The Hong Kong Kowloon Film Festival (HKKFF) is an annually film festival to showcase innovative independent film makers and artists from around the world.
HKKFF is aiming to inspire, motivate and award new talent.
The Hong Kong Kowloon Film Festival accepts all forms and genres: short films, medium length films, feature films, drama, experimental, comedy, horror, slow cinema, sci fi, fantasy, animation, and documentary.
Puerto Madero IFF is an online annual competition based of the technical execution of films.
All submission are evaluated on each technical category: Script, Cinematography, Sound, Acting and Direction.
At the end of each year we announced the official selection films based on their creativity and technical execution.
Our festival is ONLINE only at the moment, we are working hard to make an annual event with public screening.
All the Official Selections and Winner are posted in our Social Network with a growing audience of more than 4600 followers and also on our web site.
All Official Selection will receive laurels.
The winner film will receive a technical reviews and laurels.
This year one of the most authoritative expositions of the international student cinematography will take place on various platforms in Moscow and all over Russia in autumn, and it will traditionally happen in two stages:
1. 16-27 of October 2017 – VGIK contest
2. 13-17 November 2017 – international movie and theatre contest.
Student film festival is a special event. Unlike the actual movie festivals, it shows the “here and now” situation, it gives the opportunity to see a glimpse of the future, dispel the secret of “what’s the cinematography of the future like?” and see the world with the eyes of people who will communicate with us through the big screens very soon. People like this for sure can be found among the contestants.
To be sure of it you just need to remember some names of the previous festival contestants, During the 56 years of the festival existence (for the first time in 1961) it gave birth to some major Russian and international movie stars. For example: Andrey Konchalovskiy, Alem Klimov, Andrey Tarkovskiy, Vasiliy Shukshin, Nikita Mihalkov, Artavazd Peleshan, Vadim Abrashitov, Sergey Soloviev, Aleksey German junior, Alexandr Kott, Anna Melikyan, Petr Buslov, Aleksey Mizirgiev….
With every year the program of the festival gets wider and more various. Along with the contest of the feature, documentary, animated and TV films there are Theater contest, retrospective of the classics, thematic exhibitions, master-classes, creative meetings, discussions and many other events.
All of that will be interesting not only for the people who work in the film industry, but also to amateur cinema-lovers. The first ones will be able to have discussions with the colleagues, exchange experience, get professionals and amateur viewers review on their work. The seconds ones will enjoy the freedom that goes along with student creativity.
Development is impossible without contention. Due to the VGIK international student festival the young cinema-workers will be able to check their worth, get new knowledge and international professional contacts, and express themselves as the future that starts now!
The showcase is a meeting point among artists, innovators and media consumers. We aim to spark creativity for both beginners and professionals. Grab your camera and create. Together we can make this world more beautiful with our artistry.
There is no creativity without action...submit now!
The Alternative Film Festival is a quarterly event that is committed to bringing filmmakers of all levels - even beginners - a chance at taking home a festival award. We are an IMDb eligible festival meaning filmmakers will be able to post their nominations and wins on their IMDb profiles.
We are the ALTERNATIVE FILM FESTIVAL - we are not your typical film awards! Our quarterly event is different - it is an awards event where we will be announcing the Winners of each of the many categories within Feature Films, Short Films and Super Short Films. Filmmakers around the world can join us for the awards announcements via Facebook Live! Make sure you follow us on Facebook at https://www.facebook.com/AltFilmFest to watch.
WE SCREEN THE 6 BEST FILM FINALISTS FOR EACH QUARTER AT OUR QUARTERLY EVENT. All other Finalists (in many different categories) are in the running to win our IMDb-eligible awards.
COVID-19 UPDATE: We will still hold our festival, though the format would be via online streaming due to COVID-19 restrictions. Same rules apply. For more info, visit www.miwaff.com.
MIWAFF AWARD WINNERS receive not only our prestigious awards but also recognition on IMDB and a one-year membership at iPitchTv.com! Film screenings will be available for streaming during our Festival period.
MIWAFF promotes all types of film, whether it is indie or studio based. Our mission is to unite filmmakers and artists in a competitive atmosphere by giving out prestigious Wreath Awards under a democratic process of popular vote. Our Festival recruits artists involved in film. This Jury of artists collectively votes on which film will be playing at our festival, and moreover, votes on which films get nominated and win.
SF3 - the SmartFone Flick Fest is Australia’s international smartphone film festival.
Open to filmmakers of all ages from every country; from first-time filmmakers to professionals. As long as your film is shot entirely on a smartphone or tablet, your film is eligible for submission. Our 2022 Festival Ambassadors are Hollywood legend Phillip Noyce, Kerry Armstrong, Christopher Stollery, Kriv Stenders, Nicole da Silva, Jason van Genderen, Emily Prior, Stan Grant, Kara Rose, Jon Bell & Wanuri Kahiu. Our esteemed judging panel consists of the cream of the Australian and Hollywood film industries.
We have 5 categories in 2022. They are:
1. The SF3 Best Film for short films 20 mins and under. The films must be entirely shot on smartphones or tablets, with the exception that a very minimal amount of Drone footage is allowed. The films can be edited on any device and with any program and external equipment like lenses and mics can be used. Within this category we will also award the #FILMBREAKER Award for first-time filmmakers and the Luma Touch Finished on Mobile Award for films both shot and edited on a mobile device as additional prizes. The Official Selection from this category will be screened in our 2022 Gala Finals and will vie for our top prizes.
2. The SF3 Best Feature Film. This is for feature films shot entirely on smartphones and tablets. A minimal amount of drone footage is allowed. Films must be from 40 mins and no maximum.
3. The SF3 Kids Award for filmmakers 16 and under at the time of filming. All films must be shot entirely on smartphones and tablets. A minimal amount of drone footage is allowed. The time limit is up to 10 mins. Longer kids film that are really fantastic and justify being longer will be accepted with permission from us at sf3@sf3.com.au
4. The SF360 Award for 360 and VR videos up to 20 mins.
5. The SF3 Mini Award is for films up to a maximum of 3 minutes in length.
Everyone has a great idea for a short film and a potential movie camera in their pocket, so no excuses. Here’s your chance to start filming and be in the running to share in over $50,000 worth of prizes awarded annually, and have your film screened on one of Australia's premiere screens in front of a global audience at our 2022 Festival, in the Australian Spring. The festival will be both live and online, current Covid restrictions depending.
Our finalist films and one feature film will be selected from all the entries to screen at SF3 2022. We will be holding live screenings and awards in Sydney, Australia and our festival will include live screenings, red-carpet events, VIP party, networking events and masterclasses.
Our 2021 Festival was pushed to early 2022 due to an ongoing lockdown in Sydney and was held in partnership with Palace Chauvel Cinemas and the Actors Centre Australia. In 2019 and 2020, SF3 was held at Event Cinemas, George St, right in the heart of Sydney, Australia. We were one of the few festivals to go live in 2020 in a sell-out Sydney show! Our 2018 Gala Finals were also a complete sell-out at the Sydney Opera House and our SF3 Kids and Shortlist Screenings were held at Event Cinemas Bondi Junction. From 2015-2018 we held our Gala Finals at the iconic art deco Chauvel Cinema in Paddington, Sydney. We are passionate advocates for the showcasing of the best smartphone films from all around the world, show up on Sydney's top big screens.
Many of our past Gala and other finalist films have been invited to screen around the world at our partner film festivals including the International Mobil Film Festival in San Diego, MINA, the Dublin Smartphone Film Festival and more. The opportunities are endless for smartphone filmmakers.
All films MUST be shot entirely on a smartphone or tablet, meet our time requirements and you can use any editing software, apps and phone additions, and you can edit on a PC, laptop, tablet or your phone.
So, pull your phone out of your pocket and start filming, it really is that easy!
Live Entertainment, LLC, Russia in co-operation with EVENT FILM, Canada proudly present an annual festival event – International Horror, Action and Fantastic Film Festival & Awards "DROP".
The festival is being annually held in the city of Moscow since the year 2011 and contains 4 events:
- opening screening
- closing awards ceremony
- master-class and Q&A with movie stars
- film festival competition program screenings in cinema theatres
The Awards ceremony takes place in a big concert venue (changing every year) and consists of the show program and the ceremony of granting awards which is divided into the following jury voting categories:
- awards granted to local film distribution companies for the blockbusters screened in cinema theatres of Russia in the reported year;
- awards granted to young directors and producers as competition program. The category is called “Hope for Survival”;
- awards granted to World stars for the contribution to horror genre
The Awards ceremony is always visited and recorded by a large number of mass media.
The Master-class is a so-called Q&A horror convention held in a cinema theatre in a form of a question-answer session between the star guests of the festival and the audience + autograph session. The event usually ends with a premier film screening.
The festival program is a week non-stop screening of new movies in several Moscow cinema theatres. The films-participants of the competition program are being selected by the festival’s jury. Submissions are being analysed and accepted by the festival's organization committee during the whole year.
The festival's schedule usually also contains a pre-party and an after-party arranged for the honored guests and winners.
The TV version of the festival is televised by Tricolor TV platform.
The festival specializes in all sub-genres of horror and action film industry, i.e.: cartoon horror, comedy horror, psychological thriller, trash horror, zombie horror, giallo, slasher, suspense, detective, action, fantasy, sci-fi etc. Starting from the year 2013 the festival also specializes in survival horror video games sphere.
The festival is annually visited in person by World-known honored guests. The previous years’ guests were: Eric Roberts, Stuart Gordon and Bryan Yuzna, Jodelle Ferland, Costas Mandyllor & Tobin Bell, Lloyd Kaufman, Akira Yamaoka, Marco Ristori and Luca Boni, Preity Uupala, Yeppe Laursen, Silje Reinaamo, Daniel Licht, A.J. Annila, Leonid Kuravlev, Igor Zhizhikin, Oliver Robins, Corbin Bernsen, Lauren Esposito, John Kassir, James Russell, Mick Garris, Shawn Hall, Liesl Ahlers, Kyle Catlett, Lina Leandersson, Richard Cutting, Helen Crevel, Javier Botet, SWERY, Adnan Koc, Naomi Grossman & Ben Wolf, Sergio Stivaletti
...and many others
A great number of star winners also annually send their exclusive video messages which are being screened during the ceremony.
A more detailed information about the festival can be found on the English version of our web site, on Wikipedia and in social media.
The International Film Festival is one of the most important short film festivals in Argentina. A film event Tapiales of important social and cultural impact nonprofit, organized by JC OFCT Films, held in the village of Tapiales, a town belonging to the La Matanza, located in the province of Buenos Aires. It is also a competitive event where selected films are projected to receive the award later Aboriginal under verdict of the honorable members of the jury. The event is held under the premise of enhancing the popular character, free and outdoors. Tapiales also proposes parallel activities such as training spaces, lectures and special exhibitions outside competition.
We love horror and we're very excited to watch your films!
The Bloody Horror International Film Festival (BHIFF) is an international festival seeking the best in indie horror (both amateur and professional).
The festival is set up in two yearly sessions. Selected films will be recognized and awarded in various categories.
BHIFF has made a point to keep our entry fees low as to give everyone the chance to enter! We offer a high number of award categories, along with an option to have your film reviewed by our judges.
BHIFF is headquartered in Canada, but its panel of judges is set in different parts of the world and comes with a variety of horror film expertise.
ANNOUNCEMENT!! BHIFF is very happy to share some exciting news with you!
We have partnered up with the nice folks over at B-Movie TV! B-Movie TV is a Live TV Channel that is available via Roku Box. B-Movies 24/7!
Every film that wins BHIFF's Baddest B-Movie award will be exclusively screened LIVE on B-Movie TV's channel! How cool is that?!
More news! Featured judge Andrew J.D. Robinson is a multimedia horror artist behind nonprofit international filmmaking contests the 15 Second Horror Film Challenge and The Horror Movie Awards. The Horror Movie Awards is currently seeking short films and/or features to consider towards their indie horror nomination categories!
This is where we start, the dark side of movies, inspired by the legendary Pink Floyd’s album.
We start with the dark side, not visible to the naked eye, mysterious, obscure - a side with blurred boundaries and infinite nuances, where nothing is certain, precise, predetermined. Not visible rather than invisible, lying under the surface, or elsewhere, it’s something that can’t be simplified as it continuously alludes to deeper meanings. It’s the side of cinema that is never accommodating and always inquiring, making us question the meaning of what we see, listen, perceive.
If you look closely, you’ll see that there’s a dark side to everything. You find it in Brothers Grimm’s folk tales, in Fritz Lang’s fantastic and apocalyptic visions, in Stephen King’s archetypes of narrative fiction, in Stanley Kubrick’s unforgettable imagery, in Homer’s poems as in Peter Jackson’s Lord of the Rings epic. From the Holy Scriptures to Game of Thrones, the dark side is the driving force behind every art form and Ravenna Nightmare Film Fest is its cinematographic icon.
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NOTICE SPECIAL FEE FOR MULTIPLE SUBMISSIONS
Considering the high request for participation from film schools and institutions, we established a special fee for multiple submissions from the same school/insitution: 10€/4 short films. Please contact us at info@ravennanightmare.it to take advantage of this discount.
LEIFF is committed to the independent filmmakers from around the world. We give special attention to the screening of films by emerging film makers, films shot with low, micro or no budget and quality films that - for whatever reason - are unlikely to receive distribution through other channels but as concept, style or message could stand out and reach the audience worldwide.
Based in heart of London ; the most cosmopolitan capital of the world, We want to represent the independent film making face of the world and give opportunity to worldwide film makers to screen their films in most prestige screen spaces and audience from over 100 nations. Every middle October on the Regent’s Street or Soho of London, LEIFF is most world diverse leading film festival dedicated to independent filmmaking.
LEIFF dedicated competition category awards to special subjects:
• Human Rights
• Women Rights
• Social Crisis
• Spiritual
• World Peace
We are the only leading festival in Europe which brings all the best of world independent films together for screening in one festival called LEIFF - London Eye International Film Festival.
*** LEIFF is organised and run by LFN "London Film Network Ltd."
POST-ALMOST-APOCALYPSE
Mórbido turns 15 years and it’s time to celebrate the survival of the modern apocalypse.
In those terms, Mórbido 2022 will have a hybrid identity. The festival will take place in theaters, on the LATAM Pay TV channel Mórbido TV, online and in a drive-in Cinema.
SHORT FILM SELECTION / Pay TV + Online
25th Oct through 31st Oct
The 2022 short film selection will be broadcasted through Mórbido TV. (Basic Pay TV, Latin America, not Brazil).
FEATURE FILM SELECTION / Cinemas + Drive In + Online
25th October through 31st October
The 2022 feature film selection will be shown:
- Cinépolis Diana, Cinemanía Loreto, Autocinema Coyote.
- Cinépolis Klic (November 1st-6th).
The Esseoesse Cultural Association announces the competition "CortoDino Film Festival Dino De Laurentiis 2024 - XIV Edition", a competition that stems from desire to remember and celebrate, in his native land and in commemorative and propositive terms, the figure and work of Dino De Laurentis. The Metropolitan city of Naples, Vesuvian areas, “Giorgio De Chirico’s Secondary School of Art and Communication”, the others secondary schools of the area and the main cultural associations of the Vesuvian and Campanian areas will collaborate in the event.
So, the main aim of the initiative is to create an opportunity for meeting, confrontation and knowledge of young filmmakers who enter the cinematographic sector, in which the influence left by the illustrious “Torrese” has certainly been significant, promoting cinematographic culture through the inclusion of disadvantaged people and the research and promotion of works by talents from Campania, and also national and international.
The presence of the world of solidarity, cultural associations and of school is the clearest sign of the purpose of connecting in particular with the world of young people.
Cortodino Film Festival XIV edition will take place in November 2024. Cities, places and days of the event will be subsequently communicated.
COSMOPOLIS FILM AWARDS, 1st edition, is a free film contest promoted by Detour Arthouse Cinema in Rome, aimed at artists residing in the territory of Italy, aged less than 35 years during the entire 2017 calendar year.
2nd generation artists, - filmmaker, screenwriters, authors, actors, etc. - are welcomed to attend and submit their audiovisual works.
Thematic lines & Topics: the discovery of the Other, new global cultures, relations between identities and communities of values, clash of cultures, daily life in urban/suburban contexts, etc.
Films will be selected on the basis of their aesthetique and language skills.
Winning films for each category will be screened to a public audience in the presence of the authors and members of the Selection Committee. Other screening events will be held at Public Libraries in the Municipality of Rome.
Contest is open to everyone !
Topic of the contest is "The Dream life".
You can submit your any type of film up to 15 minutes max.
Festival Atmospheres uses all kinds of art forms in order to arouse afterthought and commitment to an accessible and constructive sustainable development.
The Pacific Meridian is the annual International Film Festival of Asian Pacific countries, established in 2003. The festival is held annually in early autumn in Vladivostok, on the shores of the Sea of Japan.
The festival in Vladivostok
Vladivostok has a very unusual history: in the tsarist times it was an open port and the city-fortress, in the Soviet times it had the status of the military base and closed city, and today it is on the way to becoming a free port again.
Vladivostok is the city that is sure to become a hub, connecting Europe and Asia, a place where every year the international cinematic community meets to share its best films.
The Pacific Meridian is a significant cultural event in the Far East, a great excuse to explore the Pacific Russia. Cinema is the most powerful and accessible art form, through which the festival introduces the audiences to contemporary culture.
The festival supports the positive development of relations of local, national and Asian filmmakers. The festival always presents only the best and unique films. The Pacific Meridian venues are where new projects emerge, filmmaking professionals meet the audiences, and young directors and actors find recognition.
For 18 years of its work the film festival has shown about 2,500 movies, seen by more than a million spectators. Every year the festival brings together film professionals (actors, directors, producers and film critics) from around the world, attracting audiences from other Russian regions and enables young people to gain practical experience by participating in organizing the festival.
Throughout each year, the festival team works on organizing this international cultural event, and the preparation is carried out from the end of the current festival, and till the beginning of the next. By the time of the festival opening more than 100 people, including volunteers, participate in the work of different venues of the film forum.
The Pacific Meridian Mission
We provide access to the most powerful films of our time and develop the culture of shared viewing, making the audience connected with the development of the art of cinema of the Pacific Rim countries. With the help of the art of cinema, we are transforming the world around us, making the local community more informed and involved in the film festival movement.
In accordance with this mission the objectives of the festival team are the following:
1. To maintain the organization of the festival at the highest level, meeting the world standards in accordance with the recommendations of the FIAPF;
2. To promote the audiences’ understanding of the world culture through selecting and presenting the best examples of the art of cinema;
3. To ensure accessibility to the audience films and educational programs, involvement and informational awareness of the regional community;
The Pacific Meridian is the only Russian film festival, which focuses on the cinema of the APR countries. Actively participating in the development of cultural exchange, the festival brings together more than 60 countries in Southeast Asia, North and South America and the Pacific Rim. Every year the film festival opens and shows the audiences modern films.
The Pacific Meridian IFF remains open, accessible and friendly for a wide and diverse audience. The slogan of the festival is “Films for all, films for every one”.
The Festival’s Juries
Since 2003, the international jury of the festival consists of the best representatives of the professional community of Russian and international filmmakers. The international jury determines the winners and awards prizes in the following nominations: Best Feature, Best Short Film, Best Director, Best Actor, Best Actress, and The Special Jury Award.
Since 2011, the Pacific Meridian IFF features NETPAC (Association for Promotion of Asian Cinema) Jury. NETPAC is an international organization that brings together 30 member countries, established with the support of UNESCO in 1990. This Pan Asian cinema and cultural organization brings together film critics, filmmakers, organizers and curators of film festivals, film distributors and teachers. NETPAC is considered a leading authority on Asian cinema; it participates in selecting films for Asian cinema programs of several international film festivals, introduces filmmakers from Asia to the world audience, publishes books, and organizes seminars and conferences. It has also established a special NETPAC Award, Best Asian Film, which is given at 44 film festivals around the world.
Since 2013, the festival features the international FIPRESCI Jury. FIPRESCI, the International Federation of Film Critics, established 90 years ago, brings together film critics and film experts around the globe. The main goal of the organization is to support cinema as an art and as a bright and independent way of expressing vision of the world. The award of this organization is of great importance in the cinematic world.
The Festival’s Program
During each festival about 200 films are screened in its venues. Films of all genres, length and formats find their place in its various programs.
COMPETITION program includes 8 full-length and 8 short films produced in the Asia-Pacific region this year. Each year, the number of incoming applications is increasing, but only 20 films are selected for the competition.
Non- competition programs present new world and Russian cinema. PANORAMA program is devoted to the most prominent film events in Russia and abroad. IN FOCUS program presents masterpieces from one of the countries of the Asia-Pacific region, or of one genre. Over the years the festival has acquainted its audience with the films from Australia, Laos, North Korea, Russia, China and South Korea, with spy thrillers and horror films. Great attention is paid to retrospectives of prominent filmmakers.
The festival also embraces different cultural and business events: round tables, discussions on specific films, lectures, workshops, art exhibitions, Cinetour and meet-the audience sessions.
Call for Submission – APFF-3/Feb/19
Asia Peace Film Festival - 3rd Edition
Theme:
Localizing Global Goals: Story Begins at Home!
September 2019
Pakistan
Executing Agency: Asia Peace Film Festival
https://asiapeacefilmfestival.com
https://www.facebook.com/AsiaPeaceFilmFestival/
Background:
The Sustainable Development Goals (SDGs) or the Global Goals for Sustainable Development, are a collection of 17 global goals set by the United Nations General Assembly in 2015. The Global Goals are broad and interdependent, yet each has a separate list of targets to achieve. Achieving all 169 targets would signal accomplishing all 17 goals. The Goals cover ecological, social and economic development issues including poverty, hunger, health, education, global warming, gender equality, water, sanitation, energy, urbanization, environment and social justice. The background and explanation are available in the Resolution Adopted by The General Assembly available at: https://sustainabledevelopment.un.org/post2015/transformingourworld
Localizing Global Goals: Story Begins at Home
The Global Goals provide an indicative agenda for sustainable development that is required to stimulate a series of collective actions to address areas of critical importance for humanity and the habitat. The Global Goals are a large, holistic and long-term set of goals, difficult to distil into simple and compelling messages.
While these Goals are global, their achievement will critically depend on our interest, intention, ability and resources to turn the global social contract based on pressing development commitments into a tangible reality in our homes, communities, neighborhoods, cities, regions, countries and so on. Consequentially, our immediate localities are the primary sites of the compliance of our commitments towards a universal development agenda. Therefore, the story of global goals begins at home and connects to the extended contours of universality. It becomes everyone’s business, leaving no one behind.
Locating Creative Communications: Awareness, Relatability and Reach
APFF believes that contextualization of meta-data is as much important for effective communication as much as localization of global goals are important for any meaningful delivery of development dividends. Policy makers have argued that, “we will only deliver on the SDGs if people know about the goals, demand action, and hold their leaders to their promises.”
From the communication perspective, delivery of development outcomes would largely be determined by the level of awareness, relatability, reach and influence towards global goals. Therefore, creative communications should be aimed at increasing awareness, explaining relatability, enhancing outreach and influencing investments towards Global Goals at immediate locality and beyond. Global Goals are a universal agenda, requiring progress at home and abroad. Experts have suggested that, “our communication should lead to developing political will, involving people to act for themselves locally, and aiming for the goals to become a universal reference guide.”
APFF is seeking to engage creative community of Asian region including passionate storytellers, filmmakers, writers, directors, actors, artists, musicians, singers, social media champions, multi-media creators to develop a communication mix on Global Goals.
Why a Film Festival on Global Goals?
Experience has shown that “the exposure one can get through film and digital content, whether it’s at a film festival, a local cinema screening, through online distribution or educational channels, is magnified compared to many traditional ways we try to impact change.” Festival exposure and awards often bring press attention, which is considered the best amplifier of messages.
A number of studies suggest that “to inspire change, people need to ‘feel’ your story.” Data, research, statistics and trend indicators are important. Data supports and drives decisions every day in what we do. But as they say data alone typically doesn’t reach the part of our brains which can reach complex issues, intuit connections, engage lateral thinking, or move one to action: the emotional brain. ‘Story’ speaks to our emotional brain. Experts suggest: “We have to change the way we communicate. All action is emotional, and in order to get an emotional connection we need to understand what it is.”
APFF considers filmmaking and cinematography as an effective medium of communication to understand, inform, inspire and generate an individual and collective will to act for behavioral and perceptual transformations. Through a thematic cinema, a diverse and larger audiences can be engaged on issues related to SDGs making a complex message simpler, communicative and inspirational. With the extended outreach of digital content, filmmaking has become an effective tool of communication which can be used to strengthen rights-based social movements and development discourses infusing a culture of transformation in societies plagued with hierarchical structures, policies and instruments.
Against this backdrop, APFF dedicates its Third Edition to the Global Goals encouraging film makers to tell stories of their own soil – narrate local stories to the global audiences and bridge the communication gap. Tell others what story you feel for. Lens your own story! You have a space to inspire, now.
APFF is aimed to celebrate 3rd Edition by encouraging production and organizing public screening of the selected Asian short films, documentaries, animations and music videos narrating the stories of struggle and transformations on any of the seventeen Global Goals. However, a particular focus would be laid on subthemes related to: ecological, social and economic development issues including poverty, hunger, health, education, global warming, gender equality, water, sanitation, energy, urbanization, environment and social justice.
Reference Material:
• https://worldsbestnews.org/partners-projects/communicating-the-sustainable-development-goals-everyone/
• More than 700 filmmakers across the globe tackled these questions as part of this year’s Picture This Festival for the Planet, a short-film competition for emerging filmmakers hosted by Sony and the United Nations Foundation. These short films explore global goals like clean energy, access to education, and environmental sustainability through a variety of storytelling techniques, including comedy, animation, and documentary interviews. One submission even borrowed from the horror movie genre.
• https://unfoundation.org/blog/post/8-short-films-to-inspire-you-into-sdg-action/
• http://www.un.org/webcast/pdfs/160421pm-sdgs-com.pdf
• http://www.dentsu.com/csr/team_sdgs/pdf/sdgs_communication_guide.pdf
Key Components of APFF - 3rd Edition 2019:
I. Inaugural Session – High profile representation from multilateral, bilateral and governmental fora
II. Screening of selected Asian films (shorts, documentaries, animations, music videos) followed by discussions and Q&A
III. Panel Discussions – 17 parallel panel discussions on 17 Global Goals (moderating conversations between policy and communication communities)
IV. Inter-Governmental Policy Dialogue on Global Goals in Asia
V. Master Classes on A2Z of Filmmaking
VI. Art Exhibition on Global Goals
VII. Musical and Cultural Events
VIII. Networking Dinners
IX. Media Encounters
X. Grand Finale followed by Award Giving Ceremony
