The BioBioCine International Festival is an intercultural gathering of knowledge and wisdom expressed through cinema. Its goal is to become a space for dialogue and reflection while promoting, supporting, and valuing national and international cinematography from a territorial and identity perspective, within the framework of its annual meeting.
The BioBioCine International Festival invites submissions from all countries and cultures for its eleventh edition. The festival's program includes competitive and non-competitive categories for feature films and short films, both fiction and non-fiction, with an emphasis on auteur cinema, emerging filmmakers, experimentation, intercultural dialogue, and first nations.
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The Shortcup Film Festival is the world cup of short films. The selected films are distributed in 4 days of exhibition, where each film represents their country and the popular jury votes definies the final round where the winner is chosen in the fifth day.
The festival's main purpose is to merge a competitive film showcase with the casual ambient of a bar; this year, in it's 6th edition it will happen in 4 cities simultaneously, those cities are:
- São Paulo, Brasil
- Bogotá, Colômbia
- Monterrey, México
- Buenos Aires, Argentina
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VI Shortcup, el festival de cine que se lleva a cabo en bares en un formato deportivo por grupos de clasificación, acontecerá este año en 4 ciudades simultáneamente, donde el ganador es escogido por el voto popular.
Las cedes del campeonato de este año son:
- São Paulo, Brasil
- Bogotá, Colômbia
- Buenos Aires, Argentina
- Monterrey, México
This festival only admits submissions from SPANISH NATIONALS. No film-makers from any other nationality will be allowed to submit their films to this festival.
Curt.Doc Vidreres International Short Documentary Festival is a cultural event devoted to short documentary film making. The aim of the Festival is to be an exhibition platform and meeting point for the general public, professionals and filmmakers from around the world, promoting documentaries and their makers in a innovative and accessible format.
CINEfoot - International Football Film Festival is the first film festival in Brazil and Latin America with unique curatorial and conceptual approaches about football. The event aims the promotion, diffusion, reflection and appreciation of football films from all over the world.
12th. Children's Audiovisual Festival (FICAIJ), 2021-2022
Venezuela-Colombia
The Children's Audiovisual Festival, known by its acronym FICAIJ, was born in Mérida, Venezuela, in 2010, and has consolidated itself after 12 years as one of the most important windows for exhibiting quality educational and alternative content as well as commercial content for children, adolescents, youth and families in the country and the region.
After having attended to more than 41,385 participants in its 11 previous editions which have impacted directly in 6 countries of the world. Facing the panorama of pandemic that we are still living through the COVID-19, we assumed the challenge of transforming ourselves and activating our 12th edition in the web with main incidence in the countries of our region. Additionally, we are planning to have some in-person screenings in Venezuela and Colombia.
History:
More than 1,506 short and long films from 81 countries around the world were broadcast on FICAIJ's screens, and more than 392 people, including children, adolescents, young people and adults, evaluated and judged these films.
Our jurors came not only from Venezuela but also from 9 other countries: Argentina, Brazil, Cuba, Ecuador, Italy, Kenya, Mexico, Spain, and South Africa, participating in representation of their places of origin.
Philosophy:
We promote audiovisuals from a reflective and productive viewpoint, inviting children, adolescents and young people to take an active role as creators and prosumers.
Mission:
FICAIJ seeks to encourage the creation, production, exhibition and distribution of quality content for and by children, adolescents and young people in the region, stimulating the protagonism of children in all these processes.
2nd. Laboratorio FICAIJ:
With the double purpose of strengthening, on the one hand, the production of children, youth and family contents at a regional level, and on the other hand, the training of teachers in education with and for media, a more evident need in view of the digital education imposed by the pandemic, the organization of FICAIJ assumes the challenge of developing the 2nd. edition of its Laboratorio FICAIJ, a training space aimed at the sector of production of contents for Latin American boys and girls and at the sector of education.
More information:
www.genbura.com
www.facebook.com/ficaij
www.instagram.com/ficaij
Sunscreen is known for its friendly atmosphere in a sun-kissed waterfront setting in the arts-centric city of St. Petersburg, FL. For 18 years the festival has screened top-notch indie films, provided our filmmakers with quality workshops and panels packed with Hollywood talent, hosted great parties, and has been the top film festival in the St. Petersburg, Clearwater, Tampa, Florida area. Sunscreen is consistently ranked among the top 100 reviewed film fests on Film Freeway out of over 9,000 festivals.
The Sunscreen Film Festival was one of 23 festivals sponsored by the Academy of Motion Picture Arts & Sciences (the Oscars) in 2013-2014, named one of the top 25 “coolest’ film festivals by MovieMaker Magazine and Best Film Festival in the Tampa Bay Area by Tampa Bay Magazine.
The Sunscreen Film Festival is organized and presented by the Sunscreen Film Society., a nonprofit 501(c)(3) charity dedicated to education, economic development, informing the public about the art of visual storytelling, enhancing opportunities for local filmmakers to develop their craft and art, and increasing the public’s awareness and support of local filmmaking as a cultural and economic asset.
The Sunscreen Film Festival has grown from its first festival in a local art gallery in 2006 to an internationally recognized event in St. Petersburg, FL and Los Angeles, CA. The festival has become known for its commitment to diversity, taking chances on creative, edgy films; and being a filmmakers' film festival. Celebrating diversity is a core value of the city and the festival seeks each year to showcase that value.
One aspect that makes Sunscreen unique is that our celebrities and special guests participate in workshops, classes, or other events supporting the festival’s mission. Everyone that attends Sunscreen is accessible and easy to interact with. Many filmmakers love the collegial atmosphere during the festival and appreciate the chance to learn from one another. Sunscreen provides around a dozen workshops during the festival each year.
Our goal is to encourage the creation, production, and exhibition of creative, independent film in Florida through our educational programs and public screenings, thereby increasing awareness and support of local filmmaking as a cultural and economic asset.
Diversity Statement: Sunscreen Film Festival
At the Sunscreen Film Festival, we believe that diversity is essential to the vitality and creativity of the film industry. We are committed to fostering an inclusive and equitable environment where filmmakers from all backgrounds, perspectives, and experiences can showcase their unique voices and stories.
Our festival celebrates the richness of human diversity by embracing filmmakers of diverse races, ethnicities, genders, sexual orientations, religions, abilities, and socio-economic backgrounds. We strive to create a platform that reflects the world we live in and presents a diverse range of narratives and perspectives to our audience.
We are dedicated to promoting equal opportunities and breaking down barriers for underrepresented voices within the film industry. We actively seek out and support filmmakers who have traditionally been marginalized or underrepresented, including but not limited to women, people of color, members of the LGBTQ+ community, individuals with disabilities, and those from different cultural and socio-economic backgrounds.
To ensure a fair and inclusive selection process, we are committed to assembling a diverse panel of judges and industry professionals who understand the importance of representation. We continuously strive to eliminate any biases that may exist in the evaluation and selection of films, giving equal consideration to all entries based solely on their artistic merits and storytelling qualities.
In addition to our programming, we are dedicated to providing opportunities for networking, mentorship, and professional development to filmmakers from underrepresented communities. We actively collaborate with organizations and initiatives that share our commitment to diversity and inclusion, working together to create a more inclusive film industry.
We invite filmmakers, industry professionals, and film enthusiasts alike to join us in our mission to champion diversity, foster inclusion, and promote meaningful dialogue through the power of cinema. Together, we can create an environment where all voices are heard, respected, and celebrated.
Join us at the Sunscreen Film Festival, where diversity is at the heart of our programming and the driving force behind our commitment to shaping a more inclusive film industry.
Sunscreen Film Festival
St. Petersburg, FL
THE CATALONIA INTERNATIONAL SOCIAL FILM FESTIVAL has as his basic aims the dissemination and promotion of films that contribute to the knowledge of world cinema Social Film, on Human Rights and Civil Rights
The first AfryKamera Film Festival was organized by FilmGramm Foundation in cooperation with the South African Embassy during the months of April-June 2006. It aimed to use cinematography to bring Africa to the attention of the Polish public. The 1st AfryKamera premiered in Warsaw and also ran in Krakow, Poznan, Lodz, Torun and Konin. The unbelievable media interest and good ticket sales during the first festival in 2006 confirmed our belief that Africa is a theme of immense interest to a growing number of people. Since the very 1st edition, AfryKamera has been well covered in the Polish media, which confirms the great marketing potential of such an event for Africa in general, as well as, for sponsors and patrons.
As it stands AfryKamera is the first African Film Festival in Central and Eastern Europe as well as the largest African-themed event in Poland and the wider region.
AfryKamera has managed to occupy a niche in the film festival market – although there are many international film festivals, they generally show a limited range of African films. AfryKamera is therefore the only festival in Poland dedicated purely to films from the continent. In the past few years the festival has decided to explore new avenues not only in the art of cinematography, but also in the presentation of African art, music, and culture.
The main events of the African Film Festival AfryKamera take place in Warsaw, Poland, traditionally in either Kino Luna or Kinoteka, the capital city's premier arthouse cinemas. The event in 2018 will last 10 days and presents 15-25 full length features and documentaries as well as some 20 short films from around the continent and from the African diapora. The key motto of the festival is "Made in Africa", as the focus is put on the quality of moviemaking on the continent and the enhanced capacity to make world-class movies.
“Memory of the Future / La mémoire de l'avenir”
The Center for Common Memory for Democracy and Peace (CMCDP), a national human rights association with international reach, hereby opens the call for film submissions for the 15th edition of the International Festival of Cinema and Common Memory (FICMEC), to be held in the city of Nador from October 30 to November 4, 2026.
The CMCDP operates within the following fields of action:
Issues related to memory and shared memory as knowledge and expertise;
Dissemination of a culture of peace, coexistence, and democracy;
The fight against all forms of extremism;
Defense of human rights and contribution to the dissemination of its culture;
Issues of identity and linguistic and cultural diversity;
Consolidation and development of values of solidarity and constructive dialogue between peoples and nations;
Support for all generations of human rights.
Each year, FICMEC proposes a thematic reflection linked to memory. In this edition, the central theme will be "Memory of the Future," inspired by Victor Hugo’s words: “The future is a door, the past is the key,” and Roman Krznaric’s idea that the future is not a place we are going to, but a place we are creating.
Memory is not an exercise in nostalgia nor a gaze anchored in the past. It is a collective responsibility. Preserving, explaining, and transmitting historical episodes—especially the most painful ones—is the duty of both institutions and society as a whole: families, associations, human rights defenders, artists, and educators. Understanding the past is a conscious act of preparing for the future.
"Memory of the Future" proposes a permanent dialogue between remembrance and projection, between justice and social transformation. The struggles against injustice, the processes of truth and reconciliation, the defense of human dignity, and the consolidation of democratic values constitute the foundations of a fairer tomorrow. Remembering is not about perpetuating resentment, but about generating awareness, preventing the repetition of violations, and strengthening a culture of peace.
New generations hold a central place in this vision. They are not merely repositories of inherited narratives but active agents capable of reinterpreting, questioning, and projecting memory toward the future. Intergenerational transmission, critical thinking against historical manipulation, and commitment to human rights are essential elements of this construction.
In the artistic and cultural sphere, cinema—whether documentary or fiction—becomes a privileged vehicle for making silenced memories visible, denouncing injustices, opening spaces for dialogue, and contributing to social transformation.
Thematic Conditions for Participation:
Feature films and short films (fiction, animation): open theme.
Documentaries: must specifically align with the theme of the "Memory of the Future" concept note, addressing issues related to memory, human rights, justice, intergenerational transmission, reconciliation, identity, or democratic construction from a reflective and proactive perspective.
Filmmakers of all nationalities are invited to submit works that contribute to thinking about the future through historical awareness, promoting values of justice, peace, equality, coexistence, and the role of youth in this process.
Film submissions are accepted exclusively through official festival registration platforms.
Through this call, the CMCDP and FICMEC reaffirm their commitment to an active, ethical, and transformative memory, convinced that only those who assume responsibility for the past can contribute to building a more humane and democratic future.
Suggest to visit the official website of the festival: www.gbiff.org
Please also follow us on
Twitter: @theGBIFF
Facebook: www.facebook.com/theGBIFF
Aullido International Video Show CONVOCA to present works to select those who will integrate their 9th International Video Clip to be held in March 2021 in Mexicali, Baja California, Mexico.
The Universe Multicultural Film Festival seeks to bring to the best of classic and contemporary filmmaking from the world; Committed to enlightening the public with a unique international film program, a forum for cultural understanding and enriching educational opportunities. The Festival focuses on showcasing diverse cultural and heritages films, supports the creation and advancement of innovative and artistic cinematic works of both emerging and seasoned filmmakers and proudly embraces the passion, independent spirit and vision of these talented artists. With the integration of the local community and educational institutions into all aspects of the Festival, the Festival stimulates an interest in the study and appreciation of film and encourages people of all ages and background to participate and share the harmony universe.
The Torrelavega International Short Film Festival , organized by the Department of Culture of the City Council, was born in the spring of 2000 with the entry of the new century.
Torrelavega is likely to be one of the few Spanish cities that can boast of being a pioneer in this world as they speak of cinema, international festivals, filmmakers encounter and exchange of knowledge is not new in this city. Before the proliferation of competitions and short film festivals in Spain, Torrelavega lived more than twenty editions Film Festival Sniace precursor in Spain of independent cinema and similar initiatives. This led to the birth of filmmakers who reported the name of Torrelavega in different national and international festivals, obtaining numerous awards. Interestingly, the growth of the city, the cultural dynamism and new habits left her without cinemas and film such cultural needs, values of a new generation and vocation film ever made this festival was born.
The 100-second Film Festival is a gathering for international filmmakers to use their brevity and endless artistic creativity to make a film with promising images of "Human Dignity" in various dimensions, formats and perspectives, to Polish the lives of the audience by creating up to 100 second short pieces of art.
OUR GOAL
Our goal is to discover and showcase creative filmmakers and their films to the global culturally diversified community.
The 100-second Film Festival is a gathering for international filmmakers to use their brevity and endless artistic creativity to make a film with promising images of "Human Dignity" in various dimensions, formats and perspectives, to Polish the lives of the audience by creating up to 100 second short pieces of art.
