So we propose a non-competitive festival where the objective, rather than winning an award or recognition, is to share the experience of the realization itself, the search for the image and the reality that it reflects.
An open, plural, democratic party, which invites all sovereign achievements to join in dreaming and being part of the force that constitutes the different, critical, silenced looks. Inviting national and international allies to add as many voices to that search for their own image and audiovisual sovereignty.
Works made in neighborhoods and community cinema by more people making audiovisual and less stars of the film industry. Decentralized projection sites, to bring the audiovisual to where people are and (re) take the street for public and free cultural action, for love, not for business. A meeting, production, reflection and discussion space, on topics that concern us and that are embodied in the films that are screened and in the workshops that take place during the week, because we celebrate the audiovisual as a weapon of struggle for our free expression.
We invite you to participate in the sixth edition of ANIMAL Film Fest, which will take place on October 2, 3, and 4, 2025, with a hybrid format (in-person and online) in the city of Morelia, Michoacán, Mexico.
We recommend reading the complete call for submissions before registering your short films.
Registration and participation in the 6th edition of ANIMAL Film Fest imply full acceptance of these regulations.
CALL FOR SUBMISSIONS
ROT Movie Makers invites general public, as well as independent and professional filmmakers, film students, communication, animation, visual arts, multimedia and careers related, to participate in the sixth edition of ANIMAL Film Fest, to be held on October 2, 3, and 4, 2025, in Morelia, Michoacán, Mexico.
AFF is a ROT Movie Makers’ production.
Holland Film Festival 2026 is open for submission. The festival accepts all genres and styles as long as they are short. (max 30 min.)
Holland short Film Festival takes place in the beautifull province of Holland We love fresh, new and original films of high quality.
We love 5-10 minute films, more films is better:-)
El Lugar Sin Límites, está considerado entre los cuatro mejores festivales de Cine del Ecuador y es una de las actividades más importantes de la comunidad LGBTI ecuatoriana, adicionalmente es calificado como uno de los Festivales de Cine LGBTI más relevantes de la región.
Todos los trabajos deben estar doblados al español o con subtitulos en español, cuyo tema principal sea sobre LESBIANAS, GAYS, BISEXUALES, TRANS E INTERSEX.
The shnit worldwide shortsfestival is a premier platform for the exhibition and promotion of short films. This festival is a unique transnational event held simultaneously in ten cities across five continents. The festival consists of three main segments:
▪ shnit PLAYGROUNDS* | Running until August 31st, 2025
▪ shnit EXPANDED | Running until September 30th, 2025
▪ shnit FINALE | Amsterdam – September 30th, 2025
The winner of the WORLDWIDE COMPETITION, as well as the shnit audience-nominated films of the WORLDWIDE & INTERNATIONAL COMPETITION, will become eligible to enter the 2026 Oscars® in accordance with the rules of the 98th Academy Awards® [Cinematic release].
Over the past twenty-three years, shnit has evolved into a major international short film festival, continuously reinventing itself. Originally a local initiative, it is now a global event connecting and inspiring filmmakers and audiences from different cultural backgrounds. The festival promotes diversity, originality, and artistic exchange. With its high-quality cinematic selections, shnit attracts over 30,000 visitors, making it one of the leading short film festivals worldwide.
shnit is a non-profit organization, coordinated in collaboration with festival executives. The festival operates on principles of excellence and professionalism, fostering its international expansion.
* Planned PLAYGROUNDS for 2025
shnit worldwide shortsfestival takes place simultaneously in the several cities, the shnit PLAYGROUNDS, on five continents. The planned PLAYGROUNDS 2025 are:
▪ Buenos Aires [Argentina]
▪ Cairo [Egypt]
▪ Cape Town [South Africa]
▪ Goa [India]
▪ Hong Kong [China]
▪ Moscow [Russia]
▪ Sydney [Australia]
▪ San José [Costa Rica]
▪ Toronto [Canada]
▪ Bern [Switzerland] – shnit OPENING
▪ Amsterdam [The Netherlands] – shnit FINALE
Buenos Aires Rojo Sangre (BARS) is an international film festival devoted to the genres of HORROR, science fiction and fantasy.
Born in 2000 to put focus on independent genre film, and since 2004 in the form of a competitive festival.
It's the 9th Annual Int'l Wild Bunch Film Festival, founded in 2015 by festival directors Rock & Brenda Whitehead.
The Wild Bunch Film Festival (TWBFF) is a compelling contest. Over the past years it has managed to become a 'must attend' event by indie filmmakers and writers for the Western Genre, Western sub-genres and Western Lifestyle. It's considered the BIGGEST Film Festival of it's kind in the southwest and possibly in the USA. It has now expanded into a five day event that has gained international attention from all over the world.
Don't miss this one!! All details at www.thewildbunchfilmfestival.com
The Wild Bunch Film Festival is a public event that everyone can attend! Submissions are sent it from filmmakers, screenwriters, authors, designers, artists, photographers, musicians and others, to inspire and encourage them to continue bold artistic visions in the western genre, western sub-genre's. And now there are a few categories such as screenplays and manuscripts for "all genre" as well!
Western sub-genre's of film, screenplays and novel manuscripts can include Classical Westerns, Acid Westerns, Charro, Cabrito or Chili Westerns, Comedy Westerns, Contemporary or Modern Day Westerns, Electric Westerns, Euro-Westerns, Fantasy Westerns, Florida Westerns, Horror Westerns, Curry Westerns and Indo Westerns, Martial arts Westerns or Wuxia Westerns, Meat pie Westerns, Northwesterns, Ostern westerns, Revisionist Westerns, Science fiction Westerns, Space Westerns, Spaghetti Westerns, Weird Westerns, etc. More details on sub-genres at http://en.wikipedia.org/wiki/Western_(genre)#Subgenres
Details and tickets sold on the official website as we get closer! Tickets also sold at the door, on the days of events if available. We anticipate a sellout!
For more details visit http://www.thewildbunchfilmfestival.com and sign up for our newsletter at http://eepurl.com/b-T03X to stay informed!
The South African HorrorFest is the first (and close on only) event of its kind on the continent, bringing an exciting array of feature films and short films from around the world to the audience, who wouldn't get to see these indie productions in the territory otherwise. 2025 is our 21st edition!
The in-person festival may look at including an on-line virtual element again for 2025, so check our social media for updates.
Access all our links at https://linktr.ee/SAhorrorfest
and join / subscribe / follow to stay in the loop.
All movie mediums and styles are accepted, as long as it contains elements of Horror / Chiller / Terror / Monsters etc.
For instance, an animated Sci-Fi comedy with monsters will be accepted.
Due to the indie nature of the event, unfortunately screening fees cannot be offered.
“Connecting and inspiring communities through stories of Asian American and Pacific Islanders from Silicon Valley and America”
“The Silicon Valley Asian American Pacific Film Festival provides a platform for the artistry of story telling of the Asian and Pacific Islander through the lens of the American experience, the imaginable and the unimaginable connecting our lives and communities through written words, song and performance.”
This year's festival will be held Oct 24-26, 2020 at the CineArts Theater in Santana Row, San Jose.
Welcome to New York True Venture Film Festival, an event dedicated to empowering independent filmmaking.
NYTVFF is an IMDb Award Listing Qualifier and a New York-based film festival that shares the dedication and passion for bringing independent short and full feature films to the big screen. We believe that by giving the opportunity to the new ideas of intelligent and unique creators, we would give the audience the chance to appreciate their art.
The New York True Venture Film Festival screening will be held from April 16th to April 18th, 2025, where the festival and the audience will screen award-winning films.
The Awards Ceremony will conclude on April 19th, 2025.
Please be advised that filmmakers who attend have priority in the film screening schedule. We are a screening festival and a filmmakers-supported festival. There are no free comps. Filmmakers attending will have a Q & A session after their screening.
Insular & other seas Film festival(IOSAFF)
For outdoor performing arts and film screenings: How to bring your art to beaches, plazas and streets>
IOSAFF, not only competitions and film screenings but also an artists' tour during which we explore creative activities in various artistic specialties.
»IOSAFF is a coherent whole of a multidimensional cultural and cinematographic project will take place Palms Casino Resort Las Vegas
four days for a traveling festival (artist tour), we launch creative projects that bring people together, and we create high impact campaigns with influencers to motivate audiences to share their creativity.
If You're a filmmaker, screenwriter, designer, actor or actress, musician or band, painter or sculptor, or any other creative expression, we welcome you to the tours of creative artists...
Let's explore the oceans, seas & islands
-Adventures,
- Environment,
- Designs animations,
-Documentary,
- Author's cinema,
Islands in music & video
Ai
Oceans and seas cover 71% of the earth's surface, produce half of the oxygen we breathe, absorb 25% of carbon dioxide, capture 90% of the additional heat generated by these emissions and feed 3, 2 billion people. The oceans, seas & marine resources, lungs of the earth, are essential for sustainable development.
Promoting the heritage and creativity of the world's islands and caring for the oceans & seas is a major factor in developing the blue bio-economy, which is why we adopted it as the main axes of our cultural and media project.
The islands of the world, through the oceans and the continents of the planet, conceal important cultural and patrimonial wealth, as much by their variety, their specificity as by their authenticity. The islanders, being cut off from the continent, are forced to live in osmosis with their environment, to vibrate to the rhythm of the elements of their natural setting, and to dominate the rigors of their daily life by giving free rein to their creative imagination and their innovative spirit. In this perspective, artistic creativity is the best support for the expression of their dreams, their emotions & their collective memory
The International Alternative Media Film Festival (FICMA) promotes and disseminates the creation of films and audiovisual projects with new digital narratives and disruptive technologies, created with a variety of devices such as smartphones, DSLR cameras , GoPro cameras, Blackmagic Pocket cameras, drones, and others. It utilizes technologies such as virtual reality, digital animation, and artificial intelligence, among others, and features exhibition media such as projection, VR headsets , and streaming platforms .
This year, with our tenth edition, we will celebrate the different forms and techniques of cinematic expression we have brought to the public over these past 10 years, as well as incorporating new projects that drive the future of audiovisuals.
FICMA will take place from November 12 to 22, 2025, in Mexico City.
REGISTRATION AND PARTICIPATION OF A FILM OR PROJECT REQUIRES FULL ACCEPTANCE OF THE TERMS, CONDITIONS AND RULES OF THE FESTIVAL WITHOUT ANY EXCEPTION.
Established in 1985, the Warsaw Film Festival joined in 2009 the elite group of events recognized by the International Federation of Film Producers Associations (www.fiapf.org) as international non-specialised film festivals - next to Cannes, Venice, Berlin, Locarno, San Sebastian, Karlovy Vary, Tokyo, Mar del Plata, Shanghai, Cairo, Fajr, Goa, and Tallinn.
The WFF differs from other festivals in its programme, just as Warsaw differs from other cities. Selecting the films, we always remember about our audience - native Varsovians, those working or studying in Warsaw, and those in town for a short while, for instance only for the Festival.
We do our best to make sure that our audiences get to know the latest and most interesting trends in world cinema as soon as possible. In this way, WFF audiences - usually as the first people in Poland - could discover American independent cinema as well as Asian, Latin American, Iranian, Russian and Romanian cinema. Some of the most amazing directors, like Michael Haneke, Cristian Mungiu, Paweł Pawlikowski, Ari Folman, Ashgar Farhadi, Lenny Abrahamson and hundreds of others, had usually been guests of the WFF before they reached the top.
We have been expanding the professional part of the WFF for over fifteen years. We realize that film festivals are part of the giant mechanism that is the global film industry. We do our best to make sure that the world takes note of Polish films, that they get screened at leading festivals, that they find their way into international distribution.
We started off modestly, in 2000, with screenings of new Polish projects for barely a dozen foreign guests. Five years later, we held the CentEast Market for the first time: a meeting place for professionals interested in films from Eastern Europe, described by The Hollywood Reporter as “the go-to event”. From 2009 till 2016, together with our Russian partner TVINDIE we have been presenting - in Warsaw and Moscow - films that are still works-in-progress but in which we want to interest sales agents and distributors. Similar presentations we organised at the Beijing Film Market from 2013-2016, with our Chinese partner Film Factory, under the name China-Eastern Europe Film Promotion Project.
Bendita Tú is an international short film festival that promotes experimental, hybrid, and video essay cinema with a gender and queer perspective. Based in Argentina and Spain, the festival creates a space for encounter and dialogue to give visibility to emerging cinema within a diversity of identities and territories.
In its 8th edition, the festival chooses the Land as its central theme, a concept that opens the door to multiple meanings. It is, at the same time, the planet we inhabit and the soil that sustains life, as well as a network of relationships where the human and the non-human intertwine in a web of interdependence. From a poetic and broad perspective, the Land is conceived as a medium that evokes displacements, migrations, and diasporas, but also as a ground laden with scents, textures, and memories, where the organic and the inorganic merge. As Gaston Bachelard (1994) said, “the Land is a memory that can be touched,” an idea that gives it both sensory and symbolic resonances, transforming it into a space of reinvention, mourning, and resistance.
The festival proposes a dialogue around the interconnections situated in relation to this element. From indigenous worldviews, which understand the world as a living and sacred being (Shiva, 2005), to contemporary approaches that highlight the agency of the non-human (Bennett, 2010), with the aim of reflecting on how the Land territorializes and, at the same time, territorializes us, redefining notions of belonging and home in a context marked by profound geological and atmospheric transformations.
Entities considered “non-living” —the substrate, stones, sand— emerge as fundamental actors in narratives of displacement. As Ingold (2011) suggests, “life does not occur on the Land, but within its folds and textures.” Thus, through diverse audiovisual approaches, this edition is an invitation to feel the thickness of the Land, to listen to its multiple voices, and to recognize that, even in the most distant grounds, there are traces of life that connect us with other beings and with other temporalities, acknowledging that we are part of a constant flow of lives and materials that precede and will succeed us.
The 8th edition will feature a selection of short films included in the Official Competition and the Roots Section.
