Registration is now open for the 13th International Film Festival in Balneário Camboriú, a complete event that presents the best of International and Brazilian cinema to the public.
Programers seek to present the work of new or consolidated directors, who stimulate different types of sensitivity, through feature films, medium format and short films. FICBC also seek innovative audiovisual works made in different production support aimed for different exhibition formats.
Filmmakers, professionals and artists participate in activities with the public and contribute to the development of cinephiles, new professionals and critical thinking.
The Audiovisual Market includes the Screenplay Contest, Co-production Meeting, Directors' Room, Country Focus and others.
The Audiovisual Residency provides workshops, lectures and public debates with artists and professionals.
"Each year FICBC is more complete, never forgetting to give visibility to each selected film. There were many meetings between the public and professionals and between professionals from different countries that made it possible to consolidate new co-productions ”, says André Gevaerd, founder and director of the festival. For the curator, Barbara Sturm, the objective is "to show the best of current art cinema in national and international productions and by placing directors to interact with the public and press."
It is a cultural event with an innovative format that has consolidated itself as an event of great importance. Several media outlets follow its development and place it as an official part of the annual calendar of major film festivals. In ten years, presented important guests such as directors Carlos Sorín, Frederike Jehn, Helene Klotz, Hanna Doose, Beto Brant, Renato Ciasca, Sérgio Machado, Rubens Velloso, Patrícia Moran, Francisco Garcia, Chico Faganello, David Schurmann, artist Hans Op Beeck, actresses Bianca Byington, Paula Braun, Djin Sganzerla, Christiane Tricerri, actors Marcos Azevedo and Ivo Muller, critic Rodrigo Fonseca, among many others, who were present and had direct contact with the public.
THE DIFFERENT SESSIONS OF THE FESTIVAL:
Internacional: shows films that make their international or national debut. Short, medium and feature films, from all around the globe, that participate in a competition.
Nacional: Especial for Brazilian productions. Short, medium and feature films.
Live: open to new manifestations of the audiovisual language through new means of production and different exhibition supports. Expanded cinema, live cinema, installations and formats that go beyond the possibilities of the dark room.
Catarina: projects films made by directors from Santa Catarina or who have a relationship - director, producer, cast, crew, location, others - with the state of Santa Catarina.
Nocturnal: opens a window to fantastic cinema at night sessions.
Little Owl: brings programming for all ages, training young film fans.
Settimo International Short Film Festival Seventh edition. Organized by Pro Loco Settimo Milanese with Association Semeion Teatro, Auditorium Settimo Milanese, in partnership with Fedic and under the patronage of the City of Settimo Milanese.
An evening dedicated to international short films of less than 15 minutes.
Short films can be based on any subject or concept.
The event will be held from 9 to 10 May 2025 at the Anna Marchesini film theater, via Grandi 12 Settimo Milanese.
Por undécimo año consecutivo, la Asociación de Personas con Discapacidad Verdiblanca y el Ayuntamiento de Almería lanzan el Festival Inclusivo de Cortometrajes Gallo Pedro, dedicado a obras audiovisuales creadas en torno a la inclusión de las capacidades o habilidades diferentes, con el objetivo principal de crear conciencia y sensibilizar a la población sobre las personas con diversidad funcional.
The Festival
The Beijing International Short Film Festival (BISFF) is a beloved short film festival in China. During ten festival days, hundreds of filmmakers and artists present their work to a large audience. The festival is a hub where our visionary team organises and stimulates film-related activities to accompany a quality program—robust, eclectic, adventurous—and where emerging talent meets prestigious guests. This is what makes BISFF unique: every year it attracts distinct personalities from the field, who rediscover the magic of cinema at the heart of one of the world’s most dynamic cities.
For more information about BISFF, please visit www.bisff.co.
The Huánuco Film Festival is a cultural event that celebrates and promotes the film industry in the Huánuco region and Peru. With the aim of promoting appreciation of the seventh art and providing a platform for local, national and international filmmakers, our festival in these 11 years has become a benchmark in the cinematographic field of Peru and the world.
SEJAL ENTERTAINMENT Organisation has been working for the last 11 years in various social activities. Since, the last year we are arranging short film competition named RANGKARMI INTERNATIONAL SHORT FILM FESTIVAL . We have been receiving great responses & support from all over India.
* Goal & Targets.
To develop & encourage the upcoming artist in this industries & also to create a grand Forum for exploring the talents.
*Value & Purpose.
Value of organisation is to a medium of exploring talent to be forum provider.
Purpose is to create awareness about this industries & make aware of basic level to upper level & also what are the steps to crack the opportunities & overcome from on front barriers.
* Vision & Mission.
Vision is to showcase talent on grand level in creative manner & be a source to lead that artist to grand success.
Mission is to be one of best organisation to keep the stage artist alive & also one of promoter of cultural activities by the means of technology.
*Rangkarmi short film festival will be providing forum for exploring their talents through films.
Rangkarmi give you the stage which is been created to present their talents / skills, Rangkarmi is the source or rather step towards their success.
El Grito is the first and only fantasy an horror film festival in Venezuela.
This event seeks to celebrate fear and showcase the narrative visions of both emerging and established filmmakers, whose stories reveal the darkest aspects of the human condition.
Over the past seven years, it has served as a disruptive platform in the country’s periphery—the state of Táchira—where filmmakers, producers, and fantasy film enthusiasts have come together to reflect, enjoy, and learn. El Grito is part of the Latin American Alliance of Fantasy Film Festivals (FANTLATAM), the Venezuelan Film Festival and Showcase Circuit (CIFEST), and the Ibero-American Network of Film Festivals (REDIBEROFEST).
We invite feature films, short films, and music videos from around the world—spanning fantasy, horror, sci-fi, thriller, suspense, and related subgenres— in any narrative format (fiction, documentary, animation, or experimental) to participate in our 7th edition.
More info at: elgritoproduce.com/festival
Theatre and drama has been a forte of this winter capital of the Indian state of Maharashtra. Well known personalities like Suresh Bhat, Ram Ganesh Gadkari ,Rajkumar Hirani ,Mahesh Elkunchwar , Gayatri Joshi , Abhijit Kokate , Subhas Ghai , Ketaki mategaonkar , Tejas Prabha Vijay Deosakar , Sanjay Surkar, Vaibhav Tatwadi, Sonu Sood , Ronit Roy and many more have brought laurels to his city.
There are many aspiring actors and upcoming directors for whom such personalities are role models. However, the film industry in Nagpur has not kept pace with the other industries. Though it exists, it is not yet well known.
Through this short film festival we intent to bring the hidden talent not only From Nagpur but from all over the India.
MBff: Mobile Blockbuster film festival is the 1st in Kazakhstan International festival of movies captured on smartphone. In 2020 the Festival was held in online-format.
In uncertain conditions after quarantine and closed borders the organisers give people a chance to find self-fulfillment.
The mission of Mobile Blockbuster film festival is to direct people's energy into positive growth & development & help participants to create unique content.
The Benin City Film Festival was launched in November 2018, as a new entity that offers a platform encouraging and promoting the works of local (community based) as well as National, and International emerging filmmakers. It is a cost friendly platform for showcasing these works in an environment where they have access to experienced industry professionals. BCFF is the only independent film festival in Edo State, and the only film festival that takes place in Benin City.
BCFF screens premieres of international and national feature films, short films and documentaries on social issues. This year edition, with the theme CREATIVE INDUSTRY BEYOUND THE PANDEMIC is scheduled to take place at Film House Cinema, Benin City.
At least 50% of our festival schedule is dedicated to foreign films, which broadens the film culture experience to all who attend the screenings in Benin City during the festivals duration.
The Benin City Film Festival is a team of people who work effortlessly to deliver a quality service to emerging filmmakers. We will give festival contributors access to some of the Industries most prolific names, both nationally and internationally.
Objectives
The primary objectives of the Festival are to provide a resourceful platform:
1. Where the business and craft of Nigerian films are enhanced and marketed to the film content consuming world by attracting quality film resource persons, buyers and critics from all over Nigeria and around the world to BCFF events every year.
2. for viewing some of the best of feature films, documentaries, shorts, and experimental projects for the entertainment and instructions of attendees and participants at the BCFF annually.
To this end, BCFF is committed to being:
A. A place for dialogues, healthy discussions and trainings to film business and film craft professionals and amateurs in and around the world by ensuring that BCFF is attractive to international film and motion picture contents directors to help enrich festival and participants through insights from their works and about the art of filmmaking
B. A machinery for exposing the ancient City of Benin in particular and the entire Edo State in general to a sustainable long term to a long term patronage of its vast tourism realities and potential to resourceful global creative business and craft audiences.
Finally BCFF is geared towards encouraging co-production relationships in films, TV shows, Documentaries and any other rewarding motion picture content between local players.
Benin City Film Festival 2025
Theme: Stronger Together – The Power of Collective Filmmaking
The Benin City Film Festival (BCFF) 2025 is dedicated to fostering unity, collaboration, and Co-productions within the global film industry. Under the theme "Stronger Together: The Power of Collective Filmmaking," this edition highlights the significance of teamwork, industry solidarity, and the transformative power of storytelling when filmmakers join forces.
As one of Nigeria’s leading film festivals, BCFF serves as a platform for emerging and established filmmakers to connect, share ideas, and build meaningful partnerships. Through screenings, workshops, industry panels, and networking events, the festival aims to bridge gaps between filmmakers, producers, distributors, and other key players in the industry
MiTS (Movement & Social Transformation) is a Social Video-dance Festival which explores the interrelation between video and dance as a tool to bring about powerful discussions and visibility to all kinds of diversity: diverse identities, diverse bodies and territories to discover.
The Houston Latino Film Festival is teaming up with Soalz Media to bring you, Houston Votes LIVE, taking place October 23 and 24. This will be a LIVE streamed event to show the importance of voting and what a difference the community can make.
As part of the event, we’re holding a contest for filmmakers to create a short film that will motivate youth and people of color in the Houston area to vote in the November 3rd elections. Four films will be selected to screen online, and one of those films will win the grand prize of $1,000.
Corti a Ponte is a great little festival in the Venice area.
Films are screened in Italian or in original language with Italian or English subtitles in front of an audience from 3 to 99 year old.
FECIR - Rengo International Film Festival has nineteen editions and years of history, offering filmmakers from Chile, Latin America, and around the world a space for the dissemination, exhibition, and exchange of experiences and ideas. It promotes the creation of high artistic quality in cinema and audiovisual arts in all its forms, providing the commune of Rengo, the Sixth Region, and the country with a space for the appreciation, reflection, creation, training, and enjoyment of the art of cinema.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
EVERYTHING RAISED ON THIS PLATFORM IRA TO STRENGTHEN THE SCHOOL OF CINEMA IN C.O.V.I (Solano)
https://www.facebook.com/covicultura/
under fest ACTION
https://drive.google.com/open?id=0B6BXCHQIM_TRR3gtNHgtLVQ0LUk
IMPORTANT: MOVIES MUST CONTAIN SUBTITLES IN SPANISH UNLESS THE ORIGINAL LANGUAGE IS SPANISH. Printed in the video image or in perfect sync with the online player attached in the Festhome platform ( YOUTUBE , VIMEO, etc... )
Films that do not complete this regulation will need the subtitles ready to send to the Festival if the film is selected.
HOWEVER, THEIR IS AN ADDITIONAL OPTIONAL SERVICE FOR THE FESTIVAL TO CREATE AND/OR TRANSLATE SUBTITLES FOR YOU FILM. PLEASE READ RULES FOR ADDITIONAL INFO AND PRICES.
Films from the undergound, self-managed, decentralized and free distribution. Environmental and audiovisual tools used for pure joy, happiness, disinformation, emotional connection, television detoxification, collective cooperation, social creation of art, the multiplication of free cinema and more ...
The festival is a social tool viewable and controlled. It is an annual event, managed in a friendly network in cities across the continent, which displays unpublished, experimental or out of the system, linking non-conventional spaces, creating a common grid and a shared mission, fruit of a collective intelligence and the freedom of speech.
The festival is a social tool for visibility and coordination. It is an annual event, produced in a network, in several cities of the continent, which allows to display unpublished audiovisual productions, experimental or outside the industrial system and, in coordination, to contact non-traditional exhibition spaces generating a common grid and a fruit object / text of the collective Intelligence put into operation and manifestation.
This year the festival is not absent, we believe that it is more than ever necessary to maintain the premises for which the festival was created, understanding us as a counter-information tool, during these 14 years the dynamics of the festival has traveled unusual sites for what is understood as the official circuit of film festivals in conventional rooms for projections but in this way we have created walls, floors, cultural centers, neighborhoods, squares, streets, settlements, meeting spaces to see what is happening underneath the surface.
This edition has 2 OBJECTIVES
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It is 16 years to accompany the under scene, this space that changes year after year, which takes new form when it is possible to see what is being filmed accompanying the new languages of this time. This experimental scene began to leave experiences that we were channeling in the conurbano, in the occupation and the promotion, in if in sharing, that nourished something that today is a few steps and that is one of the great objectives that has this edition 2024 .
we are already away from the commercial circuits or day-to-day broadcasting and we are looking for the construction of the cinema school in the Covi neighborhood of Solano, where we hold the film festival and believe that the TRECE will be a great kick for this experience that we support and we have been part since its inception.
ITINERANT
The productions chosen, will be part of the retrospective that we will be projecting in a route that will unite different points of Argentina.
The film festival will become itinerant.
Here we see cinema, we talk about cinema, we make cinema. We experiment with the form and structure of the festival, always. We want to rotate the transparency of the impeccable narratives. We are self-management, we have great reasons to criticize from a clear political position our sociocultural context of audiovisual production. We seek to see that which is hidden beyond the superficial, without red carpets.
Our 17th Another Hole in the Head Film Festival will run November 29th through December 13th 2020, at New People Cinema in San Francisco.
With this festival, we seek broader horizons than our original genre designation allowed. All styles of independent film are welcome to compete. Whether it's a major production from a professional company, a student film, or a micro-budget labor of love, we are committed to giving each film due consideration.
We are located in a very receptive town for film, and we've built a passionate following over the years. 2020 will mark our 17th year among the most highly rated festivals in the world, and we're still growing!
San Francisco is the second largest film market in the country and a great promotional platform for indie filmmakers who are trying to get their film out into the world. Many films that screen at our festival spark the attention of other film festivals and film brokers/buyers. In addition, the films and the festival are reviewed by some of the top players in the industry, such as Variety, The San Francisco Chronicle, Dread Central, Bloody Disgusting, Twitch, and Way Too Indie, just to name a few.
Our "theatrical home" is New People Cinema in San Francisco's Japantown. A 143-seat underground venue located in the New People Building, the Cinema is equipped with cutting-edge HD digital projection, 35mm film projection and a THX®-certified sound system. New People Cinema hosts many local film festivals including the San Francisco International Film Festival, CAAMFest, Green Film Festival, and the Japan Film Festival of San Francisco.
