믹스 브라질 페스티벌 (Mix Brasil Festival) 은 다양한 형태의 표현으로 섹슈얼리티와 관련된 영화에 초점을 맞춘 연례 문화 행사입니다.
2020년, 176,000명의 예상 관객이 축제의 28번째 연례 에디션에서 추진 상영, 연극 및 음악 공연, 컨퍼런스 및 토론에 참석했습니다.
Mix Brasil은 11월에 상파울루 전역의 명문 높은 영화관에서 열리고 도시의 다양성을 최대한 활용하여 다양한 혁신적인 행사를 개최합니다. 상파울루 이후 Mix Brasil 투어는 브라질의 다른 도시로 진행되었습니다.
이 행사는 비영리 단체인 Associação Cultural Mix 브라질 (Associação Cultural Mix Brasil) 에 의해 수행되며, 이를 통해 새롭고 다양한 방식으로 성적 다양성을 표현하는 자유를 촉진하고자 합니다.
** 중요 — COVID-19 경고**
코비드-19 전염병으로 인해 페스티벌 믹스 브라질 2021 에디션은 보안 플랫폼에서 각 상영시 참가자 수가 한정되어 있습니다. 지역 공공 기관의 지침이 허용하는 경우 축제는 영화관에서 일어날 수 있습니다.
따라서 Festival Mix Brasil/Festhome에서 제출하는 것은 귀하가 선택한 경우 영화도 온라인으로 표시된다는 점에 동의한다는 것을 의미합니다.
Founded in 2000, The Valley Film Festival (VFF) is a non-profit project of Community Partners ® and is the first and longest continually running film festival in L.A.'s San Fernando Valley, headquartered in the NoHo Arts District.
Now in its 20th year, VFF supports local and international voices that advance storytelling, while furthering the education, production, and exhibition of film. In 2010, the City of Los Angeles recognized our cultural contributions with the city seal, and in 2018 the California State Senate stood with us #UnitedByFilm in our efforts to practice conscious programming to unite the international film community.
The Festival is supported by a dynamic community of companies, filmmakers, and moviegoers, that make it possible for VFF to offer year-round programming:
THE VALLEY FILM FESTIVAL
*In 2019, we expanded from a five-day showcase of film screenings to nine days of live music, book readings/signings, screenplay workshops, professional development panels, a distribution symposium, networking, daily happy hours and, of course, film screenings.
FOCUS ON: Series
*Educational panels in The Valley’s schools (Art Institute, Columbia College Hollywood, and New York Film Academy) that bring our network of industry experts together to share relevant, practical knowledge on navigating the industry
THE VALLEY FILM MARKET
*Previously under our Focus On: series, we’ve pulled out our film sales & distribution events to create THE VALLEY FILM MARKET. Our inaugural symposium included panels and a one-on-one matchmaking event between filmmakers & distributors.
VFF screens shorts, features, documentaries, animated films, experimental works, web series, music videos, and more. If you're unsure if your film fits our programming, please review our archives before submitting.
The Burguillos Short Film Festival's goal is the promotion and exhibition of short films shot in Andalusia or made by Andalusian artists. Also, the support of cinematography and culture in the town of Burguillos (Sevilla).
ONLY FOR ANDALUSIAN FILM-MAKERS // Solo para cineastas andaluces (España).
제15회 FENACIES 우루과이 학생 영화제는 4월 1일에 개관했으며, 6월 10일까지 계속 운영됩니다. 매년 그렇듯이, 초등학교부터 대학생까지 전 세계의 모든 학생들이 완전히 무료로 단편 영화를 등록할 수 있으며, 이 영화는 9월 8일부터 14일까지 몬테비데오에서 상영됩니다.
FENACIES는 경쟁이 공정하고 이들의 창의성과 노력을 소중히 여길 수 있는 청소년 전용 시네마 페스티벌을 만들기 위해 2011년에 설립된 단체입니다.
처음에 이 페스티벌은 교육 문화부의 문화적 관심, 초등 교육 위원회의 교육 관심, 관광 스포츠부는 관광객의 관심을 공언했습니다. 또한 2015년 유네스코는 이 행사를 교육 및 문화적 관심을 끌기 위한 것으로 선언했습니다.
페스티벌의 주된 목적은 막내들 간의 시청각 교육을 강화하는 것이며, 단편 영화를 통해 학생들이 자신의 아이디어를 표현하여 대형 스크린에 반영되는 것을 볼 수 있도록 하는 것입니다.
이번 주 동안 선정된 단편 영화는 공공 및 주립 영화관에서 상영됩니다. 9월 14일 폐막식에서 수상자를 발표할 예정입니다.
The Georgia Documentary Film Festival is a theatrical screening event in Atlanta, Georgia. Our mission is to screen independently produced documentary films from around the world at the Landmark Midtown Art Cinema every year. If your film is selected, you are expected to provide a high resolution download of your film so that we can make a single program on 1080p Blu-Ray DVD.
2024년 마지막 에디션의 성공 이후 나즈라 팔레스타인 단편 영화제가 돌아왔습니다!
2024년은 전 세계가 동원되고 팔레스타인에 대한 관심이 다시 높아진 해였으며, 팔레스타인의 이야기와 문화를 전파하고 확대하여 가능한 한 폭의 관객에게 다가갈 수 있도록 하는 과제는 오늘날에도 여전히 필수적임이 증명되고 있습니다.
8년간의 문화 참여 끝에 2024년에 나즈라가 지원하는 작품이 50개 이상의 도시에서 개최되었습니다. 영화를 채택하여 지역 사회에 제공하기로 결정한 지역 협회와 파트너의 지원 덕분입니다. 경우에 따라 나즈라는 상영 행사 기간 동안 영화 제작자를 초청하여 팔레스타인과 이탈리아 사이의 거리를 좁히기도 했습니다.
2025년에도 Nazra는 지역 사회에 뿌리를 내리고 팔레스타인의 목소리와 이야기를 들을 수 있는 기회를 만들기 위해 최선을 다함으로써 사명을 계속할 계획입니다.
그래서 우리는 2025년에 팔레스타인과 관련된 단편 작품의 출품을 모집한다는 요청을 열정적으로 발표합니다.
자격 요건은 이전 판과 동일하게 유지됩니다. 저작물은 팔레스타인 작가와 비팔레스타인 작가가 작성할 수 있지만 팔레스타인을 주제로 해야 합니다. 2025년 에디션의 경우 2019년 이후에 제작된 저작물이 허용되며, 최대 길이는 30분입니다. 모든 작품에는 영어 자막이 있어야 합니다.
우리 모두가 살고 있는 시대와 팔레스타인의 현재 상황을 고려하여 작년에 설정된 네 가지 범주를 이번 에디션으로 확정했습니다.
소설, 다큐멘터리, 실험 작품 및 Gaze on Gaza 카테고리는 '가자'가 팔레스타인 군도 전체의 상징인 스트립과 요르단강 서안 지구에서 현재 진행 중인 대량 학살 전쟁 중에 촬영된 보고서를 포함하기 위해 만들어졌습니다.
작품은 2025년 4월 15일까지 제출할 수 있습니다.
제출 요청 전문을 다운로드하고 참여하세요!
La 1ª Edición del Festival de cine Cortejos convoca un concurso de cortometrajes de ámbito nacional, a celebrar el 1 de Julio de 2017 en la localidad de Villarrobledo (Albacete).
Only for Spanish filmmakers.
Call for Submission – APFF-3/Feb/19
Asia Peace Film Festival - 3rd Edition
Theme:
Localizing Global Goals: Story Begins at Home!
September 2019
Pakistan
Executing Agency: Asia Peace Film Festival
https://asiapeacefilmfestival.com
https://www.facebook.com/AsiaPeaceFilmFestival/
Background:
The Sustainable Development Goals (SDGs) or the Global Goals for Sustainable Development, are a collection of 17 global goals set by the United Nations General Assembly in 2015. The Global Goals are broad and interdependent, yet each has a separate list of targets to achieve. Achieving all 169 targets would signal accomplishing all 17 goals. The Goals cover ecological, social and economic development issues including poverty, hunger, health, education, global warming, gender equality, water, sanitation, energy, urbanization, environment and social justice. The background and explanation are available in the Resolution Adopted by The General Assembly available at: https://sustainabledevelopment.un.org/post2015/transformingourworld
Localizing Global Goals: Story Begins at Home
The Global Goals provide an indicative agenda for sustainable development that is required to stimulate a series of collective actions to address areas of critical importance for humanity and the habitat. The Global Goals are a large, holistic and long-term set of goals, difficult to distil into simple and compelling messages.
While these Goals are global, their achievement will critically depend on our interest, intention, ability and resources to turn the global social contract based on pressing development commitments into a tangible reality in our homes, communities, neighborhoods, cities, regions, countries and so on. Consequentially, our immediate localities are the primary sites of the compliance of our commitments towards a universal development agenda. Therefore, the story of global goals begins at home and connects to the extended contours of universality. It becomes everyone’s business, leaving no one behind.
Locating Creative Communications: Awareness, Relatability and Reach
APFF believes that contextualization of meta-data is as much important for effective communication as much as localization of global goals are important for any meaningful delivery of development dividends. Policy makers have argued that, “we will only deliver on the SDGs if people know about the goals, demand action, and hold their leaders to their promises.”
From the communication perspective, delivery of development outcomes would largely be determined by the level of awareness, relatability, reach and influence towards global goals. Therefore, creative communications should be aimed at increasing awareness, explaining relatability, enhancing outreach and influencing investments towards Global Goals at immediate locality and beyond. Global Goals are a universal agenda, requiring progress at home and abroad. Experts have suggested that, “our communication should lead to developing political will, involving people to act for themselves locally, and aiming for the goals to become a universal reference guide.”
APFF is seeking to engage creative community of Asian region including passionate storytellers, filmmakers, writers, directors, actors, artists, musicians, singers, social media champions, multi-media creators to develop a communication mix on Global Goals.
Why a Film Festival on Global Goals?
Experience has shown that “the exposure one can get through film and digital content, whether it’s at a film festival, a local cinema screening, through online distribution or educational channels, is magnified compared to many traditional ways we try to impact change.” Festival exposure and awards often bring press attention, which is considered the best amplifier of messages.
A number of studies suggest that “to inspire change, people need to ‘feel’ your story.” Data, research, statistics and trend indicators are important. Data supports and drives decisions every day in what we do. But as they say data alone typically doesn’t reach the part of our brains which can reach complex issues, intuit connections, engage lateral thinking, or move one to action: the emotional brain. ‘Story’ speaks to our emotional brain. Experts suggest: “We have to change the way we communicate. All action is emotional, and in order to get an emotional connection we need to understand what it is.”
APFF considers filmmaking and cinematography as an effective medium of communication to understand, inform, inspire and generate an individual and collective will to act for behavioral and perceptual transformations. Through a thematic cinema, a diverse and larger audiences can be engaged on issues related to SDGs making a complex message simpler, communicative and inspirational. With the extended outreach of digital content, filmmaking has become an effective tool of communication which can be used to strengthen rights-based social movements and development discourses infusing a culture of transformation in societies plagued with hierarchical structures, policies and instruments.
Against this backdrop, APFF dedicates its Third Edition to the Global Goals encouraging film makers to tell stories of their own soil – narrate local stories to the global audiences and bridge the communication gap. Tell others what story you feel for. Lens your own story! You have a space to inspire, now.
APFF is aimed to celebrate 3rd Edition by encouraging production and organizing public screening of the selected Asian short films, documentaries, animations and music videos narrating the stories of struggle and transformations on any of the seventeen Global Goals. However, a particular focus would be laid on subthemes related to: ecological, social and economic development issues including poverty, hunger, health, education, global warming, gender equality, water, sanitation, energy, urbanization, environment and social justice.
Reference Material:
• https://worldsbestnews.org/partners-projects/communicating-the-sustainable-development-goals-everyone/
• More than 700 filmmakers across the globe tackled these questions as part of this year’s Picture This Festival for the Planet, a short-film competition for emerging filmmakers hosted by Sony and the United Nations Foundation. These short films explore global goals like clean energy, access to education, and environmental sustainability through a variety of storytelling techniques, including comedy, animation, and documentary interviews. One submission even borrowed from the horror movie genre.
• https://unfoundation.org/blog/post/8-short-films-to-inspire-you-into-sdg-action/
• http://www.un.org/webcast/pdfs/160421pm-sdgs-com.pdf
• http://www.dentsu.com/csr/team_sdgs/pdf/sdgs_communication_guide.pdf
Key Components of APFF - 3rd Edition 2019:
I. Inaugural Session – High profile representation from multilateral, bilateral and governmental fora
II. Screening of selected Asian films (shorts, documentaries, animations, music videos) followed by discussions and Q&A
III. Panel Discussions – 17 parallel panel discussions on 17 Global Goals (moderating conversations between policy and communication communities)
IV. Inter-Governmental Policy Dialogue on Global Goals in Asia
V. Master Classes on A2Z of Filmmaking
VI. Art Exhibition on Global Goals
VII. Musical and Cultural Events
VIII. Networking Dinners
IX. Media Encounters
X. Grand Finale followed by Award Giving Ceremony
The Paris Play Film Festival receive films from all over the world, and proceeds to a quality selection.
We bring online your trailer your poster and your plot, and we nominate movies. We do NOT stream your films online.
In the end we reveal the winners and send you laurels and an official diploma.
Once a year we get the best of the best of all sessions and these films screen in Paris.
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Our competition is international.
Our objective is to mix interactive talent competition with a human scale quality selection.
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Your experience will be :
- feeling the pulse of your movie while it's promotion and stream on the POFF Platform
- follow your movie selection with us while its online competition
- use the POFF website as a complementary connection and/or a mini-website
- use our network and work to promote your film, during and after the festival
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The competition process and promotion happens online with streaming, sharing, and online Press Relations.
Submissions to open soon.
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We have original categories like Trailer, Behind the Scenes, Showreel... We love this like you do, so yes, you can show your work and win something with it !
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Every movie selected will benefit from a page of its own, will all the multimedia elements you gave to us.
Every movie officially selected will be pushed on the front page one after the other.
Every winner will stay upfront the website for several month after winning.
프리시 티나 국제 영화제 (PriFest) 7 월에 매년 발칸 반도에서 유럽, 코소보의 최신 국가의 수도에서 발생합니다.
더 읽기 전에 브라우저에서 아래 YouTube 링크를 복사하여 작년 판의 하이라이트의 비디오를 참조하십시오:
https://www.youtube.com/watch?v=Kb9bbxOfqOA
프리페스트는 코소보에서 가장 크고 가장 중요한 영화 산업 이벤트입니다. 그것은 다시 가져 와서 억압과 전쟁의 수년 동안 손실 된 영화 문화를 구축 할 필요성으로 떠올랐다. PriFest는 비자 정권 때문에 유럽과 다른 곳에서 자유롭게 여행할 수 있는 큰 제약이 있는 코소보 출신의 젊은 영화 제작자들에게 기회입니다. 페스티벌을 방문하는 지역 및 유럽의 영화 제작자 및 전문가들을 만나고 그들의 영화를 네트워크와 공동 제작할 기회를 높입니다.
프리페스트 영화 프로그램은 유럽, 발칸 및 세계에서 매년 최신 영화를 제공합니다, 또한 인권을 증진하는 특별 프로그램, 사회의 소외된 그룹에 대한 관용 및 수용을. LGBTQ 테마 영화의 특별 프로그램을 가지고 발칸에서 유일한 축제이며, 로스 앤젤레스 아웃페스트와 암스테르담의 퀴어 및 마이그레이션 영화제와 제휴하여 이루어집니다. 영화 외에도 이 축제는 훌륭한 지역 영화 산업 개발 플랫폼 (PriForum) 을 갖추고 있습니다. 이 플랫폼은 뛰어난 손님들로부터 교육, 강연, 영감을 주는 마스터 클래스 및 코소보 및 이웃 국가의 영화 제작자들이 혜택을 누릴 수 있는 다른 기회를 제공합니다. 그것은 코소보, 지역 및 유럽의 영화 제작자를위한 훌륭한 네트워킹 이벤트입니다.
프리쉬티나 랑데부 (Prishtina Rendezvous) 는 발칸 지역의 영화 프로젝트를 만나고 탐구하는 유통 업체 및 판매 회사를 제공하며, 프리슈티나 키노 카바렛은 페스티벌 기간 동안 프리쉬티나에서 단편 영화를 제작하기 위해 전 세계의 영화 제작자에게 전념하고 있습니다.
제작자, 감독, 영화 산업 전문가, 캐스팅 디렉터 및 에이전트, 영화 제작자 및 배우들은 페스티벌과 포럼 기간 동안 완전히 틀에 얽매이지 않는 친근한 환경과 네트워크에서 만날 수 있는 기회를 갖게 됩니다.
편안한 분위기와 손님에 쉽게 접근 할 수 있기 때문에 네트워크를 확장하고 유럽 및 지역의 영화 산업의 중요한 주요 선수들에게 영화를 보여주고 자하는 사람들에게 독특한 장소입니다.
지금까지 프리페스트는 폴 해기스 (캐나다 시나리오 작가 겸 감독), 바네사 레드그레이브 (영국 여배우), 스티븐 프레어스 (영국 감독), 조슈아 마스턴 (미국 감독), 프랑코 네로 (이탈리아 배우), 에바 오너 (호주 프로듀서), 기디온 씨가 방문했습니다.부르크하르트 (독일 배우), 사무엘 마오즈 (이즐리 감독), 다니스 타노비치 (보스니아 감독), 벨리보 주제 (보스니아 배우), 자스밀라 즈바닉 (보스니아 감독), 미르자나 카라 노비치 (세르비아 여배우) 및 기타 중요한 손님.
우리는 프리페스트가 코소보와 같은 새로운 나라를 위한 진정한 문화적 외교 도구라고 생각하고 싶습니다.
마지막으로, 우리는 국제 및 지역 DJ와 전자 음악의 아주 멋진 파티가, 멋진 음악, 놀고 좋은 바, 그리고 가장 중요한 것은 좋은 음식과 매우 저렴한 가격으로 술을 많이. 코소보와 프리시 티나는 인구의 65% 가 25 세 미만이기 때문에 방문하는 것이 재미 있습니다!
우리는 뜨거운 여름 밤이 여기에 지출되어야한다고 보장 할 수 있습니다, 해변 (알바니아) 여기서 불과 3 시간 거리:)
축제의 슬로건은 우정입니다. 영원히.
VIDEOFESTIVALGIOVANI – is a place of encounter and confrontation for audiovisual products made by young people aged between 14 and 30 years old.
Aims to promote the dissemination of videos of girls and boys and is a showcase of creative works in the world of adolescence and youth.
Who can participate
Can participate in the contest, video products made autonomously by young people aged between 14 and 30 years, residents throughout the country and internationally.
The Georgia Shorts Film Festival is a theatrical screening event in Atlanta for independent films of all genres. The Georgia Shorts Film Festival also recognizes exceptional filmmaking and screenwriting with awards and nominations by our judging panel. All films are screened at the Landmark Midtown Art Cinema, with an awards show immediately after.
The Houston Comedy Film Festival is a unique forum for international independent filmmakers to showcase their Comedy Feature Length and Short Films in Houston, Texas. The 10th Houston Comedy Film Festival will take place April 13th, 2019 featuring films from multiple countries around the world.
Horror Films in Hotlanta, is a horror film festival in Atlanta, Georgia. This annual event showcases horror films from around the world. Atlanta has a great film scene in general, but also a dedicated horror film community that is eager to see new films. All flavors of horror are accepted including creatures, suspense, vampires, zombies, psycho killers, dark comedy, animation and other horrific situations that will make our audience jump. We've recruited 12 judges in the Atlanta area that are ready to watch every minute of every film submitted. We are also looking for horror film screenplays and hope to recognize exceptional work that can one day be produced into a short or feature film.
Your recognition should be SOLELY based on how good your work is, but to be honest, it's not. There's so much politics and agendas, and personal ties in this industry.
The people who get accepted into the big festivals are so rarely the little guy/girl, and it's basically a circle jerk of only those who have a big name or star attached getting in.
You hate that, and I hate that. That's why this this is built by filmmakers, in fact, we just completed our first feature which premiered at TIFF Lightbox last year.
We don't discriminate in genre, in length, in anything asides from "How good is your god damned film?"
You already have a lot debt and a lot of disappointments as an indie. Maybe you get accepted at a festival that shows your work some where in some guy's basement, but does that really matter in the end?
What about getting screened at the "BIG SCREEN", having your name on the Marquee?
When will making your short actually translate to MAKING IT in the business?
We're filmmakers too here at indiefilmTO which is why we've designed this from the ground up for filmmakers who are ready to take that next step.
indiefilmTO Festival was founded in 2015, and screened at TIFF (Toronto International Film Festival) Bell Lightbox, since we know how important the VENUE is to filmmakers.
Be we don't stop there. We invite industry producers and Executive producers to come to the screening, to mingle, so you get a chance to get your film in front of the eyes of those who matter.
This year, we will again be screened at TIFF (350 King St. W, Toronto ON) in Nov / Dec 2017.
If you want your name on that marquee, and want to stop going more and more into debt, waking up and wondering when will this Groundhog Day circle of making-films-and-going-nowhere to end, then submit to indiefilmTO Festival.
*indiefilmTO is a non-profit based in Toronto founded by filmmakers, which seeks to help grow the indie film scene in Toronto.
The Atlanta Comedy Film Festival is a unique forum for comedy filmmakers and television producers from all over the world to showcase their creative works in Atlanta, Georgia. The Atlanta Comedy Film Festival showcases short comedy films, web series, funny music videos, commercials (Under 30 minutes) from all over the world, in HD. Accepted films will be screened in a back-to-back, fast-paced format for a comedy film loving audience. The awards ceremony will take place at the end of the program that will recognize filmmakers for their creative work. Currently, this festival is not accepting feature length films.
En medio de la indiferencia y apatía de un mundo hipercomunicado, el Colectivo Fílmico G/A propone por segundo año consecutivo, la plataforma de proyección cinematográfica Cámara Lúcida, enfocada en la muestra y difusión de cine de autor, experimental, no ficción, periférico y contracultural.
El objetivo de este encuentro cinematográfico plantea crear un espacio de empatía, donde como autores y espectadores podamos escucharnos y saber del otro, de sus investigaciones y preocupaciones. Esperamos que la sala de cine florezca como lugar creador de complicidades de un andar, de una forma de ver o entender el mundo, un lugar en que la vinculación entre el autor y el espectador nos permita soñar juntos.
Fieles a nuestra decisión inicial decidimos fundar este espacio de proyección mostrando aquellas obras fílmicas que plasman la realidad que nos enmaraña; la confrontan y la ayudan a transformarse.
Cámara Lúcida decide apoyar a los autores que reconocen y proponen nuevas narrativas desde sí mismos y en medio de su cohabitar con la realidad, a las películas que reinterpretan y plastifican la realidad, el cine que resignifica al cine día a día.
Esperamos ser un espacio que supere las censuras y prejuicios en el quehacer cinematográfico y sus temas. Apoyamos a los autores que no le temen a los nuevos formatos y su movimiento, a sus temas y su tratamiento, cine en constante mutación e irresistible transformación, es decir, cine libre.
Sean todos y todas bienvenidos.
