DocuTIFF is exited inviting filmmakers to submit their films in the third edition of 2017 festival, which will take place in Tirana, this coming June, 2–9, 2017. DocuTIFF invites all documentaries from established and debut filmmakers alike to apply their films in International Competition and In Albanian Competition.
DocuTIFF aims to encouraging documentary film production in Albania and to give more chances to our filmmakers finding cooperation and enabling mutual contacts with their colleagues in our region, to build up a favorable climate creation in Albania and wider in region for development and cooperation of such productions.
DocuTIFF last year screened 180 films in three venues as well as in open air making it the largest film festival of its kind in Albania and one of the most important in the region.
PROGRAM
A. COMPETITION PROGRAM
Competition features four distinct sections:
∆ Feature Film Competition
∆ Mid Length Competition
∆ Short Film Competition
∆ In Albanian Film Competition
B. Open to any filmmaker from around the world DocuTIFF showcases the very best in documentary cinema from around the world, in such programs as Focus, Panorama, Reflecting Albania, RetrospecTIFF, Festival Partners, Special Screenings, Workshops & Masterclasses, Homage & Tributes, international guests together with Galá Awards and other special events.
C. NEW FEATURES – PARALLEL SCREENINGS
DocuTIFF has the pleasure to announce four optional services available for applicants.
The applicants must apply clearly for each one of these new services. Fill the appropriate field in the entry form.
∆ DocuTIFF.TV Competition
With our media partners we offer the possibility to directors screening their films (selected for the official competitive program or not) to the Albanian audience and win the TV audience awards in a yearly competition.
∆ DocuTIFF on Tour
DocuTIFF will act as ambassador for the submitted films and will travel with a selection to other Albanian cities during the year. DocuTIFF will also propose special screenings to other regional festivals in accordance to a specific subject or theme of each collaborative festival.
∆ DocuTIFF Online Library
TIFF offer the online presentation of each film, in a dedicated page, as a part of a film library, with all related information and with the possibility to receive comments from the international Internet audience and industry. The screening of films is open to anyone without charges. The films will be available for viewing in the film library as long as director/producer wishes.
∆ DocuTIFF Market Corner
DocuTIFF will create a market corner during the eight days, where potential buyers can watch all films and make their selection. DocuTIFF will also act as a festival promoter and distributor. In case of financial contract with a distributor, DocuTIFF will receive a fee of 5%.
The Roswell Film Festival honors International Feature and Short Films of all genres. Special Sections include: General Entry, Sci-Fi/Fantasy, Independent, Documentary and New Mexico based productions.
Taking place May 19-21, 2016 the Annual Roswell Film Festival will host films, special events, panel discussions and you in the Alien Capitol of the World.
Finished films in the categories of Feature Films (running time over 60 minutes) and Short Films (running time under 60 minutes) may enter into the festival.
Entry Fee of $35. The fee for the Festival is for already completed films.
The International Inonu University Short Film Festival, which will be held from April 15th to 18th, 2019, welcomes the film lovers in the 12th year ...
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
Независимая выставка короткометражных фильмов и веб-сериалов «Разнообразие в Каннах», созданная для того, чтобы побудить создателей контента из разных стран поделиться своими историями во время Каннского кинофестиваля, будет рекламировать работы режиссеров разных (мысли, расы, пола, возраста, религии, физических способностей и сексуальной ориентации) и признавать их достижения в кинематографе во всем мире.
Шесть-восемь лучших фильмов и веб-сериалов из ВСЕХ конкурсных заявок по версии журнала Beyond Borders: Diversity in Cannes и его партнеров будут рассмотрены на конкурсе и показаны на выставке короткометражных фильмов и веб-сериалов «Многообразие в Каннах» в мае 2018 года на независимом мероприятии в рамках Каннского кинофестиваля. Победители будут определены жюри и объявлены на витрине.
Хотя мероприятия проходят во Франции одновременно с Каннским кинофестивалем, выставка короткометражных фильмов «Разнообразие в Каннах» — это НЕЗАВИСИМОЕ СОБЫТИЕ!!!
BOSIFEST — это единственный в Юго-Восточной Европе Международный фестиваль документального кино для людей с ограниченными возможностями и для людей с ограниченными возможностями, который в этом году в семнадцатый раз будет организован в Сербии Центром Хенди «Колозей». Как и в прошлые шестнадцать лет, в этом году на большом экране будет показано большое количество фильмов как в конкурсной, так и внеконкурсной части. До сих пор посетители BOSIFEST имели возможность посмотреть 950 фильмов, посвященных жизни людей с ограниченными возможностями или созданных авторами-инвалидами.
Помимо кинопоказов, BOSIFEST предлагает дополнительные программы в виде мастер-классов, панельных дискуссий и круглых столов.
Coachella Valley International Film Festival is preparing for our first fantastic festival of independent filmmaking from April 28, 2017, under the stars.
CVIFF is dedicated to celebrating the works of independent filmmakers from around the world, and we pay special attention to ultra low-budget films by first and second-time directors.
The International Inonu University Short Film Festival, which will be held from April 15th to 18th, 2019, welcomes the film lovers in the 12th year ...
Международный фестиваль гастрольного кино 2026. Международный конкурс в этом году открыт для короткометражных, средних, вертикальных фильмов, короткометражных фильмов с искусственным интеллектом и художественных фильмов; спонсором и организатором фестиваля выступает компания Cultural CivitaFilm, штаб-квартира которой находится на улице Тольятти, № 12 -00053- Чивитавеккья (Рим, ИТАЛИЯ) в сотрудничестве с Mibact, городом Чивитавеккья, Regione Lazio и Enel.
We are happy to announce the 1st edition of BUZZ CEE International Film Festival, running May 4th to May 8th 2016 in Buzau, Romania.
BUZZ CEE – Buzau International Film Festival is the newest international film festival dedicated to film makers from the CEE region, including Greece and Turkey.
We know the CEE (Central and Eastern Europe) region is home to creative, powerful and entertaining stories and we wish to help sharing them with the world.
We seek films that entertain, inform, create defining stories and break conventions.
Our goal is to showcase and promote these stories and further shed a positive light on our region and its creativity. Either feature films, short films or documentaries, they can all find their place at BUZZ CEE.
We look forward to presenting your films to the public between May 4th – 8th in the beautiful county of Buzau, Romania.
To make the spectators’ and your experience memorable, the festival will include panels, parties, special events and, of course awards.
Миссия фестиваля — распространение знаний о киноискусстве, особенно в виде короткометражных фильмов, чтобы показать публике все различные аспекты современного международного кино.
The festival is being conducted since the year 2001, and its task is to show as widely as possible, the condition of the contemporary audiovisual creations of young authors.
Films from 70 countries were exhibited during the previous festivals.
Student Cuts film festival is aimed at young authors in the early stages of their film careers. Their independence lets them work on unconventional, creative, energetic and subtle ideas. Such films are an important insight into the local environments and everyday themes seen from a different perspective. By joining Student Cuts network the authors not only gain access to the big screen, but a network of audiences all over Europe, contacts with experts and simply gain exposure. In the end, films are made to be watched.
The Fine Shortfilm Festival is a non-competitive shortfilm event, hosted in São Paulo, addressed to the works of the new generations of Brazilian filmmakers.
Awarded MovieMaker Magazine's "20 Coolest Film Festivals In the World"
MovieMaker Magazine's "Top 25 Film Festivals Worth the Fee"
The San Francisco Frozen Film Festival (SFFFF) is a Nonprofit 501(c)(3) organization founded in 2006 that is dedicated to creating avenues for independent filmmakers, youth, filmmakers of conscience, and artists from underserved communities to come together and exhibit their work to the widest possible audience.
The San Francisco Frozen Film Festival is held every summer in the heart of the Mission district in San Francisco at the Roxie Theatre. Filmmakers whose work is accepted into the festival are invited to come to the city by the bay in the dead of summer to screen and discuss their work.
In addition to our annual international film festival, the SFFFF Youth Program is specifically focused on demonstrating to underserved youth that existing pathways do exist to help them find a career in the film arts. SFFFF holds annual music and art performances, as well as youth programming and awards presentations.
Bašta Fest — международный фестиваль короткометражного игрового кино, который проходит в Байина Башта, Западная Сербия. Это ежегодное мероприятие, которое проводится в первые выходные июля и длится четыре дня. Благодаря профессии основателей (актеров Йована Елисавчича и Майи Шуши), главной целью фестиваля является сотрудничество режиссеров и актеров. Мы считаем, что сосредоточение внимания на качестве этих совместных художественных усилий положительно скажется на позиционировании Bašta Fest среди фестивалей короткометражных фильмов. Bašta Fest имеет большое значение для децентрализации культуры, поскольку он принес в этот прекрасный регион разнообразные фильмы, музыку и другие программы. Одним из приоритетов фестиваля является популяризация невероятной природной красоты для большого числа посетителей. Тем не менее, наша главная цель — превратить этот фестиваль в захватывающий культурный оазис, который поддерживает местных и международных молодых художников, делая акцент на короткометражных художественных фильмах с аутентичностью. Основной отбор — конкурсная программа короткометражного кино, два фильма демонстрируются в рамках внеконкурсной, специальной программы каждый год — один во время открытия и второй во время церемонии закрытия. Последний из них — это сербский дебютный полнометражный фильм, выбранный командой Bašta fest самым успешным в прошлом году. Вход на все показы в Bašta бесплатный, в то время как они всегда проводятся под открытым ночным небом. В настоящее время есть два официальных места проведения фестиваля: парк Боричи и озеро Перучац.
14-й Международный кинофестиваль для детей и подростков «AnifestroZafa» 13-16 ноября 2023 года в Шкодре, Албания.
Международное жюри фестиваля Anifestrozafa2023 будет создано в сотрудничестве с Европейской ассоциацией детского кино ECFA.
Оценка художественных ценностей будет осуществляться международным жюри и специальным жюри, состоящим из 23 детей в возрасте 8-12 лет.
В отборе будет объявлен фильм-победитель «ECFA Award», который станет конкурентом берлинскому фестивалю в феврале 2024 года.
Фильмы для участия в 14-м Международном кинофестивале для детей и подростков должны быть сняты после 1 июня 2021 года.
СРОКИ.
Участники уведомлены о том, что онлайн-регистрация, основанная на регламенте, начинается 10 декабря 2022 года с выплатой 20 евро
Студенческие фильмы — оплата 12 евро
Принимается короткометражный фильм продолжительностью не более 15 минут.
Нет ограничений на количество записываемых вами фильмов.
Прежде чем заполнить форму заявки, ознакомьтесь с регламентом «AnifestroZafa».
Список фильмов, отобранных в финал, будет опубликован 15 сентября 2022 года на официальном сайте фестиваля: http://anifestrozafa.org/
NOCTURNA MADRID, Международный фестиваль фантастических фильмов является самым важным фестивалем такого рода, который проводится в Мадриде.
EVENT DATES. The XXII edition of the Guanajuato International Film Festival will be celebrated from July 19-28, 2019, in the cities of San Miguel de Allende and Guanajuato, Mexico.
THE NEXT EDITION OF THE MADEIRA FILM FESTIVAL WILL BE MARCH 27 - APRIL 1 2020.
We continue to accept submissions but please not your film will be submitted to the 2020 edition NOT 2019. This is due to Government elections on Madeira.
Teatro Municipal Baltazar Dias, Funchal, Madeira, Portugal.
The entry fee is 30 / 40 / 50 Euros depending upon submissions date and irrespective of genre and running time. Exhibiting filmmakers will be offered 3 nights accommodation including breakfast on Madeira during the festival.
Call for entries
The call for entries starts on August 16th 2018 and will remain open until April 2nd 2019.
The Madeira Film Festival is non – competitive. Rather than present awards MFF offers delegates the status of ‘AMBASSADOR OF THE LAURISSILVA’ thus helping to preserve and create awareness of Madeira’s endemic Laurissilva forest.
The Madeira Film Festival organisation fervently believes there is no better place in the world to stage a film festival than on the piquant Island of Madeira and there is no better place on Madeira to stage a film festival than in glorious Reid’s Palace Hotel and the Municipal Theatre in Funchal.
The crux of the Madeira Film Festival is to pay homage to the resilience of Madeira’s endemic Laurissilva Forest by screening a slate of films which are expansive, unsettling and profound,films which will hopefully impinge upon the viewers imagination.
One of the most effective measures that can be implemented in order to raise awareness of the Laurissilva forest and subsequently it’s preservation is through the undisputed persuasive strength of audio- visual communication. The aspiration of the Madeira Film Festival is to become one of Europe’s foremost film festivals, by sheer virtue of location there exists an inherent capacity to attain this.
