8th Pilar de la Horadada International Film Festival - CORTOPILAR | PILAR AWARDS 2024
It is a Festival with two sections to contest. Official Section and Section of Asturian Short Films. Three prizes will be awarded (best short official section, best performance and best short Asturian). All the information is in the bases. Any author of any nationality can participate.
The International Festival of Intergenerational Short Films on the Elderly (FICMA) was born within the Federation of Associations of the Elderly of Salamanca (FAMASA) with the aim of providing a cultural offer that contributes to improving the quality of life of the elderly, even with dependence or disfunctions by bringing them closer to a full citizenship and offering the cultural heritage of which they are protagonists. It is celebrated every year between September and October since 2016 in the city of Salamanca, being a meeting of intergenerational culture
The Festival poses as a place of debate and discourse for questions such as: How has cinema treated old age? The reflection of the role of the elderly in the family, sentimental, emotional and social relationships. The positive or negative consequences of cinema into stereotypes and believings about the elder and even if it treats the same way both man and women.
The importance of dignifying the intergenerational relationships between youngsters and elderlies becames vital in order to find ways towards a better future.
OBJECTIVES
The goal of the FICMA is to archieve the people from Salamanca to be closer to the cinema from a third age perspective. This festival is a golden opportunity to offer a cinema party to the city and an active and positive vision from this part of the population.
The festival has as a goal to show the positive part of the elders and to reforce the intergenerationals relationships.
Filmeraa Film Festival is one of it's kind festivals to promote independent films, web series across the globe. We are committed to release content across the globe via our screens exclusive to screen only independent films. Every year the festival acknowledges independent work with unique flavor in them and can bring about a change into the society and the thought process.
The Filmmakers/audience will gain the insights of the reel world & how to make your projects effective & efficient at the same time.
Every film maker is invited to be a part of this exclusive premier league screening festival.
The best films will get a chance to feature their film on our distribution portal www.filmeraa.com and on Indian Television.
International film festival of entertaining, fantastic and arthouse free genre films.
The Obscura Filmfest was founded by David Ghane in 2016 and has been run by him alone ever since. He is a passionate genre film fan since 1996, attends several film festivals per year since 2004, sometimes helps out there, acts as an extra in horror films and is an extreme film collector.
The Obscura Filmfest specialises in entertaining and fantastic B-movies, films that are rarely shown in cinemas. They show mostly big blockbusters or arthouse films that can be found at most other ordinary film festivals. Even comparable festivals are expanding their programmes to include more and more arthouse. Those who instead like entertaining, smaller and special independent films, but can also imagine bigger productions from far away countries, will find what they are looking for at the Obscura Filmfest: Films that are fun with rough edges, raw and uncompromising; from nasty little horror films to Asian battle epics, there is something for every fan, just no boredom.
It started with small, offbeat, trashy and depraved underground grindhouse films, meanwhile the Obscura also screens commercial, mid-sized films that are traded on the big film markets.
Highlights of the previous festival editions included the German premieres of the Argentinian fantasy sci fi cyberpunk action film "Daemonium", the Ukrainian thriller "Egregor", the Filipino zombie shocker "Day Zero", the Danish horror film "Finale", the ghost comedy "Deadtectives" and the two Backwoods films "What the Waters Left Behind" and its sequel "Scars" 5 years later.
The European premieres of the Indonesian comic superhero film "Valentine" and the Backwoods film "Drifter" were also screened.
Another highlight was the crazy Japanese splatterfest "Kodoku - Meatball Machine" which can look back on a long festival history including the biggest festivals of its kind, as well as the Universal/Blumhouse production "The Hunt".
With "Redbad" and "The Great Battle", two big battle epics were also screened at the Obscura.
The German premiere of the hard-hitting exploitation film "Trauma" in Hanover was even attended by visitors from the Ruhr area.
After its international premiere at the Obscura, the cowboy backwoods film "Lasso" was shown a few months later at the famous british Frightfest.
In 2022, the Obscura had its first two feature-length film world premieres with "All through the Hall" and "Hidden in the Woods II".
At each Obscura there were film guests who introduced their film in person and were available for a Q&A. They came from Ireland, UK, Belgium, Finland, Denmark, Spain, Greece, Hungary, USA, Argentina, Mexico and of course Germany.
More information incl. an archive on the new and old websites:
https://www.obscurafilmfest.com
https://dvdscot.wixsite.com/obscura
RIZOMA is a unique international festival that combines film, art, music, conferences and community engagement to build each edition around a central concept.
Like the rhizome itself, RIZOMA is interconnected, interdependent and non-hierarchical. RIZOMA values that the different branches of culture feed and inspire each other. We believe in the horizontality of a rhizome so it is important to bring together emerging and established artists so that some feed off each other and of course the public as a part of the festival.
Known for having brought to Madrid for the first time creators of the stature of David Lynch, John Waters and Debbie Harry. RIZOMA also stands out for its efforts to bring to light the work of new Spanish artists. To this end, it has created the RIZOMA CINEMA Award, for the distribution of the winning film.
MosFestFilm is an international film competition with an annual awards event in Moscow.
MosFestFilm is an organization devoted to showcasing the best and brightest films from around the globe, advancing the careers of filmmakers through screenings, networking events, and various panel and forums. Categories include Narrative, Animation, Documentary, Music Video, Experimental and Student Shorts.
MosFestFilm is an avid supporter of local and international filmmakers representing cinematic productions that embody the true spirit of the art. From classic or original scripts to new cinematography and film techniques, each and every piece is the result of true emotion and expression.
We're glad you're here! We can't wait to discover the amazing films you create and the global community that you build.
All best films that were selected for the screening, will be shown on the big screen during the solemn final ceremony on September 16 - 21, 2025 in Moscow, Russia and will be able to struggle for the main prize and the title of the "Best film". As well as for the prizes in the standalone nominations.
The León International Film Experience (LIFE) is a renowned international event that aims to promote and expand the film market in the Bajío region, as well as throughout Mexico.
Our goal also includes promoting the city of León as an attractive destination for foreign investment and developing a cosmopolitan environment that provides diverse
recreational opportunities.
In this edition, we have set out to exceed all previous expectations and offer new and exciting experiences in the field of cinema. LIFE has the mission to inform and share
knowledge, providing spaces for community enrichment and closely collaborating with our specific values and goals
This edition we open our application from July 06th to september 06th to be admitted to the Official Selection of fiction and non-fiction short and feature films.
LA PECCA -Small Environmental Film Contest- was born in 2007 by the DeFrente Association.
The main purpose of this project is to promote respect for sexual and gender diversity through cinema, contributing to the development of a plural and inclusive society.
Taking a quality film event as a vehicle, we show plural life stories and encourage people to visibly live their sexual and gender identity, to promote social awareness and claim at the same time the right of the LGTBIQ + community to be present in culture and in society equally.
We also give visibility and support to quality cinematography, promoting the discovery of new talents.
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ASOCIACIÓN DEFRENTE is a non-profit organization in Seville that was established in 2006. Since its inception, its objectives have been aimed at serving the lesbian, gay, transsexual and bisexual community in response to a social demand by being this group in a situation of marginalization and discrimination in many areas of daily life.
Mexican film festival, exclusively for horror and terror films, as well as the subgenres: gore, supernatural horror, k-terror, j-terror, slasher, rural terror, etc.
Tuth Horror Film Festival receives films from all over the world. The main requirement: Cause fear.
12th of the Sant Andreu de la Barca Film Festival and framework of the Oriana Awards delivery
The gala is held at the Nuria Espert Theater, where in one night the work of a year of filmmakers of short films, documentaries, web series and feature films is brought together.
The Maipú International Film Festival - FICMAI, shall be held from October 2 to 8, 2023, in the city of Maipú, Province of Buenos Aires, Argentina.
FICMAI aims to disseminate high-quality and top-notch technical content, accessible to all kinds of audiences, with a diverse and entertaining programme that allows cultural enrichment, encounter, reflection, and amusement. An annual meeting place for the city and a space for the exhibition of local productions.
Focused since three decades ago on the discovery of new talents and the diversity of contemporary cinema, Granada Film Fest has a special interest in upcoming filmmakers of all nationalities, open to films decided to explore new audiovisual forms regardless of their definition, genre, format or duration.
The Ames International Children's Film Festival is back, an event that wants to make children dream, think, smile, and awaken emotions, consciences, and illusions. It is for this reason that in this fifth edition ecology will be the common thread of the broad agenda of proposals that will take place from November 14 to 17.
There will be four days in which more than 50 short films and audiovisual works from different parts of the world will be screened, so that children from Ames, the region, and all of Galicia enjoy animation, fantasy, adventures, superheroes... bringing out the curiosity for the world of cinema and all that lies behind it, as well as raising awareness of environmental protection.
Let the rattles ring and the spinning tops spin, the VII International Children's Film Festival of Ames begins.
The purpose of the Bogotá Music Video Festival is to celebrate the art of music video, the joy of music and the passion for filmmaking. We bring the music video art to different screens around Bogotá and top that with live music, exhibitions and academic and industry events. We want to showcase independent and fierce work to new audiences, focusing on the potential of awe brought by the communion between music and moving images.
Wallachia International Film Festival is a highly professional, industry connected film festival, an exclusive independent grassroots film festival taking place in an exquisite location in Downtown Bucharest, only hundreds of meters away from Dracula’s former court in the grand Old Town!
We won multiple cinema prizes including important awards at major film festivals, like Cannes, Locarno, Montreal, London, Milan, Miami and Atlanta. Also, our advertising work received accolades at Clio, Effie, In-Awe, Lion Awards, ANDY Awards and Ad’Or, while working for companies like Coca-Cola, UNICEF, McDonalds, Renault, Yahoo! and Nestlé-Purina.
But there’s nothing we love more than indulging ourselves with cinematic candies from all over the world, under the autumn night sky of Wallachia. We will be arguing for a long time about which ones we feel are the best, and about the most promising unproduced screenplays.
Welcome to Wallachia, the Legendary Land of Voivode Vlad III Dracula, universally known as Vlad the Impaler. Born in 1431, Vlad was an authoritarian Principe, he revolutionized the affairs of Wallachia and refused to pay tribute to the sultan Mehmed II, resulting in a bloody war with the Ottomans. Multiple works containing stories about Vlad's cruelty were published soon after his assassination in 1475. In 1897, Bram Stoker downgrades Prince Vlad to Count Dracula, a blood-sucking vampire inspired by Wallachian ancient folklore. Loosely based on the book, Dracula (1931) casts immortal Bela Lugosi as the doomed romantic Count.
Just think cinétopia! Feel hundreds of years of mythic Wallachian history under the night sky! It’s a 100% natural film affair!
We watch all movies, we read all screenplays and we select exclusively based on artistic merits.
ZINEBI- International Festival of Documentary adn Short Film of Bilbao
ZINEBI is the only Class A international festival in the documentary and short film category in Spain. It is accredited by the Hollywood Academy of Motion Picture Arts and Sciences as a qualifier for the Oscars, for the European Film Academy’s awards, for the British BAFTAs and for the Spanish Academy’s Goyas.
Created in 1959 by the Basque Institute of Hispanic Culture, attached to the Spanish Foreign Ministry, the International Ibero-American and Filipino International Documentary Film Contest (its original name) was devised to follow in the steps of San Sebastián, which had been set up six years earlier. It is the third oldest festival in the Spanish State, after San Sebastián and Valladolid, and the first amongst those in its field. Between 1972 and 1981, it became a platform to discuss Spanish short films and a space for the dissemination of productions from all over the world, and particularly Latin America. In 1974, it was recognised by the International Federation of Film Producers Associations (FIAPF) as a contest of the highest international competitive category. Between 1975 and 1980, it was the ideal forum to discuss the arrival of what would be known as Basque cinema.
In 1981, the festival passed to the hands of Bilbao City Council. Since the year 2000, it embarked on a new era under the ZINEBI brand, when it would consolidate its position as one of the most important international festivals in its speciality. It has strived to be a platform for Spanish and Basque producers and directors and has contributed, as one of its fundamental goals, to internationally promoting the quality and independent films made around the world: films whose creative ambition is not exhausted by merely repeating hackneyed stylistic characteristics. Thanks to these very free and exceptional works, ZINEBI continues to renew its commitment each year to formal experimentation, to the interdisciplinary and hybrid of the new audiovisual productions, to support for the up-and-coming producers, and to filmmakers’ aesthetic and ethical scrutiny of the increasingly more complex realities of our contemporary world.
Throughout its long history, the festival has welcomed to Bilbao some of the most prestigious professionals of independent filmmaking worldwide. The accolades of ZINEBI include the names of Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz and Luise Donschen. Thanks to its critical debate and specialisation, the festival has been a test bed for the new trends of contemporary cinema and a useful platform for the most daring filmmakers.
A similar headcount of the ranks of Spanish cinema reveals that the Bilbao Festival has been the launchpad of several generations of filmmakers: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra and Natalia Marín.
The festival’s guests, international jury members and winners of the Mikeldi of Honour, its top annual award, include Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros, and the Jean-Pierre and Luc Dardenne brothers.
The different ZINEBI directors down through the years have been: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico and Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), the Executive Committee made up byr José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) and Ernesto del Río (1999-2017). Vanesa Fernández Guerra has been the director since 2018.
The festival is currently sponsored and institutionally funded by Bilbao City Council – through the Arriaga Theatre – as the organiser, by the Basque Government’s Department of Culture, by the Spanish Ministry of Culture – through the Institute of Cinematography and Audiovisual Arts (ICAA)-, and by Bizkaia Provincial Council. ZINEBI is also supported by private and public entities including Basque Public Television (ETB), Azkuna Zentroa, Golem-Alhóndiga Cinemas, the Fine Arts Museum, Guggenheim Museum, the Sala BBK, the Campos Elíseos Theatre, the University of the Basque Country (UPV/EHU), the French Institute, the Goethe Institute, the SGAE Foundation-Basque Council and the FAS Film Club.
ZINEBI- Festival Internacional de Cine Documental y Cortometraje de Bilbao
ZINEBI es el único festival internacional de Clase A de España en la categoría de documental y cortometraje. Está acreditado por la Academia de Hollywood como calificador para los premios Oscar, para los premios EFA de la Academia del Cine Europeo, para los premios BAFTA de la Academia Británica y para los premios Goya de la Academia Española.
Creado en 1959 por el Instituto Vascongado de Cultura Hispánica, dependiente del Ministerio de Asuntos Exteriores, el Certamen Internacional de Cine Documental Iberoamericano y Filipino de Bilbao (su nombre inicial) fue concebido como hermano menor del Festival de San Sebastián, que había nacido seis años antes. Es, tras el de San Sebastián y el de Valladolid, el tercero más antiguo del Estado y el primero entre los de su especialidad. Entre 1972 y 1981 se convirtió en una plataforma de debate sobre el cortometraje español y en un espacio para la difusión de las cinematografías más variopintas, en especial la latinoamericana. En 1974 obtuvo el reconocimiento de la Federación Internacional de Asociaciones de Productores (FIAPF) como certamen de la máxima categoría internacional competitiva, y entre 1975 y 1980 fue el lugar de debate idóneo para el alumbramiento de lo que empezó a conocerse como cine vasco.
A partir de 1981 el festival fue asumido por el Ayuntamiento de Bilbao y desde el año 2000, bajo la marca de ZINEBI, emprendió una nueva época en la que ha consolidado su posición como uno de los festivales internacionales más importantes de su especialidad, desde la que intenta servir de plataforma a realizadores y directoras de Euskadi y el Estado y ha contribuido, como uno de sus objetivos fundamentales, a la promoción internacional del cine independiente y de calidad que se realiza en los cinco continentes: películas cuya ambición creativa no se agota en la repetición de rasgos estilísticos estereotipados, obras muy libres y singulares que permiten a ZINEBI renovar anualmente su apuesta por la experimentación formal, por la condición híbrida e interdisciplinar de las nuevas producciones audiovisuales, el apoyo a los realizadores emergentes, y la indagación ética y estética de los cineastas en las cada vez más complejas realidades de nuestro mundo contemporáneo.
A lo largo de la dilatada historia del festival, han pasado por Bilbao algunos de los más prestigiosos profesionales del cine independiente mundial. En el palmarés de ZINEBI destacan los nombres de Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz, Luise Donschen o Fern Silva. El festival, desde el debate crítico y la especialización, ha servido de banco de pruebas de las nuevas tendencias del cine contemporáneo y una plataforma útil para los cineastas más arriesgados.
Un recuento similar entre las filas del cine español, permite señalar que en el Festival de Bilbao han emergido realizadores de varias generaciones distintas: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra o Natalia Marín.
Entre sus invitados, jurados internacionales o galardonados con el Mikeldi de Honor, su máxima distinción anual, están Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros y los hermanos Jean-Pierre y Luc Dardenne.
Desde su fundación, ZINEBI ha tenido los directores siguientes: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico y Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), el Comité de Dirección formado por José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) y Ernesto del Río (1999-2017). Desde 2018 la directora es Vanesa Fernández Guerra.
Actualmente el Festival cuenta con el patrocinio y la financiación institucional del Ayuntamiento de Bilbao –a través del C.A.C. Teatro Arriaga- como organizador, del Departamento de Cultura del Gobierno Vasco, del Ministerio de Cultura –a través del Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)- y de la Diputación Foral de Bizkaia. Además, colaboran con ZINEBI entidades públicas y privadas como la Televisión Pública Vasca (ETB), Azkuna Zentroa, Cines Golem-Alhóndiga, el Museo de Bellas Artes, el Museo Guggenheim, la Sala BBK, el Teatro Campos Elíseos, la Universidad del País Vasco (UPV/EHU), el Instituto Francés, el Goethe Institut, la Fundación SGAE-Consejo de Euskadi y el Cineclub FAS, entre otros.
The 11th MIAX International Art and Independent Film Festival will take place in November (date to be confirmed and subject to changes to provide the best conditions for the event) as the main venue in the state of Jalisco, Mexico.
Enlace de la convocatoria para participar. https://drive.google.com/drive/u/1/folders/1OJRkaV08Iv-VZW0zl99kPA-XyGW-8Qx2
