Os participantes podem inscrever quantos filmes acharem melhor, desde que sejam produzidos entre 2021 e 2023.
Todos os filmes com menos de 20 minutos serão aceitos, independentemente do formato original de filmagem ou vídeo.
Filmes que não são falados em espanhol devem ser apresentados com legendas em espanhol.
O tema dos filmes é gratuito.
Filmes de ficção ao vivo, animação, experimentais e documentários podem ser inscritos.
O prazo de Inscrição é 5 de novembro de 2023.
The Erie International Film Festival Call For Entries is now open to the US and International filmmakers, and we shall accept all genres of film including Narrative Features, Narrative Shorts, Animation Features and Shorts, Experimental Features and Shorts, and all forms of Horror, Suspense and Thriller films of Short and Feature length, all lengths of Comedies and Documentaries, along with Feature and Short lengths of GLBT and Religious/Spirituals films, along with Music Videos for the 2018 festival.
Our festival is seeking the best films that the world has to offer while working to give new and veteran Independent Filmmakers the attention they deserve.
As a 501c(3) non-profit, the Erie International Film Festival will accept submissions of films regardless if those films are of world premiere status at the time of submission, or if the film has been screened publicly or otherwise distributed anywhere at the time of submission.
Film enlightens the world, opens our eyes, and shows us things we do not see every day, and makes us feel things we do not always feel. Across countries, languages and classes, a film has the ability to provide us with a release, an escape, forgetting the real world and the cares of everyday life while expanding the imagination and opening the door to new possibilities.
Our festival introduces independent filmmakers the world over to Erie Pennsylvania, as our City embraces the arts and culture that the worldwide filmmaking community delivers with new stories, and new points of view.
The Erie International Film Festival celebrates new trends in digital media and recognizes Transmedia Filmmakers who employ an innovative, interactive, web-based or multi-platform approach to story creation. Through open submissions, selections will be presented to the public via state-of-the-art-technology.
Our Festival’s mission is to help filmmakers reach the broadest possible audience while allowing the general public to experience the power of cinema in the digital age while showcasing the City of Erie as not only an excellent tourist destination but as a filmmaking alternative of the East Coast.
In addition to our live Film Festival event that will take place in December 2018, our festival will expand its reach beyond the great City of Erie Pennsylvania, offering to both filmmakers who may not be able to attend our festival, and to independent film lovers around the world, the opportunity to take part in our festival through a unique virtual theater platform with our online festival, December 6 – December 15, 2018.
Much like with the digital technology that has swept independent film festivals throughout the world since the early 2000s, for many reasons the virtual theater is quickly becoming the first, best choice for festivals, and the new home of Independent film screening worldwide.
The virtual theater is the future of film festivals, as more and more festivals are now screening films online, and even the big festivals such as the Sundance Film Festival and the Tribeca Film Festival are moving to online screenings.
Our virtual theater allows the filmmaker’s work to be showcased to the world with the highest levels of security and presentation quality. Unlike any online screening system in the world, ours never allows films to be copied, downloaded, or reproduced in any way, nor can the HTML code of any film be copied and pasted into any other site successfully. No film launched in our virtual theater can play or even appear on any other website.
It was with much time and expense that this state-of-the-art and revolutionary online screening platform was developed, always keeping both the Filmmaker’s peace of mind.
Tokyo Sun Film festival attemtps to setting up in Tokyo to provide independent filmmakers with a platform that offers them interaction, networking and greater visibility.
Our screening takes place at the cinema chupki theatre in the tabata District, located in the north of Tokyo - a hip location in Tokyo for independent, counter-culture and progressive thinking.
Dock of the Bay é um festival focado na divulgação de filmes de não ficção que abordam o extenso mundo da música em seus diferentes aspectos temáticos e formais.
O Festival Dock of the Bay acontecerá em Donostia-San Sebastian de 3 a 8 de maio de 2023.
Abraçando o meio do curta-metragem, Tally Shorts Film Festival está animado para trazer uma experiência de cinema verdadeiramente única e independente para o norte da Flórida, com o objetivo de aumentar a conscientização da comunidade e o apoio ao cinema como um bem cultural e econômico. Além de exibir cinema de todo o mundo, Tally Shorts é dedicado a preservar, nutrir e cultivar cineastas locais, fornecendo uma avenida para rede, mostrar e discutir todos os aspectos do filme.
FESTIVAL INTERNACIONAL DE CINEMA DE SAN LUIS POTOSÍ (FICSLP)
Chamada 2023, 11° FESTIVAL INTERNACIONAL DE CINEMA DE SAN LUIS POTOSÍ
O Festival Internacional de cinema de Hermosillo nasceu em 2012 fundado por um grupo de jovens empreendedores com paixão pelo cinema e com o desejo de reconhecer aqueles que compartilham e vivem essa paixão através de seus filmes, graças aos esforços de uma associação sem fins lucrativos e com o objetivo de reconhecer o esforço e talento dos cineastas de todo o mundo fornecendo uma fonte de cultura e turismo que impulsiona o desenvolvimento do talento e do amor pelo cinema para o Estado e a sociedade.
O Festival Internacional de Cinema sobre Direitos Humanos Bajo Nuestra Piel é um projeto que visa gerar um espaço de debate e reflexão sobre temas de Direitos Humanos por meio da representação artística em formato documental, de ficção e animação, de cinema crítico, socialmente comprometido e de qualidade.
Outdoor and indoor short film festival with a week of feature screenings.
2019 Sanctuary Cove International Film Festival on the Gold Coast, Australia.
Over 20k in Prizes from November 22 - 28.
The registration of a film in the competition selection process of the festival indicates the full acceptance of these bases. The organization of the Festival will resolve in an unappealable manner with respect to any matter included in this regulation or its interpretation. The sender of the film authorizes FEDOCHI to select some sequences not exceeding three minutes that can be broadcast by TV, within the framework of programs and spots that disseminate the festival.
The 14th version of the Documentary Film Festival of Chiloe will take place between November 5 and 10, 2018.
O Festival de Cinema Fantástico de Montevidéu é o primeiro festival uruguaio dedicado a promover produções cinematográficas nacionais e internacionais relacionadas aos gêneros de terror, fantasia e ficção científica. Seu objetivo é apresentar anualmente criações independentes e ultra-independentes, muitas vezes consideradas “menores” e que dificilmente acessam circuitos comerciais e culturais.
Possui seções relacionadas a curtas-metragens e longas-metragens em competição, além de exposições, homenagens a diferentes figuras do gênero, palestras apresentadas por especialistas e promoção de diferentes atividades culturais que ocorrem no país.
O Festival de Cinema Fantástico de Montevidéu foi declarado de Interesse Cultural pelo Ministério da Educação e Cultura, de Interesse Municipal pela Intendência de Montevidéu e de Interesse Turístico pelo Ministério do Turismo do Uruguai.
Foi exibido no Festival Internacional de Cinema de Punta del Este, no Festival de Cinema LatinUy (seção “Cinema Fantasia”, em La Barra), no Festival Internacional de Cinema de Piriápolis de Película (seção “FantaPiria”), bem como em vários festivais de gêneros estrangeiros, como 'Buenos Aires Rojo Sangre' da Argentina; 'Festival Internacional de Cinema Fantástico de Brasilia' do Brasil; 'FIXIÓN Fest' do Chile e ''Zinema Zombie Fest' da Colômbia.
iAniMagic 2017 requires its participants to submit 2D animations varying in length from 15 to 120 seconds, created either alone or in a team of up to five, using any software to express their thoughts on the theme: the Future. “Technology is the future. As a tech company, we know this requires a lot of imagination. We want to encourage participants to stretch their minds,” stated Kevin Huang, Project Leader and the Chief Designer of AniZone.
Since its inception in 2011, iAniMagic has received over 680 submissions from over 70 nations, given over 20,000USD in prizes, and hosted many reputable industry professionals as judges. “Among this year’s judges is Gabe Swarr, Supervising Producer in Development at Nickelodeon Animation Studios. Swarr has worked on projects such as the movies Kung Fu Panda, and Casper Meets Wendy, as well as various episodes of the Jetsons. Joining Swarr are other reputable industry artists, Lyndon Ruddy, Basil Chen, and Sun Gia Lung.
Tokyo Sun Film festival attemtps to setting up in Tokyo to provide independent filmmakers with a platform that offers them interaction, networking and greater visibility.
Our screening takes place at the cinema chupki theatre in the tabata District, located in the north of Tokyo - a hip location in Tokyo for independent, counter-culture and progressive thinking.
The Capricorn Film Festival is a not for profit organisation that discovers local, national and international cinema gems, and shares them with a diverse audience of film lovers.
The Capricorn film festival was established to encourage production, not just exhibition. Our event is not just about ‘showing’ films – it’s about ‘making’ them. We aim to provide you with the opportunity to showcase your work to as wide an audience as possible, and help you promote your career and film-making endeavours.
The event is held mid year, where a crowds of thousands from all over Central Queensland enjoy five days of cinema, supporting filmmakers from the region and all corners of the globe.
Shortlisted films are screened at the event with a total prize pool of $4,000 in cash and prizes awarded between the winners of each category.
The festival is open to any level of filmmaker, from amateur to professional and is supported by some of Australia's premiere filmmakers and industry companies.
We appreciate our Festival ALUMNI. Contact us to receive your DISCOUNT coupon code on any upcoming entries.
O objetivo do festival se refere à conscientização dos filtros externos na tela, incluindo a censura (comercial, ideológica, estética), e dos filtros internos de percepção e projeção da tela, incluindo a autocensura. NEFILTRAVANAE KINO é uma exploração da estetização e mercantilização na arte. O próximo objetivo do festival é expor a complexidade, a multiplicidade e a variedade do cinema.
NEFILTRAVANAE KINO é um festival de cinema realizado pelo Short Movie Club, a plataforma para projetos cinematográficos. NEFILTRAVANAE KINO é um festival qualificado para o Prêmio ADAMI Media. A Conferência Internacional de Estudos Cinematográficos é realizada ao mesmo tempo que o festival de cinema. Dessa forma, a teoria e a prática do cinema são integradas no NEFILTRAVANAE KINO.
Originalmente, o festival foi realizado na Bielorrússia, mas devido à repressão política e à postura anti-guerra declarada publicamente, exibições e eventos podem ser realizados em diferentes países. Primeiro de tudo na Lituânia (Vilnius). Por exemplo, o 10º Nefiltravanae Kino aconteceu em Berlim, Vilnius e Helsinque no ano passado. Foram selecionados 63 filmes para 12 programas de filmes. https://shortmovie.club/programmes/10-2024/
O conceito do NEFILTRAVANAE KINO (cinema não filtrado):
PROBLEMA DE ALIENAÇÃO
Vivemos em um mundo de shoppings e multiplexes de cinema. Vemos que o cinema independente e a arte não mercantil vão para a periferia da atenção pública. Atrações primitivas substituem a cinematografia. O público do escape está alienado por trás da tela grande. Portanto, o cinema convencional moderno é parte de uma ferramenta de manipulação que leva à sociedade da alienação. Assim, a tendência é que o cinema independente se torne mais ilegível para o grande público. Devemos entender o contexto do cineasta para entender o cinema independente. É por isso que o conceito NEFILTRAVANAE KINO implica a presença física dos cineastas.
PROBLEMA DE SELEÇÃO DE FILMES
Os cineastas gravam milhões de filmes. E milhares de festivais de curtas-metragens organizam exibições em todo o mundo todos os anos. Em média, vários milhares de filmes são submetidos a um festival de cinema. Portanto, vários bons filmes podem ser negligenciados por qualquer motivo. Muitas vezes, selecionar a probabilidade é como ganhar na loteria. Como resultado, os cineastas ficam sem feedback. É um paradoxo que ninguém possa te ouvir na era da Internet! A cultura dominante prefere atrações e visitas casuais.
Além disso, essa ideia é baseada no problema de seleção de filmes. Talvez não seja surpresa que uma pessoa, ou seja, o diretor do programa, na melhor das hipóteses, ou até mesmo estudantes de escolas de cinema tomem a decisão preliminar de selecionar um filme. A concordância de juízes ou pré-visualizadores é mais rara do que a diferença de formação e gostos. Portanto, a seleção ou o julgamento podem ser unilaterais ou superficiais. Não é ruim, pois o diretor do programa tem bom gosto e sensibilidade estética, é claro. Mas descobrimos outra concepção de “cinema não filtrado”. Nós o comparamos com o método “o melhor dos melhores”. Dessa forma, ajuda a perceber o idioma cinematográfico sem o ditame dos curadores de arte.
CELEBRAÇÃO DO CINEMA INDEPENDENTE
Portanto, o Unfiltered Cinema Film Festival tenta evitar “o melhor dos melhores”, mas não o ignora completamente, com certeza. O festival seleciona seções de ficção, animação, documentário, experimental e realidade virtual. Um júri premia o melhor filme em cada seção. O festival realiza as exibições em cinemas, no Centro Nacional de Artes Contemporâneas e em espaços de arte.
Nosso objetivo é reunir pessoas na arte, dialogar e ser felizes com a comunicação inteligente. Cinema é arte, mas não esporte. O ponto chave do nosso projeto é estabelecer a comunicação entre o cineasta e o público.
Por favor, leia sobre a história do festival através do link para o site do festival. http://shortmovie.club/history/
O Short Movie Club fornece a construção do CineMaVan (consulte https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia).
a) The filmmakers must be:
- Regular students of careers linked to the audiovisual area of Chilean universities.
- Students graduated or qualified during the years 2016 and 2017, of careers linked to the audiovisual area of Chilean universities.
b) Participating short films must be national, that have been realized in some Chilean university after the 1 of January of the year 2015.
c) Works that have been part of the pre-selection and / or competition stage of previous versions of UDLA Festoc may not participate.
d) All participating works must be spoken, dubbed or subtitled in Spanish.
e) The participating works must have a maximum duration of 30 minutes, with credits included.
f) By the mere fact of registering his work, the applicant declares that he has read and accepted the rules of the contest.
Asian Film Centre Global Fest is an annual event designing to spot filmmaking talent and matching them with international sales agents. AFC Global Fest is all about true indie spirit. It is designed to be the bridge between independent filmmakers and international sales agents. Winning films will get a chance to be represented at global film markets.
With substantial revenue (sometimes well above 50 percent) coming from exploitation outside of a film’s home country, it is vital that producers should target and then structure deals with foreign sales agents.
What is an international sales agent?
An international sales agent is the conduit to your film’s distribution outside of its country of origin. The sales agent will acquire a set of rights from you, pitch and sell these distribution rights to potential distributors around the world, draft distribution agreements, deliver the physical and electronic materials of your film to these distributors and, finally, collect and pay the revenue due to you. An international agent will be your partner for years, helping craft the commercial life of your film on the world stage.
What is an independent cinema?
“independent cinema” as film outside the established system of filmmaking. Probably even more widely, beyond the established system of values: the experimental, low-budget, underground, various new wave, and so on.
Why should you submit to AFC Global Fest?
Because it is path-breaking, one of its kind event. Asia is the biggest film market of the world, e.g. Chinese film market and the Indian Film market. This is your chance to show your presence in Asia. As the submission is free you can always take a chance.
The FIRST THURSDAYS FILM FESTIVAL is a MONTHLY festival hosted by The FATHER/DAUGHTER FILM REPORT (so your entry is good for a year, basically giving you 12 chances to get in).
The FATHER/DAUGHTER FILM REPORT can be found on FILM FESTIVAL TODAY magazine
www.filmfestivaltoday.com
Yes, we report on film festivals from around the world with the unique perspective from an old baby-boomer (Dad) and a young millennial (Amanda).
Now having our OWN film festival, our wish is to help film makers with EXPOSURE & NETWORKING in a unique way (besides receiving laurels and having your film shown to a packed house):
We get exposure globally for your film with a write up in FILM FESTIVAL TODAY magazine, which is seen world-wide....and seen by some pretty big names world-wide, too! (For example, at the 2015 China/USA film summit, David was granted an interview with Wei Zhang, president of Alibaba Pictures, the largest film company in China to find out what she is looking for).
If your film is a fan-favorite, or you have a unique story about your film - or youself - we usually do a feature story on THAT, too. No other film festival (unless you win the Academy Awards or maybe Sundance) can give you THAT kind of GLOBAL EXPOSURE.
The festival is held 20 minutes south-east of downtown Austin & 15 minutes from Bergstrom Airport, where we will come to pick you up if you are an official selection and decide to come in person, as well as take care of your room & board if you are staying the night.
Can't make it to central Texas? We understand. However we want you still to be able to experience the film festival NETWORK experience, so after we show your film we'll SKYPE you and/or your colleagues in...unless you're camera shy.
