COVID-19 UPDATE: We will still hold our festival, though the format would be via online streaming due to COVID-19 restrictions. Same rules apply. For more info, visit www.miwaff.com.
MIWAFF AWARD WINNERS receive not only our prestigious awards but also recognition on IMDB and a one-year membership at iPitchTv.com! Film screenings will be available for streaming during our Festival period.
MIWAFF promotes all types of film, whether it is indie or studio based. Our mission is to unite filmmakers and artists in a competitive atmosphere by giving out prestigious Wreath Awards under a democratic process of popular vote. Our Festival recruits artists involved in film. This Jury of artists collectively votes on which film will be playing at our festival, and moreover, votes on which films get nominated and win.
Voted Best Film Festival in New Jersey, The Monmouth Film Festival, Inc. is a 501(c)(3) New Jersey non-profit organization designed to promote and connect filmmakers from all over the state, Country, and across the globe! The festival is more than an opportunity for artists to have their work showcased, it is a forum for educational opportunities through workshops, networking, Q&As and special panels with industry guests; that provide insight, growth, and inspiration. Our unique platform strives to create an atmosphere where filmmakers of all levels, including high and low budget works, can be seen, heard and interact with movie-goers, promoters and other artists. Each year esteemed industry guests from New York City, New Jersey, Los Angeles (and all regions of the world), from great media companies including Netflix, ABC, Disney, Nickelodeon, Viacom, Backstage, and more attend the Monmouth Film Festival to engage with filmmakers. Don't miss out on the opportunity to submit to and attend New Jersey's critically acclaimed, top-rated film festival!
Returning August 14th-16th, 2020 at the Two River Theater in Red Bank, New Jersey.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO (NoFilter Kino) is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Poland (Warsaw), Germany (Berlin, Hamburg), Lithuania (Vilnius). For example, the 11th and 10th Nefiltravanae Kino took place in Warsaw, Berlin, Hamburg, Vilnius and Helsinki. The content of past years' film programs can be found on the website https://shortmovie.club/programmes/
The festival will be held in a hybrid format. We will have a part of live screenings and online screenings on a video platform https://film.nofilterkino.org/ . The video is cryptographically secured. In addition, we pay attention and promote films from our previous years that are released to the public on the Internet after their festival curcuit.
Nefiltravanae Kino involves theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.
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The concept of the NEFILTRAVANAE KINO (NoFilter Kino):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the NoFilter Kino tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
SURKO is a micro documentary and short film festival about rural permaculture, which this year adds the animation category to its 2016-2017 call for participants; SURKO has an itinerant nature and thus it will be presented in different countries, comprised by Chile, Mexico, Colombia and Brazil in its 2016-2017 tour.
The festival lasts between 2 or 3 days in each location, according to schedule or as invitations come. Each presentation will count with the showcase of the participating works, considering duration and topics adapt to the features of each festival.
Parallel to each SUR-KO program, different activities will be carried on, such as: Open Space on innovation, local development, creative industries and/or economic development of the Iberoamerica, symposia, workshops and more; if you are desirous to join the team, just ask us how.
LOOK AT THIS VIDEO
https://youtu.be/M9zDDooyb4E
In order to spread the work of film students, creating audiovisual workshops in public high schools and promote the screening of short films among the general public, we present the film festival "FECIN. From school to school. Film School Fest". In its second edition, we call on all directors they are regular students or carry a maximum of two years of graduates in any film school and / or audiovisual communication in chilean territory, to submit their short films and participate in the shows scheduled between 20 and 24 November 2017 at the University of Santiago, Cineteca University of Chile, House culture Violeta Parra and "Sala K" in Santiago. The Festival includes activities such as traveling exhibition of Chilean shorts; conducting theoretical / practical audiovisual workshops in municipal schools and subsequent exhibition of the work, in addition to lectures and master classes featured professionals of the Chilean audiovisual medium.
"FECIN. From school to school. Film School Fest"is a non-profit activity, free of charge which is funded by Council for Culture and the Arts, through FONDART call 2016. All short films received will only be used for the purposes specified on the basis of this call. No prizes or awards are granted, the aim of the exhibition is to open spaces for work of students from film schools can reach a wider audience and to value the short film format.
The GEH Short Film Competition is a short film competition on human rights held in different localities of Gipuzkoa (Basque Country).
This competition is part of the global project human rights Giza Eskubideak Herrira (Bringing human rights to the people.). The GEH is a human rights awareness project created by the dar-dar Productions cooperative in 2015. The first editions were based in Ordizia. In 2023, the festival has developed and extended to several towns in Gipuzkoa (Euskal Herria).
The main objective of this competition is to raise awareness and educate on human rights. Because this short film contest is a window that we open to the world, and from that window we can see the different realities that people live in different parts of the planet. In view of these realities, we intend to encourage reflection on human rights violations in different parts of the world.
The Discover Film Awards is one of the biggest short film festivals in the world with over 5,000 annual submissions from 100+ countries, global premiers in London's Leicester square with packed cinema audiences, filmmaker parties, red carpet events, script-pitching round tables with funding available for new projects and an annual cash prize fund of over $50,000, including the prestigious Craghoppers Film Prize.
The film festival is consistently voted in the top 50 in the world. Spread over 5 days in October 2019, the festival involves public cinema screenings at the Prince Charles cinema in London's Leicester Square. Quentin Tarantino describes it as his favourite cinema in London saying it is "everything an independent movie theatre should be”.
Discover.film are looking for the best short films: stories that share a glimpse of filmmakers lives; what bothers them or makes them laugh, of injustices, of unsung heroes, of the serious, the bizarre, the funny or just where filmmakers' imaginations take them. All types of short film are welcome to enter with awards for: action, drama, sci-fi, docs, horror, comedy, experimental and everything in between (a full list of award categories is provided, below). All films must be under 45 minutes.
A major supporting partner of the festival is Craghoppers, the global outdoor clothing brand, which awards The Craghoppers Film Prize, one of the largest cash prizes available for short films. The first prize is £20,000 ($26,000) in cash with a second prize of £5,000 ($6,500) and additional awards of £5,000 ($6,500) for the best social impact film and £2,000 ($2,600) for the best student film. In addition, there are various in-kind awards from sponsors.
Selected films get the option of various paid distribution opportunities including international TV, major trains, hotels and airlines. Distribution is optional and entirely up to the filmmaker.
As well as cash prizes, winners can get help with future film projects in the form of discounted rates from partner firms (such as production houses) and mentoring from senior commercial film and business executives. The festival also introduces filmmakers to funding sources for future projects and offers publicity across a wide range of media (print and social) so enter today!
The International Short Film Festival of the all us other Social diversity aims to be a platform for young LL everyone disclose their works and share experiences and concerns in a conference devoted to the cinema and people.
The film would not exist without people, but there may be people without cinema? Of course that Yes, and homeless and without clothes and without food, full is the world of people who have nothing, not film. To all of them we dedicate our festival to serve the film les voice, even cry. A means to vindicate the justice, equality and rights denied by the world. An agile and current to denounce injustice and inequality, the horror.
This effort, on the premise that what has been the monopoly of a multi-billion dollar industry, is mutating into a mass system of creation and multicultural exchange. Access to technology and the Internet open field to new youth and community expressions, the filmmaking turns and we intend to respond to this transformation.
Love for cinema, passion for people and the conviction that the arts and culture and the exchange of experiences and opportunities it is possible to create a better world...
.. .a world of film.
Organised by Donostia Kultura, the San Sebastián Horror and Fantasy Film Festival took its first steps in 1990. Ever since its beginnings, the Festival has endeavoured to fashion a programme offering something for every kind of spectator. Horror movies, sci-fi, animation, shorts, classics from all over the world… have alternated the length and breadth of its history with shows, exhibitions, concerts and various other activities in the attempt to create a varied competition in which everyone can find something they like.
Since its inception, the "Festival of cinema unusual de Buenos Aires" has proposed to investigate the least explored aspects of the current film production in order to meet the expectations of those who yearn for a different filmic vision. A target to meet is to facilitate the knowledge of many new authors who, fleeing the current stereotype, offer an eclectic perspective from the thematic and visual.
From 19 to 29 October 2017, we carry out the Thirteenth Edition in important offices of the autonomous city of Buenos Aires. Of a competitive nature, it has a duration of 11 days and us sponsored by important institutional bodies. Also, carry out promotional, permanent monthly activities of the Festival: lights/signs and participations in film markets.
CATACUMBA UNDERGROUND FILM FESTIVAL is a cultural, handcrafted and resistant project that since the year 2000 is developed in the Valencian municipality of Godella and that uses as a backbone the projection of recent audiovisual works that coexist during the celebration of this peculiar festival.
In its 17th edition, the festival aims to collect independent film proposals that offer an alternative perspective created from the transversality that filmic language allows. Works that in some way subvert morality, dismantle repressions, our philias and phobias and that evidence the structural defects of the society in which we live. On the margins of the entertainment industry we will find proposals that can lead us towards different models of expression that allow the narrative cinema to return to the expressive category that it seeks to invite reflection. Possibly if it is strange is because it remains hidden from perception and the senses.
We understand that the cinematographic production is living a creative process that enhances the fusion between genres, stoking the originality and the diversity of the medium, we ascribe to all these possibilities. From CATACUMBA we want to reflect this creative reality, giving space to a greater number of works, sometimes unclassifiable, but which act as reflecting mirrors of the strange reality that we live.
In short film and feature length format you will have the possibility to feel all the fears, dreams, philias and phobias that our directors intend to transmit. You will know genres once reviled and undervalued, but that have had transcendental titles in film history and that have become authentic referents of universal filmography. Reflecting cinema of our social reality, cinema that convinces us more every day that reality will always surpass fiction.
Mission:
A judged film festival described as "Sundance with Fangs" by Newsday Long Island. We provide a venue for showcasing your films within a celebratory & respectful environment, where fans can enjoy the independent films entered by those of you who passionately craft your Strange-ifical, Weird-ifical, Horror-ifical, Sci-fi-tastical, Fantastical and Macabre-licious films. The opportunity to win awards, increase film visibility via press and possibly obtain distribution is always part of the equation with the Macabre Faire Film Festival.
For starters the word "Macabre" is pronounced: Ma-Cob. The "re" is hardly ever heard. What does it mean?
Although it is an adjective meaning: disturbing and horrifying because of involvement with or depiction of death and injury, WE ARE NOT SOLELY A HORROR FILM FESTIVAL but instead a whole lot more than that. We usually approach the Macabre Faire Film Festival with a lighter touch in the sense that, not all of the films screened are horror and instead many may simply be considered a bit on the darker side. Of course, we will add some horror to this festival but, when we hear the word "Macabre" we remember those hauntingly fascinating films that starred legendary greats such as:
Vincent Price & Peter Cushing or those fantastic Gothic horrors like the "Hammer" films. These names in themselves represent what "macabre" means to us. What we are saying is that the word "Macabre" DOES NOT mean we only accept HORROR films but instead that we welcome those films that can tap into our fears through what you don't see or hear. A dark drama, mystery, suspense, thriller or dark comedy can do a lovely job making us feel uncomfortable in the dark. So folks, this is what many of the films selected for the Macabre Faire Film Festival offer. A buffet for any pallet. About the only thing we may have to say "No Thanks" to would be a romantic comedy/drama... unless, there's a monster under the bed during love making or other dark element.
All submitted films are pre-screened by select judges that includes Eileen Dietz, our Festival Ambassador, of the original "The Exorcist" film to ensure the films have followed guidelines and are an overall fit for the festival. Then the films are passed on to another set of judges consisting of more filmmakers, film critics, genre film fans and or seasoned actors to choose the Official Selections. Once these selections have been identified there is an additional judging process in collaboration with the original pre-screening judges to identify the different category nominees. Once you have been notified we insist on having the film festival entry form filled out and submitted back to the festival via email or snail mail within 4 weeks of acceptance. This form can be found on our website or it has been emailed to you as an attachment with your initial welcoming email.
URGENT NOTE: IF THERE IS NO CORRESPONDENCE BETWEEN THE FESTIVAL AND INDIVIDUAL WHO SUBMITTED THE ACCEPTED FILM WITHIN 4 WEEKS FROM INITIAL ACCEPTANCE NOTIFICATION, WHICH ALL FILMMAKERS RECEIVE FROM FESTHOME BY DEADLINE DATE, YOUR FILM WILL NO LONGER BE AN OFFICIAL SELECTION IN THE MACABRE FAIRE FILM FESTIVAL. So we urge everyone to check their spam folders at all times and or ensure to make contact with the festival within 4 weeks of the acceptance notification. Failure to do so will exclude your film from the festival. Please take the time to ACTUALLY READ all the pages of the submission form which contains mailing address information (if needed) and other very important details which includes getting your discs or film posters sent to the festival in a timely fashion. This does not mean mailing materials in 2 weeks before the event as they will not be accepted.
Moving on...
January's festival always falls on Martin Luther King Jr weekend for easy remembering. This 4 day event start with Thursday and Friday being solely screening days with minimal panels within 3 screening rooms. The festival continues for another 2 days with Saturday screenings starting at 12pm into midnight within 4-5 screening rooms and an intimately sized vendor room with additional panels available for guests. Saturday evening is capped with an elaborate Red Carpet Gala Award Ceremony that offers a glamorous atmosphere filled with Press, Photos, Entertainment, Dinner and Awards! This is NOT to be missed.
Sunday captures the conversations from the night prior winners and more. A perfect day to catch those shorts you may have missed as it usually hosts an encore segment for short films from 12pm until 6pm. Be sure to visit the vendor room before the day is over and sit in on another panel or other special treat before it all ends until the following year.
Several films that have screened at MFFF have received distribution at this time for titles like: Cannibal Diner, Caesar & Otto's Deadly XMas, Caesar & Otto's Paranormal Halloween, Model Hunger, The Perfect House, House of Afflictions, Dead Woman's Hollow, The Long Island Serial Killer, The Ghouligans, Devil Knows His Own, Coyote, and others being discussed at this very moment. Will yours be next?
Children's, Nature & Wildlife Film Festival is an India’s independent film festival promoted by Miniboxoffice India. The Children's, Nature & Wildlife Film Festival aim is to showcase & promote professionally made entertaining, enlightening & encouraging feature films, short films, animation & documentaries among target audience. The festival accept all genres of children’s, Nature, Climate & Wildlife films be it a fantasy, motivational, drama, disability, educational, science fiction, adventurous, parenting etc.
The Children's, Nature & Wildlife Film Festival is a boutique of children’s, Nature, Climate & Wildlife films celebrating childhood & nature. The festival objective is to bring the world class cinema to the door step of children’s which provide alternate source of learning & help in understanding the culture of other nations and nature through the art of cinema. CNWFF also giving exposure of film education through various workshops & master classes. At the same time providing platform to the filmmakers in reaching out wide audience through CNWFF.
The festival helps in raising the standards of quality content for children’s & nature films and also helps to boost-up the film market. We hope that CNWFF will prove a milestone for filmmakers in their career & a rich experience for audience as well.
The Festival will take place within the 5th edition of TESAPE, an event for the national cinema industry, to be held from 21 to 24 September 2016 in the Centro Paraguayo Japonés in Asuncion city, Paraguay. The Festival is aimed at young people learning a career, course or audiovisual workshop, and for those filmmakers who want to participate with their first productions. In addition to the official competition that brings together national and regional short films, the Festival will develop an instance Open Screen, for those films that have not been selected.
Handwritten letters become source of inspiration for original short films produced by filmmakers from all over the world and commissioned by the Letters’ Festival in collaboration with the London Short Film Festival. This is Movieletters’ project: a unique mix between letter writing and film making that, throughout the years, has given birth to wonderful works of art.
For the 2016 edition of the Movieletters’ competition, film directors from around the world are invited to make short films translating into cinematic language the words contained in the letter written by Dr. Jane Goodall, DBE, founder of the Jane Goodall Institute and UN Peace Messenger.
The text of the letter, downloadable in different languages, must appear either wholly or partially (simple quotes are also allowed) within the short film, in the way that the author deems most appropriate: voice-over, lettering motion, opening and closing credits, etc.
A dedicated jury will decide on the short film finalists and the winner.
LA Underground Film Forum (LAUFF) is dedicated exclusively to independent, experimental, and auteur cinema. It focus on avant-garde, art-house, independent and no/low budget filmmaking.
Our program provides a venue for filmmakers to reinvent and explore new approaches, to foster new forms of media art and to build an audience for such work. We aim to present a wide range of work exploring the many definitions and interpretations of the concept of “underground”.
We’re looking for films made with passion, obsession and drive; films that go beyond expectations and genre; films, video and audio projects that strive to push the boundaries of accepted form and content. A strong sense of authorship is a must.
LAUFF accepts all forms and genres: from drama, documentary, experimental, cult, art-house, foreign language, comedy, horror, sci-fi, fantasy, animation, LGBT, indigenous, erotica to slow cinema and video art …
Film Festival held in Guadalajara, Jalisco, Mexico , specializing in spreading terror , suspense , science fiction and fantasy , focused on the cinema and the various artistic disciplines that exist emphasis on the entertainment part with commitment that the public receives in each of our events , a real fun and enriching experience.
The main requirement is that the short film must deal with any of the social issues related to gender equality:
coeducation, rights, gender violence, sexual violence; historical roles, women's participation in social life; work-life balance; equality policies; wage discrimination; glass ceiling; sticky floor; discrimination based on sex, gender or sexual orientation; invisibility; co-responsibility; sorority, etc.
For the rest of the conditions, please consult the terms and conditions.
