The Oregon Underground Film Festival, part of the series of festivals online, organized by Clockwork Film Institute, this first edition we show that there is more underground, dirty, forbidden, Cinema of the underworld, giving the most remote parts of the world guerrilla theater, anarchic and subversive.
Columbia Gorge International Film Festival takes place in the pristine Pacific North West along the Columbia River, at the gateway of the Columbia River Gorge National Scenic Area. Founded as the Washougal International Film Festival we have grown and stretched ourselves along the Columbia River to incorporate more of our beautiful natural surroundings and community members. Our festival is shaped by the artists and film makers involved. We are growing organically thanks to the incredible involvement by our alumni and participating artists. We are an international event with a community focus, CGIFF is open to all film makers and artists working within the medium of film. CGIFF combines public screenings with small forums to engage in a dialogue of social issues and cultural exchange through the powerful language of film in all genres. CGIFF showcases a variety of local, national and international films, aiming to share a broad range of films representing current affairs and relevant topics that affect our communities. Encouraging student, independent and professional works for screening. We are here to share stories and the power and art of film. Films will be valued on the merits such as; creativity, ingenuity, story, attention to detail, and the ability to challenge us and make us feel. Our goal is to bring together a community of creative, inspiring, individual thinkers who encourage us, inspire us, generate thought, stir our laughter, bring about smiles, make us cry, enrage us, entertain us and explore our emotions, values and purpose.
With unique outdoor screenings and live music events, CGIFF is full of surprises. CGIFF even sets aside days in the middle of the festival for white water rafting, kayaking, paddle boarding, hiking and other incredible activities in the Pacific North West!
Columbia Gorge International Film Festival will take place over an extended period this year with focus on three weekends in August with screenings at a variety of venues with individual themes determined by the films accepted into the festival. This will vary from year to year. We will honor films and film makers with a range of Awards for outstanding Achievements in their respected field.
CGIFF is a non-profit 501 (c) (3) and operates through grants and donations from individuals and corporations, membership, private sponsorship and submission fees.
The Oregon Underground Film Festival, part of the series of festivals online, organized by Clockwork Film Institute, this first edition we show that there is more underground, dirty, forbidden, Cinema of the underworld, giving the most remote parts of the world guerrilla theater, anarchic and subversive.
The Oregon Underground Film Festival, part of the series of festivals online, organized by Clockwork Film Institute, this first edition we show that there is more underground, dirty, forbidden, Cinema of the underworld, giving the most remote parts of the world guerrilla theater, anarchic and subversive.
ACTIONS 3E非営利文化協会は、2023年11月2日から10日に開催される第29回サンシネ国際環境映画祭を開催し、開催します。
以前はFICMAとして知られていたSUNCINEは、1993年に初めて開催され、世界で最も古い環境映画祭として位置付けられています。そのジャンルの中でも参考になります。
SUNCINEはマルチスクリーンのフェスティバルです（対面、オンライン、テレビ放送）。 その主な目的は、環境、生物多様性、地球の持続可能性についての意識を高めるために、環境視聴覚作品を促進、普及、公表することです。
The V edition of CORTOSPLASH will take place from September 20 to 22 2017. During the period of the festival will be organized events and collateral activities such as retrospectives, monographs, sections out of competition, photo exhibitions, meetings with actors, writers, artists, musicians, filmmakers and journalists.
FROM THE HEART OF HOLLYWOOD, SINCE 2015, WEB SERIES FESTIVAL GLOBAL, CELEBRATING GREAT CONTENT
WEB SERIES – PILOTS – SCRIPTS - TRAILERS - STUDENT - ONE PAGE FEEDBACK
SUBMIT TODAY! $5000.00 in awards
10th Annual Web Series Festival Global
September 8, 2023 Online Screenings & Awards with presenters from around the globe.
• All Genres accepted
• For A Global Community Of Content Creators
• Helping Creatives Shape the Future of TV
• Entries considered for Grand Prize or Category Winner $5000.00 in Awards
• We accept links to view online
• IMDB official event http://www.imdb.com/event/ev0003670/
SUBMISSIONS & AWARDS
A great opportunity for anyone wanting to
gain more exposure for their web series. There are four
categories that will be judged in this competition which are
Web Series Scripts (all lengths and formats)
Web Series
Pilot
Trailers
Student
One Page Feedback
Content can be submitted with or without distribution.
All submissions will also be considered for the grand prize. $5000.00 in Awards!
You could be the next Award Winner! Submit today. Screenings & Awards are from the heart of Hollywood. For our global community of creators, online screenings & awards.
Genres include but are not limited to: Drama, Comedy, Action, SyFy, Documentary, LGBT, Script, Animation, E/I, Horror. Experimental, Social and more.
• All award wins must be used within one year of festival win date.
Submit early and save.
“We saw the other winners, and there are some truly great series, congratulations!” – Rose of Dolls
“We would like to express our gratefulness for recognition and acknowledgement.” – Cedra Wal
“The biggest prize was just being accepted and considered and I’m entirely grateful for the experience.” – V. Carubia
"Web Series Festival Global is a very well run festival with great
communications with a group of prestigious judges that I’ve found to be more than fair in their selection processes.
I highly recommend this Film Festival to any screenwriter looking to have their Web Series take a major step in the right direction." -
Charles Petrilla
"Good communication. Nice people. Great selections." -Christopher Ramsey
El Festival de Cine latinoamericano de La Plata, FESAALP, con una trayectoria de ocho ediciones se ha transformado en una vidriera para el encuentro, la difusión y la promoción del cine del continente.
Buscamos difundir, exhibir y problematizar el cine de América Latina como lenguaje creativo, artístico e industrial. Además de contribuir al desarrollo de nuevas posibilidades y perspectivas para los cineastas, artistas que se dedican a contar historias y relatos a través del cine.
Afianzar el encuentro entre el público y su cine es el desafío mayor que desde el 2006 nos propusimos, y hoy nos encontramos con un festival con más secciones, películas, invitados, actividades formativas y espectadores.
Creemos que un festival no sólo debe ser un espacio para la exhibición, sino también el lugar que promueva el encuentro e intercambio de experiencias entre los realizadores y ayude a que las obras encuentren nuevos espacios donde poder ser vistas.
Es importante destacar y agradecer que desde el inicio contamos con el apoyo del Instituto Nacional de Cine y Artes Audiovisuales (INCAA), el Instituto Cultural de la Provincia de Buenos Aires, la Facultad de Periodismo y Comunicación Social de la Universidad Nacional de La Plata, la Municipalidad de La Plata, y de otras instituciones y empresas privadas que se siguen sumando y depositando su confianza en el Festival.
El FESAALP crece y se afianza gracias al enorme talento de los realizadores latinos y a la siempre conmovedora pasión de los espectadores por el cine del continente.
Whitespace Gallery is proud to announce the 2015 edition of the Short Shorts video festival with the title Somebody Else’s Problem, and guest curated by Rachel Reese.
Selected video works will be shown at Whitespace Gallery in Atlanta, GA on August 13, 2015. A DVD anthology presenting the selected video works and their authors will accompany the exhibition.
The 2015 Short Shorts prompt uses the lens of the psychological effect known as “Somebody Else’s Problem,” or SEP, as a method to explore reactions and responses to recent American political and social events, particularly current, galvanizing American police brutality and racial discrimination cases. With protests and demonstrations fueling renewed national civil rights concerns, many of us are wondering what actions can make an impact, how to be involved, and how to transfer our individual passivity from SEP syndrome into collective forward action.
Are there connections between the ways we access and share information online, and individual civic engagement thresholds? Specifically, has instantaneous access to digital information and imagery contributed to a state of mere voyeuristic empathy, or even learned helplessness? Overload of visual information can create an environment of apathy and also a false sense of public engagement through passive forms. Does being able to see more conversely contribute to less experiential involvement by allowing screen viewing to stand in for actual bodies in real space? Does it overwhelm any desire for curiosity or engagement? We want to read, see, and learn more, but simultaneously we are restless: attention spans and comprehension rates are rapidly diminishing.
The images we see and share online are of real people in real time and space, happening “live”. Or are they? With the ever-rising influence of the media, questioning who owns and controls information is integral to discussing voice within our democratic system. Which platforms—social media, the Internet, traditional print media—do we believe to be reliable? How has the global ubiquity of smart phones, illuminated, or alternatively hindered, the distribution and perception of current political events – especially those most recently related to abuse of police power and structural racism.
How do we transfer collective energy and motivation into thinking about isolated or localized events as “somebody else’s problem” into collective societal motivations and wants? And then how do we fight against an oligarchal system masquerading as democracy in order to start real conversations and, ultimately, change?
We’re interested in representing video forms in all media, demanding a critical assessment of the systems of information and visualization we have established. What is the artist’s role in shaping public discourse, public outcry, public protest? What is the citizen’s responsibility to engage in radical political ideologies?
We seek short films and video works (no more than 10 minutes) from authors that explore and challenge ideas presented in this prompt, as well as works that open the conversation to include other related social concerns such as housing discrimination and food justice. We encourage submissions from a plurality of viewpoints, methods and forms, from artists, documentarians, students, citizens and amateurs alike.
フサガスガ国際映画祭（FICFUSA）は、フサガスガとスマパス地域の住民に、女性が経験する問題や問題についての批判的思考を促進するために、質の高い新しいスクリーン、視点、映画作品を紹介することを目的としています。 短期的には、ジェンダーと女性をテーマにした映画の国際的なプラットフォームとなり、これらのテーマに関心を持つプロデューサー、監督、配給会社を引き付けることを目指しています。
Filmmakers: You are the reason we do this. BendFilm puts its focus on filmmakers first, with awards, several of which will be CASH AWARDS.
Several of the categories are JURIED. A short list of some of our past amazing jurors:
· Sharon Badal, Tribecca Film Festival
· Christian Gaines, Withoutabox at iMDb.com
· Dana Harris, editor in chief & general mgr of IndieWIRE
· Tony Award winner, Gregory Jbara
· Jon Korn, Sundance Film Festival
· Betsy Sharkey, Los Angeles Times Film Critic
· Ondi Timoner, DIG! and We Live in Public
· Gus Van Sant, Filmmaker
· Neal Block, Magnolia Pictures
· Lisa Schwarzbaum, Critic and essayist
· Franklin Leonard, Founder of the Black List
Named one of MOVIEMAKER MAGAZINE's 20 Film Festivals Worth the Entry Fee, the event runs deeper than the marathon film-watching that fills guests' schedules from dawn until, well, dawn. Everyone you see on the sidewalks, in the restaurants and bars makes, cares, or has an opinion about film. It is the serendipitous encounters and ensuing discussions with the filmmakers and fellow passholders that makes the weekend so inspiring, affecting, and infectious.
With its headquarter in Mbombela, the Mpumalanga International Film Festival (MIFF) is strategically located, easily accessible to filmmakers from all over the world.
Mbombela is the capital city of Mpumalanga and a getaway to the province renowned for its fauna and flora such as the Kruger National Park, Panorama Route and vibrant townships. Mpumalanga offers prime locations for any shoot, from television commercials to movies. It also boasts perfect weather and climate conditions as well as solid infrastructure.
Since its inception in 2013, MIFF has provided a platform for filmmakers to showcase their craft in an enabling environment. To date, the festival has shown 139 films of which 89 were international.
The province, being home to the Big Five, Three Rondavels, Blyde River Canyon, God’s Window and world-class infrastructure, including an international airport, is ideally geared and best situated to meet the needs of filmmakers.
In Mpumalanga, Mother Nature and man have combined to ensure filmmakers create perfect filmic moments that last for years.
Mpumalanga International film festival is an annual event showcasing new independent films or recently produced films, high profile and undiscovered talent, established and upcoming filmmakers, student filmmakers, and films from around the world. Festivals normally have two or more screens or venues to showcase films. Accepted filmmakers’ hustle to get their film noticed in the hope of obtaining distribution or favorable media.
最長 15 分で、短編映画をオンラインで送信します。
写真はjpgフォーマットで4Mbを超えないようにしてください。 サイズは 1,600 ピクセル以上の幅になります。 ファイル形式は品質JPEG（10）になります。 以前のイベントに参加したかどうかは関係ありません。
運転、薬物消費、道路、旅行、睡眠であなたの仕事を@@
接続... または、あなたが考えることは、主題に関するあなたの視点を示すのに役立つでしょう。 創造的@@
になって、私たちを驚かせ。
ショートフィルムや写真は、2018年5月1日から2018年11月30日 23:59 までウェブに掲載されることがあります。 特定の製品に焦点を当てたり、特定の製品の処方箋を参照したり、特定の治療を促進したり、商業用医薬品（名前、ロゴ、ボックスなど）の画像を使用したりしないでください。
あなたが物理学者または薬学者@@
であれば、あなたの同僚の間で最高の短編映画と写真撮影のために競争し、あなたが勝った場合、あなたはNGO、患者協会、または健康関連の財団が賞を受賞したかを決定します。 また、国会議への支援のためにそれを交換することができます。 常に米ドルをマークするコードに従って (義務的監督の単位). 薬局や運転のセクション、またはDGTが提供する情報に@@
インスパイアしてください。
公的投票：検証されたメール投票のみがカウントされます。 一時的な電子メールサービス、奇妙な電子メールパターン、不審な電子メールまたは同じIPアドレスからの多くの投票の使用などの不審な行動は、自動的に競争中の作品を失います。
Alexandria Mediterranean Countries International Film Festival is an annual event held in Alexandria, Egypt. It aims to disseminate film culture and the progress achieved in various branches of film art and to strength the relations among filmmakers throughout the world in general and Mediterranean countries in particular.
グランドラピッズ・フェミニスト映画祭（GRFFF）は、主流のメディアで歴史的に過小評価されたグループからの声を高め、才能を披露することに専念する祭典です。
私たちの使命は：
●カメラの前と後ろで多様な表現の欠如に意識を持参する
●過小評価と疎外グループのメディアクリエイターを感動させ、フェミニスト行為として映画制作に従事する力を与えます
●交差を通じてメディアを調べる 性別、セクシュアリティ、人種、能力、クラス、年齢などのレンズ
●異文化的理解を促進する歓迎の安全な空間を育成する
今、その6年目に、GRFFFはもともと独立出版社の発案でしたバンディットザイン彼らの雑誌の映画版として。 小さな夜のショーケースとして始まったものは、インタラクティブなワークショップやパネル、地元のアーティストによる公演、世界中から上映された映画を含む終日フェスティバルへと成長しました。
今年は、グランドラピッズの裕福な劇場で開催されます。 私たちはスピーカー、ドラッグショー、30のショートフィルム
を上向きにホストします。今年もフェスティバルの成長を見ることに興奮しており、進化し続けるGrand Rapidsフェミニストコミュニティの一員であることをとても嬉しく思っています。
GRFFFはボランティアによって運営され、コミュニティのパートナーシップやスポンサーを通じて可能になります。
