The Cineminha Project includes free samples of short films aimed at children from public schools (05-12 years), teachers, families and the community in general.
The free shows aims to approach the film and animation in a playful way through the show short films. In addition to shows, the project also does animation workshops and production of audiovisual content, thus arousing children's creativity and interest in audiovisual and other forms of artistic expression.
DocuTIFF is exited inviting filmmakers to submit their films in the third edition of 2017 festival, which will take place in Tirana, this coming June, 2–9, 2017. DocuTIFF invites all documentaries from established and debut filmmakers alike to apply their films in International Competition and In Albanian Competition.
DocuTIFF aims to encouraging documentary film production in Albania and to give more chances to our filmmakers finding cooperation and enabling mutual contacts with their colleagues in our region, to build up a favorable climate creation in Albania and wider in region for development and cooperation of such productions.
DocuTIFF last year screened 180 films in three venues as well as in open air making it the largest film festival of its kind in Albania and one of the most important in the region.
PROGRAM
A. COMPETITION PROGRAM
Competition features four distinct sections:
∆ Feature Film Competition
∆ Mid Length Competition
∆ Short Film Competition
∆ In Albanian Film Competition
B. Open to any filmmaker from around the world DocuTIFF showcases the very best in documentary cinema from around the world, in such programs as Focus, Panorama, Reflecting Albania, RetrospecTIFF, Festival Partners, Special Screenings, Workshops & Masterclasses, Homage & Tributes, international guests together with Galá Awards and other special events.
C. NEW FEATURES – PARALLEL SCREENINGS
DocuTIFF has the pleasure to announce four optional services available for applicants.
The applicants must apply clearly for each one of these new services. Fill the appropriate field in the entry form.
∆ DocuTIFF.TV Competition
With our media partners we offer the possibility to directors screening their films (selected for the official competitive program or not) to the Albanian audience and win the TV audience awards in a yearly competition.
∆ DocuTIFF on Tour
DocuTIFF will act as ambassador for the submitted films and will travel with a selection to other Albanian cities during the year. DocuTIFF will also propose special screenings to other regional festivals in accordance to a specific subject or theme of each collaborative festival.
∆ DocuTIFF Online Library
TIFF offer the online presentation of each film, in a dedicated page, as a part of a film library, with all related information and with the possibility to receive comments from the international Internet audience and industry. The screening of films is open to anyone without charges. The films will be available for viewing in the film library as long as director/producer wishes.
∆ DocuTIFF Market Corner
DocuTIFF will create a market corner during the eight days, where potential buyers can watch all films and make their selection. DocuTIFF will also act as a festival promoter and distributor. In case of financial contract with a distributor, DocuTIFF will receive a fee of 5%.
The Roswell Film Festival honors International Feature and Short Films of all genres. Special Sections include: General Entry, Sci-Fi/Fantasy, Independent, Documentary and New Mexico based productions.
Taking place May 19-21, 2016 the Annual Roswell Film Festival will host films, special events, panel discussions and you in the Alien Capitol of the World.
Finished films in the categories of Feature Films (running time over 60 minutes) and Short Films (running time under 60 minutes) may enter into the festival.
Entry Fee of $35. The fee for the Festival is for already completed films.
The International Inonu University Short Film Festival, which will be held from April 15th to 18th, 2019, welcomes the film lovers in the 12th year ...
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
Der unabhängige Showcase Diversity in Cannes Short Film & Web Series Showcase wurde ins Leben gerufen, um Inhaltsersteller mit unterschiedlichem Hintergrund zu ermutigen, ihre Geschichten während der Filmfestspiele von Cannes zu teilen. Er fördert die Arbeit verschiedener Filmemacher (Denken, Rasse, Geschlecht, Alter, Religion, körperliche Fähigkeiten und sexuelle Orientierung) und würdigt sie weltweit für ihre filmischen Leistungen.
Die sechs bis acht Filme und Webserien ALLER teilnahmeberechtigten Beiträge, die von Beyond Borders: Diversity in Cannes und seinen Partnern ermittelt wurden, werden im Wettbewerb berücksichtigt und im Mai 2018 im Rahmen des Diversity in Cannes Short Film & Webseries Showcase im Mai 2018 auf einer unabhängigen Veranstaltung während der Filmfestspiele von Cannes gezeigt. Die Gewinner werden von einer Jury ermittelt und im Showcase bekannt gegeben.
Während die Veranstaltungen gleichzeitig mit den Filmfestspielen von Cannes in Frankreich stattfinden, ist das Diversity in Cannes Short Film Showcase eine UNABHÄNGIGE VERANSTALTUNG!!!
BOSIFEST ist das Internationale Dokumentarfilmfestival für und von Menschen mit Behinderungen, das einzige seiner Art in Südosteuropa, das dieses Jahr zum sechzehnten Mal vom Hendi Center Koloseum in Serbien organisiert wird. Wie in den letzten fünfzehn Jahren wird auch in diesem Jahr eine große Anzahl von Filmen auf der großen Leinwand gezeigt, sowohl im wettbewerbsorientierten als auch im nicht wettbewerbsorientierten Teil. Bisher hatten die Besucher des BOSIFEST die Möglichkeit, 850 Filme zu sehen, die das Leben von Menschen mit Behinderungen zum Thema hatten oder die von behinderten Autoren geschaffen wurden.
Neben Filmvorführungen bietet BOSIFEST zusätzliche Programme in Form von Workshops, Podiumsdiskussionen und Diskussionsrunden.
Coachella Valley International Film Festival is preparing for our first fantastic festival of independent filmmaking from April 28, 2017, under the stars.
CVIFF is dedicated to celebrating the works of independent filmmakers from around the world, and we pay special attention to ultra low-budget films by first and second-time directors.
The International Inonu University Short Film Festival, which will be held from April 15th to 18th, 2019, welcomes the film lovers in the 12th year ...
Das International Tour Film Fest 2025, der diesjährige internationale Wettbewerb, steht Kurz-, Mittellangen-, Vertikalfilmen, KI-Kurzfilmen und Spielfilmen offen. Das Festival wird vom Cultural CivitaFilm mit Sitz in der Via Togliatti Nr. 12 -00053- Civitavecchia (Rom, ITALIEN) in Zusammenarbeit mit: Mibact, Stadt Civitavecchia, Regione Lazio und Enel gesponsert und organisiert.
We are happy to announce the 1st edition of BUZZ CEE International Film Festival, running May 4th to May 8th 2016 in Buzau, Romania.
BUZZ CEE – Buzau International Film Festival is the newest international film festival dedicated to film makers from the CEE region, including Greece and Turkey.
We know the CEE (Central and Eastern Europe) region is home to creative, powerful and entertaining stories and we wish to help sharing them with the world.
We seek films that entertain, inform, create defining stories and break conventions.
Our goal is to showcase and promote these stories and further shed a positive light on our region and its creativity. Either feature films, short films or documentaries, they can all find their place at BUZZ CEE.
We look forward to presenting your films to the public between May 4th – 8th in the beautiful county of Buzau, Romania.
To make the spectators’ and your experience memorable, the festival will include panels, parties, special events and, of course awards.
Ziel des Festivals ist es, das Wissen über Filmkunst, insbesondere in Form von Kurzfilmen, zu verbreiten, um dem Publikum alle Aspekte des zeitgenössischen internationalen Kinos zu zeigen.
The festival is being conducted since the year 2001, and its task is to show as widely as possible, the condition of the contemporary audiovisual creations of young authors.
Films from 70 countries were exhibited during the previous festivals.
Student Cuts film festival is aimed at young authors in the early stages of their film careers. Their independence lets them work on unconventional, creative, energetic and subtle ideas. Such films are an important insight into the local environments and everyday themes seen from a different perspective. By joining Student Cuts network the authors not only gain access to the big screen, but a network of audiences all over Europe, contacts with experts and simply gain exposure. In the end, films are made to be watched.
The Fine Shortfilm Festival is a non-competitive shortfilm event, hosted in São Paulo, addressed to the works of the new generations of Brazilian filmmakers.
Awarded MovieMaker Magazine's "20 Coolest Film Festivals In the World"
MovieMaker Magazine's "Top 25 Film Festivals Worth the Fee"
The San Francisco Frozen Film Festival (SFFFF) is a Nonprofit 501(c)(3) organization founded in 2006 that is dedicated to creating avenues for independent filmmakers, youth, filmmakers of conscience, and artists from underserved communities to come together and exhibit their work to the widest possible audience.
The San Francisco Frozen Film Festival is held every summer in the heart of the Mission district in San Francisco at the Roxie Theatre. Filmmakers whose work is accepted into the festival are invited to come to the city by the bay in the dead of summer to screen and discuss their work.
In addition to our annual international film festival, the SFFFF Youth Program is specifically focused on demonstrating to underserved youth that existing pathways do exist to help them find a career in the film arts. SFFFF holds annual music and art performances, as well as youth programming and awards presentations.
Das Bašta Fest ist ein internationales Kurzspielfilmfestival, das in Bajina Bašta, Westserbien, stattfindet. Es ist eine jährliche Veranstaltung, die am ersten Juliwochenende stattfindet und vier Tage dauert. Aufgrund des Berufs der Gründer (Schauspieler Jovan Jelisavčić und Maja Šuša) ist der Hauptinteresse des Festivals eine Zusammenarbeit zwischen Regisseuren und Schauspielern. Wir glauben, dass die Fokussierung auf die Qualität dieser gemeinsamen künstlerischen Anstrengungen einen positiven Einfluss auf die Positionierung des Bašta Fest unter den Kurzfilmfestivals haben wird. Das Bašta Fest ist von großer Bedeutung für die Dezentralisierung der Kultur, da es vielfältige Film-, Musik- und Off-Programme in diese wunderschöne Region gebracht hat. Eine der Prioritäten des Festivals ist es, eine große Anzahl von Besuchern die unglaubliche natürliche Schönheit zu fördern. Unser Hauptziel ist es jedoch, dieses Festival in eine aufregende kulturelle Oase umzuwandeln, die lokale und internationale junge Künstler unterstützt und den Schwerpunkt auf Kurzspielfilme mit Authentizität legt. Die Hauptauswahl ist ein Kurzfilmprogramm des Wettbewerbs, während zwei Filme als Teil eines Nicht-Wettbewerbs, eines Sonderprogramms jedes Jahr gezeigt werden - einer während der Eröffnung und einer während der Abschlussfeier. Der letzte, der gezeigt wird, ist ein serbischer Debüt-Spielfilm, der vom Bašta-Festteam als erfolgreichster im Vorjahr gewählt wurde. Der Eintritt zu allen Vorführungen in Bašta ist kostenlos, während sie immer unter offenem Nachthimmel stattfinden. Derzeit gibt es zwei offizielle Festivalplätze: den Borići-Park und den Perućac-See.
14. Ausgabe des Internationalen Filmfestivals für Kinder und Jugendliche „AnifestroZafa“ am 13.-16. November 2023 in Shkodra, Albanien.
Die internationale Jury des Festivals ManifestroZafa2023 wird in Zusammenarbeit mit der European Children's Film Association ECFA gegründet.
Die Bewertung der künstlerischen Werte erfolgt durch eine internationale Jury und eine Sonderjury, bestehend aus 23 Kindern im Alter von 8 bis 12 Jahren.
In der Auswahl wird der Siegerfilm „ECFA Award“ bekannt gegeben, der als Konkurrent zu den BERLIN-Festspielen im Februar 2024 geht.
Filme, die an der 14. Ausgabe des Internationalen Filmfestivals für Kinder und Jugendliche teilnehmen sollen, müssen nach dem 1. Juni 2021 produziert worden sein.
FRISTEN.
Die Wettbewerber werden darüber informiert, dass die Online-Registrierung auf der Grundlage der Verordnung am 10. Dezember 2022 beginnt, - Zahlung von 20 Euro
Studentenfilme - Zahlung von 12 Euro
Ein Kurzfilm, der nicht länger als 15 Minuten ist, wird akzeptiert.
Es gibt keine Einschränkungen für die Anzahl der Filme, die Sie aufnehmen.
Bevor Sie das Anmeldeformular ausfüllen, lesen Sie bitte die Bestimmungen des „AnifestroZafa“.
Die Liste der für das Finale ausgewählten Filme wird am 15. September 2022 auf der offiziellen Website des Festivals veröffentlicht: http://anifestrozafa.org/
