O LUSCA Film Fest (antigo Festival de Cinema de Horror de Porto Rico) é um dos principais festivais de cinema fantástico da América Latina. A LUSCA está aberta ao público. Imprensa nacional e internacional credenciada, bem como compradores e distribuidores de TV e cinema também participam.
Além de mostrar os melhores filmes de gênero que a produção de filmes indie tem para oferecer, este festival exótico também apresenta uma série de eventos especiais, incluindo uma exposição de Obras de Arte Bizarras, Concursos de Cosplay, Cinema Arcade e Eventos Musicais.
Berliner Fenster and Seoul Metro in cooperation with SESIFF (Seoul) present:
From the 7th September until 22th 2015 Berliner Fenster and Seoul Metro in cooperation with SESIFF (Seoul) will run the 12th International Short Film Festival for 'Ultra Shorts' in Berlin's and Seoul´s underground trains. On over 6,100 monitors in Berlin and Seoul subways, 2.7 million passengers turn into an underground movie audience for two weeks, and can vote for their favorite of the 26 films.
OIFF is an online international film festival at its first edition. The festival’s main purpose is to create a context where films can compete with each other and receive the vote of the people, with no need of live screening.
« Courant 3D, the Angoulême meeting of 3D short films», a festival dedicated to short movies in 3D stereoscopic format.
Direct Short and Documentary Film Festival hosts monthly 'Online International Short and Documentary Film Festivals'. We, at Direct Short and Documentary Film Festival , aim at bringing out the best short films, Documentary, Music video and web series from around the globe and to present it all on one single platform which is our website.
MICGénero, International Film Festival with Gender Perspective, aims to bring gender studies to a wide and diverse audience that may or may not be familiar with these subjects through film. We think that applying gender theory to cinema presents opportunities to understand social phenomena critically: it allows for a revision and reinterpretation of aesthetic manifestations that deal—directly or indirectly— with subjects related to female and male power relations, sexuality and gender roles, among others.
MICGénero's fourth edition will focus on "Human mobility and migration". However, MICGénero's sections encompass different aspects of gender studies and art.
FERATUM FILM FESTIVAL, tiene como objetivo abrir un espacio de exhibición, difusión y producción a películas de terror, fantasía, ciencia ficción y sub géneros afines, filmes mexicanos, iberoamericanos y de todo el mundo.
FERATUM, es un punto de encuentro entre creadores de la industria cinematográfica del cine fantástico y una plataforma para el lanzamiento de nuevos creadores.
Attention to all film talents: From 21 November 2017 until 31 January 2018, filmmakers will have the chance to apply for the LET’S CEE Short Film Competition 2018. Not only are two main prizes waiting to be won, moreover, ten finalists will receive an invitation to participate in the second edition of the LET’S CEE Talent Academy in Vienna!
Between 21 November 2017 and 31 January 2018, filmmakers up to the age of 35 from Central and Eastern Europe, the Caucasus region, Turkey and Austria will have the possibility to submit their short films to the Short Film Competition of the LET’S CEE Film Festival 2018.
However, filmmakers of all ages and from all over the world are welcome as well to send in thematically fitting contributions. Due to the festival’s geographical focus on CEE though, these short films will not be included in the main Short Film Competition, but will very well have the chance to win the Audience Award in the Short Film category and be screened at the festival in the section Short Films | Out of Competition. We furthermore cordially encourage international makers of virtual reality films, 3D productions and avant-garde pieces to apply as we will be offering these genres a stage at our festival as well.
The theme of the Short Film Competition 2018 is TOGETHER OR APART.
Great Britain voted for the Brexit last year and in doing so decided against a EU membership; most recently thousands of Catalan people went to the streets demanding independence from Spain; under the presidency of Donald Trump, the USA is seeking to withdraw from the Paris climate protection agreement and renegotiate various other commercial treaties – these are only three of many examples demonstrating the recent shift of the political mood in numerous countries. A growing migratory pressure, an increasing gap between the rich and poor, as well as justified and unsubstantiated fears – of the consequences of digitalisation, of the loss of jobs and stability and of social change – have discredited globalisation and encouraged a comeback of nationalist and isolationist tendencies, which seemed utterly unfathomable only a few years ago. Even on a national scale, societal cohesion appears to be threatened more and more. How does the growing division of society influence both the community and individuals? Will political agitation, hatred, egotism and greed for profit become the new normal? Well, the situation is critical, but not hopeless, neither on an international nor a national level. There are still representatives of the civil society who make no effort to surrender to the threatening eroding solidarity. Fortunately, there are numerous instances proving how people still advocate for the poor and disadvantaged with great optimism, dedication and empathy – people who rather pay attention to what we have in common instead of what keeps us apart.
The competition’s theme, TOGETHER OR APART, may be manifested in the submitted material in various manners and methods. Interpersonal aspects, such as family and relationship dramas, trials and tribulations, moments of success and happiness or the joint overcoming of challenges can be taken into account just as well as social, political, juridical and/or cultural matters. In other words: everything is possible, as long as it touches on the topic and is done well!
An advisory board chaired by the renowned Austrian-Iranian filmmakers Arash T. Riahi and Arman T. Riahi will choose the best contributions from the submissions for the LET’S CEE Short Film Competition. The short films, which will be screened out of competition, will be selected by the Bosnian-Dutch producer Denis Mujović and festival director Magdalena Żelasko.
After the presentation of the participating productions at the festival, an international jury will decide on the winner of the competing short films and, thus, who will be awarded the main prize – 1,500 Euro and a Urania statuette – at the Awards Ceremony in the Urania Cinema on 20 April 2018. The remaining short films presented during the festival will have, without exception, the chance to win the 1,500 Euro Audience Award in the category Short Film.
All filmmakers who will take part in the main Short Film Competition will additionally profit from their participation. At the expense of the festival, one of the involved filmmakers of each short film will be invited as an official guest*) to Vienna in order to present their work. Those persons will, furthermore, have the opportunity to join the second edition of the LET’S CEE Talent Academy.
15 remaining free seats for the Talent Academy will be filled by Out-of-Competition filmmakers. The most important items on the one-week Academy agenda include the attendance of LET’S CEE Master Classes and LET’S CEE Industry Days, the collaborative finalisation of a short film about Vienna, and the once-in-a-lifetime opportunity to pitch a film idea to Raindance film festival director Elliot Grove (and win big!) at the Pitching Competition. Of course, all invited filmmakers will enjoy several Get-togethers, where they can get in touch with successful distributors, directors, producers, actors etc., exchange experiences and new ideas and thus strive to new projects and international collaborations. In order to enable as many filmmakers as possible to visit LET’S CEE and present their work to the festival audience, all participants of the section ‘Short Films | Out of Competition’ will receive free festival accreditations and discounts for the official hotel partner on request.
DSOFF is an International, Independent online event for all Short, Documentary, Feature, Music Video and Web Series. Goal of DSOFF is to Provide homes to group of young and vibrant film enthusiasts who are committed in creating spaces for independent cinema and devoted to spreading of the knowledge of the modern visual art form to all interested. We, at DSOFFest aim at bringing out the best Short, Documentary, Feature, Music video and web series from around the globe and to present it all on one single platform which is our website
Three four topics we are looking for is
1) Suicide Awareness
2) Drug Awareness
3) Bullying
4) homelessness
We accept all genres on both features and shorts
Os curtas selecionados serão exibidos entre os dias 4 e 6 de outubro de 2019. Haverá uma sessão especial, batizada de “Sessão Maldita”, dedicada exclusivamente a filmes marginais, experimentais, fantásticos, surreais e até mesmo escatológicos.
Making Waves Film Festival takes film out of the cinema to promote entertaining, immersive, engaging and challenging film events delivered through a combination of film, performance and the use of an exciting range of venues. Making Waves also supports and exhibits pioneering work by international talent and local independent film-makers. Making Waves supports opportunities to develop skills in film-making, distribution and events.
Now in its third year, the Making Waves Short Film Competition 2015 will be open for entries from Friday 1 May.
Film makers are encouraged to enter the Best International Film, Best National Film and Best Local Film categories with winners’ films being screened during Making Waves Film Festival week and at partner film festivals in France and Italy.
In 2014 the Making Waves Short Film Competition attracted over 250 entries from across the world. Best Film went to Irish film “I've Been A Sweeper” and Best Local Film was awarded to “History Bombs”. The competition was judged by three industry experts led by Oscar nominated short film screen writer Julian Unthank who has written multiple episodes of NEW TRICKS for the BBC and the Oscar Shortlisted short film"Love at First Site) starring John Hurt.
Confirmed partner film festivals for 2015 include Taranto and Fermo Film Festivals in Italy.
O XVI Festival de Cinema: Infância e Adolescência -2025, é um festival com espaços de circulação e formação audiovisual para crianças, adolescentes e jovens, com exposições, atividades recreativas, oficinas, painéis e discussões, cujo objetivo fundamental é promover Bogotá, como uma cidade pioneira na América Latina em termos de uma infância e adolescência visíveis, protagonistas e cheias de direitos por meio da construção audiovisual.
A participação é gratuita para a exibição e circulação de conteúdo audiovisual. O concurso será realizado de 2 a 6 de setembro de 2025. Crianças e adolescentes terão acesso a um programa audiovisual composto por curtas-metragens nacionais e internacionais de animação e ficção, séries de televisão e a categoria “PRÊMIO FESTICINE”, concedida a audiovisuais feitos por crianças na Colômbia. Eles serão acompanhados por atividades recreativas para refletir sobre o eixo temático: “CULTURA CIDADÃ E MEIO AMBIENTE”.
Chulpicine começou seu trabalho em 2002 com o primeiro Festival Itinerante de Cinema Infantil e Juvenil em Quito. A recepção calorosa que o projeto recebeu permitiu que o festival se tornasse um evento anual durante os meses de julho a setembro, trazendo um evento educacional e divertido, sem nenhum custo, para setores com poucas atividades culturais.
Graças à reação positiva, a Chulpicine tornou-se uma fundação cultural e educacional sem fins lucrativos em junho de 2004. Após mais de 10 anos de experiência, a Chulpicine alcançou uma proposta estável e uma metodologia de trabalho que se espalhou em nível nacional. O Festival promoveu a criação de equipe técnica; gerentes culturais trabalhando em diferentes comunidades; e um grande grupo de seguidores.
A Chulpicine projetou um conjunto de atividades e workshops para instituições, organizações comunitárias ou agentes de extensão educarem e treinarem em diferentes áreas relacionadas ao cinema, audiovisual, comunicação e Internet usadas como ferramentas de intervenção social. Essas atividades e workshops foram o início de uma formação de comunidades de aprendizagem, aproveitando as capacidades dos jovens, bem como a criação de uma rede ativa e engajada de facilitadores sociais por meio do trabalho cinematográfico e audiovisual.
A Fundação realiza as seguintes linhas de programa: treinamento; intervenção; apropriação de espaços públicos; difusão e produção. Essa linha de trabalho é uma alternativa para fomentar redes comunitárias para desenvolver habilidades de comunicação, análise e reflexão nas diversas partes interessadas da comunidade, fortalecendo assim suas habilidades organizacionais e de autodesenvolvimento.
A fundação tem uma equipe multidisciplinar atualmente trabalhando nos projetos. Essas pessoas são responsáveis por diferentes áreas: há um psicólogo, um produtor, um programador, um comunicador e um contador.
Além disso, todos os anos, cerca de 12 pessoas são contratadas para auxiliar na implementação das atividades. Este grupo é formado por pessoas que trabalharam no passado no festival e alguns novos jovens que desejam se juntar ao grupo. Além disso, todos os anos temos o apoio de voluntários de diferentes organizações.
O Festival Internacional de Cinema Afro “Ananse” tem como objetivo tornar visíveis os aspectos culturais e sociais sobre a população negra. Trabalhando como parte de um circuito que permite que movimentos alternativos sejam divulgados a novos cineastas para fazer vídeos sobre os afrodescendentes em todo o mundo.
“Ananse” é o primeiro festival que convida cineastas de todo o país a possibilidade de criar espaços de produções visíveis representando as visões das comunidades negras.
The Oregon Underground Film Festival, part of the series of festivals online, organized by Clockwork Film Institute, this first edition we show that there is more underground, dirty, forbidden, Cinema of the underworld, giving the most remote parts of the world guerrilla theater, anarchic and subversive.
Columbia Gorge International Film Festival takes place in the pristine Pacific North West along the Columbia River, at the gateway of the Columbia River Gorge National Scenic Area. Founded as the Washougal International Film Festival we have grown and stretched ourselves along the Columbia River to incorporate more of our beautiful natural surroundings and community members. Our festival is shaped by the artists and film makers involved. We are growing organically thanks to the incredible involvement by our alumni and participating artists. We are an international event with a community focus, CGIFF is open to all film makers and artists working within the medium of film. CGIFF combines public screenings with small forums to engage in a dialogue of social issues and cultural exchange through the powerful language of film in all genres. CGIFF showcases a variety of local, national and international films, aiming to share a broad range of films representing current affairs and relevant topics that affect our communities. Encouraging student, independent and professional works for screening. We are here to share stories and the power and art of film. Films will be valued on the merits such as; creativity, ingenuity, story, attention to detail, and the ability to challenge us and make us feel. Our goal is to bring together a community of creative, inspiring, individual thinkers who encourage us, inspire us, generate thought, stir our laughter, bring about smiles, make us cry, enrage us, entertain us and explore our emotions, values and purpose.
With unique outdoor screenings and live music events, CGIFF is full of surprises. CGIFF even sets aside days in the middle of the festival for white water rafting, kayaking, paddle boarding, hiking and other incredible activities in the Pacific North West!
Columbia Gorge International Film Festival will take place over an extended period this year with focus on three weekends in August with screenings at a variety of venues with individual themes determined by the films accepted into the festival. This will vary from year to year. We will honor films and film makers with a range of Awards for outstanding Achievements in their respected field.
CGIFF is a non-profit 501 (c) (3) and operates through grants and donations from individuals and corporations, membership, private sponsorship and submission fees.
The Oregon Underground Film Festival, part of the series of festivals online, organized by Clockwork Film Institute, this first edition we show that there is more underground, dirty, forbidden, Cinema of the underworld, giving the most remote parts of the world guerrilla theater, anarchic and subversive.
The Oregon Underground Film Festival, part of the series of festivals online, organized by Clockwork Film Institute, this first edition we show that there is more underground, dirty, forbidden, Cinema of the underworld, giving the most remote parts of the world guerrilla theater, anarchic and subversive.
Somos uma fundação dedicada à promoção e divulgação do filme venezuelano, incentivando assim novos cineastas.
