INTRODUCTION
Since approximately one year ago the Platform for Exhibition & Promotion of Actors and Producers Doble·Rol (www.doblerol.com) started up, there have been plenty of people who have contacted us. Some of them to share his enthusiasm to be part of the idea and some others to transmit to us varied doubts and questions. Between these consultations one in concrete has been specially constant: “I’m an actor/actress and I want to show my talent by my own Doble·Rol Short Film, but… How do I find a producer who helps me to make it?”.
While it is unquestionable that both, producers and actors, we belong to the same professional sector and that nobody would question that the each other’s work is reciprocally dependent, it is equally true that in too many ocassions it becomes excessively complicated to find a commonplace that promotes the mutual collaboration and that unifies purposes. If a producer needs actors he knows where to find them. He will not lack web pages, facebook groups and other virtual or physical places where to announce his need. On the other hand, when an actor needs producers… How does he find them?
This question and the desire to design something that was helping to generate a unusual synergy between actors and producers (and also scriptwriters) making our small contribution in order that both profesional groups walk in the same direction, the creativity, instead of doing it in opposite directions, as is usually the case, they were the reasons that encouraged us to organize this contest of specific Doble·Rol short films. A contest that does not only aspire to motivate the cooperation but also it wants that the fruit of this collaboration was stimulated giving it relevancy in the eyes of important professionals of the audio-visual and theatre industry of our country and giving the protagonism that both, actors and producers, deserve.
Having said this, we can only add: Let’s get down to work and may the best win!
But don’t forget to read and follow the instructions that we detail for you below.
THE RULES
In our platform Doble·Rol all the short films must comply with a few basic and indispensable requirements, both of quality and of conditions.
In this Contest the requirements will not be so rigorous as in the platform but some of the characteristics that make these shorts so distinctive and unique will be obligatory. The procedure and conditions to take part in the contest are the following ones:
The short films must last more than 3 minutes and less than 20 minutes (not including the bumpers nor the credits).
Only one actor/actress may appear in each short film. He or she must play, necessarily, a minimum of two characters that have to interact with each other. For example, play monologues separetely shall be inadmissible. Limit does not exist in the number of characters that the actor or actress will play, provided that they should be interrelated. Will not be admitted short films in that the played characters do not interact or in that other actors appear recognizable. It is permitted to use voice-overs of other performers if they are indispensable for the development of the story.
Anyone (whether a natural or a legal person) can participate regardless of their nationality, always provided they are already 18 years old.
The short film can not be exposed in other competitions or festivals during the period that lasts this one, nor must be exposed in other websites or platforms that are not Doble·Rol, until after the jury has announced its decision.
There is no limit to the number of films you can submit to the contest.
If your short does not comply with any of the points mentioned above, your film won’t be accepted for competition. Employees of Clandestinodeactores.com and Doble·Rol can not compete, nor any sponsor or collaborator involved in the process of selecting the short film finalists, nominees or winners.
CHARACTERISTICS AND SENDING OF YOUR SHORT
Our Contest is bilingual. Therefore, in order for your film to be seen by as many people as possible, it is mandatory that you send it subtitled following the next guidelines.
- If your short is in Spanish, you must subtitle it in English
- If your short is in English or any other language, you must subtitle it in Spanish
You have to add two bumper (screens) to your short film that we offer you in the link “Download Bumpers” on the side within this same section or by clicking here. The first one is animated and the second one should remain visible for 2 or 3 seconds. The time of duration of said bumpers must not be included in the 3 minutes that must last the short films.
You must send your short film in a single digital format: MPEG4 (or Mp4) format encoded in H264 and AAC (for audio) measuring 1280px wide X 720px hight. Your film can be up to 500 Mb. You must send it through wetransfer.com to our email cortos@doblerol.com
Furthermore, you have to send us two more things:
· A film still from your short that does not contain either the title (it shouldn’t be the initial still) or the subtitles overprinted on it. It must be in .jpg format measuring 900px X 506px with a maximum size of 400kb. It is very important that the still you send have a good quality (they should be seen clearly without pixellation) because they are going to be the images with which your short is presented on the website. In other words, send us some great image!
· And also you must send the following data: the director’s name and surname, the actor’s name and surname, the scriptwriter name and surname, the short film’s title, the film genre, the location (city and country). Also the NIF tax identification number (if you are a Spanish citizen), your NIE number (if you are a citizen of another country with residence in Spain) or your PASSPORT number (if you are a citizen of another country without residence in Spain) from the person who will collect the prize in case of winning.
You can send all that to the same email cortos@doblerol.com
Later, when we have confirmed that your short complies with our rules, we’ll send you an email to inform you whether it has been admitted to the contest.
You should also be aware that the organization reserves the right to not accept for the contest those pieces that according to its judgment do not meet the technical, artistic and/or legal requirements demanded by the Contest. Likewise we save ourselves the right to discredit or exclude shorts that the organization considers that they could hurt sensibilities.
HOW LONG DO I HAVE TO SEND MY SHORT?
You can send your short or shorts from March 15th until August 15th 2015. So as soon as you finish reading these rules, you can get to work. We’re dying to see them!
Don’t leave for tomorrow what you can do today. Even though the period for submitting the films lasts almost five months, we advise you to send us your works soon. The audience will have a lot more time to calmly enjoy them, and we’ll avoid the famous last-minute avalanches of shorts, nervous fits and botch-ups.
Once the period for receiving films is over, the Organization will decide which films among all those that have been accepted will become Finalists and therefore have a chance at the prizes granted by the Jury and the Audience.
The Jury will have until September 30th to determine which short, actor/actress and scriptwriter will be the winners.
WHO WILL SEE THE FINALIST FILMS?
If your film becomes a Finalist, we will send it to the members of our Jury, which this edition comprises the following leading directors, casting directors, agents and also actors:.
Katrina Bayonas
Miguel Bardem
Enrique Villén
Marta Hazas
Carmen Ruiz
Pedro Hermosilla
Rosa Estévez
Andrés Cuenca
Mariam Grande
The Creative Arts Film Festival is an annual international film festival that is designed to showcase and promote short films and filmmakers. CAFF runs throughout the entire month of December and we offer worldwide exposure, free promotional listings, international audiences, and the prestigious "Perfect Spirit Film Awards". And, yes, we do accept Music Videos in any of the genres.
CAFF knows the value of a good film, and we do our best to let every creative artist know that it is all about them and their project.
“CAFF believes that it is through an army of fans that the creative artist can build a solid career in entertainment.”
~ Connie Spielberg, Filmmaker/Creative Arts Film Festival
CAFF considers short length films that are a MAXIMUM of 60 minutes (including credits), and we offer filmmakers premiere exposure to entertainment industry professionals and fans worldwide via our website. We are completely driven by love of the craft and our festival is committed to the filmmakers who bring great short films to the world.
Founded by filmmakers and creative artists, CAFF is like no other film festival, because it is designed to promote YOU, the filmmaker. Our innovations are all designed to further YOUR career. Such as: The Perfect Spirit Film Awards – to bring recognition and credibility to your work; Submitted Films Listings – Our massive additional promotional vehicle for our creative artists JUST FOR SUBMITTING A PROJECT. These are all unique marketing ideas that no other film festival in the world had ever offered before CAFF. We are proud to offer them to our filmmakers.
CAFF offers these initiatives because it brings more attention to YOU, the creative artist. They were pioneered to better serve the filmmaker. And, mixed with our marketing efforts, CAFF does all it can do to get you and your project in front of every single person around the world.
Thank You and Good Luck from Creative Arts Film Festival.
POST-ALMOST-APOCALYPSE
Mórbido turns 15 years and it’s time to celebrate the survival of the modern apocalypse.
In those terms, Mórbido 2022 will have a hybrid identity. The festival will take place in theaters, on the LATAM Pay TV channel Mórbido TV, online and in a drive-in Cinema.
SHORT FILM SELECTION / Pay TV + Online
25th Oct through 31st Oct
The 2022 short film selection will be broadcasted through Mórbido TV. (Basic Pay TV, Latin America, not Brazil).
FEATURE FILM SELECTION / Cinemas + Drive In + Online
25th October through 31st October
The 2022 feature film selection will be shown:
- Cinépolis Diana, Cinemanía Loreto, Autocinema Coyote.
- Cinépolis Klic (November 1st-6th).
Rural FilmFest, member of Green Film Network (GFN), is an international itinerant film festival, which offers a current overview of international documentary film, fiction and animation in a short, medium and long format related to the rural world, ecology, sustainability and natural and cultural resources. Rural FilmFest is not a common film festival, it is a unique and unrepeatable event. It is a summer camp, with excursions, multi-adventure, geocaching awards ceremony (Yes, you read that right. As a filmmaker you will have to find your trophy at the closing gala via GPS coordinates), international coexistence, dance, party and lifelong friendships. It is the experience of your life and if you attend, you will not want it goes over and you will want to return next year... Just read the reviews to discover the opinions of other filmmakers who have attended the Rural FilmFest. If you have a fiction film, animation or documentary whether it is a short film or a feature film, do not hesitate to submit.
Description
Noir is elusive in nature, a label savoured by the most curious lovers of mystery.
Thriller, comedy, science fiction, horror…with a taste of Noir, Read rules.
Aim
“Give them pleasure. The same pleasure they have when they wake up from a nightmare.”
A.Hitchcock
HEMOGLOZINE is a cultural event strengthened at national and international level. A Film Festival that focuses on the genres with greater influence and followers in all over the world, horror, science fiction and fantasy genre.
In short, HEMOGLOZINE consists of:
-An international competition where present new works of horror and fantasy.
-A large number of parallel activities with the genre.
Film Festival “Seize the Film“ is focus on projections of films related to the topic of disability/at least one actor is disabled person and it has editions in Novi Sad (Serbia), Rijeka (Croatia), Banja Luka (Bosnia and Herzegovina,) and Kotor (Montenegro).
In addition to screenings of films on the topic of disability, the Festival also has accompanying programs and post-production - Film Caravan, which includes screenings in cultural spaces, schools, other festivals and „Seize the film Kids“ - screenings of films suitable for children aged 7-12 (in Serbia).
NEW CATEGORY - Entries to BEST MUSIC VIDEOCLIP (Official, Youtube, Vimeo, etc)
NEW CATEGORY - BEST PERSONAL/ENTERTAINMENT ONLINE CHANNEL (Youtube, Vimeo, etc)
FESTIVAL agent of SMG FILM to distribution of independent content worldwide.
IMDB: Upload informations about your movie (Please, all filmmakers, upload info about official selection or awards) at IMDB Brazil Cinefest: http://www.imdb.com/event/ev0004784/
Atualize suas informações no IMDB caso seu filme tenha feito parte de seleção oficial ou seja ganhador em qualquer categoria de alguma das edições do Brazil Cinefest, Macaé Cine ou Noite Contemporânea.
Cinemateque of MAM - Rio de Janeiro
http://mamrio.org.br/wp/cinemateca/
Brazil CineFest is a circuit created with lot of categories and options of screening and Awards. During five years, it was realized at Macaé City as Macaé Cine Int´l Film Festival and presented national and international screenings with competition and non competition categories, all free, always showing the best in the world of film productions, thrilling at opportunities to honor up-and-coming filmmakers and industry veterans, winners and new talents, side by side. Now is time to move on, cause a good movie is one of the most powerful and potential product to news midia and electronic devices and always needs more. Today is realized at Modern Art Museum ( Cinemateque of MAM) in Rio de Janeiro, city of natural beauties and great producers and studios. We’re seeking new global perspectives on the modern day movies and expressions. Qualify your project today! Every edition, a selection of the most promising films are send to the best producers and studios of America, Europe and Latin America.
Partners: MAM - Museum of Modern Art, Cinemateque of MAM, Ancine, Revista de Cinema, CIARIO, Chicago for Ribs - Redondo Beach, Rio Film Comission, Federação de Conventions & Visitors Bureau do Estado do RJ, Rio Film Commission, Brazilian Academy of Motion Pictures and Arts (Academia Brasileira de Cinema)
Festival at Cultural Map of Rio de Janeiro State by Brazilian Government- http://mapadecultura.rj.gov.br/headline/macae-cine-festival-1
Documentary about festival, nominated to Great Prix of Brazilian Cinema - http://www.academiabrasileiradecinema.com.br/petroleo-e-cinema
The Reel Youth Film Festival is a touring festival of the world's best youth-made short films. Chosen by a youth selection panel, it is a diverse collection that includes all genres, celebrates youth culture, and showcases a new generation of film makers.
The festival kicks off annually at the Vancouver International Film Festival (Canada) and goes on to tour in partnership with screening partners across Canada and around the world. Overall winners are determined by cumulative audience votes.
The International Afro Film Festival "Ananse" aims to make visible the cultural and social aspects about the black population. Working as part of a circuit that allows alternative movement be made known to new filmmakers to make videos about the Afro-descendants in the entire world.
"Ananse" is the first festival that invites filmmakers around the country the possibility to create spaces visible productions representing the views of the black communities.
The Santiago International Documentary Film Festival (FIDOCS) is the main broadcasting, diffusion, and competition event for documentary cinema in Chile and Latin America.
Focused on the promotion of dialogue and reflection, as well as in training audiences towards the appreciation of documentary film in a context of permanent transformation, FIDOCS seeks to explore the multiple paths available in documentary making as well as in the drifts proper to nonfiction works. In its program, FIDOCS incorporates the works of both experienced and emerging directors in order to address the question of “THE REAL”, and in doing so, it considers the various dimensions, disciplinary frontiers, and tensions that the question “what is real?”, as well as the documentary genre itself, has to offer us.
Throughout its history, FIDOCS has positioned itself as one of the most distinguished documentary film festivals in Latin America, standing as a privileged platform to screen contemporary cinema and to promote critical thinking. Year by year, under its selective curatorial approach, FIDOCS not only calls for important exponents of national and international audiovisual sectors to exhibit their work in Santiago, but also, in using this city as a film hub, it calls on such exponents to question, interpret, and re-write the status of contemporary documentary film practice today.
For the promotion, positioning, and exhibition of Chilean and International films, FIDOCS displays three main competitions. These sections include: INTERNATIONAL COMPETITION; CHILEAN COMPETITION, and EMERGENT SHORT COMPETITION FOR NATIONAL FILMS.
In addition, FIDOCS has the main industry activity, DOCS IN PROGRESS, for Latin-American works in progress where the jury (editors, directors, sound designers, producers, programmers), in addition to choosing a winner, feeds the filmmakers to carry out the post-production of their films and encourage their diffusion and transmission. This section is jointly run together with WIP section of CHILEDOC CONECTA.
The festival also has important training and extension activities in its FIDOCS SCHOOL, where students from film schools and communications from all over Chile so that its most outstanding students are in an intergenerational and interdisciplinary space with international and national festival guests; attending Master Classes, workshops, dialogues, among others.
In addition, in keeping with its interdisciplinary vocation, FIDOCS intends to accompany its screenings of other artistic interventions such as installations, exhibitions, performances, that from their own expressive means dialogue with the documentary concept. This is how FIDOCS EXPANDED section arises, where various artists, video-artists and filmmakers, all of them linked to the fields of sound or visuals, exhibit their work.
Finally, the chosen films will be screened after the completion of the festival, in different regions of Chile and abroad, at BEST OF FIDOCS section. The purpose is the cultural extension of the festival at a territorial level, putting emphasis on the circulation of the films at the regional level, being able to program replicas in the national territory as well as abroad.
*FIDOCS will be held with theatrical screenings.
SHORTS MÉXICO CALL FOR ENTRIES – SUBMIT YOUR FILM
SHORTS MEXICO has become the biggest International short film festival in Latin America.
An exhibition platform specializing in short films. It promotes cinema creative expressions, diverse voices, distinctive and innovative visions, bold quality films from filmmakers from all over the world. At SHORTS MEXICO we encourage the growth and development of short films as well as the filmmakers.
SHORTS MEXICO - Mexico International Short Film Festival call for entries begins March 1st through May 31st ,2024 at 23:59 (CST) Mexico City. We are open to receive Short Films from all over the world inviting all production genres.
The 19th Edition of SHORTS MEXICO will be held from September 1st through the 30th 2024 in Mexico City. The National Cinematheque of Mexico is the main venue of the festival, and it amounts other important venues as CINEMEX Theaters, one of the largest cinema chains in the world, world famous Vasconcelos Library, Centro Cultural Universitario de la UNAM, CDMX´s Faros and Cultural Centers, etc. The festival amounts over 35 venues in Mexico City and holds exhibitions in every one of the 32 States of the Mexican Republic, so the event truly occurs throughout Mexico. Since the pandemic, SHORTS MÉXICO is presented in a hybrid format, holding virtual and televised exhibitions as well, having over 1 million spectators per edition.
Throughout the year the festival features previews, exhibitions, retrospectives and master classes. The Shorts Mexico Tour includes cities, towns and villages of Mexico, as well as exhibitions in various countries around the world. Shorts Mexico Academy conference cycle includes an academic offer aimed at developing professionalization in various specialized areas of filmmaking. The festival will also present Shorts México Pitching Competition, Work In Progress Contest, and its Screenplay Short Film Competition, with the goal of encouraging and promoting the creation, professionalization and production of quality films.
FESTIVAL SECTIONS
COMPETITIVE SECTIONS
INTERNATIONAL Competition (Live Action, Animation and Documentary)
IBEROAMERICAN Competition (Live Action, Animation and Documentary)
MEXICAN Competition (Live Action, Animation, Documentary, NeoMex)
SHORTS MEXICO’S SHOWCASE / FESTIVAL´S FAVORITES - OUT OF COMPETITION
International - Iberoamerican
World Cinema
Queer Shorts (LGBTTTQ+)
Fantascorto (Fantasy, Sci-Fi and Horror)
Ecoshorts (Environmental Conservation)
Kids
Indigenous Peoples
Fun Shorts (Comedy)
Experimental
International (Live Action, Animation, Documentary, Experimental)
Mexican
Pueblos Indígenas y Originarios
Mujeres Mexicanas en el Cine
Mexican (Live Action, Documentary)
Experimental
Queer Shorts (LGBTTTQ+)
Fantascorto (Fantasy, Sci-Fi and Horror)
Infantil – Kids
Ecoshorts (conservación ambiental)
Funshorts (Cine de Comedia)
Certificates
All the selected films will be given a certificate of participation in México International Short Film Festival - Shorts México. The Mexican short films selected in any competition of the festival will be able to submit their short film to the Ariel prize of the AMACC (Mexican Academy of Cinematographic Arts and Sciences).
The Mediterranean Film Festival in Široki Brijeg is characteristic for a unique atmosphere – a mixture of relaxed fun, tourism, rhythm and films. Hence the Festival quickly became the favourite of film workers and audience. Those who once feel the scent of the Mediterranean in this little town of film, shall always return to it. In front of the hall where the projections are going on there is always an interesting atmosphere, and after the projections there is always fun and dancing to the rhythms of urban music till late hours. The Festival is the initiator of the new relations within the world of culture, there is no elitism in it, no VIP boxes, no privileges. Within the last ten years we have succeeded to create an atmosphere in which no one feels alienated, inferior or less invited to be a part of the event.
MFF is the oldest festival of documentary film in the region considering that only documentary films compete here and the largest part of the program is based on documentaries. This is one of the rare festivals that has money prizes for the winners of the festival and in that way helps them to create new film projects. The School of Film Culture with relevant lecturers is being organized within the very MFF. A short documentary film is created every year at the MFF workshop, which we screen at the closure of the festival.
Besides the film projections there are also other programs offered at MFF. First of all the touristic ones, where a new branch, unknown untill now in Hercegovina, is developed – the cultural tourism. Within the tourism part there are the tours visiting the most interesting sites in Hercegovina which might be used as the locations for films shooting. Visits to the most significant touristic potentials of Hercegovina (Međugorje and Mostar) are also organized. We meet the guests of the festival to the exceptional archaeological localities and introduce them with the potentials of ethno tourism. In cooperation with the Tourist Board we get our guests acquainted with the Hercegovinian gastronomy – an extraordinary cuisine that has preserved the ancient taste and has not subdued to the modern culinary novelties, and belongs to a very healthy nutrition.
Mediterranean Film Festival lasts for six days, and all our guests, never mind from which part of the Mediterranean they might come, shall wish to come back again here.
Chulpicine began its work in 2002 with the first ever Itinerant Children & Youth Film Festival in Quito. The warm welcome that the project received allowed the festival to become an annual event during the months of July to September, bringing an educational and entertaining event at no cost, to sectors with few cultural activities.
Thanks to the positive reaction, Chulpicine became a cultural and educational non-profit foundation in June 2004. After more than 10 years of experience, Chulpicine have reach a stable proposal and working methodology that has spread at national level. The Festival has promoted the creation of coaching staff; cultural managers working in different communities; and a large group of followers.
Chulpicine has designed a set of activities and workshops for institutions, community organizations or outreach workers to educate and train in different areas related to cinema, audiovisual, communication and Internet used as social intervention tools. These activities and workshops have been the beginning of a formation of learning communities by harnessing the capabilities of young people, as well as the setting up of an active and engaged network of social facilitators through the film and audiovisual work.
The Foundation carries out the following program lines: training; intervention; appropriation of public spaces; diffusion and production. This line of work is an alternative to foster community networks to develop communication skills, analysis and reflection in the various stakeholders of the community, thereby strengthening its organizational and self-development skills.
The foundation has a multidisciplinary team currently working on the projects. These people are responsible for different areas: there is a psychologist, a producer, a programmer, a communicator and an accountant.
In addition, every year about 12 people are hired to assist in the implementation of activities. This group is made up of people who have worked in the past in the festival and some new young people that wish to join the group. Also, each year we have the support of volunteers from different organizations.
Over the past 3 years, the film industry of Philadelphia has come together to make this city an active spot for short films from around the world to be screened and celebrated. Average Superstar films has stepped up and lead the way for this massive event. This event truly gives both local and international filmmakers their due. It is held at the world famous Trocadero Theatre in Philadelphia. With a $60,000 sound system, and a FULL screen, the theater seats up to 600 movie-goers. These events are held quarterly (one per season). The event runs for 3 hours, with a big networking party going on in the lobby area. News outlets and press are active at this event. Celebrities from all walks of life have shown up at this event. We are only accepting online screeners. There are a variety of ways to submit your screener to us (YouTube, Vimeo, or through one of the online submission services). This will SAVE YOU MONEY! These events are 21 and up.
Each film director and cast is also interviewed at our event for an episode of Average Superstar Films TV. PLEASE visit our website averagesuperstarfilms.com to see videos and pictures from past events.
Here is the link to a video from last event. This is what this event is all about join us!
https://www.youtube.com/watch?v=Padp260d5k4
Curtocircuíto was born on 2004. But since 2013, we performed structural, aesthetic and programming changes to redefine the festival, giving it a new identity that seeks dialogue with the most innovative trends of film language.
The in-competition Official Section is divided into the following subsections:
RADAR: Works of any genre and nationality. A varied selection of titles that set trends at a global level, whether in fiction or animation or the documentary genre. Experienced film- makers share this space with up-and-coming directors: short films that arrive at Curtocircuíto backed by multiple awards received in international festivals, and new works that Curtocircuíto wishes to promote.
EXPLORA: Works of any genre and nationality. A section that focuses on the search for new filmmaking signatures. Pieces that can hardly be catalogued in specific genres, and that dilute the traditional idea of cinema by exploring innovative avenues that are close to video art, documentary or avant-garde cinema.
The participation of a work in one section or another, in its case, will be a decision of the Organisation, regardless of the type of registration of such work.!
