18 CINETORO EXPERIMENTAL FILM FESTIVAL
CINETORO is projected as a transdisciplinary Festival-School, dedicated to curatorial practice and the training of filmmakers; building bridges between emerging talents and prominent national and international artists, and promoting analysis and criticism related to the production and thinking behind experimental cinema and animation.
We advocate for a cinema where poetry and art dialogue; that draws its limit beyond the perimeter of spectacularity, of technical correctness, of the topics and forms on the agenda. It is an imperfect cinema, which accepts its artisanal condition and is concerned with the recovery of the consciousness of corporeality; reflecting, problematizing and questioning the construction of image and sound.
Cinema with a territorial imprint, which redesigns, mutates and pronounces itself before the world. Resignifying the territory, transforming the perspective on rurality and providing the community with spaces for the appropriation of knowledge.
ABYSSAL CHANTS
Is what we hear alive?
#SeeAndHearDifferently:
18TH CINETORO EXPERIMENTAL FILM FESTIVAL
From October 28th to November 2nd
A distant sound rumbles in the darkness of the room, a call coming from the abyssal depths of the ocean, a penetrating song that attracts and binds. The listener slips through a seam in time and plunges into the void.That leap entails risk, and an encounter with the unknown. Those films that jump, that search in the darkness, in the shadow, in the mystery, in the spectral, in the sound but also in the silence, are the ones that captivate us in this edition.
Sound as movement, can reveal the temporal dimension of an image —whether still or moving. Rather than merely supporting images semantically, sound may serve as their structural axis. We are looking for films that explore diverse relationships between image and sound or treat sound as plastic material. Whether through a conceptual approach where sound structures the film; or where the voice carries weight not just for what is said, but also for its qualities: the voice as a malleable medium, as revelation and reverberation; or where music, instead of simply accompanying the image, becomes a structural part of the film itself . Films that take shape through sound.
We want to dive into the depths of sound, so that with our eyes closed we can see and listen as we swim and immerse ourselves. From a theoretical or curatorial perspective, little exploration has been done in these waters
The abyssal chants act as a call, and this call is what we want to respond to, in this edition. We are looking for animations, documentaries, fictions, hybrid films and experimentations that resonate with these chants, with this call to see and hear differently.
#AbyssalSongs #DeepListening #Cinetoro2025 #LookAndListenDifferently #LeapIntoTheAbyss #FilmAndSound #ExperimentalFilmFestival #HybridCinema #ExperimentalCinema
#ExperimentalNarrative
FesticineKids 27 is an international children's and youth film festival in Cartagena de Indias, it is a film competition that orients its efforts towards strengthening the production and distribution of Colombian, Latin American and world cinema for children and young people.
In 2025, FesticineKids reaches its 27th, edition with the same spirit of highlighting and celebrating cinema for girls, boys and young people. The phrase has been chosen as the slogan: OUR KIDS VALUES. From this concept it is intended to invite children and young people to be aware of the responsibility they have to be agents of change in their environments. Children and young people are the future that should encourage the care of our planet earth, the human beings that surround them, animals and plants, as well as the places they visit. The tendency to Afro movies and ones oriented to indigenous people.
In the construction of the profile of the FesticineKids 27, the screen is problematized as a point of confluence of girls, boys and adolescents. By postulating cinema as that scenario in which feelings, emotions and beliefs are expressed, it is intended that girls, boys and adolescents, understanding what the cinema evokes them, what they extract from it and its meanings, wonder about the place that cinema has in their lives, in their environment, in parallel to the place they want and dream of.
It is also an opportunity for adults, parents, teachers, cultural and cinematographic authorities, to think about the need to strengthen their capacities to be trainers in tension and interaction with the audiovisual media, especially the cinema.
We proudly announce 12th edition of PCISFF in September, 2025.
IMPORTANT NOTE:
Before submitting your entry/entries please be informed that your film(s) will be screened in various Colleges, schools and Universities of Rajasthan, for free. The audience will watch and rate your film on the spot. On the basis of their ratings, best films will be short listed. These films will then be judged by our jury.
No compensation is admissible for the screening of your film(s). Your film(s) can also be shown on local or national TV channels. No royalty will be paid for such screening.
People expecting any payment for the screening of their films are requested not to send any entry to PCISFF.
It have been already Sixteen years of this festival, which year after year, with firm step, has expanded its proposals for good cinema. Lies far away 1999, when sponsored by the humoristic duo Gomaespuma and M-80 Radio began the first edition of the festival with the slogan “the Indians are coming! ”. Eventually Imagineindia has internationalized, showing films from all over the world while those from Asia are still assuming the bulk of the festival.
The eleventh La Serena International Film Festival (FECILS) is a competitive audiovisual event that will take place from October 22 to 25, 2025, in the Coquimbo region. It seeks to support the production and dissemination of regional, national, and Latin American audiovisual activities, thus contributing to decentralization by promoting the exchange and training of regional filmmakers and producers. Through these actions, FECILS seeks to establish itself as a cultural event that, in addition to generating film exhibition spaces in the Coquimbo region, focuses on generating new audiences. FECILS 2025 features an audiovisual outreach program that will reach various venues in the region's communes.
The 24th Almería International Film Festival will be held in Almería (Spain), in order to promote the province of Almeria through the strengthening the historical links of the province with the audiovisual industry and culture, from Friday 14th November to Sunday 23st November 2025. The Festival is organized by Almería Provincial Council.
OFFICIAL CALL FOR ENTRIES – NOCTAMBULANTE 2025
Noctambulante is a horror and fantasy film showcase with 16 years of experience in Mexico City. What began as a film club has become a landmark event for fans of fantastic cinema, building a passionate community and promoting a love for the genre through all-night screenings in diverse venues across the city.
Over the years, Noctambulante has taken cinema beyond traditional theaters, creating immersive experiences in unique settings — from parks and plazas to historical sites and open-air locations. Its mission is to bring horror and fantasy films to new audiences, providing a platform for the exhibition of national and international productions that rarely find space in commercial theaters.
Beyond exhibition, Noctambulante is committed to fostering film production in Mexico. Through calls for entries divided into various categories, the project opens up opportunities for the creation of genre cinema, with special focus on the proposals of university students and emerging talents.
The 35mm Film Festival was born in Milan from the desire to share the love of cinema and to give voice to talent. The main goal is to create an opportunity for artists and film enthusiasts to meet.
The first edition of the festival was held on 19 and 20 October 2024 at ‘Il Cinemino’ and ‘Area Zelig’. This will be possible thanks to the event, which will be held for two consecutive days: on the first day, there will be screenings of the projects selected to participate at the festival; on the second day, there will be TALKS with the directors in competition and the jury, and finally THE AWARD EVENING.
We accept short films from all over the world, fiction or documentary, of any genre and shot on all types of support, both digital and analog. The second edition of the 35mm Film Festival will be held in MILAN on September 27 and 28, 2025.
The festival has been held for over twenty years in the Russian Far East.
"Amur Autumn" is one of the major cultural events in the region.
The festival features two film competitions and one theatre competition.
The two film competitions are:
– Feature-length fiction
– Short fiction
Filmmakers present their works at the festival whenever possible.
Each competition is judged by an international professional jury.
Screenings take place in a cinema, and the jury watches the films in the theater.
To participate in the festival, the film must have Russian premiere status.
The festival prize is the Amur Crane.
The Grand Prix in both competitions also includes a monetary award.
Each year, the festival receives over 1,000 submissions.
In accordance with Russian legislation, films on LGBT themes cannot be screened in the Russian Federation.
In 2024, the Indian film The Unyielding Girl won the top prize.
Other winners included films from Russia, Chile, China, Turkey, France, Kazakhstan, Iran, and Switzerland.
A total of 37 films from 21 countries participated in the competition programs.
The Susquehanna Film Festival is the 1st festival of its kind to be held in historic Williamsport, Pennsylvania by founder Tim Yasui, an LA-based independent film producer and film distributor who was originally born and raised in Williamsport. Our Festival will celebrate and acknowledge not only international films, but also regionally-produced feature films and short films from the Greater Pennsylvania and Mid-Atlantic states. We will encourage all film makers and young students also who are studying Film to submit their films which otherwise might be ignored by the national festivals.
In recent decades, and at one time to the emergence of new technologies that have ended up scanning most of the processes of the film, the documentary has known a notorious and systematic growth around the world. In our country, and for more than one decade, a production before linked almost exclusively to fiction has been swelling their ranks with new topics, new approaches, new geographies, new dilemmas.
It is in this context that FIDBA is proposed as the 1st. International Film Festival dedicated to this genre which films with the same fans - as long as we believe that the forms and the doings of the documentary film are different from those of the fiction - may meet and dialogue among them and with the public. If the documentary is a meeting point for the FIDBA, it is insofar as it proposes an interpellation to the little-known memoirs, disturbing present and (our) future in suspension. FIDBA will then be an approach not only among audiences, filmmakers and thinkers linked documentary but also in relation to the always stimulating possibilities that allow you to open this space to other border and heterodox expressions framed inside of what we would call "non-fiction" and that encourage us to dialogue with contemporary expressions that go beyond even the scope of the film.
FIDBA will pay special attention to those filmmakers for whom cinema is linked to a form of research and knowledge of the world that surrounds us as to the portrait of human beings whose conditions of life, in certain historical and social contexts, allow you to ask us about our. It is, therefore, authors who not only reflect reality but also ethical and moral relationship which involves filming the other.
FIDBA aims to become a point of support for filmmakers seeking to widen the perception of reality and to films which represent a step forward in the effort to understand it and anticipate it. So, it will make focus on films whose aesthetic originality put at risk not only an idea of the documentary but also a thought about the same film and its possibilities. Since this focus implies questioning the status of the real front of the camera or of the film in relation to reality, this is as inseparable from the mediations that arises.
Roca Film Festival is a non-profit cultural project held annually in the parish of Roca, Guitiriz, Lugo, Spain. Organized by Xermolos Cultural Association, this small-format musical film festival reaches its XII edition in 2025.
Key Features:
Musical Focus:
The festival centers on musical-themed productions, providing a platform for filmmakers who explore the relationship between cinema and music.
Varied Program:
In addition to short film screenings, the festival offers a wide range of activities, including:
- Outdoor film screenings.
- Presentations of cultural projects.
- Live concerts.
- Art exhibitions.
- Colloquiums and debates.
- Guided tours of the area.
- Traditional games.
Short Film Competition:
The festival features a musical-themed short film competition, divided into two categories:
- Galician short films.
- Non-Galician/international short films.
The winners of each category receive a cash prize of €100 and an original trophy designed by local artisan Marcos Ladra.
Roca Film Festival contributes to the diffusion of musical cinema and the promotion of culture in the region of Lugo. Furthermore, it promotes cultural exchange between Galician and international filmmakers.
The parish of Roca, in Guitiriz, offers a rural and natural environment that adds a special charm to the festival.
Bendita Tú is an international short film festival that promotes experimental, hybrid, and video essay cinema with a gender and queer perspective. Based in Argentina and Spain, the festival creates a space for encounter and dialogue to give visibility to emerging cinema within a diversity of identities and territories.
In its 8th edition, the festival chooses the Land as its central theme, a concept that opens the door to multiple meanings. It is, at the same time, the planet we inhabit and the soil that sustains life, as well as a network of relationships where the human and the non-human intertwine in a web of interdependence. From a poetic and broad perspective, the Land is conceived as a medium that evokes displacements, migrations, and diasporas, but also as a ground laden with scents, textures, and memories, where the organic and the inorganic merge. As Gaston Bachelard (1994) said, “the Land is a memory that can be touched,” an idea that gives it both sensory and symbolic resonances, transforming it into a space of reinvention, mourning, and resistance.
The festival proposes a dialogue around the interconnections situated in relation to this element. From indigenous worldviews, which understand the world as a living and sacred being (Shiva, 2005), to contemporary approaches that highlight the agency of the non-human (Bennett, 2010), with the aim of reflecting on how the Land territorializes and, at the same time, territorializes us, redefining notions of belonging and home in a context marked by profound geological and atmospheric transformations.
Entities considered “non-living” —the substrate, stones, sand— emerge as fundamental actors in narratives of displacement. As Ingold (2011) suggests, “life does not occur on the Land, but within its folds and textures.” Thus, through diverse audiovisual approaches, this edition is an invitation to feel the thickness of the Land, to listen to its multiple voices, and to recognize that, even in the most distant grounds, there are traces of life that connect us with other beings and with other temporalities, acknowledging that we are part of a constant flow of lives and materials that precede and will succeed us.
The 8th edition will feature a selection of short films included in the Official Competition and the Roots Section.
The International Alternative Media Film Festival (FICMA) promotes and disseminates the creation of films and audiovisual projects with new digital narratives and disruptive technologies, created with a variety of devices such as smartphones, DSLR cameras , GoPro cameras, Blackmagic Pocket cameras, drones, and others. It utilizes technologies such as virtual reality, digital animation, and artificial intelligence, among others, and features exhibition media such as projection, VR headsets , and streaming platforms .
This year, with our tenth edition, we will celebrate the different forms and techniques of cinematic expression we have brought to the public over these past 10 years, as well as incorporating new projects that drive the future of audiovisuals.
FICMA will take place from November 12 to 22, 2025, in Mexico City.
REGISTRATION AND PARTICIPATION OF A FILM OR PROJECT REQUIRES FULL ACCEPTANCE OF THE TERMS, CONDITIONS AND RULES OF THE FESTIVAL WITHOUT ANY EXCEPTION.
Toronto Tamil International Film Festival (TTFF or TTIFF) is conducting a innovative international film festival and invites participation from aspiring and upcoming independent filmmakers. A unique film Festival, focusing on opportunity creation for global filmmakers.
[The purpose of Toronto Tamil film festival is to promote new movie makers, exchange of knowledge, information, ideas & culture between Tamil & other nations in context of their social and cultural ethos. TTIFF also promotes friendship and co-operation among people of the world through the medium of films & documentaries.]
Our festival supports independent cinema across formats and aims to showcase the best talent & cinema from across the globe.
Also, The Toronto Tamil Film Festival is an annual showcase of Tamil Cinema created by Tamils internationally. Films include short, feature, documentaries and Social & Music which explore the culture, history and tradition of Tamils. It is a unique festival to honour both artistic and technical excellence of professionals in the Tamil film industry from Canada, USA, Europe, Asia and other parts of the world.
Created with a sole purpose to highlight its diverse population, rich tradition, struggles for democracy and equity, the Toronto Tamil Film Festival highlights outstanding work in the industry and celebrate it.
Reaching a potential audience of 500,000 Canadians of Tamil descent, as well as millions of Toronto-based movie lovers, TTFF (Toronto Tamil Film Festival) provides a unique cultural destination for Toronto and Ontario based ex-patriots to connect with the culture of home through the magic of cinema.
Toronto Tamil Film Festival (TTFF) is one of the most significant festival of Tamil films held anywhere outside of Indian subcontinent.
Our Vision:
“Bringing the World to Toronto, Canada through a shared passion for film and the power of storytelling.”
Our Mission
The Toronto Tamil Film Festival is dedicated to the discovery and promotion of Film Makers, Story tellers and Artists and sharing with audiences. Everyone has a story to tell, our goal is to inspire and encourage people to share their stories using the media of film and to create events that enable the sharing of those stories across communities and beyond.
The Yubari International Fantastic Film Festival (hereinafter Yubari Fanta) is held in Yubari, Hokkaido, and is organized and managed by the Yubari International Fantastic Film Festival Executive Committee.
This film festival focuses on science fiction, horror, fantasy, adventure, action, thriller, animation, and other fantastic films rich in imagination and entertainment.
The purpose of Yubari Fanta is to provide a space for citizens, filmmakers, and audiences to connect and interact, discovering and nurturing new talent, promoting cultural exchange, and fostering mutual understanding between countries worldwide through cinema.
We invite you to participate in the 13th Navarra, Land of Cinema Short Film Contest — the festival that challenges your creativity in our natural filming locations.
Your originality could win one of six awards, along with accommodation, filming insurance, production support, distribution opportunities, and more...
What are you waiting for to put yourself to the test? Send us your script by August 10th and become one of the 10 finalist teams selected for the filming phase.
Please visit submission.isfvf.online to fill out the submission form.
a. Screenings
1. International Competition Screenings:
The shortlisted works of this year’s ISFVF will be screened, and the audience will vote on the screened works. Post-screening exchanges with the main creators and teachers will be arranged, and they will be asked to share their experiences with the audience through discussions.
2. Special Screenings:
To promote high-quality film education resources from around the world, the Festival will collaborate with other film and television schools, cultural institutions or short film festivals to present joint screenings and thematic screenings. They will provide a platform toshowcase and inspire discussions on diverse cultural expressions in cinematic works from around the world.
3. Retrospective Screenings:
To connect the past with the present, some representative works will be selected from the shortlists of previous years’ ISFVF for screening.
4. Screening Tour in Universities:
Following the conclusion of this year’s Festival, some representative works from the award-winning entries will be chosen for academic screenings and exchanges at other universities.
b. Exchange Activities
1. Academic Exchanges in Classes:
The main creators of shortlisted works will be invited to Beijing Film Academy’s classrooms to conduct academic discussions and share their creative experiences with faculty and students in the relevant courses.
2. Thematic Forums and Lectures:
Experts, scholars and practitioners in the film and television industry will be invited to conduct themed discussions aimed at guiding the creative path and development of young film and television students.
3. Thematic Workshops:
Thematic interactions based on professional practice will be conducted to inspire participants with new methods and ideas, and nurture their creativity.
4. Cultural Tour in Beijing:
The main creators of shortlisted works and distinguished guest representatives will be invited to visit World Heritage sites and/or cultural landmarks in Beijing to gain a deeper understanding of Chinese culture, fostering cultural exchange and appreciation.
c. Opening and Closing Ceremonies
The Opening and Closing Ceremonies will be held. The announcement of awards will take place at the Closing Ceremony.
The Zaragoza Film Festival was born in 1995 to create a cinematographic activity in the city. In principle its main denomination was that of Young Directors. As of 2007, its official name became the Zaragoza Film Festival.
Festival with different Contests, of a general and national nature (although some of its Contests are International).
As of our silver anniversary, we are carrying out a renovation and updating of the project.
As of our 28th edition and within the Official Section of our Festival, the Short Film Contest for New Latin American Talents was born, thanks to the collaboration with the Pampa Film Commission, from Argentina.
The INTERNATIONAL FILM FESTIVAL VILLA DE LEDESMA is a cultural event that seeks to become the most important event of the year in the north of Salamanca.
The aim of the Festival is to bring the rural scene to the big screen and to bring back to prominence those towns and villages that enjoyed splendour in times gone by.
The current rural situation and the now known as Empty Spain are the main concerns for the Festival, which offers itself as a means of communication to make these regions known and popular again in order to achieve a change of trend.
