The main objective of the Short Film Festival is the dissemination of ecosystems and biological heritage through cinematographic and audiovisual works selected through quality criteria.
Montevideo Fantastic Film Festival is the first Uruguayan festival dedicated to promoting national and international film productions related to horror, fantasy and science fiction genres. Its objective is to annually present independent and ultra-independent creations that are often considered "minor", and that hardly access commercial and cultural circuits.
It has sections related to short and long feature films in competition, as well as exhibitions, tributes to different figures of the genre, lectures presented by specialists, and promotion of different cultural activities that occur in the country.
The Montevideo Fantastic Film Festival has been declared of Cultural Interest by the Ministry of Education and Culture, of Municipal Interest by the Intendance of Montevideo, and of Tourist Interest by the Ministry of Tourism in Uruguay.
It was screened in the Punta del Este International Film Festival, LatinUy Film Festival ("Cinema Fantasy" section, in La Barra), Piriápolis de Película International Film Festival ("FantaPiria" section), as well as in several foreign genre festivals like 'Buenos Aires Rojo Sangre' from Argentina; 'Brasilia International Fantastic Film Festival' from Brazil; 'FIXIÓN Fest' from Chile and 'Zinema Zombie Fest' from Colombia.
Our up coming LIVE event will take place at Maya Cinemas on August 10, 2024.
SFO Short Film Festival is dedicated to promoting short films created by College Film Students, High School Students, and Independent Filmmakers. Awards are given to symbolize a record of accomplishment and Distribution is offered for marketing.
SHORT FILM CATEGORY SUBMISSION: (Minimum length 2 minutes; No longer than 30 minutes, including credits.)
1) Independent Filmmaker Short
2) Film Student Short
3) High School Short
4) Animation Short
SHORT FILM GENRES:
Short Film: Drama/Action/Crime/Suspense/Thriller
Short Film: Comedy/Romance
Short Film: Horror/ Sci-Fi/Fantasy
Short Film: Animation
3° DALE REC Film Festival: It is a space for meeting, circulation, training, management and production of audiovisual content for children and adolescents. This year it takes place from August 2 to 4 at the facilities of the Universidad Nacional del Chaco Austral, in the province of Roque Sáenz Peña, province of Chaco, Argentina.
Organized by UNCAUS Culture, Secretary of Cooperation and Public Services, National University of Chaco Austral, UNCAUS, in conjunction with the National School of Cinematographic Production and Experimentation, ENERC headquarters NEA, Ministry of Culture of the Nation, the National Institute of Cinema and Arts Audiovisuales, INCAA, the Institute of Culture of the Province of Chaco.
BASES AND REGISTRATION:
dalerecfestival.com.ar
CONTACTS:
dalerecfestival@uncaus.edu.ar
FOLLOW US ON INSTAGRAM
@dalerecfestival
Memorimage, International Film Festival of Reus is a Festival targeting films that use archival moving images.
The 19th edition of Memorimage will be celebrated from the 6th to the 9th of November 2024.
Governmental Organisations, and the world’s first festival of films on international development by young directors.
Festival Aims
Encourage filmmakers/creatives to work together to raise awareness of the Three Pillars of Freedom through screening of films created around these themes.
Three Pillars of Freedom and the Environment
* Freedom from want: Through the achievement of the UN Sustainable Development Goals
* Freedom from fear: Through efforts to bring about collective security and peace.
* Freedom to live in dignity: Through the application of justice for all, from the Universal Declaration of Human Rights.
Development: poverty, shelter, healthcare, education, gender, governance, finance
Human Security: conflict prevention, conflict resolution, peacekeeping, shelter, migration
Human Rights: gender, education, dignity, participation
Environment: ecological issues, preparation for and consequences of natural disaster, sustainability, new technologies
Short films: any of the above
Young Film Makers: under 25 years
Festival of Future Storytellers has been one of the most important festivals for young filmmakers worldwide since 1981. Each year, it offers young filmmakers from all over the world a platform for presenting their own short films and exchanging ideas about filmmaking. Each November, Munich becomes the focal point of up-and-coming international filmmaking — a place for lively exchange, networking, and discussion.
The short fiction, documentary, and animated films screened in international competition are eligible for valuable prizes, which are awarded by an independent festival jury. In addition, Festival of Future Storytellers presents a DACH Short Film Competition, in which short films from the DACH region will be programmed. An extensive supporting programme with panels and masterclasses complements the film programme.
Seoul International Food Film Festival (SIFFF) is an event to present outstanding and thought-provoking films about food and related issues every year since 2015.
While celebrating diversity of food and lifestyle from different cultures, SIFFF also aims to provide time for relaxing and healing to rediscover the taste of life, not to mention, to raise public awareness on healthy eating and sustainability.
SIFFF’s program includes an inspiring selection of documentaries, feature and short films related to food, from the newest buzzed-about ones to classics and cults.
With film screenings, a variety of events such as catered parties, cooking and tasting events, talk shows with film and culinary professionals will be held to provide delightful, multi-sensory film experience.
2015년 첫 발을 내디딘 서울국제음식영화제는 영화와 음식을 매개로 세계 곳곳의 다양한 삶의 모습과 문화를 이해하고 서로 소통하고자 하는 축제입니다.
인생의 맛과 여유를 환기하는 영화들을 통해 현대인의 바쁜 일상에서 잊힌 삶의 미각을 되찾는 맛있는 힐링을 지향하며, 건강한 먹거리와 지속가능한 식생활에 대한 활발한 논의의 장을 마련하고자 합니다.
각양각색의 음식과 그만큼이나 다양한 문화권의 삶을 담은 영화를 통해 먹는다는 것과 우리 삶의 관계를 돌아보고 함께 나눠 먹는 즐거움을 생각하는 맛있는 영화제를 관객과 함께 만들어 가고 싶습니다.
CALL FOR ENTRIES
WE CARE Film Festival on disability issues
(wecarefilmfest14@gmail.com)
Deadline: 30 NOVEMBER 2024
13 JANUARY 2024
Sub: Submit your film on disability issues
Dear Sir/Madam,
Building of the UN Convention on the Rights of Persons with Disabilities, RPD Act and the National Trust Act, BROTHERHOOD, is hereby inviting short films and documentaries on disability issues from worldwide filmmakers for the 20th edition of the WE CARE Film Festival scheduled from 13-18 January 2025 at INOX, Goa.
The WE CARE Film Festival aims to raise awareness about disability issues, dispel misconceptions and prejudices about persons with disabilities, and drive attitudinal and behavioural change.
We hereby invite you to submit your short films, documentaries, or feature films (within four categories: up to 5, 30, 60, and 120 minutes) to the Film Festival.
Themes of the short film and documentaries on benchmark disabilities as per RPD Act 2016 and UNCRPD
1. Inclusive/special education practices and/or models
2. Experiences of persons with disabilities in pursuing education
2. Livelihood/Income-generating initiatives for and/or by persons with disabilities
4. Independent living models of persons with disabilities
5. Accessible and barrier-free environment - success stories and initiatives
6. Musical video showing persons with disabilities
7. Sportspersons with disabilities - their triumph and success stories
8. Showing extra-ordinary talents/abilities of persons with disabilities
9. Assistive technologies and artificial intelligence being used by persons with disability in all spheres of their lives and their impact in education, employment, mobility etc.
10. Innovation in education, health, employment, accessibilities, entertainment for persons with disabilities
12. Initiatives aimed at creating awareness of various disability issues
13. Rehabilitation of persons with disabilities
14. Sustainable development models for the welfare of persons with disabilities on any issue
15. Overcome Mental Health / Psychological issues among persons with disabilities and their families
16. Impact of Central/State Government schemes/initiatives among persons with disabilities
PARTICIPATORY RATING PROCESS
A preview committee will select the final films to be screened. The last date for receiving the entries is 30 NOVEMBER 2024.
The organizers encourage all filmmakers (with or without any impairment) to produce audio-visual content that complies with all accessibility standards and guidelines. To be considered for screening at the We Care Film Festival, all films should contain captions and subtitles in English. Filmmakers are also requested to make films with audio descriptions.
For further information and complete guidelines, please refer to the enclosed WE CARE Film Fest documents:
• Submission Requirements
• Entry Form
• Undertaking by the Filmmaker
Awards & Prizes
VII NATIONAL RURAL FILM FESTIVAL OF AYACUCHO
The Rural Film Festival was created in 2016 as an initiative presented by Lic. Emilio Quiroga to the Department of Culture of the Municipality of Ayacucho, with the goal of promoting audiovisual production in our city.
Every year, we launch an open call at the national and international level for short films of fiction and non-fiction that address the concept of "RURAL" through their form and/or content. Our intention is to explore the perspective of this concept and enrich ourselves with productions from other places in our country and the world.
The Festival offers training programs and support with theoretical and practical audiovisual production tools to those who join this initiative locally. This includes teachers and students from schools and educational institutions, community centers, organizations, or simply groups wishing to participate and residing in the city of Ayacucho.
These are some of the central concepts we have implemented over the years and will continue to develop in this space:
Short film production as a powerful educational tool that strengthens cognitive skills, creativity, problem-solving, and teamwork, while motivating students in an innovative way.
Basic audiovisual production training, workshops for teachers on how to guide students in creating short films. This includes teaching them the basics of planning, shooting, and editing videos. Many teachers have no previous experience in these areas, so the training helps them lead these projects.
Integrated evaluation of student-made short films across different subjects, so that teachers recognize the relevance of these projects beyond their specific area of expertise.
Collaborative projects where teachers from different disciplines (such as arts, history, literature, science, and technology) work together to create an interdisciplinary short film. This could include combining thematic areas to address a common issue from different perspectives.
Online educational resources or YouTube tutorials for teachers on how to apply film to various subjects. This may include how to shoot a scene, how to light it correctly, or how to work with sound, all at a level accessible to educators with no cinematic experience.
Access to simple editing software or online platforms (such as InShot or CapCut) that students can use at home or in the classroom to edit their projects. They can also use sound recording tools or simple effects to help with content creation.
Scriptwriting talks and courses or storyboard models that teachers can adapt to their subjects. This helps students follow a proper structure when writing their scripts, ensuring that their stories are more consistent, regardless of the area in which they are working.
We promote and encourage the cinema room in our city and other alternative screening spaces.
We foster cooperation between rural and urban schools.
We generate socio-educational projects in schools, institutes, and training centers.
We offer talks, courses, and training open to the community.
We produce audiovisual content and resources for the departments of the Municipality of Ayacucho.
We produce local short films that address fiction stories and rural documentaries, as well as other themes of interest to filmmakers.
This experience has become a phenomenon that grows each year, surpassing its initial expectations. We are motivated to make our identity known, promoting the value of Ayacuchense culture and that of our country. We emphasize human relationships and the bonds that arise from this encounter for mutual benefit.
We strengthen alliances between our community and people and groups who come to the city of Ayacucho from nearby towns, other provinces, and cities across our country, drawn by the social event and the values that the Rural Film Festival represents.
It is necessary, through our intervention, to guarantee access to a symbolic language, which is essential to navigate the world around us and construct the images and sounds of our time. This is a fundamental task for the development of society, the strengthening of democracy, equity, and access to work. We approach audiovisual media as an object to be thought about and constantly transformed.
The 2023 COMMFFEST will celebrate 18 years from September 14-22 2023 screening in movie theatres exhibition spaces, and ONLINE presented yearly by a group of dedicated volunteers. COMMFFEST a charitable corporation makes its home in one of Toronto’s most fast growing, economically diverse neighbourhood, Old Town Toronto, where many languages are spoken amongst an eclectic population.
Our screenplay competitions is spearheaded by 30 year filmmaker, writer, director and producer Vladimir Bondarenko who is an instructor at Toronto Film school,
COMMFFEST is a film festival that presents a broad range of local and international films representing current affairs and relevant issues that affect our society. COMMFFEST provides opportunities for emerging filmmakers, artists, musicians and global community stakeholders to express themselves freely and to connect with audiences on a more personal level. This unique blend of film, filmmakers and audiences creates a dynamic atmosphere to provoke thought and stimulate further understanding and exploration of ideas, attitudes, and emotions that can foster change – starting with the communities in which we live.
FILMS OF ANY GENRES ACCEPTED; independently produced films. Included in that mix are childrens issues, poverty, human rights LGBTQ, women's rights, third world struggles,
The last 18 years Commffest has built a valuable platform for introducing emerging and professional filmmakers to bring together communities, not for profit organizations with government officials in panel discussions to tackle pertinent issues often resulting in more funding and support for these groups.
Commffest is a cultural platform that strives to educate and create a hospitality environment where filmmakers and attendees can mix and mingle over food, drink and entertainment.
TESTIMONY , Eleanor Mc Grath’s
As an independent film-maker, you work often for a year or possibly years to direct, edit, produce a film and then comes the waiting game to be selected by a film festival.
COMMFFEST is more than a community film festival in Toronto; it is an art festival with a world perspective and I am most fortunate to have been part of the 2015 film festival programming with my documentary, "Forgotten". COMMFFEST's vision is to share stories that demonstrate the strength, struggles and beauty of humankind while providing a strong platform for independent film makers to showcase their perspective and vision of our world today and into the future. We need festivals like COMMFFEST who step away from the mainstream and champion works where the viewpoint is critical, enlightened or visionary in their approach to conflicts or issues that prevail throughout Toronto, Canada, North American and worldwide.
Behzad Sedghi Filmmaker
For me, COMMFFEST has been where my films have finally reached their maturity by connecting through the big screen with their audience. It is this connection that is essential for any artistic endeavour. As this may be the case with most other festivals, however, in my direct experience with COMMFFEST I clearly felt that each artist was given special attention, a chance to have a dialogue about their creation and ultimately was embraced in a celebration of their achievement. COMMFFEST founders and organizers are filled with the love of films and arts and clearly possess the vision and generosity to make this celebration happen every year. I look forward to being part of the next celebration either as an artist or a member of its community.
COMMFFEST mission statement:
To advance education by raising the cultural, artistic and aesthetic expression of the community and to advance the public’s appreciation of the arts through related artistic workshops and panel discussions, while promoting the works of filmmakers and artists alike.
The programming: The films are chosen by a jury of professionals from a globally solicited call for submissions. Once chosen, the programming is created to generate discussion around specific world events and themes, provoking dialogue and acceptance of others and their concerns.
More about COMMFFEST
COMMFFEST attracts educators, artists, politicians, business leaders, socially conscious organizations and trendsetters.
Local Educational engagement:
Over 6000 Children from local schools across the GTA that now include the COMMFFEST festival experience as part of their annual curriculum.
COMMFFEST’S unique diversity invites the world to one local community event over several days in Toronto
SITGES FANPITCH 2025
For the eleventh year in a row, the Sitges - International Fantastic Film Festival of Catalonia is organizing Sitges FanPitch, its feature film and series production project pitch competition.
Sitges FanPitch is the international pitch competition event focusing on feature films and series productions in development with horror, science fiction and/or fantastic genre themes. The initiative maintains its objective of discovering the very best genre projects and facilitating connections with leading industry companies. The event will take place in hybrid format on October 12 and 13, 2025 at the Sitges Film Festival.
Altogether, a maximum of five series and seven feature films from all around the world will be selected. These will be joined by the projects selected by the Festival at the collaborating Sitges FanPitch film markets and the project selected at Sitges FanPitch Catalunya Imaginària.
The people responsible for each of the selected projects will have the opportunity to make a sales pitch and meet with each of the participating companies. In addition, the five winning feature film projects will be eligible for travel grants for their international circulation and to be part of the next Feratum Residency.
In the series category, one winning project will be selected, which will be awarded a cash prize for its ongoing development.
Once again this year, we will be supporting local talent with the Catalunya Imaginària label, guaranteeing a place in the final selection for a project in Catalan.
For the fifth consecutive year, this edition will be complemented by the Showrunners LAB, an introductory and mentoring seminar on the role of the showrunner. The selected series projects will be able to benefit from individual mentoring sessions with the showrunners participating in this year's edition.
Mogilev State Enterprise "Kinovideoprokat" welcomes you and informs that in September 2025 in the city of Mogilev, Republic of Belarus, the XXVIII International Festival of Animated Films "Animaevka-2025" will be held.
Over the years, the festival has become a celebration of animation for children and adults. Events are held in all regional centers of Belarus.
For viewing, film screenings of competitive and non-competitive programs, creative meetings with the creators of animated films, master classes, exhibitions of children's fine and decorative and applied arts are organized.
As part of the treatment:
- competition of animated films;
- competition of children's animation creativity
- competition of children's fine and decorative and applied arts.
The Santiago International Documentary Film Festival (FIDOCS) is the main broadcasting, diffusion, and competition event for documentary cinema in Chile and Latin America.
Focused on the promotion of dialogue and reflection, as well as in training audiences towards the appreciation of documentary film in a context of permanent transformation, FIDOCS seeks to explore the multiple paths available in documentary making as well as in the drifts proper to nonfiction works. In its program, FIDOCS incorporates the works of both experienced and emerging directors in order to address the question of “THE REAL”, and in doing so, it considers the various dimensions, disciplinary frontiers, and tensions that the question “what is real?”, as well as the documentary genre itself, has to offer us.
Throughout its history, FIDOCS has positioned itself as one of the most distinguished documentary film festivals in Latin America, standing as a privileged platform to screen contemporary cinema and to promote critical thinking. Year by year, under its selective curatorial approach, FIDOCS not only calls for important exponents of national and international audiovisual sectors to exhibit their work in Santiago, but also, in using this city as a film hub, it calls on such exponents to question, interpret, and re-write the status of contemporary documentary film practice today.
For the promotion, positioning, and exhibition of Chilean and International films, FIDOCS displays three main competitions. These sections include: INTERNATIONAL COMPETITION; CHILEAN COMPETITION, and EMERGENT SHORT COMPETITION FOR NATIONAL FILMS.
In addition, FIDOCS has the main industry activity, DOCS IN PROGRESS, for Latin-American works in progress where the jury (editors, directors, sound designers, producers, programmers), in addition to choosing a winner, feeds the filmmakers to carry out the post-production of their films and encourage their diffusion and transmission. This section is jointly run together with WIP section of CHILEDOC CONECTA.
The festival also has important training and extension activities in its FIDOCS SCHOOL, where students from film schools and communications from all over Chile so that its most outstanding students are in an intergenerational and interdisciplinary space with international and national festival guests; attending Master Classes, workshops, dialogues, among others.
In addition, in keeping with its interdisciplinary vocation, FIDOCS intends to accompany its screenings of other artistic interventions such as installations, exhibitions, performances, that from their own expressive means dialogue with the documentary concept. This is how FIDOCS EXPANDED section arises, where various artists, video-artists and filmmakers, all of them linked to the fields of sound or visuals, exhibit their work.
Finally, the chosen films will be screened after the completion of the festival, in different regions of Chile and abroad, at BEST OF FIDOCS section. The purpose is the cultural extension of the festival at a territorial level, putting emphasis on the circulation of the films at the regional level, being able to program replicas in the national territory as well as abroad.
*FIDOCS will be held with theatrical screenings.
The Mexico City International Independent Film Festival STUFF MX celebrates its 10th edition in June 2025 and opens its official call to filmmakers from all over the world to register all their film materials, music videos; in all formats, genres and categories of any length, in animation, documentary, fiction and live-action, which will be valid from December 1, 2024 until March 31, 2025 at 23:59 CST (CST), Washington, D. C. time. CST (CST), Mexico City time.
The Tehran International Short Film Festival (TISFF) stands as one of Asia's most prestigious and widely recognized platforms for short films, celebrated for its dedication to creative excellence, innovation and the promotion of diverse voices in cinema. Over the course of its illustrious history, TISFF has evolved into a vibrant hub for global storytelling, attracting thousands of submissions from filmmakers worldwide—a reflection of its unparalleled reputation as a cornerstone for emerging talent and visionary cinematic voices.
To support emerging filmmakers and promote diversity, TISFF allows free film submissions; ensuring financial barriers never hinder talented filmmakers from sharing their unique visions.
Organized by the Iranian Youth Cinema Society (IYCS), a leading organization in short film production and education, TISFF benefits from an extensive infrastructure comprising 57 branches across Iran and a thriving network of filmmakers and alumni. The IYCS supports the production of countless short films annually and trains aspiring filmmakers each year. Many of its graduates have risen to prominence as some of the most celebrated filmmakers in international cinema, reinforcing its profound influence on the global filmmaking stage.
An OSCARS®-qualifying festival, TISFF is renowned for embracing innovation while celebrating cinematic tradition. For its 42nd edition, TISFF proudly showcases its established categories of fiction, documentary, animation, and experimental films—genres that have long been at the heart of its commitment to cinematic excellence, with the Grand Prize winner becoming eligible for Academy Awards® consideration. In addition, the festival spotlights its AI Competition Program, highlighting the transformative role of Artificial Intelligence in redefining storytelling and artistic expression, reflecting TISFF's vision for the future of filmmaking.
New this year, TISFF proudly presents the Emerging Horizons Award which reflects TISFF's enduring focus on emerging talent. This category is dedicated to first or second short fiction films from filmmakers in the MENA region, offering a platform for fresh and visionary voices from this dynamic part of the world.
As ever, TISFF remains a global platform for filmmakers to present their work, fostering the evolution of short film as a compelling artistic and cultural medium. We warmly invite you to join us in vibrant and culturally rich Tehran this autumn for the 42nd edition of TISFF.
The Itinerant Cinema in Mi Barrio festival is consolidated as a vital platform for the dissemination of national short films in the department of Cauca, giving audiences from various subregions the opportunity to enjoy cinema on a giant screen. The 2024 call is open to short films that, due to their narrative proposal, stand out and have the potential to reach diverse audiences.
Cinematographic works may address free themes, with special attention to aspects such as the environment, human rights, creativity and youth, arts and cultures, thus reflecting the richness of Colombian biodiversity.
This year, the festival's itinerant route begins in the Cauca Pacific, with stops in Timbiquí and Guapi. The mobile room will then move to the south, to the lands of Patía, and later to the north in Santander de Quilichao, in the Valles del Cauca. You will also visit the east of Tierra Distancia, known for its hidden treasures.
The festival will have special programming during the central week in Popayán, Cauca, where additional activities will be developed, including workshops, talks and official exhibitions. This itinerant not only seeks to showcase short films, but also promote dialogue and cultural exchange, reaffirming the festival's commitment to promoting national cinema locally and internationally.
The Toronto International Nollywood Film Festival (TINFF) is a film festival that embraces diversity and inclusivity! TINFF is a Telefilm Canada and IMDb-qualifying film festival. https://www.imdb.com/event/ev0010686/2019/1
The Toronto International Film Festival (TINFF) invites you to come to enjoy the diversity that brings local and international films, filmmakers, and artists to the beautiful city of Toronto every year.
The objective of TINFF is to be a prominent film festival in Toronto that celebrates the diversity that defines our beautiful city. The primary goal is to advance creative, independent filmmaking through diversity, innovation, and uniqueness by capturing a series of movements and experiences in a single film. We support, screen, and present music and films from around the world in order to help them find an audience and diversify the film industry as a whole.
The festival's programs and activities will initiate programs that address the capacity building of its organizational structure and personnel while also investing heavily in the development of its stakeholder group and providing support for strategic activities that address major challenges and opportunities.
This year's festival and activity projects will include conferences, screenings with Q&A, live music performances, stage plays, and dance, as well as several audience development activities involving workshop training and mentorship programs in various capacities geared toward increasing workforce capacity and putting diversity and inclusion at the center of its annual program and objectives.
The CBDFM Summit:
As part of the annual festival program, the TINFF-Market, also known as the "Canada Black & Diversity Film Market," will focus on business development, providing support to organizations for business-to-business (B2B) industry activities and business-to-consumer (B2C) audience development activities that bring opportunities for new business leads, collaboration, sales, distribution, and relationships.
Our programs and activities will be offered in three phases to ensure effective planning and execution:
• Festival programs will feature, among other things, screenings with Q&A, interviews, conferences, and seminars.
• Workshops and Training, Mentorship, and Masterclasses: Bridging the Gap in Skills Development Programs
• Acquisitions, networking, production collaboration, negotiations, sales, exhibition screenings, meetings (one-on-one or group meetings), and conferences are all part of the Film Market Summit.
Our initiatives, as a creative hub for filmmakers and industry stakeholders, are geared toward developing opportunities for all Canadians and international filmmakers and stakeholders, with a focus on the marginalized Black, Indigenous, and People of Color (BIPOC) groups.
The Toronto International Nollywood Film Festival (TINFF) is a year-round award competition and live screening festival held in Toronto each year. Every year, we hold a festival event and an award ceremony to celebrate diversity in film. We warmly welcome filmmakers from all around the world to Toronto.
Following the announcement and notification of the Official Selected Films, we will go on to the next stage of the selection process and announce the TINFF Festival Finalists who will compete at the live festival event in Toronto. The names of all Finalists will be published on the TINFF festival website and on the TINFF Facebook page.
TINFF is a music and film festival with an awards ceremony that honours and fosters filmmakers by recognizing, promoting, challenging, and building knowledge of equality, social justice, non-discrimination, diversity, and multiculturalism.
CURT’ARRUDA - Arruda dos Vinhos Annual Film Festival aims to present national and foreign cinema, stimulating film production through the attribution of awards for best rural short film and the best short film from Arruda dos Vinhos.
CURT’ARRUDA is a film festival focused on rurality. It is organized by Cultura deGrau – Cultural Association.
Lloret Negre is the first noir genre festival of the Costa Brava. It's objetive is to promote the noir genre and as well as Lloret de Mar and it's heritage.
