The nineteenth version of the Muestra Cine + Video Indígena, organised by the Museo Chileno de Arte Precolombino, opens its call for entries from 30 November to 7 March 2025 to films by indigenous and non-indigenous filmmakers whose central theme is indigenous peoples, especially in Latin America.
The curatorial committee of the festival will place special emphasis on selecting works that portray cultural and territorial aspects of these nations, such as: processes of safeguarding cultures, protection and defence of territories and the environment, human rights, identity tensions and political reflections. In addition, works spoken in indigenous languages and which have been made in a participatory manner with indigenous communities or through the training processes of indigenous film schools will be highlighted.The nineteenth version of the Muestra Cine + Video Indígena, organised by the Museo Chileno de Arte Precolombino, opens its call for entries from 30 November to 7 March 2025 to films by indigenous and non-indigenous filmmakers whose central theme is indigenous peoples, especially in Latin America.
The curatorial committee of the festival will place special emphasis on selecting works that portray cultural and territorial aspects of these nations, such as: processes of safeguarding cultures, protection and defence of territories and the environment, human rights, identity tensions and political reflections. In addition, works spoken in indigenous languages and which have been made in a participatory manner with indigenous communities or through the training processes of indigenous film schools will be highlighted.
India International Film Festival is being organised by group of active filmmakers through a charitable non profit organisation, Vikas India Trust, whose mission is to cultivate and promote the art and science of film through education, audience participation and cross cultural cinema experience. Our principal objective is to enrich, to educate, to entertain, to initiate cultural dialogue and celebrate cinematic experience.
Pune being very close to the film capital of India, Bollywood Mumbai and Pune a vibrant, buzzing with youth , a cultural educational technological centre of India where there is a culmination of producers Investors Distributers and renowned film personalities. Which will present the submitters with future opportunities to advance their films and further careers.
ISFFI is being organised by a charitable non profit organisation- Vikas India Trust, whose mission is to cultivate and promote the art and science of film through education and audience participation.
ISFFI Director being himself a filmmaker and also Director of India's oldest film Association (IMPPA) Indian Motion Picture Producers Association since 2010 has taken the initiative along with the group of passionate filmmakers.
It is a very sincere and humble attempt to add our expertise of film making and distribution to provide another unique platform for younger generation filmmakers.
ISFFI is being celebrated in Mumbai the film capital of India Bollywood, also the financial capital of India, the home of topmost Industrialists, of top Film actors, producers, Investors and distributers. The filmmakers will have a great chance to interact with these film fraternity during festival event.
Alibag Short Film Festival will offer celebration of Cinema, with live screenings of Local & International amazing quality independent Cinema. Film categories include Narrative Shorts, Documentary, , Short Films, Animated Films, Music Videos, Ad films and Student Productions from all over the world. What Filmmakers will experience? Keeping the event truly international Alibag Short Film Festival will have the following programs; press opportunities, networking occasions, industry attendance, Discussion Forum & high-quality Workshops. Alibag Short Film Festival is started with the idea of building and promoting a healthy film culture in Alibag. Our objective is to give film lovers in the city access to global cinema and spark a cultural exchange. With discussions, lectures and discussions on varied topics related to the craft, we try to instil an academic flavor in the festival. Through categories like International Competition, Indian Competition Marathi Competition, Student Competition, we bring forth quality films from various countries and cultures. An acclaimed jury decides awards for films in the competitive sections. Alibag Short Film Festival is the only festival that gives international recognition to local language Marathi Short.
МФКД «ДУХ ОГНЯ» задуман зимой 2002 года. В то же время автор замысла – кинорежиссер Сергей Соловьев обсудил идею фестиваля с Губернатором Ханты-Мансийского автономного округа – Югры Александром Васильевичем Филипенко, который и поддерживает фестиваль с самого момента его зарождения . Вскоре было принято постановление Правительства Ханты-Мансийского автономного округа о проведении IМФКД «Дух Огня» с 26 января по 2 февраля 2003 года , и в течение года шла его подготовка. Инициативная группа посетила ряд больших мировых международных фестивалей. Во время подготовки была четко сформирована идеология готовящегося фестиваля, которая включала в себя идею не только ежегодного общественного смотра практически всех дебютных работ , делающих в России, но и существование этих работ в контексте мирового дебютного кино, а так же идею наследования новым русским кино наиболее выдающихся традиции, оставленных нам великим мировым кинематографом второй половины 20 века и великолепным кино исчезнувшего Советского Союза. В это же время были сформированы руководящие органы фестиваля , в частности его бессменный Президентский совет .
Президентский совет Фестиваля :
Президент МФКД «Дух Огня» - Эмир Кустурица
Вице –Президент МФКД «Дух огня» - Мария Зверева
В состав Совета входили
Первый Президент МФКД «Дух Огня» - Сергей Соловьев
Вице –Президент МФКД «Дух Огня» - Александр Абдулов
По ежегодно обновляемому регламенту фестиваля в его структуре предусмотрены следующие официальные и неофициальные смотры:
Международный конкурс дебютных фильмов, в котором могут участвовать любые дебютные фильмы, независимо от их участия в других международных кинофестивалях в количестве 10-12 лент. Из них по регламенту не более, чем два кинофильма могут быть на русском языке. Конкурс оценивает международное жюри , состоящее из 5-ти крупных деятелей международного кинематографа. Предусмотрено присуждение четырех международных призов, обеспеченных денежным вознаграждением.
Ежегодно в разных залах города Ханты-Мансийска и всего Ханты-Мансийского округа –Югры( площадь =534.8 тысяч кв.км., превосходит территорию любого европейского государства, кроме Франции) во время фестиваля идут тематические ретроспективы показа. Из года в год работает программа «Кинематографические мифы народов Севера», «СССР- великое кино» и др. Наличие этих программ позволяет участникам фестиваля и зрителям системно знакомиться с шедеврами мирового кино . Каждый фестиваль посвящается уникальному кинематографическому мастеру ;уже прошли фестивали, посвященные Михаилу Калатозову, создателю великого фильма «Летят журавли» режиссеру Андрею Тарковскому … В рамках фестиваля ежегодно работает клуб детского и юношеского кино, где проводится ретроспективы детских фильмов. Во время фестиваля постоянно работает профессиональных клуб , который всегда обеспечивается уникальной культурной программой , включающей эксклюзивные выступления выдающихся исполнителей классической рок- и поп- музыки. В рамках фестиваля проводится ежегодные фотографические и изобразительные выставки.
Нужно отметить , что все без исключения фестивальные просмотры проходят при заполненных залах. Ханты-Мансийск – студенческий город, и молодежь этого города- самый главный фестивальный зритель и судья. Цифры, которые показывают кинопрокатные организации по окончании каждого фестиваля воистину удивительные. На первом МФКД «Дух Огня»только кинематографические программы при двух фестивальных залах посетило около 50 000 человек. На всех остальных фестивалях вместе с количеством фестивальных залов росло и количество фестивальных зрителей.
Trailer Grand Prix - Festival of trailers
The first edition of the "Trailer Grand Prix" festival is open from September 1st to December 24th, 2021!
Warning ! This festival only accepts trailers for fiction, animation and documentary feature films.
To participate:
- Official release of your film should be scheduled between January 20th, 2022 and January 20th, 2023
- Trailer of 3 minutes maximum
- Trailer must be directed by major individuals according to French law, at least 18 years old.
Entry dates and fees:
From September 1st to October 15th: 2€ (registration costs)
From October 15th to November 15th: 4€ (registration costs)
From November 15th to December 24th: 6€ (registration costs)
All info on :
www.trailergrandprix.com/reglement
Good luck to all!
Moscow Indie Film Festival is easily one of the most filmmaker friendly independent film festivals screenings in a major entertainment city anywhere in the world. We know how painstakingly difficult it is to make a movie.
Moscow Indie Film Festival is about helping independent filmmakers gain the credibility and promotion they justly deserve. We are here to show your talent to the world.
The festival aims to bring to Moscow several films from all around the world, but very few times (sometimes never) screened in our great city.
Why trust us?
We are a new addition to the crowded area of film festivals, but we are working hard to earn the reputation of a respected one. Since we are operated by the oldest and one of the most esteemed private film schools in Poland, we are grouping professionals with the serious filmography under the belt.
Our festival has a real audience and real happening.
We are producing this Festival as we were making a film — to gather a real audience in front of the screen and make them love what they see.
Every edition serves to pick up innovative and original shorts, with unique voice and artistic qualities, and select them for screenings program.
It is film we care about.
----------------
We value good films. That's why we make them timeless.
The Idea behind our festival is to bring attention to the spirit of cinema which consists of Time, Memory, and Stream of Thoughts.
Festival is a yearly festival with an online competition. Once a year, there will be a physical Four Seasons Event – screenings of awarded and curated selection of films at the theater in the center of Wrocław.
See our website www.timelessawards.art for more info.
Director Memi Spyratou, who inspired and established the International Archaeological Film Festival- AGON, and Dimitris Komninos, Art Director of the urban non-profit company “Odyssey – Cultural Events”, in collaboration with the Hellenic Film Archive and the Hellenic Department of the International Council of Museums (ICOM), announce the 11th International Archaeological Film Festival – AGON, under the thematic title “Ecumenical Community“.
The thematic of the festival is archeology in the broad sense of the word: Antiquity, Middle Ages, folk arts, traditions, industrial archeology, cultural heritage, the recording of every world that is by norm getting lost, in other words, the today that becomes the archeology of tomorrow, bringing in contact people, not only from Greece but also from all over the world, people-dreamers of a better life.
Valorar, fomentar, difundir y discutir la producción documental realizada en escuelas, universidades y cursos abiertos en todo el mundo. Esta es la premisa de FIDÉ - Festival Internacional de Documentales de Estudiantes.
Todo empezó en Francia en 2008, con un grupo de estudiantes extranjeros de Máster en Cine en Paris 8, que se reunieron para proyectar documentales en una sábana blanca en un okupa de los suburbios de París. La movilización dio lugar a la asociación Les Impatientes, que organiza FIDÉ en Francia. Desde entonces, casi 250 documentales de más de 30 países han formado parte de la programación del festival.
En 2012, el evento se realizó por primera vez en Brasil, en la Cinemateca de Curitiba, donde ha tenido cinco ediciones (2012, 2013, 2015, 2017 y 2019), organizadas por Motim Comunicação e Arte.
El objetivo de FIDÉ no es ser una exposición competitiva centrada en premios, sino una muestra amplia y plural de obras singulares que exploran el potencial del cine documental a través de diferentes enfoques, narrativas y puntos de vista. FIDÉ tiene como propósito apoyar y hacer visible el trabajo de jóvenes documentalistas de todo el mundo, impulsando una mirada crítica y sensible tanto por parte de los realizadores como del público.
Tlanchana Fest, Festival of Cinema and Digital Art is carried out by Tlanchana Cultura Audiovisual AC, in order to create an exhibition space for emerging talents from Mexico and the world, by combining elements that promote cinematographic creation in conjunction with new media and digital art.
The Eighth Edition of Tlanchana Fest will be held from July 13 to 17, 2022 and will feature a series of screenings, conferences and workshops, as well as facilities and other activities that will be carried out virtually and in person and that will serve as an incentive for the work in cinematographic and digital art matters.
Os Prêmios Quirino nascem da necessidade de reconhecer o talento na indústria da animação ibero-americana, criando laços e redes entre ambos os lados do oceano.
O evento reúne, portanto, a florescente indústria latino-americana, junto com a de Portugal, Andorra e Espanha, construindo uma verdadeira irmanação para o desenvolvimento conjunto do grande mercado que é a Ibero-América.
Além de reconhecer os melhores trabalhos de animação ibero-americana em nove categorias, os Prémios Quirino servem de marco para o Fórum de Coprodução e Negócios. Cem empresas de vinte países participam todos os anos em reuniões B2B.
Os prêmios foram nomeados em honra do criador do primeiro longa-metragem de animação da história. Em 1917, Quirino Cristiani dirigiu “El Apóstol” (O Apóstolo), uma produção argentina na que foram usados 58.000 desenhos em 35 mm, além de várias maquetes.
Desta maneira, os Prêmios Quirino prestam homenagem ao talento e à criatividade ibero-americana.
TFM Online Film Festival is a premier film festival encouraging Independent Film Makers showcase International films, television, and new media to the world. TFM is taking Film Festivals Digital, keeping up with the current media trends. Our festival that is devoted to finding and highlighting the best cinema in the world and to taking it to maximum people through digital media. Our Jury will award the best films through private screenings.
We Are Inspired by Innovation, Enterprise, and Creativity in Film making.
Thousands of films are made every year by extremely talented, innovative, and visionary filmmakers that are left unnoticed. We aim to celebrate these filmmakers for their efforts and share with the world the raw talent that we discover along the way.
Kindly see last years entries:-
https://www.youtube.com/watch?v=mqwkbTiRhVY
The 15th edition of Arraial Cine Fest will be held from February 17th to 21st, 2025 online on the festival's official website.
Christmas is a social and sharing period however due to Covington 19 things has changed. Create a documentary highlighting what has really changed in the Christmas season due to the pandemic
The Cartagena de Indias International Film Festival is a cinematographic event socially and culturally minded and by choice, free for anyone to access. FICCI constantly reads the particular circumstances of our country and our world to produce every year a world class version of our festival, guided by the preservation of freedom and the amplification of the cultural conversation through films and academic events that are relevant, humane, subtle, sophisticated, and act as a vehicle to enhance human consciousness, expand democracy and help create free, progressive and inclusive societies.
The Cartagena de Indias International Film Festival (FICCI) is the oldest and most permanent forum in the Americas for Colombian, Ibero-American and world cinema. Being an active part of the world cinema map since 1960, in the 64th edition, it will continue to provide spaces for memory, reflection, diverse voices, and as always, for the best cinephilia.
The Festival values the creative freedom of the world’s filmmakers and has space for films of any format, length, nationality, theme, genre or technique, that meet the highest standards of quality, take on narrative risks, and propose contents of great human and cinematic relevance, pertinence, and sustainability.
The Palencia International Films Festival is organised by the Association Friends of the film and the Popular University of Palencia.
This edition is number 34, and during all these years, our philosphy has been considering cinema a tool of development and social cohesion.
Our festival colaborates with the Spanish Cinema Academy, and its a qualifyer festival for the GOYA shortfilm Awards.
In addition, the short film awarded the first prize by the jury at the MCIP (the Milagros Alcalde Award) will go directly to the Short List finalist of the FUGAZ Awards, making up the short list of films that will then be evaluated for nomination by the commission that awards these prizes each year.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
