The Bow Wow Film Fest is a traveling, dog centric film festival that celebrates, educates and inspires all things doggie through the art of short film.
Bow Wow Film Fest features some of the years’ best pooch themed short films all wrapped up in one beautiful, fun-loving 90 minute package! Bow Wow presents an opportunity for animal welfare groups to host an event that generates awareness as well as offers a unique and delightful way to fund raise. 100% of tickets sales go the events beneficiaries! Films change annually.
Registration is now open for the 13th International Film Festival in Balneário Camboriú, a complete event that presents the best of International and Brazilian cinema to the public.
Programers seek to present the work of new or consolidated directors, who stimulate different types of sensitivity, through feature films, medium format and short films. FICBC also seek innovative audiovisual works made in different production support aimed for different exhibition formats.
Filmmakers, professionals and artists participate in activities with the public and contribute to the development of cinephiles, new professionals and critical thinking.
The Audiovisual Market includes the Screenplay Contest, Co-production Meeting, Directors' Room, Country Focus and others.
The Audiovisual Residency provides workshops, lectures and public debates with artists and professionals.
"Each year FICBC is more complete, never forgetting to give visibility to each selected film. There were many meetings between the public and professionals and between professionals from different countries that made it possible to consolidate new co-productions ”, says André Gevaerd, founder and director of the festival. For the curator, Barbara Sturm, the objective is "to show the best of current art cinema in national and international productions and by placing directors to interact with the public and press."
It is a cultural event with an innovative format that has consolidated itself as an event of great importance. Several media outlets follow its development and place it as an official part of the annual calendar of major film festivals. In ten years, presented important guests such as directors Carlos Sorín, Frederike Jehn, Helene Klotz, Hanna Doose, Beto Brant, Renato Ciasca, Sérgio Machado, Rubens Velloso, Patrícia Moran, Francisco Garcia, Chico Faganello, David Schurmann, artist Hans Op Beeck, actresses Bianca Byington, Paula Braun, Djin Sganzerla, Christiane Tricerri, actors Marcos Azevedo and Ivo Muller, critic Rodrigo Fonseca, among many others, who were present and had direct contact with the public.
THE DIFFERENT SESSIONS OF THE FESTIVAL:
Internacional: shows films that make their international or national debut. Short, medium and feature films, from all around the globe, that participate in a competition.
Nacional: Especial for Brazilian productions. Short, medium and feature films.
Live: open to new manifestations of the audiovisual language through new means of production and different exhibition supports. Expanded cinema, live cinema, installations and formats that go beyond the possibilities of the dark room.
Catarina: projects films made by directors from Santa Catarina or who have a relationship - director, producer, cast, crew, location, others - with the state of Santa Catarina.
Nocturnal: opens a window to fantastic cinema at night sessions.
Little Owl: brings programming for all ages, training young film fans.
NON STOP BARCELONA ANIMACIÓ is a cultural integral event about animation cinema that offers to stimulate the interest for this language, learning, practising it and seeing it.
The Art of Brooklyn Film Festival is a unique event that brings Brooklyn’s celebrated film and media makers together with their peers across the country and around the world. The award-winning AoBFF is a filmmaker-focused event, platform and showcase for exciting emerging creators and established voices. We partner with film distributors and media organizations, host world-class talkbacks, create innovative programming for networking and skill building, and screen in state-of-the-art theaters for enthusiastic audiences across Brooklyn.
Founded by working artists in 2011, ten festival premieres have gotten theatrical distribution to date — and one became an HBO series. We have held events in nineteen different venues in nine neighborhoods across Brooklyn (so far,) often partnering with local businesses and organizations to reach the widest possible audience.
Our innovative approach to ensure that no single POV dominates the curation process includes working with a different Guest Festival Director every season. And our ethical and transparent submission policy is a model for the industry.
We believe that film festivals exist for filmmakers, not the other way around.
In 2014 we became the only indie film festival to build and program our own video-on-demand streaming platform: Brooklyn On Demand, where we broadcast festival favorites, original series and more, online and on a Roku channel with over 16,000 subscribers, alongside Netflix, Hulu and Amazon Prime. brooklynondemand.com
The Universe Multicultural Film Festival seeks to bring to the best of classic and contemporary filmmaking from the world; Committed to enlightening the public with a unique international film program, a forum for cultural understanding and enriching educational opportunities. The Festival focuses on showcasing diverse cultural and heritages films, supports the creation and advancement of innovative and artistic cinematic works of both emerging and seasoned filmmakers and proudly embraces the passion, independent spirit and vision of these talented artists. With the integration of the local community and educational institutions into all aspects of the Festival, the Festival stimulates an interest in the study and appreciation of film and encourages people of all ages and background to participate and share the harmony universe.
The London International Animation Festival proudly showcases the whole spectrum of creative animation, showing that animation is for everyone.
Founded in 2003, LIAF aims to dispel the popular misconception that animation is just cartoons for kids by screening the broadest possible range of intelligent, entertaining and provocative current films on offer from all around the world as well as retrospectives and specialised sessions from countries and animators who don't normally elicit such attention.
Our annual 10-day Festival includes gala premieres, retrospectives, Q&A's with filmmakers, workshops, audience voting, and the Best of the Festival screening.
The nineteenth version of the Muestra Cine + Video Indígena, organised by the Museo Chileno de Arte Precolombino, opens its call for entries from 30 November to 7 March 2025 to films by indigenous and non-indigenous filmmakers whose central theme is indigenous peoples, especially in Latin America.
The curatorial committee of the festival will place special emphasis on selecting works that portray cultural and territorial aspects of these nations, such as: processes of safeguarding cultures, protection and defence of territories and the environment, human rights, identity tensions and political reflections. In addition, works spoken in indigenous languages and which have been made in a participatory manner with indigenous communities or through the training processes of indigenous film schools will be highlighted.The nineteenth version of the Muestra Cine + Video Indígena, organised by the Museo Chileno de Arte Precolombino, opens its call for entries from 30 November to 7 March 2025 to films by indigenous and non-indigenous filmmakers whose central theme is indigenous peoples, especially in Latin America.
The curatorial committee of the festival will place special emphasis on selecting works that portray cultural and territorial aspects of these nations, such as: processes of safeguarding cultures, protection and defence of territories and the environment, human rights, identity tensions and political reflections. In addition, works spoken in indigenous languages and which have been made in a participatory manner with indigenous communities or through the training processes of indigenous film schools will be highlighted.
Mentioned in publications like Vox, Medium or Backstage, TMFF has been named by ShortFilm Connection "probably the most famous film festival currently on the web". With almost 3500 SELECTED FILMS until now and tens of thousands of website visits each month, we hope that through TMFF you will stand out with your project and get the reach you need and deserve! Plus, besides being an IMDb-qualifying event, every official selection will automatically be entered into our extensive FILM COLLECTION: https://tmff.net/collection/
Month by month, our judges (who all work in the film industry) will decide who the TMFF nominees and winners are. We have received over 13,000 projects so far, held over 80 monthly editions and awarded over 800 films from all around the world!
❗AND KEEP THIS IN MIND: We won't put the full version of your film on our website if you don't want to. A TRAILER WILL DO.
❓Frequently Asked Questions: https://tmff.net/faq/
SUBMISSION DETAILS
• Only films with a maximum running time of 29 minutes or less will be considered. There is no minimum running time.
• All non-English films must have English sub-titles.
• Works-in-progress will not be considered.
• Do NOT submit stills or press kits. If your film is selected, we you will be asked to submit stills and press information.
• Exhibition format will be original DVD or Blue Ray.
• All selected films for the Festival must grant the Pacific Coast Short Festival the rights to use DVD and press materials for promotional purposes.
• Works-in-progress will not be considered.
• All DVD/Blue Ray discs must be labeled with the title, running time, contact name, email and phone number.
• Films must NOT have screened in a SHORT-ONLY film festival in Southern California.
• Multiple entries are accepted, however, all films must be on a separate disc and be accompanied by their own completed submission form and entrance fee.
• All films selected for the PCISFF grant the rights to upload a clip/trailer online for promotional purposes.
• Films currently in distribution through public media or any kind, including broadcast television or internet streaming at the time of the Festival exhibition date will not be accepted.
• The Torrance Cultural Arts Foundation will email all confirmation of delivery to each submission. Please no phone calls.
• Entrance fees may be paid by credit card, money orders or checks made payable to Torrance Cultural Arts Foundation.
• Foreign entry fees must be paid in U.S. dollars.
• All fees are non-refundable.
• Entries will not be viewed until payment has been cleared.
• Discs will not be returned without a self addressed envelope with sufficient postage.
• All selected films for the Festival will be kept by the Foundation for historical record.
Our call is open to all individuals, agencies, art collectives or producers that own the rights of short length audiovisual work, including documentary, argumentative, experimental and/or video-art. Short films must have been produced in film, video or animation format.
FICICA will take place from 12th to 16 th of August in Barranquilla, Colombia and through virtual channels. You are all welcome to visit us!
The RIOS - International Documentary Film Festival and Transmedia is defined as an activity platform for the creation and promotion of author projects within the scope of independent cinema and audiovisual and aims to:
a) give visibility, serving as a promotional platform, cinematographic and audiovisual works whose aesthetic approach is related to the reality of the river;
b) to serve as a work platform for a deep reflection on thematic documentary cinema;
c) encourage the creation of author projects that focus on the aesthetic deepening, the discovery of new territories, new styles and new supports that can define the reality Rivers;
d) create a creative platform linked to the Rios theme in the field of photography, plastic arts, literature and dramatic performance;
e) to contribute to the diffusion of first university works and documentaries in the thematic scope;
f) encourage the creation of inter-university partnerships in the field of documentary film and audiovisual.
The RIOS - International Documentary Film Festival and Transmedia, inserted in a region inevitably linked to the Douro, intends to explore and divulge the aesthetic potentialities linked to the river, making it a privileged space of cinematographic creation in the documentary scope. Vila Real, during the festival, will be an international cinematographic meeting point that will allow the exploration of the region and the gestation of new projects and new aesthetic creations.
This festival only admits submissions from SPANISH NATIONALS. No film-makers from any other nationality will be allowed to submit their films to this festival.
Feedback: The one element most festivals ignore.
Instead of paying submission fees and getting nothing in return, EVERYONE who submits to DOFIFF.COM will receive EITHER ONE OF TWO benefits: Either 1): your film is already competition calibre, and becomes an Official Selection, OR 2): you’ll receive a letter outlining exactly what is keeping it from being accepted. If you can make corrections, you resubmit for FREE.
First-time filmmakers: when have you ever received a letter and had the festival explain "WHY" you weren't selected? See why filmmakers thank us and say “Best Festival Ever!”
-Guaranteed distributor review by World Wide Motion Pictures Corporation (WWMPC.COM), Adler & Associates, and Polaris Pictures (for Screenplays) among others, AT NO EXTRA COST TO YOU, for our select few ‘Best Of’ and "Award of Excellence" winners based on sufficient qualified entries. For this free service, DOFIFF requires NO CONTRACTS to be signed.
-The chance to thereby be included in one of that distributor’s buyers’ packets on the world film market
-A festival that is run as a web-based competition, instead of a traditional film festival: 100% of our effort and investment goes into finding a market for you, not into renting theatres unless it is dictated by the distributors to further test the market.
-All "Best Of Show" and "Award Of Outstanding Excellence" may have their trailers shown on WRPN.TV entertainment news next to Hollywood celebrity interviews (optional)
-Any film that is rejected will receive a personal letter explaining what elements caused the rejection (unlike other fests who never give any explanation at all). HINT: majority of rejections or low award levels, are due to insufficient volume on dialogue soundtracks.
-Any film that is accepted, but fails to move on to award status, will be given a free synopsis of the judges notes, at the filmmakers request, for free
-FREE Earlybird entry of any rejected film, into DOFIFF’s next competition, upon completion of the suggested corrections outlined in your rejection letter
-$28 flat fee for ALL STUDENT FILM ENTRIES regardless of deadline status (proof required of student status at time of filming: no refunds if your ID is not legitimate)
-Unique Category distinctions:
“Dust Collector” category for pre-2009 films
“Tight Shorts” and “Loose Shorts” distinction between running times of less than 15 minutes and those between 15-59 minutes
“Horror” and “Sci-Fi” have been separated into two distinct categories
-Finally, you can rest assured that our co-founder is a proud Committee Member for the Universal Film & Festival Organization (UFFO.ORG). The UFFO is a non-profit operating out of the U.K., which exists for "Promoting best business practices for film festivals.” This guarantees that your film will benefit from a fair and thorough judging process.
The association Iria Cultura presents the eighth edition of the Voghera Film Festival.
VFF intend to promote the knowledge and spreading of the cinema and to be an important meeting point for international cinematographers.
National Festival of Short Films "Clemente de la Cerda", aims to encourage the production and dissemination of audiovisual work by individuals or groups whose work represents a vision that reflects the everyday realities of social, political, economic, cultural and artistic their community, as well as stimulate awareness and reflection among young people and promote dialogue and audiovisual narrative among new generations of filmmakers.
