The CINE AZUL FESTIVAL OF INTERNATIONAL CINEMA began as a showcase of environmentally themed films with a vision to advance public understanding of the environment through visual arts, challenging the way people think about nature, inspiring them to discuss and jointly explore different alternatives to become part of the solution on environmental issues.
The 10th International (environmental) “CINE AZUL” Film Festival “SURrealidades”, celebrates 20 years of walking in awareness and harmonization with the environment. Exhibiting, Circulating and contributing to the Formation of Audiences through Cinema committed to issues such as Climate Change, Food Sovereignty and Spiritual Crisis among others.
The Film Festival is environmental in nature, for this reason we consider that the implicit theme is already there, now we invite you to reflect in a sense from the different Parcelas (sections) of the Festival and it is from those Chagras where we develop a dialogue. To celebrate these 20 years of journey in our 10th version, we look at the Theme of PALABRAS MAYORES.
From the “CINE AZUL” perspective we observe this an ideal historical moment, to listen again to those ancestral words, those aboriginal languages, those uses and customs that maintained harmony and balance with their environment, with Mother Earth, with PachaMama, those words that spoke of prophecies that are fulfilling today.
After Ten editions in (2004, 2006, 2008, 2010, 2014, 2016, 2018 and 2020) SURrealidades “CINE AZUL Festival” is now a consolidated biennial contest in Colombia breaking new ground in promoting the circulation, screen and production of the environmentally and human rights-themed International audiovisual.
The Cineminha Project includes free samples of short films aimed at children from public schools (05-12 years), teachers, families and the community in general.
The free shows aims to approach the film and animation in a playful way through the show short films. In addition to shows, the project also does animation workshops and production of audiovisual content, thus arousing children's creativity and interest in audiovisual and other forms of artistic expression.
DocuTIFF is exited inviting filmmakers to submit their films in the third edition of 2017 festival, which will take place in Tirana, this coming June, 2–9, 2017. DocuTIFF invites all documentaries from established and debut filmmakers alike to apply their films in International Competition and In Albanian Competition.
DocuTIFF aims to encouraging documentary film production in Albania and to give more chances to our filmmakers finding cooperation and enabling mutual contacts with their colleagues in our region, to build up a favorable climate creation in Albania and wider in region for development and cooperation of such productions.
DocuTIFF last year screened 180 films in three venues as well as in open air making it the largest film festival of its kind in Albania and one of the most important in the region.
PROGRAM
A. COMPETITION PROGRAM
Competition features four distinct sections:
∆ Feature Film Competition
∆ Mid Length Competition
∆ Short Film Competition
∆ In Albanian Film Competition
B. Open to any filmmaker from around the world DocuTIFF showcases the very best in documentary cinema from around the world, in such programs as Focus, Panorama, Reflecting Albania, RetrospecTIFF, Festival Partners, Special Screenings, Workshops & Masterclasses, Homage & Tributes, international guests together with Galá Awards and other special events.
C. NEW FEATURES – PARALLEL SCREENINGS
DocuTIFF has the pleasure to announce four optional services available for applicants.
The applicants must apply clearly for each one of these new services. Fill the appropriate field in the entry form.
∆ DocuTIFF.TV Competition
With our media partners we offer the possibility to directors screening their films (selected for the official competitive program or not) to the Albanian audience and win the TV audience awards in a yearly competition.
∆ DocuTIFF on Tour
DocuTIFF will act as ambassador for the submitted films and will travel with a selection to other Albanian cities during the year. DocuTIFF will also propose special screenings to other regional festivals in accordance to a specific subject or theme of each collaborative festival.
∆ DocuTIFF Online Library
TIFF offer the online presentation of each film, in a dedicated page, as a part of a film library, with all related information and with the possibility to receive comments from the international Internet audience and industry. The screening of films is open to anyone without charges. The films will be available for viewing in the film library as long as director/producer wishes.
∆ DocuTIFF Market Corner
DocuTIFF will create a market corner during the eight days, where potential buyers can watch all films and make their selection. DocuTIFF will also act as a festival promoter and distributor. In case of financial contract with a distributor, DocuTIFF will receive a fee of 5%.
The Roswell Film Festival honors International Feature and Short Films of all genres. Special Sections include: General Entry, Sci-Fi/Fantasy, Independent, Documentary and New Mexico based productions.
Taking place May 19-21, 2016 the Annual Roswell Film Festival will host films, special events, panel discussions and you in the Alien Capitol of the World.
Finished films in the categories of Feature Films (running time over 60 minutes) and Short Films (running time under 60 minutes) may enter into the festival.
Entry Fee of $35. The fee for the Festival is for already completed films.
The International Inonu University Short Film Festival, which will be held from April 15th to 18th, 2019, welcomes the film lovers in the 12th year ...
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
Created to encourage content creators from unique backgrounds to share their stories during the Cannes Film Festival, the independent Diversity in Cannes Short Film & Web Series Showcase will promote the work of diverse (thought, race, gender, age, religion, physical ability and sexual orientation) filmmakers and recognize them globally for their achievements in film.
Top six to eight films & web series from ALL eligible entries as determined by Beyond Borders: Diversity in Cannes and its partners will be considered in competition and screened during the Diversity in Cannes Short Film & Webseries Showcase in May 2018 at an independent event during the Cannes Film Festival. Winners will be determined by jury and announced at the showcase.
While the events take place in France at the same time as the Cannes Film Festival the Diversity in Cannes Short Film Showcase is an INDEPENDENT EVENT!!!
BOSIFEST is the International Festival Of Documentary Film for and by persons with disabilities, the only one of this kind in the Southeast Europe, which will be organized this year for the sixteenth time in Serbia by the Hendi Center Koloseum. As in past fifteen years, this year on the big screen a great number of films will be shown both in competitive and non-competitive part. So far visitors of the BOSIFEST had an opportunity to watch 850 films that had life of the people with disabilities as their subject or were created by the disabled authors.
In addition to film screenings, BOSIFEST offers additional programs in the form of workshops, panel discussions and roundtables.
Coachella Valley International Film Festival is preparing for our first fantastic festival of independent filmmaking from April 28, 2017, under the stars.
CVIFF is dedicated to celebrating the works of independent filmmakers from around the world, and we pay special attention to ultra low-budget films by first and second-time directors.
The International Inonu University Short Film Festival, which will be held from April 15th to 18th, 2019, welcomes the film lovers in the 12th year ...
The International Tour Film Fest 2025 the international competition this year is open to shorts, medium-length, Vertical Movies, AI Shorts and feature films; The festival is sponsored and organized by the Cultural CivitaFilm, with organizational headquarters in Via Togliatti No. 12 -00053- Civitavecchia (Rome, ITALY), in collaboration with: Mibact, City of Civitavecchia, Regione Lazio and Enel.
We are happy to announce the 1st edition of BUZZ CEE International Film Festival, running May 4th to May 8th 2016 in Buzau, Romania.
BUZZ CEE – Buzau International Film Festival is the newest international film festival dedicated to film makers from the CEE region, including Greece and Turkey.
We know the CEE (Central and Eastern Europe) region is home to creative, powerful and entertaining stories and we wish to help sharing them with the world.
We seek films that entertain, inform, create defining stories and break conventions.
Our goal is to showcase and promote these stories and further shed a positive light on our region and its creativity. Either feature films, short films or documentaries, they can all find their place at BUZZ CEE.
We look forward to presenting your films to the public between May 4th – 8th in the beautiful county of Buzau, Romania.
To make the spectators’ and your experience memorable, the festival will include panels, parties, special events and, of course awards.
The festival’s mission is to spread the knowledge of film art, especially in the form of short films, in order to show the public all the different aspects of contemporary international cinema.
The festival is being conducted since the year 2001, and its task is to show as widely as possible, the condition of the contemporary audiovisual creations of young authors.
Films from 70 countries were exhibited during the previous festivals.
Student Cuts film festival is aimed at young authors in the early stages of their film careers. Their independence lets them work on unconventional, creative, energetic and subtle ideas. Such films are an important insight into the local environments and everyday themes seen from a different perspective. By joining Student Cuts network the authors not only gain access to the big screen, but a network of audiences all over Europe, contacts with experts and simply gain exposure. In the end, films are made to be watched.
The Fine Shortfilm Festival is a non-competitive shortfilm event, hosted in São Paulo, addressed to the works of the new generations of Brazilian filmmakers.
Awarded MovieMaker Magazine's "20 Coolest Film Festivals In the World"
MovieMaker Magazine's "Top 25 Film Festivals Worth the Fee"
The San Francisco Frozen Film Festival (SFFFF) is a Nonprofit 501(c)(3) organization founded in 2006 that is dedicated to creating avenues for independent filmmakers, youth, filmmakers of conscience, and artists from underserved communities to come together and exhibit their work to the widest possible audience.
The San Francisco Frozen Film Festival is held every summer in the heart of the Mission district in San Francisco at the Roxie Theatre. Filmmakers whose work is accepted into the festival are invited to come to the city by the bay in the dead of summer to screen and discuss their work.
In addition to our annual international film festival, the SFFFF Youth Program is specifically focused on demonstrating to underserved youth that existing pathways do exist to help them find a career in the film arts. SFFFF holds annual music and art performances, as well as youth programming and awards presentations.
Bašta Fest is an international short fiction film festival held in Bajina Bašta, Western Serbia. It is an annual event that is taking place during the first weekend of July and it lasts for four days. Due to the profession of the founders (actors Jovan Jelisavčić and Maja Šuša), the festival's main point of interest is a collaboration between directors and actors. We believe that focusing on the quality of that joint artistic effort will have a positive impact on the positioning of Bašta Fest among short film festivals. Bašta Fest is of great importance for the decentralization of culture since it has brought diverse film, music and off program to this beautiful region. One of the priorities of the festival is to promote the incredible natural beauty to a large number of visitors. Nevertheless, our primary goal is to convert this festival into an exciting cultural oasis, which supports local and international young artists, putting emphasis on short fiction films with authenticity. The main selection is a competition short film program, while two films are screened as a part of non-competition, special program every year - one during the opening and one during the closing ceremony. The last to be screened is a Serbian debut feature film, chosen by Bašta fest team as the most successful one in the previous year. The entrance to all screenings at Bašta is free of charge, while they are always being held under the open night skies. There are currently two official festival locations: Borići park and lake Perućac.
