2nd edition
Aug 04 - Sep 12, 2014
München, Germany
Open Call Open to Public Competitive Market Special Fees
Festival type Real Venue Festival
Types of films Any type, Animation, Docu-feature, Documentary, Experimental, Hybrids, Industrial, Multimedia, Narrative fiction, Student, Web
Film length Full length, Mid-length, Short
Genre Adventure, Alternative, Art, Avantgarde, B-Movie, Biography, Burlesque, Classics, Comedy, Crime, Culture, Dance, Dark comedy, Drama, Environmental, Fantastic, Fantasy, Film noir, Hip Hop, History, Horror, Human rights, Independent, LGBT, Live Action, Microcinema, Mockumentary, Musical, Mystery, , Parody, Post modern, Realism, Reality, Road Trip, Romance, Science fiction, Silent movie, Surreal, Transgender, Underground, Urban
Mission / description MUFF:
The Munich Underground Film Festival, MUFF began in December 2012, when two college friends Heike Mohler & Erika Rahner, decided to organize a totally independent festival in Munich and the two organizers had internet creativity and only then decided to put together a team of friends and some German filmmaker and made MUFF first in 2013, totally haphazardly and rebellious spirit that caused controversy and some processes. The festival takes place every year. Through the festival's official website, online, group discussion and interaction among participants. Through the controversies that hovered the festival, the impact was so great that several support and partnerships were closed with the festival organization. The MUFF is consolidated in the second edition as one of the most respected underground film festivals in Europe.
A Associação do Festival de Cinema de Ayerbe lança esta segunda etapa do “Festival Internacional de Curtas-Metragens Villa de Ayerbe”.
Desde a 18ª edição, com novos membros na organização, queremos dar um grande impulso ao festival. Além da competição internacional, criamos uma nova seção dedicada à Ciência e Pesquisa para dar maior visibilidade ao evento e, a partir desta edição, os prêmios agora são chamados de “Prêmios CAJAL”.
Queremos continuar com a ideia de colaboração com cidades vizinhas.
Essa colaboração é realizada desta forma: Todos os curtas-metragens selecionados podem ser exibidos localmente em colaboração simultaneamente com o desenvolvimento do Festival e seus votos servirão para conceder o prêmio público.
Organizações governamentais e o primeiro festival mundial de filmes sobre desenvolvimento internacional de jovens diretores.
Objetivos do festival
Incentive cineastas e criativos a trabalharem juntos para aumentar a conscientização sobre os Três Pilares da Liberdade por meio da exibição de filmes criados em torno desses temas.
Três pilares da liberdade e do meio ambiente
* Liberdade de querer: através da realização dos Objetivos de Desenvolvimento Sustentável da ONU
* Liberdade do medo: por meio de esforços para promover segurança coletiva e paz.
* Liberdade de viver com dignidade: através da aplicação da justiça para todos, a partir da Declaração Universal dos Direitos Humanos.
Desenvolvimento: pobreza, abrigo, saúde, educação, gênero, governança, finanças
Segurança humana: prevenção de conflitos, resolução de conflitos, manutenção da paz, abrigo, migração
Direitos humanos: gênero, educação, dignidade, participação
Meio ambiente: questões ecológicas, preparação e consequências de desastres naturais, sustentabilidade, novas tecnologias
Curtas-metragens: qualquer uma das opções acima
Jovens cineastas: menos de 25 anos
IMAGINARIA é o primeiro e único festival internacional de animação da região da Apúlia.
Em sua história, a Imaginaria cresceu enormemente, conquistando uma importante posição artística e social no setor dos festivais internacionais.
Festival de “pessoas e lugares”, Imaginaria consegue criar uma atmosfera familiar entre o público e os profissionais que vêm em cinemas ao ar livre de Conversano. Imaginaria, que se caracteriza pela importância dos “números” e pela excelente qualidade de milhares de obras de destaque internacional, é um projeto de promoção, divulgação, formação cinematográfica, que visa promover os autores independentes de filmes de animação. A Imaginaria pretende desencadear, numa perspectiva de longo prazo, todas as sinergias possíveis na comunidade contribuindo para criar oportunidades socioeconómicas na área e, ao mesmo tempo, promover a cultura da animação. O festival, portanto, é um projeto que visa difundir o uso e o conhecimento de filmes de animação não só durante o evento, realizado todos os anos em Conversano, mas também em lugares e épocas do ano usando diferentes redes, constituídas por outros festivais e exposições (nacionais e internacionais) às quais Imaginaria participa ou que é o promotor.
O 35º Festival Internacional Message to Man de documentários, ficção curta, animação e filmes experimentais acontecerá de 17 a 25 de outubro de 2025 em São Petersburgo, Rússia.
Ao longo dos anos, o Festival recebeu figuras ilustres do cinema mundial, incluindo Werner Herzog, Ulrich Seidl, Claude Lanzmann, Isabelle Huppert, Fanny Ardant, Agnès Varda, Mira Nair, Paolo Sorrentino, Alan Berliner, Eric Roberts, Jonathan Rosenbaum, Abdellatif Kechiche, Udo Kier e muitos outros.
Com uma história de três décadas de desenvolvimento cinematográfico, a Message to Man foi fundada em 1989 em Leningrado pelo cineasta Mikhail Litvyakov, que agora atua como Presidente Honorário do Festival.
Em 2010, Alexei Uchitel, renomado diretor de documentários e longas-metragens, assumiu o papel de presidente do Festival.
O programa do Festival gira em torno de três competições: internacional, nacional e experimental, fornecendo uma plataforma para filmes completos e curtas-metragens disputarem o Grande Prêmio do Festival. Message to Man atrai constantemente milhares de entusiastas do cinema a São Petersburgo todos os anos.
Em 2024, o Festival atraiu mais de 10.000 espectadores, e seus programas competitivos e fora de competição apresentaram cerca de 200 filmes de todo o mundo.
“A equipe do Festival ficou agradavelmente surpresa com o sucesso da Mensagem ao Homem do ano passado. Não há necessidade de afirmar o óbvio de que vivemos em uma época desafiadora, sob todos os aspectos. O cinema ganhou cada vez mais importância como linguagem unificadora e como forma de nos aproximarmos uns dos outros.
Acreditamos que essa foi a razão pela qual o Festival atraiu tantos espectadores. Então, quando as pessoas se esforçaram para conseguir ingressos para as exibições, foi, honestamente, muito emocionante e importante. Não se tratava apenas dos ingressos esgotados, mas de solidariedade.
Nossa equipe acredita firmemente que um bom cinema é sempre um convite à humanidade”, diz Mikhail Ratgauz, diretor de programa do Festival de Cinema Message to Man.
The Balkan Film Food Festival is not a festival only about Food and Culinary. The Balkan Film Food Festival is about Balkan Film Production. The Festival intent is to create a climate of understanding of friendship and collaborations among Balkan countries. All guests sit on a common table and taste our common Balkan culinary drink the same wine.
Cuisine is part of this event and it aims at having better friendly contacts among the participants.
Learn more at http://www.miragefilmfest.com
Film Competition Categories
FEATURE-LENGTH FILMS
The Festival welcomes submissions for feature films in narrative and documentary categories. All selected features will participate in the festival’s MAIN EVENT competition. Entering all films into the MAIN EVENT puts everyone on an even playing field in the completion and recognizes the best from across all different styles and genres in the independent film community. In addition, Mirage Film Festival offers several competitive sub-categories designed specifically to recognize excellence within various genres and help promote the various styles, methods and techniques that populate the ever expanding world of cinema.
Main Event - main competition program for all eligible feature-length films
Darkest Before the Dawn - dedicated to showcasing feature length genre films
Cinema Mavericks - feature-length films with budgets less than $1.5 million USD
Newcomer - available exclusively for first-time, feature-length directors.
WorldCine - feature-length films which were financed and filmed outside of North America
The Dockect - non-fiction feature-length documentary films
SHORT-LENGTH FILMS
The Festival offers a robust competition program for short films, divided into institutional and non-institutional categories.
Institute Of Cinema - highlighting the very best in student produced short films
School Of Hard Takes - giving independently produced short films a voice of their own
NEW MEDIA MARVELS - NEW MEDIA/WEBISODE COMPETITION
New Media Marvels is designed to recognize and reward exceptional work in the expanding new media landscape. With the increasing number of success stories of TV series, films and documentaries being developed and produced based on new media content, the Festival's New Media Marvels program provides a solid forum for these new age filmmakers to showcase their stories and network with distributors, producers and industry executives.
Arlington International Film Festival (AIFF) is an award winning organization with its mission being to foster appreciation for different cultures by exploring the lives of people around the globe through independent film. In 2014 AIFF was awarded the Community Recognition Award by the Arlington Martin Luther King Committee, in 2013 the Alan McClennen Community Arts Award by the Arlington Center for the Arts and the Gold Star Award by the Massachusetts Cultural Council. Through the founding of AIFF, the mission has also focused on enriching the community and broadening the view of our world and ourselves. AIFF believes that the arts are here to connect us, to communicate across boundaries, and touch our common humanity.
AIFF is open to national and international filmmakers. Whether professional or a first time filmmaker, we welcome innovative, original films with unique perspectives. Many of our selected films have been nominated for Academy Awards; i.e. BOTSO: The Teacher from Tbillisi directed by Tom Walters, Elena directed by Petra Costa, and Documented directed by Jose Antonio Vargas. We Still Live Here directed by Anne Makepeace was chosen by the U.S. State Department to screen around the world.
The year 2015 by can be easily termed as the ‘year of intolerance ‘in Indian socio-political and cultural milieu. This was coming all the way from the time the right wing party was voted to rule the country. It began with re-writing Indian history and text books for schools, colleges and academic institutions, running down Gandhiji, the architect of free India as also the free thinkers, eliminating rationalist, outspoken intellectuals and scholars, isolating artists and film makers, taking control of Central Board of Film Certification by forcing the eminent men and women constituted that body to resign en-mass. The right wing people have taken charge of all public art and cultural organizations.
People from the minority communities have been lynched and killed for suspecting to have eaten beef. Cow slaughter has been banned in states like Maharashtra taking away food from the tables of minority communities as well as daliths and increasing the burden on the farmers already bending backward with debt and are committing suicide. Those who protested the beef ban have been beaten up in Kashmir, in Uttar Pradesh and New Delhi. When the public very clearly understood that the general response of the government to these problems were dismissive as something that is done by antisocial elements people began to take action. The prominent scholars, writers, poets, actors, film makers and theatre personalities started returning the awards they received from the government. There were protests across the country, from politicians and eminent citizens.
Another aspect of this intolerance is manifested in witch hunting NGOs like Green Peace for very prominently taking up environmental issues and challenging the implementation of economic projects without proper environmental impact assessment. Those NGOs on the hit list of the government is harassed in every possible ways including cancelling their FCRA numbers and freezing their accounts. Fortunately so far the justice system was very fair in their judgments which has given much relief to the NGOs under the government scanner. Generally NGOs these days are seen by the politicians as people ‘against development’.
These very arrogant postures of the government was downsized by the people of India through democratic resurgence. First they lost a very high pitched assembly election in Delhi to Aam Admi Party and later in another high pitched assembly election in Bihar the right wing lost to an alliance of democratic forces represented by Lalu Prasad Yadav and Nitish Kumar the local leaders. In all these instances the media was very pro-establishment. Were they too scared to investigate issues and inform the public?! While we hope that the people will elect democratic and secular parties in the Assembly elections happening now in April/May 2016,we need to nurture grass root level democratic practices which is one of the major objective of the festival. Whatever work we are engaged in now is from a very diminished public sphere. We do not know what the future holds for us but for now we belong to the breed of marginal citizens of this country.
As for our experience in this specific field is concerned, Bangalore Film Society was the South India coordinator of Tri-continental Film Festival "Human Rights in Frames from 2007 to 2009 organised by an NGO called Breakthrough. An average 5000 to 6000 people used to attend this festival in Bangalore in three days and the event had become very popular. Apart from this, we used to take these films to academic institutions as well as film societies in all South Indian States. However, the tricontinental film festival closed after 2009 and at present to the best of my knowledge we don't have a human rights film festival of that magnitude.
In the present Indian context, Bangalore Film Society wish to start an International Human Rights Traveling film festival from December 7th to 10th or from 9th to the 12th 2016 (depending on the availability of the auditorium) and organise a conference on freedom of speech and the right to dissent. The films selected will address major international human rights concerns such as refugees, lgbt sexuality, boarders, women, socio-political conflict, communal conflicts, child labour/abuse and so on The emphasis on the impact it should create. Once the festival is over these films will be circulated for screenings in educational, media institutions and film societies across India.
ORGANIZADORES
A Associação Cultural Time & Memory organiza a décima quarta edição do Festival de Curtas-Metragens chamado “SHORT TO SOUTH”, a ser realizado em Polla (SA) ITÁLIA de 20 a 21 de junho de 2026 no Auditório “Holy Nicolicchio”.
Em 2007, Joaquín Ortega (diretor, ator, dublê e coordenador de dublês) criou sob sua marca registrada NOIDENTITY sua equipe internacional de dublês. Em 2010, ele fundou a produtora independente NOIDENTITY Films e já produziu dois filmes de forma privada e um programa de TV. Em 2013, ele continua promovendo sua intenção de gerar indústria cinematográfica e faz o primeiro festival de filmes de ação na Espanha.
Assim nasceu o NIAFFS (NOIDENTITY - Festival Internacional de Cinema de Ação - Espanha), com a intenção de gerar indústria cinematográfica e promover filmes de ação internacionais.
After five years of a successful run as the New York City International Film Festival and after many of our films got distribution, we decided to create NYCIFF-St. Lucia edition. We want to open another door for filmmakers from around the world, and establish St. Lucia as a center for the film industry, while highlighting unknown talents from the Caribbean.
O 10° Festival Cinema com Farinha voltou!!!! Retornamos com a proposta de acender a chama cultural de troca e aprendizado da cultura cinematográfica. É durante o festival que o sertão paraibano vivencia encontros de manifestações culturais, através de exibições das produções audiovisuais regionais e nacionais, com espaços de encontro para discussão e aprendizagem, além de mostra de filmes, painéis, oficina, exposições e shows. Como nas outras nove edições anteriores, as noites do evento estará repleta de pessoas 'famintas' por cinema (com farinha).
This festival only admits submissions from SPANISH NATIONALS. No film-makers from any other nationalitiy will be allowed to submit their films to this festival.
Her Point of View has entered into a partnership agreement with the Community Education Department of Watkins College of Art, Design & Film in Nashville TN. The Nashville festival will be held at Watkins College of Art, Design & Film in September 2015. Specific dates are being finalized and will be released soon. Stay tuned! New programming developments occurring every day.
Empowering current and future generations of artists currently underrepresented in front of and behind the camera, Her Point of View, a sponsored project of Fractured Atlas, a non-profit arts service organization, launches this year and will present arts and entertainment created from a woman’s point of view in Nashville, TN with screenings in Atlanta GA. New cities are added everyday.
In each city, Her Point of View will conduct a four (4) day international film festival complete with workshops, panels, independent and studio films, fine art gallery, live music events, industry parties and plenty of networking mixers. Filmmakers, film, TV, music, art and entertainment executives and celebrities are invited to participate in the event developed to highlight women artists from around the world.
NOFI is a multi stage International Festival of New and Original Films. It was founded by the Center of American New Cinema and Arts (CANCA). The preliminary stages take place in Russia, Sweden and Armenia while the final stage is taking place in USA (Los Angeles). Each year an estimated 1000 independent and student films participate in the NOFI festivals from 60 countries. We have representatives in 10 countries including USA, Russia, Sweden, Armenia, Belarus, UK,Belgium, Holland, Arab Emirates and Philippines.
The goal of the NOFI festivals is to find and invite talented film directors to NOFI film studying and producing programs for shooting their films with the help of our sponsors and grants. We then represent, promote and will try to sell the best films from NOFI in the American Film Market, Cannes film market, Amazon, Netflix, Hulu and other markets. Winning films can also participate in NOFI sister’s film festivals in Korea, Poland, Germany, Estonia, Russia and Armenia. The winners from each category and diplomas of honor can have the opportunity to show their films (edited versions) at our NOFI film festival on YouTube channel. The best actors from the best films can join our “Accent” International Talent Management. Also the trailers of the awarded films will be in our web site for years, providing more exposure. Our festival helps expose new and emerging directors and actors. NOFI festivals give them an opportunity to present their names in motion pictures studios and be discovered in the film industry worldwide. NOFI is designed to showcase innovative work by new filmmakers who may (or may not) have been overlooked by other festivals. We organize forums and round tables with filmmakers during the NOFI festivals to understand their needs, help solve common problems with film production and discuss their future projects. Our slogan is- “Indie filmmakers without borders.” Many celebrities and representatives from film studios have attended screenings and award ceremonies of NOFI festivals.
