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FRICINE aims to display, publicize and reward audiovisual works, ideas and actions that by their artistic form and the relevance of its content contribute to promote the overcoming of problems that disturb the Peace of Humanity and threaten Life on Earth.
Opting to go against primarily commercial interests, FRICINE's biggest prize is to give the public access to the debate on the main problems that the human being and it ecosystem face today.
FRICINE 2019 will highlight HUMOR,in its most diverse forms, for its extraordinary ability to stimulate us to disarm our fears and prejudices in search of a world more loving, healthy and just for all.
The competition consists of two general categories:
Documentaries and Advertising films/scenarios: The documentaries with nonfictional scenarios that hold a different viewpoint about tourism, and the creative advertising films/scenarios fictionalized for promotional purposes will be evaluated in this two-stage competition. The films determined through a preliminary consideration will be evaluated by a jury, and the top three films in both categories will be rewarded. Documentary category will include road films, tourism destinations, cultural heritage and archaeology documentaries, nature and environment documentaries, sports-themed films, and travel programs. Advertising films/scenarios should be related to territorial/regional companies or tourism products. The competing works should include one of the following themes:
Documentary Films:
Tourism destinations,
Cultural heritage and archaeology films,
Types of tourism,
Tourism and environment,
Travel films,
Road movie,
Nature and environment-related documentary films,
Sports-themed films.
RIZOMA is a unique international festival that combines film, art, music, conferences and community engagement to build each edition around a central concept.
Like the rhizome itself, RIZOMA is interconnected, interdependent and non-hierarchical. RIZOMA values that the different branches of culture feed and inspire each other. We believe in the horizontality of a rhizome so it is important to bring together emerging and established artists so that some feed off each other and of course the public as a part of the festival.
Known for having brought to Madrid for the first time creators of the stature of David Lynch, John Waters and Debbie Harry. RIZOMA also stands out for its efforts to bring to light the work of new Spanish artists. To this end, it has created the RIZOMA CINEMA Award, for the distribution of the winning film.
Authorial film festival held by one of the most important distributors of movie Brazil. The awards will result distribution contracts of winning films in Brazil.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
FICAMS, Antarctica’s International Film Festival about Environment and Sustainability is a competitive festival that gives and teaches community members, through films, diverse views related to our habitat and culture. General themes of the audio-visual pieces are base on the environment, nature, sustainability, climate change, recycling, and renewable energy sources.
Audio-visual production are exhibited and discussion panels are held during the festival, hence promoting debate around socio - environmental realities from different places of the world, allowing us to learn about problems but also strategic solutions in tight relation to our local reality.
FICAMS as an eye opener experience enriches us with a southern hemisphere perspective, redefining the means by which we should contemplate our planet, reminding us that a sphere has multiple viewpoints, where geographical cardinality loses all meaning. Alliances with other curators/proponents/cultivators are seek in order to present audio-visual pieces related to environmental education and biodiversity in an associatively manner.
Highly Respected BAFTA CYMRU QUALIFYING Film Festival Judged by Industry Professionals. UK & International Submissions.
Please note that we are also an IMDB Qualifying festival which means that, if your film is selected and screened you can add it to IMDB.
IMDB Events/Film Festival
https://www.imdb.com/event/all/
PLEASE READ RULES BEFORE CONSIDERING SUBMITTING YOUR FILM
Carmarthen Bay Film Festival has gone from strength to strength over the years. From our first festival in 2012, we have gone from 35 submissions to well over 750 from 60 different countries for our 2019 festival. Not only have the submissions increased over the years but the number of filmmakers and festival patrons attending has as well.
We have had filmmakers flying in from the US, Australia, Holland, Italy, France and many parts of the UK. The number of festival partners has also grown with Stradey Park Hotel, BAFTA Cymru, RTS Wales, University of Wales Trinity St. David, Felin Foel Brewery, Carmarthen Cameras and many more. The festival is now a BAFTA Cymru/Wales qualifying which means that any film screened during the festival and made here in Wales is eligible to apply to be considered for a BAFTA Cymru award.
Our 8th festival has seen some significant changes, for the last seven years, the festival has been held at the Stradey Park Hotel here in Llanelli. The hotel has been very supportive, and without their help, the festival would have been unable to get off the ground. So with the full backing of the Stradey Park, we felt it was time to move on and try something new. So for 2019 CBFF was held at one of Wales’ premier theatres in the centre of Llanelli, which brought a new and exciting dynamic and feel to the festival.
It's all about fairness, our motto.
‘This festival is honest’ and will always be, a champion of independent film.
Films Judge by Industry Jury,
Widely promoted Festival,
Committed to Transparency,
BAFTA Cymru Qualifying Festival
We are also very proud to have the name of John Hefin associated with the festival.
With the John Hefin Award for lifetime achievement in film, television or theatre. And we are delighted that John Morgan of JM Creative accepted this award during our 2019 awards gala.
Please read the brief bio about John below.
John Hefin first became involved in television work in 1960, when he responded to a newspaper advertisement for apprentice production assistants. During the 1960s, he worked as a producer and director for BBC Wales. In 1974, he helped create the Welsh language soap opera Pobol y Cwm, the longest-running television soap opera produced by the BBC. He also co-wrote and directed the 1978 TV rugby comedy film Grand Slam, and directed the 1981 drama series The Life and Times of David Lloyd George. This nine-part series, a biopic based on the Welsh PM, drew on conversations with Lady Olwen, his eldest daughter, and AJ Sylvester, his secretary. In 1984, John was the director for the narration for an animated version of Prince Charles's children's story The Old Man of Lochnagar.
Following his post as Head of Drama with BBC Wales, he worked in the Department of Theatre, Film and Television Studies at Aberystwyth University. In 1988, he became the artistic director of Film Cymru (which was later renamed the Wales Film Council), entrusted with the responsibility of commissioning films from independent Welsh producers using S4C funds. He was also Chairman of the Film Commission Wales, and Chair of Cyfrwng, a Welsh media journal, and network. He retired from the BBC in 1993. In 2004, he directed and filmed part of a documentary featuring the artist Sir Kyffin Williams, Reflections in a Gondola
John was awarded the MBE in 2009, for "services to Welsh film and drama". In 2012, he was awarded the BAFTA Cymru Special Award for Outstanding Contribution to Television Drama.
DOKer was created 9 years ago to bring wonderful independent documentary films from all over the world to the Russian audience and provide a discussion platform for authors, experts and spectators.
The principles of DOKer are:
- When we say 'documentary film' we put the emphasis on ‘film'.
- There are countless ways to make a documentary but we believe it has to be dramatic and interesting.
- Image and sound are as important for docs as they are for fiction films. The film language is universal, and we use it to tell our stories.
Puerto Madero IFF is an online annual competition based of the technical execution of films.
All submission are evaluated on each technical category: Script, Cinematography, Sound, Acting and Direction.
At the end of each year we announced the official selection films based on their creativity and technical execution.
Our festival is ONLINE only at the moment, we are working hard to make an annual event with public screening.
All the Official Selections and Winner are posted in our Social Network with a growing audience of more than 4600 followers and also on our web site.
All Official Selection will receive laurels.
The winner film will receive a technical reviews and laurels.
The Bull City International Film Festival is open internationally to all filmmakers and screenwriters who understand that film is much more than expensive equipment and sets with impractical budgets.
We are seeking films and scripts with character driven plots. Insightful stories relying on human expression more than special effects.
Films from all over the globe!
Shared in Durham, NC!
See you there!
Enginuity is a festival created by filmmakers to celebrate the engine and ingenuity that powers independent film. We want to celebrate all the departments that come together to create independent film.
This is our first year, we intend on growing every year.
Enginuity is a festival that runs year round but awards quarterly semi-finalists. In May, we will host a live screening of all the Best Quarterly Winners in Best Picture and Best Short Film Categories, followed by an evening award program that will announce the annual winners in each category.
The International Film and Human Rights Festival - HUMANS FEST, developed in Valencia since 2008, is one of the main activities promoted by the Fundación por la Justicia that aims to bring audiovisual culture closer to both the general public and especially vulnerable audiences, as well as such as the defense of human rights and the denunciation of their violations throughout the world and at the same time carrying out a series of activities with a social content.
The Festival reaches its XV edition to be held in June 2024.
From February 21-24, 2019, the international documentary industry will once again gather in Eindhoven for the 6th edition of DOCfeed. With a program of the finest selection of films, and a friendly audience, with workshops for and by documentary professionals.
DOCfeed is one of the newest celebration of the documentary genre in the world. We hope to see you all here! We offer the option to submit and review your documentary online.
One of the things that makes our festival unique is that we do the screenings in pop-up cinema’s, mainly in old Philipps buildings (as Eindhoven is the hometown of Philipps) and museums. Have a close look at the pictures to see the warm ad nice atmosphere of our festival, or check our Facebook page to read the reactions of filmmakers and visitors to our festival.
The entry for documentaries will be open from July. We accept only Documentaries. We hope to sustain and promote filmmakers, especially independent filmmakers around the world, to continue their creativity and produce their artworks; to inspire all filmmakers to never stop chasing their dreams in creating excellent movies, and to participate in the film industry.
Newcomers are welcomed. The films will be pre-selected before presented to a judge panel.
If you have any question please feel free to mail us anytime.
Did you know each year a transformation happens in Los Angeles, CA? People from around the globe gather to attend the largest and most prestigious Black film festival in the United States. From 100 million dollar blockbuster premieres to newly emerging Hollywood talent, The Pan African Film Festival (PAFF) showcases a broad array of Black creative works from the world over, highlighting those that reinforce positive images and help to destroy negative stereotypes. Nowhere else can audiences find this unique opportunity to come together through film and art to explore new worlds, meet new people and acquire new information and ideas.
PAFF is designated as an official qualifying film festival for narrative live action and animated short films for the Academy of Motion Picture Arts & Sciences.
Venerated by tens of thousands every year, PAFF screens more than 175 new films across 6 screens in state of the art digital projection to the delight of an audience of sophisticated movie lovers. PAFF’s audience loves PAFF and PAFF loves them. Each year PAFF becomes a pilgrimage for attendees who hail from all over the United States and the World! Known for its industry panels, special events and great parties, we invite filmmakers to take this one-of-a-kind opportunity to connect to their core audience and experience the special magic of PAFF.
Did we mention celebrities? Celeb sightings: Denzel Washington, Sidney Poitier, Danny Glover, Idris Elba, Mo’Nique, Kevin Hart, Jada Pinkett-Smith, Jamie Foxx, Forest Whitaker, Phylicia Rashad, Lou Gossett, Jr., Issa Rae, Taraji P. Henson, Trevor Noah, David Oweloyo, Laurence Fishburne, Angela Bassett, Majid Michel, Alfre Woodard, Blair Underwood, Kerry Washington, Nate Parker, Salli Richardson, Dorian Missick, Jesse Williams, Michael Ealy, Anthony Anderson, Omotola, Boris Kodjoe, Whoopi Goldberg, Omari Hardwick, Chadwick Boseman, Malcolm Jamal Warner, Shia LaBeouf, CCH Pounder, Omar Epps, Regina King, Sanaa Lathan, John Legend, Tika Sumpter, Tim Roth, Van Vicker, Gabrielle Union, Alfre Woodard, Hakeem Kae-Kazim, Wesley Snipes, Meagan Good, Loretta Devine, Bill Duke, Lisa Raye, Kareem Abdul Jabbar, Adewale Akinnuoye-Agbaje, Hill Harper, Mario Van Peebles, Eriq LaSalle, Jurnee Smollett-Bell, Sharon Leal, Stacey Dash, Billy Dee Williams, Terrence Howard, Gugu Mbatha-Raw, Omar Benson Miller, Isaiah Washington, Joy Bryant, Regina Hall, Jussie Smollett, Robert Townsend, Ja'Net Dubois, Gugu Mbatha-Raw, Djimon Hounsou, Glynn Turman, Vivica Fox, Kimberly Elise, Don Cheadle and the list goes on and on.
Jiffy Louvre II: Leave Worry Behind (Again)
After a two-year hiatus, the Short Shorts Festival at Whitespace Gallery in Atlanta GA returns for its seventh iteration and the second juried by Atlanta artist and Welch School of Art & Design director Joe Peragine. The title, originally used in Short Shorts 2019, is a mash-up of high (the Louvre, the museum of museums) and low (Jiffy Lube, purveyors of the drive- through lube job whose slogan is “leave worry behind”). The title encapsulates the wide-ranging aesthetic goal of this festival. Any budget, any genre, any story is welcome, provided it gives us a brief respite from these screwed up times we live in. We are open to off-beat, non-narrative, and experimental work.
Short Shorts film festival will have an outdoor live screening at Whitespace Gallery in Atlanta on Saturday, September 17, 2022. Whitespace is one of the leading contemporary art galleries in Atlanta and across the southeast, fostering an immersive environment of free-expression, intimacy, and dialogue. There will also be a second outdoor live screening on the campus of Georgia State University on Thursday, September 22nd, 2022.
Joe Peragines’s paintings, sculpture and animation have been presented in galleries, contemporary art spaces and museums throughout the USA and internationally. Born in Jersey City, New Jersey, Peragine lives with his family in Atlanta and is currently the Director of the Ernest G. Welch School of Art & Design at Georgia State University.
The Itinerant Cinema in Mi Barrio festival is consolidated as a vital platform for the dissemination of national short films in the department of Cauca, giving audiences from various subregions the opportunity to enjoy cinema on a giant screen. The 2024 call is open to short films that, due to their narrative proposal, stand out and have the potential to reach diverse audiences.
Cinematographic works may address free themes, with special attention to aspects such as the environment, human rights, creativity and youth, arts and cultures, thus reflecting the richness of Colombian biodiversity.
This year, the festival's itinerant route begins in the Cauca Pacific, with stops in Timbiquí and Guapi. The mobile room will then move to the south, to the lands of Patía, and later to the north in Santander de Quilichao, in the Valles del Cauca. You will also visit the east of Tierra Distancia, known for its hidden treasures.
The festival will have special programming during the central week in Popayán, Cauca, where additional activities will be developed, including workshops, talks and official exhibitions. This itinerant not only seeks to showcase short films, but also promote dialogue and cultural exchange, reaffirming the festival's commitment to promoting national cinema locally and internationally.
Seoul Metro International subway Film Festival(SMIFF) with cooperation of Shinhancard introduces various world-wide extreme-short films on Seoul and Barcelona subway monitors and aims to contribute in making cosmopolitan cultural environment where anyone can enjoy movies in various places beyond cinemas.
The International Film Festival on the Island FECISLA, is a film event that has as its lines the identity and culture of African descent, childhood and youth and the environment, permeating and impacting from an educational and cultural process the majority of the native population of Fuerte Island and the diversity of visitors from different parts of the planet who come to our festival.
