FICS 12 판은 2022년 9월 27일부터 10월 1일까지 부카라망가 산탄데르에서 열릴 예정입니다. 모든 공식 경쟁 부문의 전화는 2022년 6월 24일부터 8월 19일까지 공개됩니다. 이 판에서는 페스티벌은 시청각 개발을 위한 효과적인 인식 지원을 받을 수 있습니다.
산탄데르에서 언론의 발전을 주도하는 20 년 이상의 궤적을 가진 사회 교육 및 통신 공사 PRESS LIBRE 는 FICS의 적합성을 지원하고 자격을 부여합니다.
FICS는 영화 감독 세르지오 카브레라 (Sergio Cabrera) 의 대통령직으로 구성되며 행정 파트너와 함께 감독 인 오스카 폰세카 (Oscar Fonseca) 가 이끌고 있습니다.
주요 목표는 공공 비판의 형성과 지역과 국가의 실제 영화 문화에 대한 토론과 감사를위한 공간의 통합을 위해 일하는 것입니다.
FICS 본사 인 산탄데르 부서는 그 중에서도
연간 평균 경제 성장률이 가장 높은 부서는 가장 인기있는 관광지 중 하나로 승진됩니다.
중요한 것은 새로운 시장에 문을 여는 진취적인 사람들의 문화적 진원지입니다.
FICS의 경쟁 섹션은 개발 창입니다.
문화와 영화 산업, Ibero-America를 향한 새로운 모습으로, 국가 영화에 대한 강한 헌신을 유지하고 콜롬비아와 라틴 아메리카에서 제작 된 영화를 지원합니다.
Festival is an international unique project.
These days Khanty-Mansiysk becomes a TV and environmental capital of Russia, where you can see the most actual foreign and native ecological documentary.
Nowadays mass media devote special attention to environmental issues. Every year state of our planet is getting worse. Participants of the festival are calling to rescue the world. They are real professionals that live TV and films.
Their works are worth of recognition. The main award - the Golden Loon - gives to participants an opportunity to create new films that could affect people' world view. Today the importance to respect nature can be reveal through the TV screen. The main thing is to do it properly. And International Ecological TV Festival "To Save and Preserve teaches and promote this thing.
할리우드 아카데미는 우에스카 국제 영화제를 오스카 어워드 최우수 단편 소설 부문 최종 후보작으로 인정함으로써 우에스카 국제 영화제를 지원하고 있으며, 스페인 영화 예술 과학 아카데미도 우에스카 국제 영화제를 고야 어워드에서 인정합니다.
http://www.oscars.org/sites/default/files/88aa_shorts_festival_list.pdf
레볼루션 미 영화제는 새로운 세대의 영화 제작자를 선보입니다. 모든 문화의 모든 예술가들이 자신만의 독특한 방식으로 무언가를 찾고 세상을 바꿀 수 있는 이야기를 만드는 것이 중요합니다.
영화/TV의 세계는 끊임없이 변화하고 있으며 계속 성장할 것입니다. 하지만 누가 이 새로운 변화를 이끌고 있을까요? 영화 제작자, 시나리오 작가, 배우, 제작자 및 감독은 목소리를 가지고 있으며 우리 이야기로 커뮤니티에 영향을 미치는 것이 중요합니다.
레볼루션 미 영화제는 새로운 신흥 영화 제작자들이 함께 모여 세상을 변화시키기를 원합니다. 다양성이 더 필요하고, 목소리가 더 필요하며, 카메라 뒤에 더 많은 여성들이 필요하고, 감독 의자에 앉아 있어야 합니다. 이 영화제는 ALL에게 열려 있습니다!
Bucharest International Film Festival is a competitive festival, dedicated primarily to international feature-length films. The festival aims to promote copyright movies and low budget films.
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
Film is an international medium that has its roots in the American inventors and entrepreneurs. This spirit is felt in every word of a script, every frame, every cell and every pixel of film produced around the world.
The American Film Award is a recognition of what it means to have that founding motivating force. It is much more than a trophy, it is a message that the spirit of film is alive.
The American Film Award is a mark of excellence in Film Craft.
Detroit’s Trinity International Film Festival. The festival takes place August 20-23, 2020 in beautiful Downtown Detroit at The Marlene Boll Theater, 1401 Broadway, Detroit, Michigan and The Carr Center Gallery. The 4-day event themed “FILM YOUR FUTURE” features an array of independent films, screenplays, workshops, The Future panel discussion and filmmakers from around the world. We are also hosting a Best screenplay competition, 2nd Annual Uncle Nearest Premium Whiskey 100 Proof! Red Carpet Award ceremony. We expect an audience of over 4500 people from diverse ethnic and cultural backgrounds to attend. This event will give your company a distinct marketing opportunity with this population in Detroit.
The TI Film Festival has hosted industry professionals locally and nationally to share their knowledge and expertise in various workshops and industry discussions. Special guests have included famed Actress and Producer, Tangi Miller, Syndicated Radio Host and Film Producer, Russ Parr, Former BET Executive Producer, Ralph Scott, currently with the Aspire Network (Owned by Magic Johnson), film segment producer/head of production for more than 100 episodes of SNL, Tanya Ryno and Writer, Director, Qasim Basir, “Destined,” and Actress/Singer Deborah Joy Winans of the acclaimed TV series “Greenleaf,” which airs on Oprah Winfrey’s OWN network.
The highlight of this event over the years has been all of the innovative work we've showcased by indie filmmakers and our audience that supports Detroit's TI Film Festival.
2020 Festival Schedule (Screening Schedule Coming Soon)
국제 아프리카 영화제 “아난세”는 흑인 인구에 대한 문화적, 사회적 측면을 가시화하는 것을 목표로합니다. 새로운 영화 제작자에게 대체 운동을 알리고 전 세계의 아프리카 후손에 대한 비디오를 만들 수있는 서킷의 일부로 일합니다.
“아난세 (Ananse)” 는 전국의 영화 제작자들에게 흑인 공동체의 전망을 대표하는 눈에 보이는 공간을 만들 수 있는 가능성을 초대하는 최초의 축제입니다.
런던 국제 애니메이션 페스티벌은 창의적인 애니메이션의 모든 스펙트럼을 자랑스럽게 선보이며, 애니메이션은 모두를 위한 것임을 보여줍니다.
2003 년에 설립 된 LIAF는 애니메이션이 전 세계에서 제공되는 가장 광범위한 지능형, 재미 있고 도발적인 현재 영화뿐만 아니라 회고전과 국가의 전문 세션을 선별하여 아이들을위한 만화라는 인기있는 오해를 해소하는 것을 목표로하고 있습니다.일반적으로 이러한 관심을 유도하지 않는 애니메이터.
연례 10일간의 페스티벌에는 갈라 초연, 회고, 영화 제작자와의 Q&A, 워크숍, 관객 투표, 베스트 오브 더 페스티벌 상영이 포함됩니다.
The Roswell Film Festival honors International Feature and Short Films of all genres. Special Sections include: General Entry, Sci-Fi/Fantasy, Independent, Documentary and New Mexico based productions.
Taking place May 19-21, 2016 the Annual Roswell Film Festival will host films, special events, panel discussions and you in the Alien Capitol of the World.
Finished films in the categories of Feature Films (running time over 60 minutes) and Short Films (running time under 60 minutes) may enter into the festival.
Entry Fee of $35. The fee for the Festival is for already completed films.
Our mission:
To recognise and honour experimental film
To educate the public in experimental film
To build a networking platform for experimental filmmakers
We support: the unrecognised, the progressive, the visionary. By submitting your film you: endorse our mission, embrace our philosophy, join our community, declare rightful ownership of your work, permit screenings, and the use of clips and images for promotion.
London Experimental Film Anti-Festival
Fluid and evolving
Promoting experimental film
Exhibits in a variety of alternative spaces
No programming
No competition or prizes
Random film selection
Free to watch
Unorthodox marketing
Any kind of video or movie produced by 2014, in any language (we need Italian subtitles). The final term for inscription is february 19th 2017. Info www.videomakerfilmfestival.com
CINESONIKA is the premiere international exhibition for works which make full artistic use of sound's contribution to the moving image, showcasing fascinating soundtracks, idiosyncratic sound design, eclectic scoring and innovative approaches to the sound-image relationship.
Since it's founding in 2010, the CINESONIKA website has averaged ~5000 unique visitors annually, a much larger audience than most boutique film festivals gain in actual screening attendees.
To take advantage of this established global exposure, CINESONIKA 6 will also have an online festival in the Summer of 2017, running in parallel to the Vancouver VFX Festival (www.vvfx.ca). Live screenings of both festivals will take place in downtown Vancouver, British Columbia.
Cinesonika is also partnering with the NW Film Center in Portland, OR for screenings of select films as part of our touring anthology.
We are open to works in any format, including narrative, documentary, animation, experimental, and uncategorizable styles. Videos will be reviewed on a rolling basis until the deadline, so earlier submissions will result in earlier notifications.
We accept in all genres (e.g. animation, narrative, documentary, performance, experimental, shorts, etc.)
HIGHLAND PARK INDEPENDENT FILM FESTIVAL (HPIFF) fosters emerging and established filmmakers by providing forums for screening projects, networking with industry professionals and mentoring student filmmakers in Northeast Los Angeles. All films will screen at the historic Highland Theatre on a DCP system
Kanyakumari International Film Festival
Celebrates its 4th year !
Event Type: Live Screening of Films from worldwide and Connected Programs including Film Making Workshops, Film Seminars, Film Appreciation Camps and Exhibitions.
The call for entries for the film festival is now open!
Screening Categories:
Feature Film Over 60 Minutes
Long Documentary Over 60 Minutes
Long Animation Film Over 60 Minutes
Long Experimental Film Over 60 Minutes
Music Video Over 60 Minutes
Short Film Under 60 Minutes
Short Documentary Under 60 Minutes
Short Animation Film Under 60 Minutes
Short Experimental Film Under 60 Minutes
Music Video Under 60 Minutes
여성 권리 주장 (ASSERTING WOMEN'S RIGHTS RIGRIES) 은 말라가 페스티벌에서 다큐멘터리 감독인 마벨 로자노 (Mabel Lozano) 와 말라가 시의회의 기회 균등 부서와 협력하여 항의와 옹호를 위한 도구로 만든 프로젝트입니다. 이 섹션은 매년 여성의 권리에 대한 사회적 인식을 높이는 문제를 탐구하고 해결하기 위해 만들어졌습니다.
2008년에 시작된 말라가 페스티벌의 이 섹션은 현재 19회째를 맞이했습니다. 이 프로젝트는 두 가지 목적을 가지고 있습니다. 여성이 단순히 여성이라는 이유만으로 21세기에도 계속 직면하고 있는 부당함을 밝히고 여성이 만든 영화를 홍보하고 지원하는 것입니다.
여성의 권리 주장을 통해 우리는 세계 여러 지역에서 여성이 직면하고 있는 어려움에 주목했습니다. 오늘날에도 여성과 소녀들이 생존을 위해 매일 싸워야 하는 곳이 많이 있습니다. 이러한 지역에서는 전통적 관습과 문화적 규범이 종종 개인적, 사회적 발전을 저해하여 남성과 평등을 이루지 못하게 합니다.
