Clapham Film Club is a monthly film club, where we get together to watch short films made by the talent of tomorrow.
The event is curated by Distributor Fabulosis Films Ltd.
Out of all of the films we have watched and received, we will nominate a winner and offer a $100 cash prize. Winner will be announced in December 2018.
We are looking for short films in the following themes:
-Horror
-Sci-Fi
-Kids / family themes
- Comedy
- Crime
- National shorts
- International shorts
- Christmas theme
Our entries are open all year long and we curate the short film club nights according to a theme. So if you film is about Christmas, we will make note of it and consider it for our next Christmas theme.
Santiago Horror is a festival that promotes fantastic cinema in Latin America, a stage where fantasy, science fiction, and horror take center stage and transcend borders.
More than just a festival, we are a vibrant platform that promotes the creation, dissemination, and exhibition of genre films, connecting talent with a global audience.
Our mission is to strengthen the production and distribution of fantastic cinema in Chile and the region, taking these bold stories to new horizons.
In each edition, we challenge convention, celebrate imagination, and consolidate Santiago Horror as an essential reference for the industry and film lovers worldwide.
Organized by: Fantastic Chile Foundation in collaboration with the Department of Extension and Heritage Archives of the University of Santiago de Chile
* IMPORTANT:
Hybrid festival format (in-person and online)
Organized by: Fundación Chile Fantástico - Archivo Patrimonial USACH
More about the festival:
• The prestigious North American media outlet DREAD CENTRAL named us in its 2022 list of "The Best Horror Festivals in the World," as one of the best South American and Chilean festivals, alongside major global and Latin American festivals.
Link: http://surl.li/fuwug
The 9th edition of the Winchester Film Festival is now open for submissions!
As a festival, we pride ourselves on really working for our filmmakers, with open and clear communication and a professional, friendly and approachable team. We offer substantial prize money, packed out screenings and a glitzy black tie award ceremony.
If you are considering entering your film for competition this year, please be sure to read the terms & conditions of the festival, and read all about which categories you can enter your film into below.
The 2020 Winchester Film Festival will be the 9th edition, and is open to both British and foreign filmmakers. The festival boasts even more screenings than ever before, giving you the chance to have the general public, peers, and industry professionals view your film in the historic cultural city of Winchester, England. Alongside film screenings, we also offer top prizes of £500 to Best British Short Film, £500 to Best Foreign Short Film, as well as industry mentoring and experience prizes, media coverage and more for the Best Animated Short Film, Best British New Director and Best Foreign New Director awards.
We are also offering red carpet screenings at a prestigious Winchester venues for UK premieres of selected feature films from any country.
If you are a talented short film maker, whether you’re part of an experienced team working on a larger production or working to a reduced budget, then our esteemed judges are on the lookout for you!
FECIR - Rengo International Film Festival has nineteen editions and years of history, offering filmmakers from Chile, Latin America, and around the world a space for the dissemination, exhibition, and exchange of experiences and ideas. It promotes the creation of high artistic quality in cinema and audiovisual arts in all its forms, providing the commune of Rengo, the Sixth Region, and the country with a space for the appreciation, reflection, creation, training, and enjoyment of the art of cinema.
SMR13 INTERNATIONAL INDEPENDENT FILM FESTIVAL
The SMR13 International Independent Film Festival is an annual, IMDb-certified, four (4)-day event held in the second half of November, in Saint-Mitre-Les-Remparts, in the south of France, near Marseille.
First and foremost, it's a physical festival, taking place in "La Manare", a dedicated performance hall with a total surface area of 1000m² and a capacity of 250 spectators.
The 10th edition of the SMR13 international independent film festival will take place from November 21 to 23, 2025.
The festival stands out for its highly developed network, passionate members and trusted partnerships. It is a unique showcase for independent cinema, attracting professionals from all over the world.
Since its inception, the festival has been supported by a patron, an emblematic figure in independent cinema. John Carpenter (2018), director, screenwriter and composer (Halloween, The Thing, New York 1997...). Andréa Ferréol (2019), actress (La Grande Bouffe, Le Dernier Métro, La Scoumoune...). Francis Ford Coppola (2019), director and screenwriter (Godfather, Apocalypse Now, Dracula...). Virginie Lemoine (2020), actress (Famille d'Accueil, Nos années parallèles, Oscar...). Sean S. Cunningham (2021), director and producer (Friday The 13th, Spring Break, DeepStar Six...). Patrice Leconte (2022 and 2023), director and producer (Les Bronzés, Les Spécialistes, Maigret, Olivier Marchal (2024), actor, screenwriter and director ( 36 quai des Orfèvres, Flics, Braquo and Pax Massillia.
The Santiago International Documentary Film Festival (FIDOCS) is the main broadcasting, diffusion, and competition event for documentary cinema in Chile and Latin America.
Focused on the promotion of dialogue and reflection, as well as in training audiences towards the appreciation of documentary film in a context of permanent transformation, FIDOCS seeks to explore the multiple paths available in documentary making as well as in the drifts proper to nonfiction works. In its program, FIDOCS incorporates the works of both experienced and emerging directors in order to address the question of “THE REAL”, and in doing so, it considers the various dimensions, disciplinary frontiers, and tensions that the question “what is real?”, as well as the documentary genre itself, has to offer us.
Throughout its history, FIDOCS has positioned itself as one of the most distinguished documentary film festivals in Latin America, standing as a privileged platform to screen contemporary cinema and to promote critical thinking. Year by year, under its selective curatorial approach, FIDOCS not only calls for important exponents of national and international audiovisual sectors to exhibit their work in Santiago, but also, in using this city as a film hub, it calls on such exponents to question, interpret, and re-write the status of contemporary documentary film practice today.
For the promotion, positioning, and exhibition of Chilean and International films, FIDOCS displays three main competitions. These sections include: INTERNATIONAL COMPETITION; CHILEAN COMPETITION, and EMERGENT SHORT COMPETITION FOR NATIONAL FILMS.
In addition, FIDOCS has the main industry activity, DOCS IN PROGRESS, for Latin-American works in progress where the jury (editors, directors, sound designers, producers, programmers), in addition to choosing a winner, feeds the filmmakers to carry out the post-production of their films and encourage their diffusion and transmission. This section is jointly run together with WIP section of CHILEDOC CONECTA.
The festival also has important training and extension activities in its FIDOCS SCHOOL, where students from film schools and communications from all over Chile so that its most outstanding students are in an intergenerational and interdisciplinary space with international and national festival guests; attending Master Classes, workshops, dialogues, among others.
In addition, in keeping with its interdisciplinary vocation, FIDOCS intends to accompany its screenings of other artistic interventions such as installations, exhibitions, performances, that from their own expressive means dialogue with the documentary concept. This is how FIDOCS EXPANDED section arises, where various artists, video-artists and filmmakers, all of them linked to the fields of sound or visuals, exhibit their work.
Finally, the chosen films will be screened after the completion of the festival, in different regions of Chile and abroad, at BEST OF FIDOCS section. The purpose is the cultural extension of the festival at a territorial level, putting emphasis on the circulation of the films at the regional level, being able to program replicas in the national territory as well as abroad.
*FIDOCS will be held with theatrical screenings.
VIDEOFESTIVALGIOVANI – is a place of encounter and confrontation for audiovisual products made by young people aged between 14 and 30 years old.
Aims to promote the dissemination of videos of girls and boys and is a showcase of creative works in the world of adolescence and youth.
Who can participate
Can participate in the contest, video products made autonomously by young people aged between 14 and 30 years, residents throughout the country and internationally.
One of the principal objectives of FICA - INTERNATIONAL ATHLETICS FILM FESTIVAL DONOSTIA-SAN SEBASTIAN 2019 is promoting the Athletic culture and its values by the audiovisual language and offering to the media, film directors, audiovisual industry agents and athletics professionals a meeting place in which they can exchange views and information.
The 9th Ajayu International Animation Festival is a cultural event organized by Sapa Inti Studios and the Ajayu Cinematographic Association. For the ninth consecutive year, it stands as the only animation festival in Peru, carrying out hybrid film and educational activities from the highest point of the Peruvian highlands to the world.
This event, which also includes various cultural activities, has become a crucial event for the Animation industry in our country over the years, also promoting the cultural and tourist industry in the southern region of Peru. Additionally, through our in-person activities, we aim to boost tourism in our region by creating a tourist route with a cultural and historical focus.
This year's festival will take place from October 2 to October 5, 2024, renewing the commitment to showcase the artistic expression of animation.
Participants include artists from the animated audiovisual field and other disciplines, from the Puno region, Peru, and various countries around the world, who through their expression make each edition a contemporary Andean experience.
The Ciudad Madero International Film Festival (FICCMADERO) calls on Mexican and international producers and filmmakers to submit their short and feature films to the 99th Edition of the Festival, which will take place from November 19 to 22, 2025.
LATIUM emerges as a festival that has the task of bringing together the best independent cinema in Latin America with the intention of promoting change towards a responsible lifestyle, promote the arts, education and social activism, by sensitizing the public for reasons social world. It also works as a forum for expression, dissemination and promotion of a genuine representative of our culture and Latin American cinema, catapulting new talent and consolidating it as a viable option for the creation of independent audiovisual productions. And the creation of a network of organizations and institutions that share and promote activities for solving social and environmental issues.
OBJECTIVE
The Festival proposes to convene and disseminating films that contribute, from its significance and its artistic values, the enrichment and reaffirmation of Latin American cultural identity; and catapult new talent as a viable option for the creation and enlargement of the Latin American audiovisual market.
'Gardunha Fest' happens every two years, in the city of Fundão, Portugal. We are organizing our 4th.
Histérico- Associação de Artes. headquartered at Fundão, it aims at multidisciplinary artistic creation in the areas of theater, dance, music, plastic arts and multimedia, as well as the organization and production of cultural events
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO (NoFilter Kino) is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Poland (Warsaw), Germany (Berlin, Hamburg), Lithuania (Vilnius). For example, the 11th and 10th Nefiltravanae Kino took place in Warsaw, Berlin, Hamburg, Vilnius and Helsinki. The content of past years' film programs can be found on the website https://shortmovie.club/programmes/
The festival will be held in a hybrid format. We will have a part of live screenings and online screenings on a video platform https://film.nofilterkino.org/ . The video is cryptographically secured. In addition, we pay attention and promote films from our previous years that are released to the public on the Internet after their festival curcuit.
Nefiltravanae Kino involves theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.
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The concept of the NEFILTRAVANAE KINO (NoFilter Kino):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the NoFilter Kino tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
So you'd like to submit your film to our festival? Great idea!
It's the fifth year for the British Documentary Film Festival, and we're accepting submissions of any and every type of documentary! We're happy to offer an eclectic line up from film-makers keen to get their documentary screened in London at a top venue like the Empire Cinema!
International Fantastic Film Festival of Castilla y León "Terroríficamente Cortos" born from enthusiasm and love for the cinema of palencian young and the need to boost the cultural and leisure in the city of Palencia on it involving institutional and business sector of the Spanish province.
The Santiago International Documentary Film Festival (FIDOCS) is the main broadcasting, diffusion, and competition event for documentary cinema in Chile and Latin America.
Focused on the promotion of dialogue and reflection, as well as in training audiences towards the appreciation of documentary film in a context of permanent transformation, FIDOCS seeks to explore the multiple paths available in documentary making as well as in the drifts proper to nonfiction works. In its program, FIDOCS incorporates the works of both experienced and emerging directors in order to address the question of “THE REAL”, and in doing so, it considers the various dimensions, disciplinary frontiers, and tensions that the question “what is real?”, as well as the documentary genre itself, has to offer us.
Throughout its history, FIDOCS has positioned itself as one of the most distinguished documentary film festivals in Latin America, standing as a privileged platform to screen contemporary cinema and to promote critical thinking. Year by year, under its selective curatorial approach, FIDOCS not only calls for important exponents of national and international audiovisual sectors to exhibit their work in Santiago, but also, in using this city as a film hub, it calls on such exponents to question, interpret, and re-write the status of contemporary documentary film practice today.
For the promotion, positioning, and exhibition of Chilean and International films, FIDOCS displays three main competitions. These sections include: INTERNATIONAL COMPETITION; CHILEAN COMPETITION, and EMERGENT SHORT COMPETITION FOR NATIONAL FILMS.
In addition, FIDOCS has the main industry activity, DOCS IN PROGRESS, for Latin-American works in progress where the jury (editors, directors, sound designers, producers, programmers), in addition to choosing a winner, feeds the filmmakers to carry out the post-production of their films and encourage their diffusion and transmission. This section is jointly run together with WIP section of CHILEDOC CONECTA.
The festival also has important training and extension activities in its FIDOCS SCHOOL, where students from film schools and communications from all over Chile so that its most outstanding students are in an intergenerational and interdisciplinary space with international and national festival guests; attending Master Classes, workshops, dialogues, among others.
In addition, in keeping with its interdisciplinary vocation, FIDOCS intends to accompany its screenings of other artistic interventions such as installations, exhibitions, performances, that from their own expressive means dialogue with the documentary concept. This is how FIDOCS EXPANDED section arises, where various artists, video-artists and filmmakers, all of them linked to the fields of sound or visuals, exhibit their work.
Finally, the chosen films will be screened after the completion of the festival, in different regions of Chile and abroad, at BEST OF FIDOCS section. The purpose is the cultural extension of the festival at a territorial level, putting emphasis on the circulation of the films at the regional level, being able to program replicas in the national territory as well as abroad.
*FIDOCS will be held with theatrical screenings.
Competition notice
The Association Rive Gauche – Festival, Florence, Italy, is pleased to announce the entries have been opened for the session of 8th Firenze FilmCorti Festival. Festival will held from May 04th to May 08th, 2021, for the following sections:
1 Short film in competition
2 Documentary
3 Cartoons and film for young audience
4 Innovative & experimental film.
Venue: Murate Art District
Piazza Le Murate
Florence, Tuscany 50122
Italy
Last and definitive deadline will be on August 20.
