FICARQ is the International Film & Architecture Festival of Spain to screen both documentary and fiction films where architecture plays the main role.
This year, following the success of previous editions (in Avilés and Oviedo, Asturias, Santander, Madrid and Barcelona).
The official competitive sections are ARTE EN EL SÉPTIMO ARTE (fiction films) and ARQUITECTURAS FILMADAS (documentaries).
In this new edition of FICARQ, in addition to being a bridge between the cinematographic and architectural arts, we want to be a bridge between generations and for this reason we dedicate a special mention to those proposals that come to the festival made by people who are younger that twenty-five y.o. and over fifty y.o.
With this, we intend to encourage the participation of citizens, especially in the fiction and documentary short or micro-film categories to give a space of recognition to all those people who, by age range, are further away from the conventional circuits of audiovisual production and film festivals. cinema.
we sincerely believe in the transforming power of art and culture in our society and in this way we give way to many points of view of creation in freedom, showing in each city in which FICARQ is organized a window open to its citizens and their concerns, whether conventional through the urban, rural or archaeological landscape, as well as other ways of relating to their environment as occurs in urban art or showing forms of expression of people within an architectural environment such as contemporary urban dance, streetdance, breakdance, parkour movement, etc.
2021-FICARQ'S LEITMOTIV:
CLIMATE CHANGE AS UNCERTAINTIES POSED TO US IN THIS NEW NORMALITY, WHERE SOLID SOCIAL AND FAMILY STRUCTURES DILUTE IN AN INFINITE SUCCESSION OF NEW BEGINNINGS BECAUSE THE LACK OF AN INSURED FUTURE.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO (NoFilter Kino) is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Poland (Warsaw), Germany (Berlin, Hamburg), Lithuania (Vilnius). For example, the 11th and 10th Nefiltravanae Kino took place in Warsaw, Berlin, Hamburg, Vilnius and Helsinki. The content of past years' film programs can be found on the website https://shortmovie.club/programmes/
The festival will be held in a hybrid format. We will have a part of live screenings and online screenings on a video platform https://film.nofilterkino.org/ . The video is cryptographically secured. In addition, we pay attention and promote films from our previous years that are released to the public on the Internet after their festival curcuit.
Nefiltravanae Kino involves theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.
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The concept of the NEFILTRAVANAE KINO (NoFilter Kino):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the NoFilter Kino tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
Moscow Indie Film Festival is easily one of the most filmmaker friendly independent film festivals screenings in a major entertainment city anywhere in the world. We know how painstakingly difficult it is to make a movie.
Moscow Indie Film Festival is about helping independent filmmakers gain the credibility and promotion they justly deserve. We are here to show your talent to the world.
The festival aims to bring to Moscow several films from all around the world, but very few times (sometimes never) screened in our great city.
ilms have always been one of the best ways to express strong feelings, both for the filmmakers and the audience, and acting as one of the most effective and communicative ways to tell messages. Through International Film Festival for Documentary, Short, and Comedy, we hope to facilitate creative filmmakers to show their artwork, encourage talented and passionate filmmakers to express their voice and to provide positive life through a laugh and meditative encouragement.
We are seeking films (both short films and documentaries) with strong voice, originality, creativity, and flowing story-telling, and produced with excellent techniques to be our showcase.
The International Film Festival for Documentary, Short, and Comedy will act as a mean to sustain and promote the continuity of creativity and artworks produced and carved by filmmakers all over the world in following their dreams to speak their story, to show real events and life, as well as to participate in the film industry.
The International Film Festival for Documentary, Short, and Comedy opens its submissions from filmmakers all over the world. We accept documentary (any length), short films, and films (any length) with comedy genres. Newcomers are welcomed. The films will be pre-selected before presented to the judging panel.
6th Edition of Petit Pavé - Curitiba independent film festival. This year the festival will be online.
The Solidando Film Festival will be held from 7th to 9th December 2018 in the city of Cagliari in Italy.
It is a NO-PROFIT international competitive festival of social short films for the following genres: documentary, fiction or animation exclusively on social themes.
What do we mean by social theme:
we mean stories: real, inspired to reality or fictions that deal with human rights, solidarity, cooperation, education, social projects, third-world issues, environmental sustainability, diversity, etc. etc..
Newcastle International Short Film Festival or NiSFF is an IMDb registered short film festival open to submissions of short films in multiple genres and categories from international, Australian and regional New South Wales (NSW) film-makers. Finalists for the best film in their regional category will be screened at the Royal Exchange Hybrid Performance Space/Cinema in Newcastle Australia in mid November each year. The overall Best Short Film winner will be selected from all the various category winners regardless of its length.
No screening fees are paid to selected films and no DCP is required. If your film is understandable for a mainly English speaking audience without subtitles then English subtitles are not required.
3th COLLATERAL 102 festival will finally allow us to promote the spread of international cinema in the city of Turin.
Turin is an Italian town with a population of about 900.000 people. Along with Venice and Rome, Turin is considered a place in which cinema plays an important role. The number of cultural events in the city increases year by year and this contributes to its worldwide reputation as an artistic place par excellence.
COLLATERAL 102 festival comes from the support of different associations that love art with no boundaries or inhibitions. COLLATERAL 102 festival addresses to short and feature films, documentaries and animated films from all over the world.
Our goal is to make COLLATERAL 102 a meeting place for directors, producers, actors and actresses, distributors and the crew in general, those who see Turin not only as a fascinating town but also as a place of great opportunities for art circulation.
The purpose of this Festival is to promote the culture and the Argentine film production made by students, from secondary schools, universities and film schools.
Our 17th Another Hole in the Head Film Festival will run November 29th through December 13th 2020, at New People Cinema in San Francisco.
With this festival, we seek broader horizons than our original genre designation allowed. All styles of independent film are welcome to compete. Whether it's a major production from a professional company, a student film, or a micro-budget labor of love, we are committed to giving each film due consideration.
We are located in a very receptive town for film, and we've built a passionate following over the years. 2020 will mark our 17th year among the most highly rated festivals in the world, and we're still growing!
San Francisco is the second largest film market in the country and a great promotional platform for indie filmmakers who are trying to get their film out into the world. Many films that screen at our festival spark the attention of other film festivals and film brokers/buyers. In addition, the films and the festival are reviewed by some of the top players in the industry, such as Variety, The San Francisco Chronicle, Dread Central, Bloody Disgusting, Twitch, and Way Too Indie, just to name a few.
Our "theatrical home" is New People Cinema in San Francisco's Japantown. A 143-seat underground venue located in the New People Building, the Cinema is equipped with cutting-edge HD digital projection, 35mm film projection and a THX®-certified sound system. New People Cinema hosts many local film festivals including the San Francisco International Film Festival, CAAMFest, Green Film Festival, and the Japan Film Festival of San Francisco.
1. ORGANIZATION
The Festival is promoted by Associazione culturale Ennio Flaiano, under the patronage of Fondazione Edoardo Tiboni and collaboration of Mediamuseum-Museum of Cinema.
The Festival will take place in Pescara (Italy), from 3 to 6 December 2019.
2. SECTIONS
Multimedia works may be admitted (shorts, documentaries, digital storytelling, video works...) in competitive section. The jury is presided by Franco Mariotti, journalist and expert of cinema.
The competitive sections are:
1 - “SCRITTURA E IMMAGINE”:
Works (fiction, documentaries) inspired by literature, drama and chronicle.
Prize: 1500 euros.
2 – “CORTOSCUOLA” (ONLY FOR ITALY)
Shorts produced by schools.
Prize: 500 euros.
3 - “ANIMACORTO”:
Animated short film section.
Prize: 500 euros.
4 – (ONLY FOR ITALY) “SPAZIO ABRUZZO: ENVIRONMENT AND ENOLOGY”
Shorts produced in Abruzzo - a region of Italy – and shorts focused on the world of wine and agriculture.
Prize: 500 euros.
5 – “CORTOAMBIENTE: your city and environment”
Shorts focused on society, environment and environmental sustainability.
Prize: 500 euros.
Festicini will award independent productions of long and short films, as well as documentaries and animations, in several categories including the category for films whith environmental themes.
FILMI: Toronto South Asian film festival showcasing the best in South Asian cinema from Canada and around the world.
FILMI will celebrate it's 19th anniversary with a full schedule of screenings, industry workshops and party's. November 10th - 11th, 2018 at Harbourfront Centre Theatre.
The vision of the Filmi South Asian Film Festival is to promote, discover and celebrate cinematic endeavours by talented South Asian filmmakers, and highlight works with South Asian themes and artists that can be brought to a mainstream audience.
Indie International Film Festival Hong Kong accepts all forms and genres: short films, medium length films, feature films, drama, experimental, comedy, horror, slow cinema, sci fi, fantasy, animation and documentary.The appropriate entry fee must accompany each entry. This nonrefundable fee covers screening and handling costs, and will not be returned.
1. ABOUT THE FEMINIST CINEMA SHOW
The 6th Feminist Cinema Exhibition is organized by Coletiva Malva and will take place in the city of Belo Horizonte - MG - Brazil between the 18th and 26th of July 2020. The curatorship excels in diversity, importance of themes and representativeness. The show will show films directed or co-directed by women.
The Malva Collective believes that cinema translates as a mechanism for the production of meanings and social representation, with emphasis on the way it portrays / reinforces / sustains or questions the differences between gender, sexual and ethnic-racial relations. The audiovisual sector as a whole reflects and (re) produces phallocentric and misogynistic paradigms in different aspects: in the way historically women are portrayed within the cinematographic narrative and in the exclusion and non-acceptance of the occupation of women in positions and in the construction of thought Brazilian audiovisual. Thus, this Exhibition seeks to create spaces for the diffusion, integration and preservation of audiovisual production made by women at national and international levels.
It is from the incessant and ambitious production of the feminine gaze when returning her aesthetics, her dimension, her body, her feminist becoming to the community through audiovisual materials that we have developed, since 2015, the Feminist Cinema Exhibition. We are jointly in the struggle for visibility and strengthening of black, indigenous, urban and rural cultures, LGBTIQA +, and we assume that a woman is every human being who identifies herself as a woman
One of the longest running film festivals of its kind worldwide. It is a short film festival open to non-professional productions, film school students as well as commercial productions. It is held annually during the last week of November.
FACEBOOK
https://www.facebook.com/maltacine.circle/
The 27th Kinoarte Film Festival, to be held from November 2nd to November 9th, is receiving applications for its competitive sessions of short films. Films up to 25 minutes long, produced from January 2024 may participate in the Ibero-American, National, Paranaense and Londrinense competitions.
Within the framework of the multiple activities presented and organized by Andares: Cinematographic Actions, we are pleased to present the fourth edition of our Contemporary Film Festival. Another short, careful and compact edition to celebrate cinephilia in the peruvian fall.
11º Festival de Cine de los Pueblos Indígenas: convocan a cineastas de toda Latinoamérica
El Instituto de Cultura del Chaco, a través del Departamento de Cine, Audiovisuales y Artes Digitales (DECAAD), informa que se encuentra abierta la inscripción para participar del 11º Festival Latinoamericano de Cine de los Pueblos Indígenas. Esta nueva edición del tradicional Festival está dirigida a realizadores audiovisuales de todo Latinoamérica. Será de carácter itinerante y simultáneo, y se realizará del 26 al 27 de octubre de 2018 en Resistencia. La recepción de trabajos cerrará el 19 de octubre.
El 11º Festival de Cine Latinoamericano de los Pueblos Indígenas no tiene instancia de competencia, siendo las proyecciones una muestra de películas y cortometrajes. Tiene como principales objetivos fomentar el valor de las culturas originarias y el respeto hacia las mismas; promover el acceso al uso de medios audiovisuales por parte de las comunidades Qom, Wichi y Mocoit de la provincia del Chaco (y de la región); fortalecer lazos culturales entre las provincias del norte argentino, y aportar a la divulgación de realidades sociales propias de los pueblos indígenas de Latinoamérica.
BASES Y CONDICIONES
De los participantes y los temas
Podrán participar realizadores audiovisuales indígenas y no indígenas de Latinoamérica que cuenten y muestren en la producción el punto de vista y el discurso de las comunidades originarias.
Las producciones participantes pueden exponer temas en torno a aspectos culturales, artísticos, de organización comunitaria, sociales, económicos o políticos de los pueblos indígenas latinoamericanos.
Cada participante podrá enviar hasta dos trabajos, pudiendo haber sido realizadas bajo cualquier instancia o modo de producción: grupal, individual, comunitaria.
De la presentación
La recepción de trabajos cerrará el 19 de octubre de 2018. Se tomará como referencia la fecha de matasello postal en el caso de haber sido enviado por correo.
La selección del material estará dada por la pertinencia en relación al punto de vista del relato, las condiciones de producción y de proyección. Aquellos materiales que fueran seleccionados para la muestra serán debidamente notificados.
Podrán participar películas de todos los géneros: documental, ficción, animación, experimental, de una duración que no exceda los 60 minutos y finalizados con posterioridad a 2012; quedan excluidos institucionales (gubernamentales o no gubernamentales) y programas comerciales.
Las películas pueden haber sido finalizadas en fílmico o cualquier formato de video.
Los trabajos deberán ser presentados en español o idiomas de pueblos indígenas (en ese caso, con subtítulo en español).
Del envío de los trabajos
Se deberá enviar en adjunto las Fichas de Inscripción debidamente confeccionadas al correo electrónico decea.chaco@gmail.com; indicando en el Asunto: Nombre de la película, seguido de “Ficha Festival Cine Indígena 2018”.
Se podrá enviar en un mismo correo electrónico la ficha de Inscripción y enlace del video de visualización y descarga con contraseña del sitio vimeo.com
Se podrá enviar también por correo postal o personalmente (en el horario de 9 a 13); en ese caso se deberá entregar en un sobre dos (2) copias del video, grabado como datos en formato MP4 1080p o 720p, indicando claramente que se trata de un material cultural, sin valor comercial. El sobre deberá dirigirse a la siguiente dirección con estos datos:
11º FESTIVAL DE CINE DE LOS PUEBLOS INDÍGENAS
Departamento de Cine, Audiovisuales y Artes Digitales (DECAAD)
Instituto de Cultura del Chaco
Dirección: Colón 372
CP: 3500
Resistencia (Chaco) – Argentina
