The Busan International AI Film Festival is dedicated to showcasing films created using artificial intelligence technology, serving as a platform for presenting creative content produced through AI.
We aim to provide opportunities to artistically experience new forms of art and diverse genres of films created by innovative AI technologies. Additionally, we offer a stage for filmmakers who challenge themselves with creative work through AI, thereby uncovering and supporting new talents.
• Dates: December 6-8, 2024
• Venue: Busan Cinema Center, Small Theater, Sky Theater
• Awards:
·Best AI Creative Film Award: 1 film
(USD 10,000)
· AI Art Innovation Award: 1 film
(USD 5,000)
· AI Technology Advancement Award: 1 film
(USD 4,000)
· AI Social Impact Award: 1 film
(USD 3,000)
• Opening Ceremony/Performance
• Closing Ceremony
• Screening of invited films
• Screening of 15 finalists
• Conference
• Content Showcase
• Submission Period: August 1-21, 2024
(KST 23:59:59)
• Eligibility: Open to all individuals and teams, domestic and international
(one • entry per person)
• Programs: International Competition
(short films, feature films, documentaries,
animations, etc.)
• Theme: Open theme
• Submission Criteria:
· Films utilizing AI technology (partially or entirely)
· Running time: 3-15 minutes
· Films completed from 2023 onwards
• Submission Method : biaif.dureraum.org
The Santander Film Festival, with its main headquarters in Centro Botín, was born in September 2017 as a film week. Since then, it has been held every year with success in six editions and with great film professionals such as Isabel Coixet, Julio Medem, Antonio Resines, Carlos Saura and Pablo Trapero. Last year the week became a Festival, including two competitive categories, among other novelties that we will maintain in this new edition.
The Festival was born with a clear focus on creativity, entrepreneurship and youth, and these are precisely the traits that are reinforced edition after edition.
In the eighth edition we will maintain our desire to internationalize, programming a selection of the best Ibero-American films of the year, and also focusing on great film professionals to whom we will pay tribute through our retrospectives.
In addition, we will have multiple parallel activities, events and special screenings, as well as a reinforced industry section, with four meetings between professionals from the film industry, in order to address the new challenges it faces.
Like every year, the Festival acquires a strong commitment to sustainability, organizing an event to offset the carbon footprint in the Cinema Forest.
Welcome to The Women's Bioscope - International Rolling Film Festival, a celebration of cinematic excellence that spotlights the creative contributions of women in the world of filmmaking. Our festival is a Quarterly Film Screening & Award Event that provides a platform for both women and men to showcase their talents and share their unique stories with a global audience.
The Women's Bioscope is more than just a film festival, it's a movement to amplify the voices of women in the film industry. We believe in the power of storytelling to inspire, educate, and create positive change. By providing a space for filmmakers of all genders, we aim to foster collaboration and diversity within the industry.
Submission Guidelines: We welcome submissions from filmmakers around the world who are passionate about telling compelling stories. Whether you're a seasoned professional or a first-time filmmaker, we encourage you to submit your work for consideration. The Women's Bioscope accepts films in all genres, including narrative, documentary, animation, and experimental.
For male participants, we celebrate your commitment to inclusivity. Films featuring women in any role—be it director, producer, writer, cinematographer, or actor—are eligible for submission. We believe that diversity in storytelling leads to richer, more nuanced narratives that resonate with audiences of all backgrounds.
Calling all independent filmmakers! Screamfest® Film Festival is back for its 25th annual 10-day event, showcasing the best in horror cinema from around the world. Held this October at the TCL Chinese 6 Theatres in Los Angeles, our festival is a must-attend event for horror fans and industry professionals alike.
Don't just take our word for it - some of the biggest horror publications have dubbed us the 'Sundance of Horror.' Our festival has also been featured in 2024 New York Times at Top 5 Halloween Festivals Worth Traveling For. Moviemaker Magazine's lists of 50 Film Festivals Worth the Entry Fee for 2023, 50 Best Genre Fests in the World 2021, 25 Film Festivals Worth the Entry Fee & 13 Film Festivals to Die For, and 30 Bloody Best Genre Fests in the World 2019.
As the largest and longest-running horror film festival in the United States, we have a proud history of discovering and showcasing groundbreaking films. Paranormal Activity, for example, was discovered and premiered at our festival in 2007.
Join us for a spine-tingling lineup of new genre films and premieres, including past hits such as Paranormal Activity: The Ghost Dimension, Dead Ant, Trick 'r' Treat, 30 Days of Night, The Human Centipede, and American Mary. And don't forget to check out our YouTube channel at https://bit.ly/2MYvdFt, where you can view past Screamfest® short films. Submit your work now for your chance to be a part of the legacy!
The Independent Film Festival of Sogamoso - FECISO, celebrates its eighth version from November 1st to November 7th of 2024, "CINEMA FOR PEACE AND THE TERRITORY", a space for the different regional views of the national cinematographic context. The festival will be held in several towns of the Sugamuxi Province such as: Sogamoso, Tibasosa, Firavitoba, Iza and Nobsa, which will allow the development and creation of new audiences and the impact on communities with difficult access to the seventh art. Cinema with an environmental and peace focus is the bet for the eighth edition of FECISO. Therefore, the curatorial line is focused on highlighting the best works that deal with environmental issues and armed conflict in the territories.
After an incredible edition last January with 8 Live Screenings at the Cine Tonala and Le Cinema IFAL and 30 Programs at Visiones Únicas, USD 5000 in Cash Prizes, 30 Q&A's with international artists, networking cocktails and all sold out sessions, SUBMISSIONS ARE NOW OPEN FOR THE NEW SEASON.
Mexico city is an icon of Latin American Independent Cinema and Mirada Corta presents the most outstanding films each season, inviting the audience to enjoy the diverse genres proposed in each competition: narrative, documentary, experimental, animation, horror, and comedy.
With a dedicated space for filmmakers, industry professionals, and special guests, the aim of MIRADA CORTA is to create an encounter that fosters creative and production possibilities in a relaxed and professional environment. It is an opportunity to establish connections within the framework of an independent red carpet.
Each screening is presented by moderators and concludes with Cast and Crew Q&A's sessions.
The jury is composed of filmmakers and distinguished film professionals: Percival Argüero Mendoza, a graduate of the National Autonomous University of Mexico (UNAM) and the Cinematographic Training Center, winner of the Silver Medal at the Academy Student Oscars; director Rommel Villa, winner of the Student Oscar; producer Chantal Rodríguez, recently nominated to the Ariel Awards and winner at the DOCSMX festival with her short film "El Viajero Subterráneo"; Alfredo Castruita from Los Angeles Film School, known for his feature film "POTOSÍ," winner as Best Mexican Film at the Guanajuato festival and three times nominee to the Ariel Awards; director and cinematographer Sergio Ruiz Velasco de Alba creator of the film "Longings yet to be" and young director Diego Sepulveda, former student at the École International de Création Audiovisuelle et Réalisation in Paris, the TISCH School of the Arts in New York, and the Academy of Arts in San Francisco. Completing the jury for 2023/2024 are Léa Soler, a young French filmmaker and director of the acclaimed short film "Corpúsculo," and Andrea Porras, a producer renowned for her work on "Sweet Potatoes", a Student Oscar winning film.
The jury will select the winners of each competition and award two prizes at the end of the festival to promote the production of short films:
Grand Jury Prize: USD 1500.
Young Promise Award: USD 1000.
Additionally, the audience will have the opportunity to vote and choose the "People's Choice Award," which will also receive a cash prize of USD 1000.
All filmmakers registered in the competition will receive, regardless of the results, a "Filmmaker Pass" for the festival with access to all screenings, Q&A sessions, conferences, red carpet events, photocall, and cocktails throughout the festival.
Molins Film Festival was established in 1973 in Molins de Rei (Barcelona). In November 2024 we will hold the 43rd edition.
Known as TerrorMolins, the Festival consists of a competitive Feature Films Official Sections, Short Films Official Section, Retrospectives, Documentaries, Live shows, Workshops, Networking/Pitching, projections for high-schools, projections for children... and one of the oldest horror movies marathon in the world, our 12 Hours Horror Movies Marathon (1973) ...
MHFF - Molins Horror Film Festival is one of the oldest festivals dedicated solely to horror in Spain and in Europe. The Festival is a member of the Méliès International Festivals Federation (MIFF).
Guaíba, birthplace of the Farroupilha Revolution, has been consolidating itself as the birthplace of new filmmakers. For 20 years, it has held the National Student Film Festival, which opens space for productions from all over Brazil and abroad and aims to encourage audiovisual production as a pedagogical activity linked to the school curriculum. This Festival is a pioneer in Brazil in encouraging the use of audiovisual as a pedagogical practice, integrating students and teachers in film production.
COCINE is a film show dedicated to exploring and celebrating the richness of gastronomy and food culture through audiovisual art. This event seeks to highlight the deep connection between food and culture, offering a window into the stories behind each dish, recipe and culinary tradition.
From innovation in the kitchen to the preservation of traditional food practices, COCINE is a space where filmmakers, chefs, farmers and food lovers can converge and share their passion for gastronomy. Here, we explore how planting clean and sustainable products can strengthen the traditional cuisines of towns and communities, and how gastronomic culture evolves and adapts in a constantly changing world.
COCINE is an event of the Corporación Gastronómica de Popayán in alliance with the Popayán Short Film Festival that takes place within the framework of the Popayán Gastronomic Congress.
**Become a part of one of the most popular IMDb annual Festivals!**
Welcome to the Bristol Independent Film Festival. We are one of the UK’s fastest-growing independent film festivals!
Since we started in 2016 we have had submissions from over 120 countries. We pride ourselves on being an international film festival. We aspire to promote, recognize, and support independent filmmakers throughout the world by hosting a variety of awards to provide the best opportunities for filmmakers and help them receive their deserved recognition. We welcome submissions from a range of genres including short films, documentaries, features, animations, and screenplays.
Why BIFF?
•We aim to create a community of independent film-makers and an environment where we can celebrate independent films and our submitters’ creations.
•For each event, we provide networking booklets that include information about each winner and ways to contact them. We also provide trophies and winners packs.
•Each season we offer cash prizes to our favorite submissions to help fund their future projects.
•Finally, we aim to establish personal relationships with our submitters. We always enjoy finally meeting with our filmmakers/ scriptwriters and being able to celebrate their accomplishments in person.
Why Bristol?
Bristol was recently recognized by UNESCO as a “City of Film” alongside the likes of Sydney, Rome, and Galway. We pride ourselves on being the largest celebration of independent film in Bristol and we aim to create a hub for independent film-makers.
Judging Process?
Our submissions are judged by a jury of international industry professionals. They rate each submission on 10 different categories including cinematography, writing, pacing, and creativity. This helps them decide which submissions make it to the final stage where there will be jury group viewings to make sure we only pick the best quality submissions.
We look forward to viewing your creations and hope to meet you at our 7th annual celebration of independent film.
A weekend celebration of Science Fiction from all over the world. We will present you with a selection of insights and stories never seen. There is plenty of planning and work to do. We are open to participants planetwide to join us in the impressive, historical rich city of Baltimore, Maryland.
The intent of The Outer Rim Festival is to showcase the best in Science Fiction, and other imaginatively-themed films from around the world. This celebration is in the culturally rich city of Baltimore, Maryland. Our creative and inspirational environment is ideal for exploring films that ponder the infinite possibilities our multiverse holds.
In addition to the amazing films, there will be workshops, panels, and lectures.
Notifications typically begin a week after the last submission date. So grab tickets early, inform your friends, and prepare for the best original content to reach the DMV.
The 23th Almería International Film Festival will be held in Almería (Spain), in order to promote the province of Almeria through the strengthening the historical links of the province with the audiovisual industry and culture, from Friday 15th November to Sunday 24st November 2024. The Festival is organized by Almería Provincial Council.
Pulsar Santa Fe will take place between September 26 and 29 at El Molino Fábrica Cultural in the city of Santa Fe and in this fourth edition it incorporates participating projects from Córdoba and Entre Ríos with the aim of promoting the audiovisual integration and cooperation of the Central Region.
This event is considered a platform of opportunities for the sustainable development of the audiovisual industry, producing synergy between those dedicated to direction, production, production, distribution, programming and development; and those who are part of companies, platforms, festivals, media, companies, government and educational institutions.
At Pulsar Santa Fe, the representatives of the projects
Selected participants will present in pitch sessions and participate in business meetings with guests linked to the industry.
In addition, Pulsar Santa Fe will include a sample section of audiovisual productions in different cinemas in the province.
In turn, for the third consecutive year it will carry out the 72 Hour Shorts training experience for students from schools with a focus on film and visual arts.
“I wish to blur the firm boundaries which we self-certain people tend to delineate around all we can achieve.” - Hannah Höc
The International Experimental Film Festival organised by the Institute for Experimental Arts
The International Experimental Film Festival is an international encounter dedicated to experimental film art, announces the call for submissions. The festival will take place in Greece. The festival will experience screenings, installations, performances, conferences, film concerts, workshops. The festival seeks to expand the possibilities of film beyond traditional formats and spaces, creating a zone of creative contagions between cinema and the visual arts, historical works and the current production, analogic and digital, filmmaking and critical thinking.
Experimental cinema is a free, radical and purposeful cinema that responds to the aesthetic, political or philosophical need to see and explore cinematic horizons, away from large industries and hegemonic formulas of creation. It is through experimental cinema that we find authentic ways to create audiovisual art.
A cinema that breaks the narrative, and most of all visual, bounds to which we're used. A cinema that elaborates on film medium to its fullest, by including even the most extreme possibilities. John Cage said it well: an experimental action is one the outcome of which is not forseen; the cinema we're looking for is a cinema of the unpredictable.
The International Experimental Film Festival is the pioneering space, in the exhibition of experimental content in cinema, which seeks to show excellence and innovation in the independent production of the film world. Celebrate aesthetic diversity, new narratives, and new media and formats; a program that reveals the complexity of social, cultural and artistic phenomena. We understand experimental cinema like a divergent cinema, that vanishes the boundaries with art, emphasizing the experimental modes of creation.
The Institute for Experimental Arts was founded in 2008 in Athens- Greece as a non-profit platform of creative expression and research in the fields of theater, performance art, digital media, installation, poetry and art theory. The Institute is committed to existing as an open meeting point for poets-writers, directors, actors, theater engineers/ technicians, performance artists, photographers, video artists and the writers who develop new analytical tools on contemporary art, media & communication.
We accept all works that fits into the experimental film category and all its sub genres like found footage, essay film, expanded cinema, experimental animation, abstract film, experimental documentary, video art, virtual reality, direct animation or any other alike.
There is no genre, topic or length restrictions. The International Experimental Film Festival features Avant-Garde and Experimental films of any length.
The festival will always see the development of the cinematic language with critical thinking, regardless of the terms ‘cinema industry’ or independent cinema. For this reason, the International Experimental Film Festival will always bring a critical discourse to observe it through curatorial programs, symposium, and public lecture to broaden the knowledge of the ever-changing cutting-edge cinema aesthetics.
Our mission is also to create relations within contemporary art and cinematic spheres and to highlight cultural areas of immediate interest. Our goal is to generate interest in experimental cinema.
If your film has *any* dialogue, subtitles in English or Greek is a requirement.
Submissions without subtitles will be considered incomplete.
Terms and Condition:
+ All films with dialogue must have ENGLISH or GREEK subtitles
+ A submission does not guarantee a screening
+ OK if your film has screened before
We believe in culture as a pluralistic and intangible value, the awards assigned by the jury are purely symbolic. The selected films are going to be judged by an exceptional jury, and seen by a vast audience of film lovers.
Golden Arrow Best Film
Golden Arrow Short Film
Golden Arrow Best Director
Golden Arrow Best Original Screenplay
Golden Arrow Best Music
Golden Arrow Best Performance
Golden Arrow Best Picture
The International Experimental Film Festival reserves the right to use small portions and stills of accepted films for promotion of events.
Deadline: All submissions must be submitted, emailed, or postmarked no later than August 15, 2024
The IEFF will announce the 2024 program selection on October 2024.
The IEFF will take place in October 24,25,26 & 27 2024.
The International Experimental Film Festival is a project of the Institute for Experimental Arts
If you have any questions : athensfestivalfilm@gmail.com
Process Submission Fee
Deadline for all submissions is August 15, 2024
Submission fee is 25 euro per video, or media project.
NATIONAL BANK OF GREECE
IBAN GR3701101320000013200441999
EMAIL SUBMISSIONS
All email submissions must be accompanied by a completed PDF submission form, the receipt of the online payment to the Bank Account (details above).
Please name all the attach files in the email with your name and your country.
You are welcome to attach additional documents to your email submission pertaining to mission or artistic statement, exhibition history, publicity materials, press kits, bios, and curriculum vitae.
If you want to submit your participation to the IEFF by email, you have to send only ONE email with ONE wetrasfer file. All the files in the wetrasfer must be titled your name and your country.
Email your submission to the following address:
athensfestivalfilm@gmail.com
POSTAL SUBMISSIONS
If you want to post your material. You have to post a USB including all the material that we want. Your media files, the application form, still images, the receipt of the online payment to the Bank Account (details above) and all other material that you would like to share with the festival. All the files in the USB must have as a title your name and your country.
Postal Address :
THE INSTITUTE FOR EXPERIMENTAL ARTS
KREONTOS 159
SEPOLIA
ATHENS 10443
GREECE
ALTERNATIVE SUBMISSION METHODS
The International Experimental Film Festival proudly accepts entries on Festhome, a way to enter film festivals and creative contests.
“In its purest form, done right, watching an experimental film is the closest you can come to dreaming another person’s dreams. Which is why to watch one is, essentially, to invite another person into your head, hoping you emerge haunted.”
― Gemma Files, Experimental Film
Because of how much movies cost, it's dangerous to be experimental on one film after the other. But we can experiment with television. We can do things that are fringe and bring ideas to the table that are offbeat and original.
— Steven Spielberg
You dont do an experimental film to become rich, so the people who are involved are involved because they enjoy the creative aspect of it.
— Isabella Rossellini
Everybody's a mad scientist, and life is their lab. We're all trying to experiment to find a way to live, to solve problems, to fend off madness and chaos. — David Cronenberg
Otras Miradas, was born with the commitment to be a screen that makes social reality visible.
Likewise, we support the different social groups, so that they show their audiovisual works and in this way their projects can be known by the general public.
In addition, we believe in cinema as an educational tool to raise awareness about current social realities, reflected in the works presented to Otras Miradas.
Please visit submission.isfvf.online to fill out the submission form.
a. Screenings
1. International Competition Screenings:
The shortlisted works of this year’s ISFVF will be screened, and the audience will vote on the screened works. Post-screening exchanges with the main creators and teachers will be arranged, and they will be asked to share their experiences with the audience through discussions.
2. Special Screenings:
To promote high-quality film education resources from around the world, the Festival will collaborate with other film and television schools, cultural institutions or short film festivals to present joint screenings and thematic screenings. They will provide a platform toshowcase and inspire discussions on diverse cultural expressions in cinematic works from around the world.
3. Retrospective Screenings:
To connect the past with the present, some representative works will be selected from the shortlists of previous years’ ISFVF for screening.
4. Screening Tour in Universities:
Following the conclusion of this year’s Festival, some representative works from the award-winning entries will be chosen for academic screenings and exchanges at other universities.
b. Exchange Activities
1. Academic Exchanges in Classes:
The main creators of shortlisted works will be invited to Beijing Film Academy’s classrooms to conduct academic discussions and share their creative experiences with faculty and students in the relevant courses.
2. Thematic Forums and Lectures:
Experts, scholars and practitioners in the film and television industry will be invited to conduct themed discussions aimed at guiding the creative path and development of young film and television students.
3. Thematic Workshops:
Thematic interactions based on professional practice will be conducted to inspire participants with new methods and ideas, and nurture their creativity.
4. Cultural Tour in Beijing:
The main creators of shortlisted works and distinguished guest representatives will be invited to visit World Heritage sites and/or cultural landmarks in Beijing to gain a deeper understanding of Chinese culture, fostering cultural exchange and appreciation.
c. Opening and Closing Ceremonies
The Opening and Closing Ceremonies will be held. The announcement of awards will take place at the Closing Ceremony.
The Santa Fe de Antioquia Film Festival Corporation decided, through the Festival, to turn the municipality of Santa Fe de Antioquia into a large movie theater and show open-air cinema, under the stars and framed in the colonial architecture of one of the Heritage towns of Colombia.
Over the years, the Santa Fe de Antioquia Film Festival has sought to bring cinema closer to the public through workshops, conferences, a central screening of films according to the theme, and training workshops. These activities are designed not only for the inhabitants of the municipality of Santa Fe de Antioquia, but also for inhabitants of Medellín and other inhabitants of western Antioquia and in general for university students, specialized journalists, filmmakers in training, film critics, producers, filmmakers and film lovers who for twenty-three years add up to an annual average of 15,000 festival attendees.
The Dove Block Project Short Film Festival is an annual celebration of short films held in the beautiful Finger lakes city of Geneva New York.The festival showcases the short films from local film makers and other regions of the world. Offering a platform for emerging filmmakers and established ones. The festival will also host various events, including Q&A sessions with filmmakers, and special screenings.
The festival’s curator is renowned screen print artist Harold Copp, who is also on the board and planning committee at the Dove Block Project. He has numerous years of experience in curating a multitude of different events.
The festival will take place in The Dove Block Project’s very own Jim Spates Theater, a state of the art 27 seat theater within the art gallery and just a few minutes walk from Seneca lake. The theater is surrounded by a multitude of diversity featuring cuisines from around the world, historic architecture, The Smith Opera House, and Hobart William Smith College.
The festival is free to the public by reservation only.
