Somos o maior festival de curtas-metragens da Costa Leste, com quase 300 curtas-metragens, eventos especiais, palestras, retrospectivas e homenagens com convidados de honra, estabelecendo o New York Shorts International Film Festival como uma das melhores exposições de curtas-metragens da América do Norte.
Uma organização sem fins lucrativos que oferece uma vitrine para cineastas emergentes de todo o mundo.
New York Shorts é um festival de cinema qualificado para o Canadian Screen Awards, apresentado pela Academia de Cinema e Televisão Canadenses. Somos o único festival de curtas-metragens em Nova York na lista de festivais elegíveis para o Canadian Screen Awards.
O festival se tornou um trampolim de carreira, estabelecendo uma tradição de descobrir e promover cineastas que se tornaram indicados ao Oscar®.
As seleções de filmes anteriores incluíram:
Curta-metragem de ação ao vivo INDICADO AO OSCAR® 2024, ANUJA de Adam J. Graves e Suchitra Mattai - Vencedor do Grande Prêmio de Nova York
Dueto do Student Academy Award® de 2023 de Lyuwei Chen - Vencedor do New York Shorts de Melhor Documentário
Curta-metragem live-action indicado ao OSCAR® 2023, The Red Suitcase de Cyrus Neshvad — Vencedor do New York Shorts de Melhor Filme Internacional
Documentário vencedor do OSCAR® de 2022, curta-metragem A Rainha do Basquete, de Ben Proudfoot
CURTA-METRAGEM LIVE-ACTION VENCEDOR DO OSCAR® 2020, “The Neighbors” Window”, de Marshall Curry — Vencedor do Grande Prêmio New York Shorts
Documentário de curta-metragem indicado ao OSCAR® de 2020 The New York Times Op-Docs “Walk Run Cha-Cha” de Laura Nix e Colette Sandstedt
Curta de animação “Animal Behavior”, indicado ao OSCAR® 2019, de Alison Snowden e David Fine
INDICADO AO OSCAR® 2015, “The Dam Keeper”, de Robert Kondo, Daisuke Tsutsumi
Student Academy Award® 2013 “A World for Raúl”, de Mauro Mueller - Vencedor do New York Shorts de Melhor Drama
Indicado ao OSCAR® de 2012 e ao BAFTA de Melhor Curta-metragem de Animação “A Morning Stroll” de Grant Orchard, Sue Goffe
Estreia mundial de 2012, “Derek”, de Ricky Gervais - Vencedor de Melhor Comédia em New York Shorts e tornou-se um popular programa de televisão britânico escolhido pela Netflix.
O New York Shorts International Film Festival é uma das maiores vitrines de curtas-metragens da América do Norte e uma plataforma ideal para cineastas exibirem seus filmes e ganharem reconhecimento na cidade de Nova York.
Os eventos do New York Shorts incluem recepções, bem como workshops com especialistas do setor e profissionais do cinema compartilhando seus conselhos práticos aos cineastas participantes.
Eventos do setor de 2024
Como produzir com um microorçamento e trabalhar com atores do SAG•AFTRA
Apresentado por Jack Mulcahy, do Comitê de Cinema Independente do SAG•AFTRA
Co-presidente do Comitê Nacional de Cinema de Baixo Orçamento
Palestrante Michael Sládek, consultor da SAGIndie NY
Eventos do setor de 2023
Destaque principal da indústria com o diretor indicado ao BAFTA, Jon Amiel
Destaque principal da indústria com o produtor vencedor do Oscar® Andrew Carlberg
Destaque do curta-metragem da indústria com o diretor vencedor do Oscar® Chris Overton
Eventos do setor em 2022
Homenagem ao lendário diretor de cinema Bob Giraldi
Exibição em destaque de George R.R. Martin (criador de Game of Thrones)
Além da tela com Ben Proudfoot (diretor de documentário vencedor do Oscar®)
Retrospectiva cinematográfica Kim Magnusson (produtora/diretora de sete indicações ao Oscar® e duas vitórias no Oscar)
Homenagem cinematográfica à diretora de fotografia Halyna Hutchins
A New York Shorts acredita que o cinema de curta duração e seus cineastas deveriam ter seu próprio principal festival de cinema em Nova York, merecendo reconhecimento semelhante dado aos longas-metragens.
O cerne do festival é a qualidade e o escopo de uma programação cinematográfica extraordinária para o público entusiasmado no vibrante enclave cinematográfico da cidade de Nova York.
O FESTIVAL CINE AZUL DE CINEMA INTERNACIONAL começou como uma vitrine de filmes com temas ambientais com a visão de promover a compreensão pública do meio ambiente por meio das artes visuais, desafiando a maneira como as pessoas pensam sobre a natureza, inspirando-as a discutir e explorar conjuntamente diferentes alternativas para se tornarem parte da solução sobre questões ambientais.
O 10º Festival Internacional (ambiental) de Cinema “CINE AZUL” “Surrealidades” celebra 20 anos de caminhada em consciência e harmonização com o meio ambiente. Exibindo, circulando e contribuindo para a formação de públicos por meio do cinema comprometido com questões como mudança climática, soberania alimentar e crise espiritual, entre outras.
O Festival de Cinema é de natureza ambiental, por isso consideramos que o tema implícito já está lá, agora convidamos você a refletir, de certa forma, a partir das diferentes Parcelas (seções) do Festival e é a partir dessas Chagras que desenvolvemos um diálogo. Para comemorar esses 20 anos de jornada em nossa 10ª versão, analisamos o tema de PALABRAS MAYORES.
Da perspectiva do “CINE AZUL”, observamos este um momento histórico ideal, para ouvir novamente aquelas palavras ancestrais, aquelas línguas aborígenes, aqueles usos e costumes que mantiveram a harmonia e o equilíbrio com o meio ambiente, com a Mãe Terra, com a PachaMama, aquelas palavras que falavam de profecias que estão se cumprindo hoje.
Depois de dez edições em (2004, 2006, 2008, 2010, 2014, 2016, 2018 e 2020), o Surrealidades “CINE AZUL Festival” é agora um concurso bienal consolidado na Colômbia, abrindo novos caminhos na promoção da circulação, exibição e produção do audiovisual internacional com tema ambiental e de direitos humanos.
O Projeto Cineminha contempla mostras gratuitas de curtas-metragens voltados para o público infantil de escolas públicas (05 a 12 anos), professores, familiares e comunidade em geral.
As mostras gratuitas tem por objetivo, abordar o cinema e a animação de maneira lúdica através dos curtas-metragens exibidos. Além das mostras, o projeto também realiza oficinas de animação e produção de conteúdo audiovisual, despertando assim a criatividade das crianças e o interesse no audiovisual e outras formas de expressão artísticas.
DocuTIFF is exited inviting filmmakers to submit their films in the third edition of 2017 festival, which will take place in Tirana, this coming June, 2–9, 2017. DocuTIFF invites all documentaries from established and debut filmmakers alike to apply their films in International Competition and In Albanian Competition.
DocuTIFF aims to encouraging documentary film production in Albania and to give more chances to our filmmakers finding cooperation and enabling mutual contacts with their colleagues in our region, to build up a favorable climate creation in Albania and wider in region for development and cooperation of such productions.
DocuTIFF last year screened 180 films in three venues as well as in open air making it the largest film festival of its kind in Albania and one of the most important in the region.
PROGRAM
A. COMPETITION PROGRAM
Competition features four distinct sections:
∆ Feature Film Competition
∆ Mid Length Competition
∆ Short Film Competition
∆ In Albanian Film Competition
B. Open to any filmmaker from around the world DocuTIFF showcases the very best in documentary cinema from around the world, in such programs as Focus, Panorama, Reflecting Albania, RetrospecTIFF, Festival Partners, Special Screenings, Workshops & Masterclasses, Homage & Tributes, international guests together with Galá Awards and other special events.
C. NEW FEATURES – PARALLEL SCREENINGS
DocuTIFF has the pleasure to announce four optional services available for applicants.
The applicants must apply clearly for each one of these new services. Fill the appropriate field in the entry form.
∆ DocuTIFF.TV Competition
With our media partners we offer the possibility to directors screening their films (selected for the official competitive program or not) to the Albanian audience and win the TV audience awards in a yearly competition.
∆ DocuTIFF on Tour
DocuTIFF will act as ambassador for the submitted films and will travel with a selection to other Albanian cities during the year. DocuTIFF will also propose special screenings to other regional festivals in accordance to a specific subject or theme of each collaborative festival.
∆ DocuTIFF Online Library
TIFF offer the online presentation of each film, in a dedicated page, as a part of a film library, with all related information and with the possibility to receive comments from the international Internet audience and industry. The screening of films is open to anyone without charges. The films will be available for viewing in the film library as long as director/producer wishes.
∆ DocuTIFF Market Corner
DocuTIFF will create a market corner during the eight days, where potential buyers can watch all films and make their selection. DocuTIFF will also act as a festival promoter and distributor. In case of financial contract with a distributor, DocuTIFF will receive a fee of 5%.
The Roswell Film Festival honors International Feature and Short Films of all genres. Special Sections include: General Entry, Sci-Fi/Fantasy, Independent, Documentary and New Mexico based productions.
Taking place May 19-21, 2016 the Annual Roswell Film Festival will host films, special events, panel discussions and you in the Alien Capitol of the World.
Finished films in the categories of Feature Films (running time over 60 minutes) and Short Films (running time under 60 minutes) may enter into the festival.
Entry Fee of $35. The fee for the Festival is for already completed films.
The International Inonu University Short Film Festival, which will be held from April 15th to 18th, 2019, welcomes the film lovers in the 12th year ...
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
Criado para incentivar criadores de conteúdo de origens únicas a compartilharem suas histórias durante o Festival de Cinema de Cannes, o Showcase independente Diversity in Cannes Short Film & Web Series promoverá o trabalho de cineastas diversos (pensamento, raça, gênero, idade, religião, capacidade física e orientação sexual) e os reconhecerá globalmente por suas conquistas no cinema.
Os seis a oito melhores filmes e séries da web de TODAS as inscrições elegíveis, conforme determinado por Beyond Borders: Diversity in Cannes e seus parceiros, serão considerados em competição e exibidos durante o Diversity in Cannes Short Film & Webseries Showcase, em maio de 2018, em um evento independente durante o Festival de Cinema de Cannes. Os vencedores serão determinados pelo júri e anunciados na vitrine.
Embora os eventos aconteçam na França ao mesmo tempo que o Festival de Cinema de Cannes, o Diversity in Cannes Short Film Showcase é um EVENTO INDEPENDENTE!!!
O BOSIFEST é o Festival Internacional de Documentários para e por pessoas com deficiência, o único desse tipo no sudeste da Europa, que será organizado este ano pela décima sétima vez na Sérvia pelo Hendi Center Koloseum. Como nos últimos dezesseis anos, este ano, na tela grande, um grande número de filmes serão exibidos em partes competitivas e não competitivas. Até agora, os visitantes do BOSIFEST tiveram a oportunidade de assistir 950 filmes que tinham como tema a vida das pessoas com deficiência ou foram criados por autores com deficiência.
Além das exibições de filmes, o BOSIFEST oferece programas adicionais na forma de workshops, painéis de discussão e mesas redondas.
Coachella Valley International Film Festival is preparing for our first fantastic festival of independent filmmaking from April 28, 2017, under the stars.
CVIFF is dedicated to celebrating the works of independent filmmakers from around the world, and we pay special attention to ultra low-budget films by first and second-time directors.
The International Inonu University Short Film Festival, which will be held from April 15th to 18th, 2019, welcomes the film lovers in the 12th year ...
O International Tour Film Fest 2026, a competição internacional deste ano, está aberta a curtas-metragens, filmes verticais, curtas-metragens de IA e longas-metragens; O festival é patrocinado e organizado pela Cultural CivitaFilm, com sede organizacional na Via Togliatti No. 12 -00053- Civitavecchia (Roma, ITÁLIA), em colaboração com: Mibact, Cidade de Civitavecchia, Região Lazio Io e Enel.
We are happy to announce the 1st edition of BUZZ CEE International Film Festival, running May 4th to May 8th 2016 in Buzau, Romania.
BUZZ CEE – Buzau International Film Festival is the newest international film festival dedicated to film makers from the CEE region, including Greece and Turkey.
We know the CEE (Central and Eastern Europe) region is home to creative, powerful and entertaining stories and we wish to help sharing them with the world.
We seek films that entertain, inform, create defining stories and break conventions.
Our goal is to showcase and promote these stories and further shed a positive light on our region and its creativity. Either feature films, short films or documentaries, they can all find their place at BUZZ CEE.
We look forward to presenting your films to the public between May 4th – 8th in the beautiful county of Buzau, Romania.
To make the spectators’ and your experience memorable, the festival will include panels, parties, special events and, of course awards.
A missão do festival é difundir o conhecimento da arte cinematográfica, especialmente sob a forma de curtas-metragens, a fim de mostrar ao público todos os diferentes aspectos do cinema internacional contemporâneo.
The festival is being conducted since the year 2001, and its task is to show as widely as possible, the condition of the contemporary audiovisual creations of young authors.
Films from 70 countries were exhibited during the previous festivals.
Student Cuts film festival is aimed at young authors in the early stages of their film careers. Their independence lets them work on unconventional, creative, energetic and subtle ideas. Such films are an important insight into the local environments and everyday themes seen from a different perspective. By joining Student Cuts network the authors not only gain access to the big screen, but a network of audiences all over Europe, contacts with experts and simply gain exposure. In the end, films are made to be watched.
O Festival de Finos Filmes é uma mostra de curtas-metragens, que, em 2025, chega à décima segunda edição. O evento nasce como uma vitrine da nova geração de cineastas.
Mais do que um festival de filmes, o evento é principalmente um ciclo de debates, que usa as obras como ponto de partida para discussões sobre política, sociologia, identidade, urbanismo - tudo sublinhado, claro, pelo cinema. Todo o dinheiro arrecadado pelo festival é doado para instituições sociais.
Além dos mais de 300 filmes exibidos ao longo de uma década - entre nacionais e internacionais, o festival recebeu convidados/as para debater os curtas exibidos. Essa lista inclui:
Alê Santos,
Alice Marcone,
Ana Maria Gonçalves,
Antônio Pitanga,
Bianca
Bruna Linzmeyer,
Camila Márdila,
Carlos Juliano Barros,
Christian Dunker,
Christiane Jatahy,
Cláudio Couto,
Dina Alves,
Ediane Maria,
Eliane Caffé,
Eugênio Bucci,
Facundo Guerra,
Fernando Haddad,
Giovanni Venturini,
Ilana Feldman,
Jeferson Tenório,
Joana Mello e outros.
João Paulo Miranda,
Keit Lima,
Lázaro Ramos,
Linn da Quebrada,
Luana Alves,
Manuela Carneiro,
Márcia Lima,
Maria Rita Kehl,
Marta Bogea,
Maurício Pereira,
Michel Laub,
Nabil Bonduki,
Naruna Costa,
Nuno Ramos,
Pastor Henrique Vieira,
Renato Cymbalista,
Ricardo Calil,
Sabrina Fidalgo,
Santana,
Silvana Bahia,
Sônia Guajajara,
Vera Iaconelli,
e outrs.
Awarded MovieMaker Magazine's "20 Coolest Film Festivals In the World"
MovieMaker Magazine's "Top 25 Film Festivals Worth the Fee"
The San Francisco Frozen Film Festival (SFFFF) is a Nonprofit 501(c)(3) organization founded in 2006 that is dedicated to creating avenues for independent filmmakers, youth, filmmakers of conscience, and artists from underserved communities to come together and exhibit their work to the widest possible audience.
The San Francisco Frozen Film Festival is held every summer in the heart of the Mission district in San Francisco at the Roxie Theatre. Filmmakers whose work is accepted into the festival are invited to come to the city by the bay in the dead of summer to screen and discuss their work.
In addition to our annual international film festival, the SFFFF Youth Program is specifically focused on demonstrating to underserved youth that existing pathways do exist to help them find a career in the film arts. SFFFF holds annual music and art performances, as well as youth programming and awards presentations.
