#NarrarelFuturo: XI Film & New Media Festival is a meeting point for exhibition, training and industry where local, national and regional industry professionals interested in filmmaking and audiovisual in its most recent and interesting narrative and technical trends within the digital environment meet; transmedia, web and interactive documentaries, virtual reality (VR/AR/XR), webseries, artificial intelligence, futurisms, narratives and crowdsourcing/funding, vertical video and other film and new media concepts are some of the Festival's thematic axes.
Similarly, during the event, development and creation scenarios are carried out such as the #NewMediaLab, Ibero-American laboratory for the development of new media projects and the #HackathonVR360, which this year reaches its eighth edition.
We also open the doors to the Colombian and international creative industry to create meeting and conversation points around ongoing projects: 10 tips to #NarrarElFuturo, speed networking sessions and the launch of the Hispanic American Projects Database and the new media industry manual are some of the activities in which attendees from the industry area will be able to participate in this new version.
During the 11th version -which takes place from September 10 to 15 in person at various venues in Bogota (Colombia)- attendees will enjoy more than 65 hours of film and digital content, 100 hours of training scenarios, 40 international and national guests and a broad and diverse spectrum of topics, processes and projects under construction and development.
After the resounding success of our 2nd season, the Australian, Oz Indie Film Festival will, once again, celebrate the very best of International and Australian independent film making. At a time when movies are becoming more and more programmed by market research, demographics, comic books and computer game sales, it has never been more important to discover and foster new brave independent filmmakers.
Your film will be judged on one criteria only – the quality of your work. So feel free to let the world know your opinions and politics, provided these are dramatically crucial to the work you submit. Within the realms of what's legally decent, we won't censure your work.
Our categories include Australian Independent Feature Films, Australian Short Films, International independent Films, Documentaries, Australian Indigenous Work, Animated Features, Animated Shorts, Student Work and Music Videos.
Whether you are chosen for screening or not you entry may be selected for U.S. TV broadcast on The Mini Movie Hour.
The purpose on the show is provide filmmakers exposure on U.S. broadcast television. The series reaches approximately 50 million households throughout the U.S. and can also be view on OTT platforms. You can view four of the episodes at www.minimoviehour.com/watch.html.
We would like to let you know in advance that we do not charge to be featured on the Mini Movie Hour and we do not pay a licensing fee. Also, our license is non-exclusive.
Proudly, we have no other restrictions on your work. This includes your works premier status, it's age and/or whether your work has been made available online.
We look forward to your participation as either filmmakers, actors, musicians, industry judges, sponsors and theatre venues.
Embracing the medium of short film, Tally Shorts Film Festival is excited to bring a truly unique and independent cinema experience to North Florida with the goal of increasing community awareness and support for film as a cultural and economic asset. In addition to showcasing cinema from around the world, Tally Shorts is dedicated to preserving, nurturing and cultivating local filmmakers by providing an avenue to network, showcase and discuss all aspects of film.
A terrific film festival in the ancient city of Coventry in England. Our audience has more than tripled since the event began. We are expanding this year to include an extra session of documentaries.
The first night is Short Film night, Feature film showing and Driver Award Presentation for Best Short Film & Best Performance in a Short film.
The second and final night consists of the documentary/music videos/animation screenings and the Driver Award Ceremony for Best Feature Film.
Entries are open to the ninth edition of the Short Film Short Film Festival of Fiumicino, the film festival organized by the Association Acis. The Short Film Contest is open to all artists, associations, directors, filmmakers, who have produced movies of up to 10 minutes, with the following themes: Legality, Solidarity, Sea, City-Villages-Traditions, Comedy.
The City Council of Noia convenes the "24th Short Film Showcase Vila de Noia 2023", to be held in the last quarter of this year.
FICARQ is the International Film & Architecture Festival of Spain to screen both documentary and fiction films where architecture plays the main role.
This year, following the success of previous editions (in Avilés and Oviedo, Asturias, Santander, Madrid and Barcelona).
The official competitive sections are ARTE EN EL SÉPTIMO ARTE (fiction films) and ARQUITECTURAS FILMADAS (documentaries).
In this new edition of FICARQ, in addition to being a bridge between the cinematographic and architectural arts, we want to be a bridge between generations and for this reason we dedicate a special mention to those proposals that come to the festival made by people who are younger that twenty-five y.o. and over fifty y.o.
With this, we intend to encourage the participation of citizens, especially in the fiction and documentary short or micro-film categories to give a space of recognition to all those people who, by age range, are further away from the conventional circuits of audiovisual production and film festivals. cinema.
we sincerely believe in the transforming power of art and culture in our society and in this way we give way to many points of view of creation in freedom, showing in each city in which FICARQ is organized a window open to its citizens and their concerns, whether conventional through the urban, rural or archaeological landscape, as well as other ways of relating to their environment as occurs in urban art or showing forms of expression of people within an architectural environment such as contemporary urban dance, streetdance, breakdance, parkour movement, etc.
2021-FICARQ'S LEITMOTIV:
CLIMATE CHANGE AS UNCERTAINTIES POSED TO US IN THIS NEW NORMALITY, WHERE SOLID SOCIAL AND FAMILY STRUCTURES DILUTE IN AN INFINITE SUCCESSION OF NEW BEGINNINGS BECAUSE THE LACK OF AN INSURED FUTURE.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
Moscow Indie Film Festival is easily one of the most filmmaker friendly independent film festivals screenings in a major entertainment city anywhere in the world. We know how painstakingly difficult it is to make a movie. Moscow Indie Film Festival is about helping independent filmmakers gain the credibility and promotion they justly deserve. We are here to show your talent to the world.
The festival aims to bring to Moscow several films from all around the world, but very few times (sometimes never) screened in our great city.
ilms have always been one of the best ways to express strong feelings, both for the filmmakers and the audience, and acting as one of the most effective and communicative ways to tell messages. Through International Film Festival for Documentary, Short, and Comedy, we hope to facilitate creative filmmakers to show their artwork, encourage talented and passionate filmmakers to express their voice and to provide positive life through a laugh and meditative encouragement.
We are seeking films (both short films and documentaries) with strong voice, originality, creativity, and flowing story-telling, and produced with excellent techniques to be our showcase.
The International Film Festival for Documentary, Short, and Comedy will act as a mean to sustain and promote the continuity of creativity and artworks produced and carved by filmmakers all over the world in following their dreams to speak their story, to show real events and life, as well as to participate in the film industry.
The International Film Festival for Documentary, Short, and Comedy opens its submissions from filmmakers all over the world. We accept documentary (any length), short films, and films (any length) with comedy genres. Newcomers are welcomed. The films will be pre-selected before presented to the judging panel.
6th Edition of Petit Pavé - Curitiba independent film festival. This year the festival will be online.
The Solidando Film Festival will be held from 7th to 9th December 2018 in the city of Cagliari in Italy.
It is a NO-PROFIT international competitive festival of social short films for the following genres: documentary, fiction or animation exclusively on social themes.
What do we mean by social theme:
we mean stories: real, inspired to reality or fictions that deal with human rights, solidarity, cooperation, education, social projects, third-world issues, environmental sustainability, diversity, etc. etc..
Newcastle International Short Film Festival or NiSFF is an IMDb registered short film festival open to submissions of short films in multiple genres and categories from international, Australian and regional New South Wales (NSW) film-makers. Finalists for the best film in their regional category will be screened at the Royal Exchange Hybrid Performance Space/Cinema in Newcastle Australia in mid November each year. The overall Best Short Film winner will be selected from all the various category winners regardless of its length.
No screening fees are paid to selected films and no DCP is required. If your film is understandable for a mainly English speaking audience without subtitles then English subtitles are not required.
3th COLLATERAL 102 festival will finally allow us to promote the spread of international cinema in the city of Turin.
Turin is an Italian town with a population of about 900.000 people. Along with Venice and Rome, Turin is considered a place in which cinema plays an important role. The number of cultural events in the city increases year by year and this contributes to its worldwide reputation as an artistic place par excellence.
COLLATERAL 102 festival comes from the support of different associations that love art with no boundaries or inhibitions. COLLATERAL 102 festival addresses to short and feature films, documentaries and animated films from all over the world.
Our goal is to make COLLATERAL 102 a meeting place for directors, producers, actors and actresses, distributors and the crew in general, those who see Turin not only as a fascinating town but also as a place of great opportunities for art circulation.
The purpose of this Festival is to promote the culture and the Argentine film production made by students, from secondary schools, universities and film schools.
Our 17th Another Hole in the Head Film Festival will run November 29th through December 13th 2020, at New People Cinema in San Francisco.
With this festival, we seek broader horizons than our original genre designation allowed. All styles of independent film are welcome to compete. Whether it's a major production from a professional company, a student film, or a micro-budget labor of love, we are committed to giving each film due consideration.
We are located in a very receptive town for film, and we've built a passionate following over the years. 2020 will mark our 17th year among the most highly rated festivals in the world, and we're still growing!
San Francisco is the second largest film market in the country and a great promotional platform for indie filmmakers who are trying to get their film out into the world. Many films that screen at our festival spark the attention of other film festivals and film brokers/buyers. In addition, the films and the festival are reviewed by some of the top players in the industry, such as Variety, The San Francisco Chronicle, Dread Central, Bloody Disgusting, Twitch, and Way Too Indie, just to name a few.
Our "theatrical home" is New People Cinema in San Francisco's Japantown. A 143-seat underground venue located in the New People Building, the Cinema is equipped with cutting-edge HD digital projection, 35mm film projection and a THX®-certified sound system. New People Cinema hosts many local film festivals including the San Francisco International Film Festival, CAAMFest, Green Film Festival, and the Japan Film Festival of San Francisco.
1. ORGANIZATION
The Festival is promoted by Associazione culturale Ennio Flaiano, under the patronage of Fondazione Edoardo Tiboni and collaboration of Mediamuseum-Museum of Cinema.
The Festival will take place in Pescara (Italy), from 3 to 6 December 2019.
2. SECTIONS
Multimedia works may be admitted (shorts, documentaries, digital storytelling, video works...) in competitive section. The jury is presided by Franco Mariotti, journalist and expert of cinema.
The competitive sections are:
1 - “SCRITTURA E IMMAGINE”:
Works (fiction, documentaries) inspired by literature, drama and chronicle.
Prize: 1500 euros.
2 – “CORTOSCUOLA” (ONLY FOR ITALY)
Shorts produced by schools.
Prize: 500 euros.
3 - “ANIMACORTO”:
Animated short film section.
Prize: 500 euros.
4 – (ONLY FOR ITALY) “SPAZIO ABRUZZO: ENVIRONMENT AND ENOLOGY”
Shorts produced in Abruzzo - a region of Italy – and shorts focused on the world of wine and agriculture.
Prize: 500 euros.
5 – “CORTOAMBIENTE: your city and environment”
Shorts focused on society, environment and environmental sustainability.
Prize: 500 euros.
Festicini will award independent productions of long, medium and short films, as well as documentary and animation, in several categories and a special prize for the film involving environment theme.
