Following the great success of the First and Second Edition of the Asylum Fantastic Fest, which in 2019 saw over 2,500 admissions, over 30 Italian and international guests, about 300 films sent for selection, and in 2020, over 70,000 contacts in streaming, the 'Department of Culture of Valmontone and the OutOut Art Workshop open the selections for the Third Edition.
Born from the idea of the Founder Claudio Miani, it is located in the heart of Lazio, in Valmontone, to become a reference point at national and international level for lovers of the genre, in a vision of long-term cultural project capable of bringing further emphasis , prestige and tourism to the entire territorial area.
An Art Festival as a "living cultural" project, where we do not just want to understand the culture in which we live, the actualization of the theme and the expressive form linked to the world of Horror and Fantastico, but with a wider range, all those experiences with their own roots and those evolutions developed by them, which in the positive sense of globalization interchange themselves in new cultural realities. It is therefore a question of interpreting a world by giving it a new form, perceiving its contents and aspirations in order to manifest them and communicate them through cinema, literature, music, performing arts, comics, animation and live contests. A research full of stimuli and hints, of new linguistic compositions and symbolic horizons, which are best expressed in a visual, narrative and structured diegesis, able to offer new genre perspectives.
The main purpose of the Asylum Fantastic Fest is to provide real visibility and support to the excellence of horror creativity, promoting realities and works that are able to provide new content readings and above all to confront the new 2.0 languages. The search for new trends and the opening up to currently non-standardized basins, allows us to guarantee the realization of a Festival capable of acting as a multi-year point of reference for a current that has always been looking for stimuli and developments. An event that wants to be an opportunity to stimulate collaboration between young Italian and international artists, offering moments of meeting and exchange for the sections present at the Festival.
Contamination is the word that contains sufficiently and clearly the importance that the Asylum Horror Fest reserves in this first edition and will reserve in those to come, the encounter between the different artistic forms. Working in a non-formal environment, where all the entities involved will be jointly responsible for the organization, it will be possible to reach the common goal of creating an expressive context where each of the participants can express their creative potential.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO (NoFilter Kino) is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Poland (Warsaw), Germany (Berlin, Hamburg), Lithuania (Vilnius). For example, the 11th and 10th Nefiltravanae Kino took place in Warsaw, Berlin, Hamburg, Vilnius and Helsinki. The content of past years' film programs can be found on the website https://shortmovie.club/programmes/
The festival will be held in a hybrid format. We will have a part of live screenings and online screenings on a video platform https://film.nofilterkino.org/ . The video is cryptographically secured. In addition, we pay attention and promote films from our previous years that are released to the public on the Internet after their festival curcuit.
Nefiltravanae Kino involves theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.
--------------------------------------------------------
The concept of the NEFILTRAVANAE KINO (NoFilter Kino):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the NoFilter Kino tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
SHORTS in TRANSILVANIA
We know how hard it may be, for filmmakers, to produce and distribute their works, especially if those are short films and independent productions. TRANSILVANIA SHORTS [International Short Film Festival] is the useful tool for every filmmaker, in order to further showcase their films, and get their deserved public feedback and recognition. The films selected in the festival competition are further on promoted, screened at the festival, and evaluated by a team of experts in the industry. Transilvania Shorts supports filmmakers in gaining the recognition of the public passionate about cinema, and that of mass-media, and, also, in being rewarded for their work.
Come celebrate and share your passion for cinema! Held in beautiful and medieval cities like Cluj-Napoca, Sibiu, Braṣov, and Târgu Mureș, Transilvania Shorts brings short films, from all over the world, to beautiful Transilvania. In the future, the festival will be extended, in order to be present in all major cities of Transilvania. This year’s Festival Program will showcase a wide variety of international short films, in the categories of: Narrative, Animation, Student, Commercial Video, Documentary, Experimental, Music Video, Stop-Motion.
Due to the Covid-19 pandemic worldwide, 9FilmFest will cancel the May 27 - 28 dates and will move to September 2-3, 2020. Bangkok has closed malls, theatres, restaurants, schools and there is no update to when services will resume again. But the past two days has seen a drop in the number of Covid-19 infections, so we are hoping for control of the pandemic. We appreciate your understanding and offer our support during these difficult times of quarantine.
Welcome to the 8th Bangkok 9FilmFest, an annual international short film festival held in the greatest city in South East Asia. The 8th 9Fest will be held at Cinema Oasis, Bangkok’s newest indie film centre. Located on Bangkok’s pristine Sukhumvit road, not far from the famous Emquartier Mall. 9Fest was founded by filmmakers, for filmmakers and audience. We are excited to announce 9FilmFest dates of September 2-3, 2020.
Tell us your story! We accept short films of all genres.
What is more rewarding than having your film accepted into Competition? As Filmmakers, we take great pride in announcing our film is in the competition! “9” is the luckiest number in Thailand. Thus, 9 films are selected as Competition Finalists. Film Science, needs festivals to screen and create memorable and inspiring experiences for filmmakers and the audience. When we capture the audience we are successful!
Last year, the 9Fest Finalist Program screened at the magnificent Indianapolis Museum of Art at Newfields.
Last year, at the 2019 Indy Shorts Festival, the THE TRANSLATOR’s director, Pagorn Jungrungruang flew more than 11,000 miles to Indianapolis from Thailand to present his film at the 9Fest Program screening.
Here’s what they said at Roger Ebert’s website:
SERIOUS OSCAR CONTENDERS UNVEILED AT 2019 INDY SHORTS INTERNATIONAL FILM FESTIVAL
by Matt Fagerholm www.rogerebert.com
9Fest, the short film festival run in Bangkok by Brian Bennett, was the focus of a special section at Indy Shorts, compiling several works from directors around the globe, and like all the festival curation I observed here, it was anything but redundant. Bake Phouikham’s “Fallen Star, Rising Sun,” offers a candid sit-down with Ko Chandetka, the first Lao-American bodybuilder, whose struggles with addiction nearly derailed his life. He told me afterward that he believes there’s no healthy way to participate in any sport on a world-class level, and that one must always weigh the risks with the rewards.
The creative world is at your fingertips. 9FilmFest’s goal is to support filmmakers, applaud their hard work, spark creativity and provide opportunities for discovery. We’re here to make filmmakers dreams come true.
9Fest looks forward to seeing your amazing stories. We ensure your consideration in submitting and trusting us with your film.
ONE SHOT INTERNATIONAL SHORT FILM FESTIVAL
The information concerning further development will be posted on the festival's FB page: https://www.facebook.com/oneshotfest The festival's FB page and work e-mail kadrrope@gmail.com are available for questions and clarifications.
"One Shot" promotes independent film production in Armenia. Submitted films have no limitations in shooting format. Films can be shot on cell phones, film and HD cameras. Competition has three categories: "One Minute - One Shot", "Short Movies" and "Cinema Without Border". There are special programs and panel discussions too.
"One Shot" International Short Film Festival is an open cinema platform. It was founded in 2003.
The founder president is Gagik Ghazareh. Founder organization: Armenian Center for Contemporary Experimental Art. Symbol of the festival represents a three-dimensional statue of ancient rock carving from Geghama mountain which is 5000 years old.
CINEMA CLUB CONTEST
"An event created by filmmakers for filmmakers”
The Collective and In The Mirror Films are working together to create a short film contest where every month different directors will compete to win the session.
The winner of each session will be elected by the audience !
For every session, you receive feedback from an industry professional to help develop your art.
The wining shorts will go directly to the grand final that will happen the first week of June and the BIG PRIZE is the production of your next Short Film.!
A jury composed by teachers from The Collective school and a special guest from the movie industry will elect the winner of the big prize on the day of the Final.
Movies and Party!
After the presentation of the short films, the analysis if our specialised guests and the election of the wining short, each event will be followed by DJ set to make us feel like sharing more around a beer offered by our sponsor La Cervesera Artesana and get the opportunity to network ! Don't forget your business cards !
Horror ShwFest is è competitive Film Festival dedicated to Horror Short Films and Feature Films. The event will to take place on July 10th, 2021 at Guelfi Sport Center in Florence. The Call for submitting at 3rd edition of Horror ShowFest is going to open on September 1st, 2020 and is going to close on
June 30th, 2021.
MSFFF was born from a mission:
We’ll take you on a journey through the genre’s cinematographic productions from all over the world.
The next March we will be able to enjoy the best and most current animated productions in Madrid.
CINE NO VISTO
International low-budget independent film festival
PRESENTATION
Festival de Cine no Visto has the main objective of giving visibility to those independent and low or no budget productions which, for different reasons, don’t reach the major public and whose only option for a greater recognition is found in festivals.
The organization of the Festival de Cine no Visto is aware of the great effort that producers have to endure in order to carry out a project with very limited means. Technical aspects are for us just another element in the process, so the main reasons to be selected will not depend on the means used. We are much more interested in what is told and the symbolism in each shot.
We are undoubtedly going to consider all and each of the aspects: performance, editing, cinematography, music, screenplay, to sum up, everything necessary in the production of an audiovisual project.
CATEGORIES
⦁ Best feature film
⦁ Best Foreign short film
⦁ Best Andalusian short film
⦁ Best Spanish short film
*AWARDS
⦁ Best feature film (International and Andalusian)
⦁ Best short film (within each category)
⦁ Best actor (feature film)
⦁ Best director (feature film)
⦁ Best cinematographer (feature film)
⦁ Best film editing (feature film)
⦁ Best screenplay (feature film)
• Best sound
• Best music
⦁ Best film from Jaén (feature or short)
* If your film has been awarded but nobody from your team can attend to the awards ceremony, you won´t receive a physical prize.
** Some categories can be declared void if the jury considers that appropriate.
"Mirada al Pasado" is a festival of short films in which shorts can only be about the past (actions that take place in a past place, that refer to the past or a historical epoch) and belong to the genre of fiction or documentary.
The Los Angeles Crime and Horror Film Festival aims to showcase crime drama, true crime, horror, and related subgenres from around the world.
We provide independent filmmakers with a platform to connect with audiences, industry professionals, and fellow filmmakers who share their passion for crime and horror cinema.
With live screenings at a historic theater in Hollywood, the LA Crime and Horror Film Festival gives recognition to the independent films and filmmakers in crime and horror storytelling.
Winners considered by Hollywood production companies reps, and streaming platforms including:
ZERO GRAVITY
THE BLOOD LIST / BRILLSTEIN
THINK TANK MANAGEMENT
TXL FILMS
BINGE HORROR
... and more.
The INTERNATIONAL DISABILITY FILM FESTIVAL ÀNEC has three basic objectives. First, an inclusive objective of visualization and awareness through the exposure of the reality of people with disabilities and the different therapies developed in this regard. Second, the dissemination and promotion of films and short films of artistic category that contribute to reflect this reality. And third, invite citizens to participate in the challenge of achieving a more just and inclusive society.
To be considered for selection, kindly read the following rules thoroughly before submitting. Flouting any of the Eligibility Rules & Terms below may lead to a disqualification of your work. Please read before submitting:
General Rules
* BSIFF accepts films in the following forms: Features, shorts and episodic series.
* Feature-length, short films and episodic series must be at minimum Ghana premieres. This means, you should not have been screened publicly in Ghana prior to the 2024 Festival.
* Features and short films including episodic series must not be available online in any form, for any period of time at the time of submission.
* All films must be in English, subtitled in English or English versioned. Non-English language works must have English subtitles at the time submitted. Dialogue lists will not be accepted. Films that do not comply will be immediately disqualified.
* All films submitted must have been completed after January 2022. Any film created before the year 2022 will not be accepted.
* All films must not have submitted to the Festival previously in any stage of completion (i.e. films that were submitted in previous years will not be reconsidered. If you have questions, please contact bsiffsubmissions@gmail.com.
* If you are a student or representing a film school, you have to submit a soft copy of your Student ID or submit proof (an email confirmation from the Head of the Department of the film school via bsiffsubmissions@gmail.com ) that you are currently a student at that school.
* It is the sole responsibility of the applicant to secure clearance from all copyright holders of materials included in the submitted film. BSIFF will not be held responsible for the unauthorised inclusion of copyrighted materials within or relating to the submitted film. BSIFF reserves the right to disqualify any film with unauthorised copyrighted materials.
* You will be required to provide a properly completed and signed official BSIFF "Film Information Form” which will be provided by the Festival upon selection.
*Submission Categories*
Submissions to the Festival are divided into seven categories:
* Ghanaian Showcase (Odehye3): All fictional films (feature-length, short or episodic series) produced in Ghana and/or directed by Ghanaian filmmakers. The director must currently reside in Ghana or be able to provide proof of Ghanaian citizenship. If the film is co-directed, at least one of the directors must meet this criteria.
Please note: Animated films are not acceptable in this category. If you have an animated film, submit into the Animated Film category
* Africa Rising Showcase: All films (feature-length, short or episodic series) produced in Africa and/or directed by African filmmakers. The director/producer must currently reside in an African country. If the film is co-directed/produced, at least one of the directors/producers must meet this criteria.
Please note: Animated films are not acceptable in this category. If you have an animated film, submit into the Animated Film category.
* International Showcase: All fictional films (feature-length or short) produced outside of Ghana and Africa and/or directed by non-Ghanaians/non-Africans. Please note: Animated films are not acceptable in this category. If you have an animated film, submit into the Animated Film category.
* Documentary: A non-fiction film of any length about real events and people, often transcending traditional narrative structures. Documentary is the creative treatment of reality.
* Film School/Student category: Film must be made entirely by students in a film school with technical support from the school but without financial or technical support from broadcasters or production houses.
Please note: For this category, evidence of a student card and/or an email confirmation from the Head of the Department of the film school is a must and should be submitted to the Festival at the time of submission in order for the film to qualify. Failure to submit proof warrants an automatic disqualification.
* Animated Film: An animated film of any length (feature-length, short or episodic series) from Ghana, Africa and any part of the world.
* Music Film (Music Video): A music video with strong story-telling, conceptualization, and film production from any part of the world. Please note: Music Videos must be under 10 minutes and from any year, regardless of budget, popularity, or language.
*Fees*
BSIFF is a non-profit organization. Submission fees support administrative expenses related to cataloguing and previewing each film and for programming consideration.
Kindly note the submission fees into BSIFF:
* Early-bird entry fee = $25 dollars [December 15th - February 15th]
* Late submissions = $30 dollars [February 16th - April 30th]
* Film Schools/Students = $5 dollars
* Submission fees are non-refundable.
Programming Consideration
* BSIFF accepts Ghanaian, African and international films of all lengths and subject matter.
For the purposes of eligibility and program consideration, BSIFF uses the following definitions:
Feature-Length: 60 minutes or longer
Short: Less than 60 mins
Episodic Series: Episodic Series: Long-form fictional films that can't be told within the framing of a feature-length film and is therefore broken into episodes. No set runtime.
Programming Decisions
* All BSIFF screening programs are curated and all submissions will be considered by our programming team.
Applicants will be notified of programming decisions via email by August 2024. Final programming, categorization and slotting of films will be determined by the Festival programming team. Their decision is final.
*BSIFF is under no obligation to provide comments or feedback regarding the submitted film to the applicant or any other representative of the submitted film.
*BSIFF reserves the right to determine which award category and program the film will reside in if selected.
FRAPA – The Porto Alegre Screenwriting Festival – is the largest event focused in scriptwriting for television and film in Latin America. The 8th FRAPA will be held at Cinemateca Capitólio, from the 14th to 17th of July, 2020. Our aim is to discuss and strengthen the significance of screenplay writing in times of rising in TV and film production in Brazil and in the whole continent.
Inspired by similar festivals in the United States and Europe, FRAPA has grown in size throughout the years, organizing debate sessions, competitions, workshops, screenings, master classes and business rounds. We intend to make FRAPA a reference for the thought of audiovisual writing in Latin America. By encouraging the exchange of experiences between screenwriters and other professionals in the audiovisual market, we create an opportunity for qualification and celebrate new partnerships.
FRAPA has received many renown professionals throughout its three editions. To name a few: James V. Hart (Dracula, Hook, Contact), Bráulio Mantovani (City of God e Elite Squad 1 e 2), Fernando Castets (Son of the Bride), Marcos Bernstein (Central Station), Pablo Stoll (25 Watts and Whisky), Luiz Bolognesi (Rio 2096: A Story of Love and Fury), Lisandro Alonso (Jauja) and many others.
FRAPA. Great stories to come.
The cinema is more than alive in the Canary Islands, and more in the island of La Palma.
The Festival of Cinema made in the Canary Islands (#MadeInSecuencia27) is a festival that was born with the aim of promoting and disseminating audiovisual creation through sportsmanship and teamwork, both among fans and professionals, throughout the Canarian archipelago and arises as an initiative of the Cultural Association La Farola Films and its youth section known as the Infant and Youth School of Cinema "Sequence 27".
FECICA is celebrated between the municipalities of Puntallana, Barlovento and San Andrés y Sauces under a written and visual motto that changes in each edition.
with the image of the Punta Cumplida de Barlovento Lighthouse next to the Los Tilos Bridge of San Andrés y Sauces and the Monument to Salto del Enamorado de Puntallana.
The Festival has two competitive sections of the event: the 'General Section', which has short films shot throughout the Canary Islands and the 'Section 32 hours', in which filming takes place on site (between Puntallana, Windward and San Andrés and Sauces ), within the duration of the show itself, in just one and a half days, making this section the hardest cinematographic creation challenge in the Canary Islands. We also have the 'Media and Feature Films Section', a non-competitive section to promote the latest feature films and medium films made in the Canary Islands.
Thanks to this festival, which pursues the coexistence between participants, audience and young people of the Film School, more than the competition between them, the island of La Palma is already a "movie island", which has five festivals more audiovisuals (Festivalito, Tiempo Sur, TazaCortos and La Palma Anime Film Festival). All of them collaborate with this Film Show and are completed with other audiovisual contests throughout the island territory.
It is a festival in which the jury is the children and youth of the association, something unique in our country and that makes it different from other festivals. A festival open to everyone for everyone, without discrimination.
That is our festival. Welcome to the Festival of Cinema made in the Canary Islands SEQUENCE 27!
The self-portrait has been a constant practice in art-and a imperative practice since it is called selfie-but not in audiovisual products. And now we are mired in the mode of the Videosphere.
At ESAT (Higher School of Art and Technology) we believe that the configuration of a stable and sustainable future depends, more than ever, on creativity. The future will be in the hands of those who know how to convert a creative act into a creator. So, in ESAT we bet on talent.
That's why ESAT has thought that a good way to start an audiovisual contest is to dedicate a first edition to meet those people who possess that potential that is so necessary to improve an immediate future.
Therefore, the theme of this first event will consist of a kind of "personal presentation", a self-portrait made in audiovisual format, an audiovisual selfie. The audiovisual must contain what the author feels identified, a "short film", ultimately where he himself is in some way the protagonist. A coincidence that can be narrated in multiple ways and through the genre and format that each one considers more opportune.
FestCine Pedra Azul is in its sixth edition and will take place on the 11th, 12th, 13th and 14th of September 2024.
We are an International Film Festival, qualified by IMDb, conceived and produced by Tower Filmes.
CALL FOR ENTRIES
17th Annual www.NewMediaFilmFestival.com
Honoring Stories Worth Telling
June 3-4-2026 Los Angeles
Content creators who submit, whether officially selected or not, have opportunities outside of the normal festival process. Everything from distribution, connections to other festivals, conferences, press opportunities and more.
Thinking about submitting? Here is what you should know!
• Emmys ® Consultant for one entry (we can broadcast)
• 25 Categories
• In competition for Grand Prize - $45,000 in Awards
• In competition for Best of Category & Audience Awards
• Judges from HBO, Marvel, Grammys, ATAS (Emmys) and more.
• Have opportunities outside of festival
• Top 3 Scripts get $1000.00 in Writing Industry Perks
• We are a UFFO code of practices Member
• Submit- Online, Public, Novice & Expert Content
• No cut-off date to when your project was completed.
• We accept projects whether or not you have distribution.
• We also have no festival exclusivity clauses - and you have FULL CREATIVE RIGHTS for your content.
• Your project is not only limited to one category. Make sure to check out all our categories and submit to the ones that fit your content. You must pay a new submission fee per each category.
• We accept content that has already been published online or made public
• We accept all formats.
In a world where technology is ever-evolving, it is a story that will satiate the soul of humans.
Not just any story, but stories worth telling.
The New Media Film Festival team works hard to produce a cutting-edge, fair, upscale festival devoted to upcoming and seasoned content creators that highlights and honors stories worth telling globally. www.NewMediaFilmFestival.com
If accepted into festival:
• Receive All Access Pass to festival
• Be part of the Q & A in your screening session (scripts included).
• Walk the Red Carpet for Press Interviews
• Be part of the VIP Soiree, honoring the nominees.
• Press in our monthly newsletter to 80,000.
• Be in competition for $45,000 in Awards – judges from Marvel, HBO, Emmys & more.
Join us:
• 1st Major Festival celebrating innovation, story, mediums & platforms
• Screenings with Q & A’s
• VIP Soiree-Red Carpet Press Junket
• Networking Lounge w/ actor headshot drop off
• Producer Panel & Pitching
• New Media Marketing Table (place one-take one)
• VR, International Art Exhibit, Musical Opener
CATEGORIES
3D, 360, AR, AI, 5D, Animation, Apps, Digital Comics, Documentary, Drone, Feature, Mobile/Tablet, Music Video, New Media, Pilots, Podcasts, Scripts, Shorts, Sniplers – 30 second pitch, SRC- Socially Responsible Content, STEAM, Student, Trailers, Virtual Reality, Web Series
Put your innovative work forward and join the unique community of content creators at New Media Film Festival® - submit today! www.NewMediaFilmFestival.com
What attendees are saying:
“A very unique curation of films, new media and scripts. And a very entertaining event. The hosts and show staff went out of their way to make sure this was a memorable and special event.” – Jim Wilmer
“New Media Film Festival is one of the best and best run in LA. With so many different platforms falling under "new media" it's refreshing to see a festival that understands that Content is King! And the Opening night VIP reception was a terrific networking opportunity that we took full advantage of.” - Steven Wishnoff
“Worth The Entry Fee”
- Movie Maker Magazine
“Makes The Cutting Edge Accessible”
– Huffington Post
“I thank NewMediaFF for what they’ve done for young filmmakers”
-Roger Corman
”The role of this fest is bringing the Best in New Media to the World”
-Festival World
“Stories that exemplify the power of the cinematic arts to inspire and transform” - Hero Complex
SUBMIT TODAY http://www.NewMediaFilmFestival.com/submit.php
